1 00:00:26,420 --> 00:00:29,110 It's another hot, sunny day today here in Southern California. 2 00:00:29,140 --> 00:00:31,260 Temperature is 84 for downtown Los Angeles, 3 00:00:31,340 --> 00:00:32,860 overnight lows of 75. 4 00:04:53,940 --> 00:04:55,950 already has won three Oscars, 5 00:04:55,980 --> 00:05:00,300 including for the 1998 film Shakespeare in Love. 6 00:05:25,980 --> 00:05:28,900 I mean, we could not believe what was happening. 7 00:05:28,980 --> 00:05:32,740 I swear to God, she was wrecked. 8 00:05:32,820 --> 00:05:35,100 (LAUGHS) She was completely wrecked! 9 00:05:35,180 --> 00:05:40,780 I know. I know, it was pure insanity. 10 00:05:40,860 --> 00:05:43,060 It's insanity... 11 00:05:43,140 --> 00:05:44,500 Ah! 12 00:05:44,580 --> 00:05:47,860 - "Lunacy! It was pure lunacy." - (HORN HONKING INSISTENTLY) 13 00:05:57,860 --> 00:05:59,740 What is his prob... I should go. 14 00:06:08,100 --> 00:06:09,510 Cappuccino, please. 15 00:06:09,580 --> 00:06:11,580 - Right. Of course. - On us. 16 00:06:11,700 --> 00:06:13,460 Oh, no, thank you. I insist. 17 00:06:26,140 --> 00:06:27,620 (WHISPERING) Did you see who that was? 18 00:06:45,060 --> 00:06:46,300 Shit! 19 00:06:47,740 --> 00:06:50,630 - Mia, where do you think you're going? - Oh, it's five after. 20 00:06:50,700 --> 00:06:52,780 - You better be here early tomorrow. - Okay. 21 00:06:54,220 --> 00:06:55,740 Have a good night! 22 00:06:55,820 --> 00:06:56,860 Uh! 23 00:07:09,780 --> 00:07:14,260 She was wrecked! It was pure lunacy, it was... 24 00:07:14,340 --> 00:07:18,740 It was so crazy, and I just... Oh, you would have died. 25 00:07:20,620 --> 00:07:25,340 No, Turner's fine. Turner's fine. I just, um... 26 00:07:25,420 --> 00:07:28,540 Are you gonna wait 'til Denver to tell her, or...? 27 00:07:32,140 --> 00:07:33,380 What? 28 00:07:42,780 --> 00:07:44,020 Okay. 29 00:07:48,940 --> 00:07:50,460 (VOICE BREAKING) No, I'm happy for you. 30 00:07:53,300 --> 00:07:54,980 I am. I'm happy for you, I just... 31 00:07:58,460 --> 00:08:00,140 I just thought... 32 00:08:03,900 --> 00:08:06,620 - I don't know, I guess I thought... One second. 33 00:08:08,340 --> 00:08:10,990 - What, Ruby? Jessica's on the phone. 34 00:08:11,060 --> 00:08:13,220 Um, tell her I'll call her back. 35 00:08:13,300 --> 00:08:14,660 In two minutes? 36 00:08:14,780 --> 00:08:16,900 - Less than two minutes. - I'll go get your lunch. 37 00:08:16,980 --> 00:08:18,660 I'm almost done. Thank you. 38 00:08:27,820 --> 00:08:31,420 Oh, you know what? I think we're good. Thanks for coming in. 39 00:09:34,420 --> 00:09:38,180 Whoa! Holy shit! You wanna open a window? 40 00:09:38,260 --> 00:09:41,150 - I was trying to give you an entrance. - Thank you. 41 00:09:41,220 --> 00:09:43,100 Mia! How'd the audition go? 42 00:09:44,180 --> 00:09:45,220 Eh. 43 00:09:45,300 --> 00:09:47,700 Eh, same here. Was Jen there or Rachel? 44 00:09:47,780 --> 00:09:50,260 - I don't know who Jen and Rachel are. - They're the worst. 45 00:09:50,340 --> 00:09:53,460 - Well, I don't know if they were there. - I bet they were. 46 00:09:53,540 --> 00:09:56,510 Why is there a convention in the bathroom? 47 00:09:56,580 --> 00:09:59,390 Two minutes, people. Mia, you're coming, right? 48 00:09:59,460 --> 00:10:01,700 I can't! I'm working. 49 00:10:01,780 --> 00:10:02,940 What? 50 00:10:03,940 --> 00:10:06,180 Did she just say "working"? 51 00:10:06,260 --> 00:10:07,780 - (KNOCKING ON DOOR) - What? 52 00:10:07,860 --> 00:10:09,270 I'm sorry it didn't go well today, 53 00:10:09,340 --> 00:10:11,550 and there's like four things in my inbox that you're perfect for, 54 00:10:11,580 --> 00:10:14,500 and I will submit you. But right now you're coming! 55 00:10:14,580 --> 00:10:15,860 It'll be fun. 56 00:10:15,940 --> 00:10:17,700 - It's not gonna be fun. - It could be. 57 00:10:17,820 --> 00:10:20,220 It's not. It's gonna be a bunch of social climbers 58 00:10:20,300 --> 00:10:22,820 all packed into one of those big glass houses. 59 00:10:22,900 --> 00:10:24,230 This looks familiar. 60 00:10:24,300 --> 00:10:26,820 - I was gonna give that back. - How long have you had this? 61 00:10:26,900 --> 00:10:28,860 - A long time. - Come on, Mia. 62 00:10:28,940 --> 00:10:30,230 When else are you gonna get to see 63 00:10:30,260 --> 00:10:32,260 every Hollywood cliché crammed into the same room? 64 00:10:32,340 --> 00:10:33,860 We'll make fun of it together! 65 00:10:33,940 --> 00:10:35,780 (GASPS) I'm disappointed in you, Lex. 66 00:10:35,860 --> 00:10:37,100 There's nothing to make fun of. 67 00:10:37,180 --> 00:10:40,980 This party's gonna be humanity at its finest. 68 00:11:01,580 --> 00:11:03,380 Oh, God help us all! 69 00:12:11,540 --> 00:12:13,140 - (ALL EXCLAIM) Hey, girl! 70 00:15:19,660 --> 00:15:21,180 No, no. 71 00:15:22,180 --> 00:15:24,780 Oh, come on! What? 72 00:15:28,580 --> 00:15:31,420 Ahh! (GROWLS) 73 00:18:17,860 --> 00:18:19,660 Please stop sneaking into my home. 74 00:18:19,740 --> 00:18:21,470 You think Mom or Dad would call this a home? 75 00:18:21,500 --> 00:18:22,780 What are you doing? 76 00:18:22,860 --> 00:18:24,590 Please don't do that. Please don't sit on that. 77 00:18:24,620 --> 00:18:25,660 Are you kidding? 78 00:18:25,740 --> 00:18:26,990 Please don't sit on that. Don't sit on that. 79 00:18:27,020 --> 00:18:28,350 Don't sit on that. Hoagy Carmichael sat on that! 80 00:18:28,380 --> 00:18:30,820 - Oh, my God! - "The Baked Potato" just threw it away. 81 00:18:30,900 --> 00:18:33,500 - I can't imagine why. - And now you're just sitting on it. 82 00:18:33,580 --> 00:18:35,700 - I got you a throw rug. - I don't need that. 83 00:18:35,780 --> 00:18:38,590 What if I said Miles Davis pissed on it? 84 00:18:38,660 --> 00:18:41,740 It's almost insulting. Is it true? 85 00:18:41,820 --> 00:18:44,470 When are you gonna unpack these boxes? 86 00:18:44,540 --> 00:18:46,220 When I unpack them in my own club. 87 00:18:46,300 --> 00:18:49,820 Oh, Sebastian! It's like a girl broke up with you and you're stalking her. 88 00:18:49,900 --> 00:18:51,500 You're not still going by there, are you? 89 00:18:51,580 --> 00:18:54,340 (SCOFFS) That's... 90 00:18:54,460 --> 00:18:56,670 You won't believe it. They turned it into a samba-tapas place. 91 00:18:56,700 --> 00:19:00,340 - Oh, my God, Sebastian! - Samba. Tapas. 92 00:19:00,420 --> 00:19:02,860 Pick one, you know? Do one right. 93 00:19:02,940 --> 00:19:06,500 - I have someone I want you to meet. - I don't wanna meet anyone. 94 00:19:06,580 --> 00:19:07,910 No, no, I don't wanna meet anyone. 95 00:19:07,940 --> 00:19:10,380 - Dad gave you this? You'll like her. - Yes. 96 00:19:10,460 --> 00:19:12,780 I don't think I'm gonna like her. Does she like jazz? 97 00:19:12,860 --> 00:19:14,900 - Probably not. - Then what are we gonna talk about? 98 00:19:14,940 --> 00:19:16,780 I don't know! It doesn't matter, okay? 99 00:19:16,900 --> 00:19:19,940 Because you're living like a hermit. You're driving without insurance! 100 00:19:20,020 --> 00:19:21,390 - "It doesn't matter"? - Yeah, it doesn't matter. 101 00:19:21,420 --> 00:19:22,910 - Okay. Well, I know a guy... - You need to get serious. 102 00:19:22,940 --> 00:19:24,110 with a face tattoo that you should see. 103 00:19:24,140 --> 00:19:25,710 - Okay, low blow. - With a heart of gold. 104 00:19:25,740 --> 00:19:27,980 - Get serious! - "Get serious"? 105 00:19:28,060 --> 00:19:32,270 Laura... I had a very serious plan for my future. 106 00:19:32,340 --> 00:19:34,500 - I know. - It's not my fault I got shanghaied. 107 00:19:34,580 --> 00:19:37,740 You didn't get shanghaied. You got ripped off! 108 00:19:37,820 --> 00:19:39,030 - What's the difference? - (GROANS) 109 00:19:39,060 --> 00:19:42,300 I don't know. It's not as romantic as that. 110 00:19:42,380 --> 00:19:44,420 Don't sit... 111 00:19:44,500 --> 00:19:47,940 Everybody knew that guy was shady except for you. 112 00:19:48,020 --> 00:19:51,700 Why do you say "romantic" like it's a dirty word? 113 00:19:51,780 --> 00:19:55,620 Unpaid bills are not romantic. Call her. 114 00:19:55,700 --> 00:19:56,980 I'm not gonna call her. 115 00:19:57,060 --> 00:19:58,390 And the thing is... (STAMMERS) 116 00:19:58,460 --> 00:20:00,660 You're acting like life's got me on the ropes. 117 00:20:00,740 --> 00:20:03,390 I want to be on the ropes. Okay? 118 00:20:03,460 --> 00:20:05,070 I'm letting life hit me 'til it gets tired. 119 00:20:05,100 --> 00:20:07,420 - Oh? - Then I'm gonna hit back. 120 00:20:07,500 --> 00:20:10,310 It's a classic rope-a-dope. 121 00:20:10,380 --> 00:20:13,580 Okay, Ali. I love you. Unpack the boxes. 122 00:20:13,660 --> 00:20:16,230 - I'm gonna change the locks. - You can't afford it. 123 00:20:17,540 --> 00:20:20,300 I'm a phoenix rising from the ashes. 124 00:21:07,860 --> 00:21:08,860 - Hey. - (CLEARS THROAT) 125 00:21:08,940 --> 00:21:11,420 - Bill. Thanks for having me back. - You're welcome. 126 00:21:11,500 --> 00:21:13,150 I want you to know you're lookin' at a new man, 127 00:21:13,180 --> 00:21:15,300 - a man that's happy to be here. - Good. Excellent. 128 00:21:15,380 --> 00:21:18,460 - Very-easy-to-work-with man. - And you're going to play the set list? 129 00:21:18,540 --> 00:21:19,950 Happy to. 130 00:21:20,020 --> 00:21:22,750 Even though I don't think anyone cares what I play, but, yeah. 131 00:21:22,860 --> 00:21:26,380 Well, if by "anyone" you mean anyone other than me, that would be correct. 132 00:21:26,460 --> 00:21:28,340 I care, and I don't wanna hear the free jazz. 133 00:21:28,420 --> 00:21:30,540 Right. Okay. 134 00:21:30,620 --> 00:21:32,220 Although I thought in this town 135 00:21:32,300 --> 00:21:35,820 it worked on a sort of "one for you, one for me" type system. 136 00:21:35,900 --> 00:21:38,940 How 'bout two for you, one for me? 137 00:21:39,020 --> 00:21:40,740 How 'bout all for you and none for me? 138 00:21:40,820 --> 00:21:42,230 - That's perfect, yes. - Great. 139 00:21:42,300 --> 00:21:43,870 - Okay. - Mutual decision, then. 140 00:21:43,940 --> 00:21:45,430 Right. Made by me. 141 00:21:45,500 --> 00:21:47,700 Right. And I sign off on it, so... 142 00:21:47,780 --> 00:21:50,540 Whatever. Tell yourself what you wanna know. 143 00:21:50,620 --> 00:21:53,900 Well. Welcome back. 144 00:21:53,980 --> 00:21:55,980 There's a nice way to say that, Karen. 145 00:22:03,060 --> 00:22:05,580 - (DIFFERENT CHRISTMAS SONG PLAYING) - (INDISTINCT CHATTERING) 146 00:24:59,100 --> 00:25:00,430 Seb. 147 00:25:12,940 --> 00:25:14,310 (STAMMERS) I hear what you're saying, 148 00:25:14,340 --> 00:25:16,030 but I don't think you're saying what you mean. 149 00:25:16,060 --> 00:25:18,030 Yeah, I don't think you hear what I'm saying. You're fired. 150 00:25:18,060 --> 00:25:20,310 Well, that's what you're saying, but it's not what you mean. 151 00:25:20,340 --> 00:25:22,580 - What you mean is... - You're fired. 152 00:25:22,660 --> 00:25:25,900 - "Play the set list." - No, I'm saying it's too late. 153 00:25:25,980 --> 00:25:28,580 - It's a warning. - What planet are you from? 154 00:25:28,660 --> 00:25:31,630 - Don't fire me, Bill. Don't fire me. - You're done. I'm sorry, Seb. 155 00:25:31,700 --> 00:25:32,980 It's Christmas. 156 00:25:33,060 --> 00:25:36,180 Yeah, I see the decorations. Good luck in the new year. 157 00:25:50,220 --> 00:25:52,700 I just heard you play, and I wanted to... 158 00:26:06,820 --> 00:26:11,780 I don't like the fissure on the GT scan. Did you test for achromatopsia? 159 00:26:11,860 --> 00:26:15,460 DOA on 23rd. Perp laughin' his face off at the PD. 160 00:26:15,540 --> 00:26:16,950 Damn Miranda rights. 161 00:26:17,020 --> 00:26:19,060 This is my classroom. 162 00:26:19,140 --> 00:26:21,020 You don't like it, the door's to my left. 163 00:26:21,100 --> 00:26:23,100 Lady, why you be trippin' like that? 164 00:26:24,180 --> 00:26:28,580 No, Jamal. You be trippin'. 165 00:26:37,740 --> 00:26:39,100 Jump right here! 166 00:26:49,060 --> 00:26:50,580 (LAUGHING) Oh, Mia! 167 00:26:50,660 --> 00:26:52,700 - Hi. - Hi. 168 00:26:52,780 --> 00:26:54,500 - I want you to meet my friend, Carlo. - Hi. 169 00:26:54,580 --> 00:26:55,750 - Hi. Carlo. - Carlo, this is Mia. 170 00:26:55,780 --> 00:26:57,860 - Mia? Hi. How are you? - Yes, Mia. 171 00:26:57,940 --> 00:26:59,510 Carlo is a writer. 172 00:26:59,580 --> 00:27:01,500 Yeah. They say I have a knack for world-building. 173 00:27:01,540 --> 00:27:02,820 I got a lot of heat right now. 174 00:27:02,900 --> 00:27:05,310 There's been a lot of buzz, people talkin' about me, which is exciting. 175 00:27:05,340 --> 00:27:07,230 I mean, you work so hard, and then all that validation. 176 00:27:07,260 --> 00:27:08,940 - I'm gonna grab a drink. - Okay. 177 00:27:09,020 --> 00:27:10,900 Nice to meet you. 178 00:27:31,900 --> 00:27:33,700 Sorry. 179 00:28:01,620 --> 00:28:05,220 Thank you. Any other requests? 180 00:28:07,300 --> 00:28:08,950 Girl in the front! 181 00:28:09,020 --> 00:28:10,220 "I Ran." 182 00:28:10,300 --> 00:28:13,620 "I Ran." A fantastic suggestion. 183 00:28:13,700 --> 00:28:15,620 All right, piano man, tickle those ivories. 184 00:28:15,700 --> 00:28:17,110 Let's hit it. 185 00:28:17,180 --> 00:28:18,940 One! Two! Three! Four! 186 00:28:30,340 --> 00:28:32,100 That's right. 187 00:28:42,180 --> 00:28:43,510 (MOUTHING) Me? 188 00:28:44,860 --> 00:28:46,100 Stop. 189 00:29:30,020 --> 00:29:32,060 All right, I remember you. 190 00:29:32,180 --> 00:29:34,540 And I'll admit I was a little curt that night. 191 00:29:34,620 --> 00:29:35,780 Curt? 192 00:29:35,860 --> 00:29:37,740 Okay, I was an asshole. I can admit that. 193 00:29:37,820 --> 00:29:38,820 Okay. 194 00:29:38,900 --> 00:29:42,140 But requesting "I Ran" from a serious musician, it's just... It's too far. 195 00:29:42,220 --> 00:29:45,860 My Lord! Did you just say "a serious musician"? 196 00:29:45,940 --> 00:29:48,100 - I don't think so. - Can I borrow what you're wearing? 197 00:29:48,180 --> 00:29:49,940 - Why? - 'Cause I have an audition next week. 198 00:29:50,020 --> 00:29:52,020 I'm playing a "serious" firefighter. 199 00:29:52,100 --> 00:29:54,140 So you're an actress. I thought you looked familiar. 200 00:29:54,180 --> 00:29:55,830 Have I seen you in anything? 201 00:29:55,900 --> 00:29:59,950 Uh... coffee shop on the Warner Bros. Lot. That's a classic. 202 00:30:00,020 --> 00:30:01,980 - Oh, I see. You're a barista. - Yeah. 203 00:30:02,060 --> 00:30:05,140 And I can see how you could then look down on me from all the way up there. 204 00:30:05,220 --> 00:30:07,220 Time to do the next set. 205 00:30:08,380 --> 00:30:11,980 He doesn't... I don't... he doesn't tell me what to do. 206 00:30:12,060 --> 00:30:13,470 He just told you what to do. 207 00:30:13,540 --> 00:30:16,430 I know. I let him. What's your name? 208 00:30:16,500 --> 00:30:17,540 - Mia. - Mia. 209 00:30:19,700 --> 00:30:21,580 Guess I'll see you in the movies. 210 00:30:23,940 --> 00:30:26,070 You heard of Joseph Campbell? Uh, yeah. 211 00:30:26,100 --> 00:30:28,590 I have this idea to do are-imagining of Goldilocks and The Three Bears, 212 00:30:28,620 --> 00:30:30,190 but from the perspective of the bears. 213 00:30:30,260 --> 00:30:32,190 - The hero's journey. - It could be like a franchise. 214 00:30:32,220 --> 00:30:33,270 - Right. - So we don't know. 215 00:30:33,300 --> 00:30:35,030 There could have been a fourth bear, we don't know. 216 00:30:35,060 --> 00:30:36,900 George Michael! 217 00:30:41,500 --> 00:30:42,740 Hello. 218 00:30:42,820 --> 00:30:44,150 - Sorry, it's... - Yeah, yeah. 219 00:30:44,220 --> 00:30:46,700 I know that guy. Did you get your keys? 220 00:30:49,140 --> 00:30:50,790 Mmm-hmm, yes. 221 00:30:50,860 --> 00:30:53,100 - Can you grab mine? - Can I what? 222 00:30:53,220 --> 00:30:54,710 Would you be able to grab mine? My keys? 223 00:30:54,740 --> 00:30:55,900 - I can't hear. - Sorry. 224 00:30:55,980 --> 00:30:58,790 - Can you grab my keys? - Oh. 225 00:30:58,860 --> 00:31:00,100 - Please? - Oh, there we go. 226 00:31:00,180 --> 00:31:01,980 - Thank you. - You're welcome. 227 00:31:04,260 --> 00:31:06,220 - What kind? - It's a Prius. 228 00:31:08,740 --> 00:31:10,230 That doesn't help me. 229 00:31:10,300 --> 00:31:12,980 - With a green ribbon. - All right. 230 00:31:15,940 --> 00:31:20,100 - Those look, uh, comfortable. - They are. 231 00:31:21,700 --> 00:31:23,860 Thank you for saving the day back there. 232 00:31:26,020 --> 00:31:28,910 Well, you didn't really give me much of a choice. 233 00:31:30,020 --> 00:31:32,910 It's pretty strange that we keep running into each other. 234 00:31:32,980 --> 00:31:36,900 It is strange. Maybe it means something. 235 00:31:36,980 --> 00:31:38,310 - I doubt it. - Yeah, I don't think so. 236 00:31:38,340 --> 00:31:40,620 Where's my car? 237 00:31:40,700 --> 00:31:42,700 You gotta put that thing to your chin. 238 00:31:42,780 --> 00:31:44,190 - This? - Yeah. 239 00:31:45,340 --> 00:31:46,990 Yeah, it makes your head into an antenna, so... 240 00:31:47,020 --> 00:31:48,350 - Ooh. - I think it gives you cancer, 241 00:31:48,380 --> 00:31:50,180 - but you find your car faster. - What? 242 00:31:50,260 --> 00:31:53,070 You don't live as long, but you get where you're going quicker, so it all evens out. 243 00:31:53,100 --> 00:31:54,620 That sounds terrible. 244 00:31:54,740 --> 00:31:57,310 - Just a suggestion. - You're a... 245 00:31:57,380 --> 00:32:00,140 You're a real, um... what's the word I'm looking for? 246 00:32:00,220 --> 00:32:01,820 "Knight in shining armor"? 247 00:32:01,900 --> 00:32:04,940 - Weirdo. That was the word. - Okay. 248 00:32:11,740 --> 00:32:13,150 Not much to look at, huh? 249 00:32:14,180 --> 00:32:15,780 I've seen better. 250 00:33:16,980 --> 00:33:18,220 Really? 251 00:33:35,140 --> 00:33:36,140 But you'll call? 252 00:36:17,660 --> 00:36:19,380 Ah! 253 00:36:19,460 --> 00:36:23,460 Hi, Greg. Oh, sorry I'm late. 254 00:36:23,540 --> 00:36:25,940 Yeah. Be there soon. Okay, bye. 255 00:36:47,020 --> 00:36:49,020 - It was just right there. - Just right here. 256 00:36:54,580 --> 00:36:57,260 Do you want a ride to your car? 257 00:36:57,340 --> 00:36:59,620 No, I'm just right up here. 258 00:37:02,180 --> 00:37:03,780 Good night. 259 00:37:10,020 --> 00:37:11,540 Good night. 260 00:38:23,820 --> 00:38:26,180 Excuse me. This is gluten-free, right? 261 00:38:27,220 --> 00:38:29,100 - No. - What? 262 00:38:29,180 --> 00:38:30,670 Mmm-mmm. 263 00:38:30,740 --> 00:38:32,500 Ugh! I'd like a refund. 264 00:38:34,300 --> 00:38:37,110 Okay. Let me check on that for you. 265 00:38:38,340 --> 00:38:39,380 Mia... 266 00:38:39,460 --> 00:38:41,980 - Hi. - You're closing Friday. 267 00:38:42,060 --> 00:38:44,710 I can't close on Friday. I have an audition, remember? 268 00:38:44,780 --> 00:38:47,100 Do I look like I care? Reschedule it. 269 00:38:47,180 --> 00:38:50,260 Oh, and we need to have a little talk tomorrow, okay? 270 00:38:50,340 --> 00:38:52,060 Fix your apron, please. 271 00:38:52,140 --> 00:38:53,380 Okay. 272 00:38:58,140 --> 00:38:59,580 You again! 273 00:39:01,340 --> 00:39:02,620 What are you doing here? 274 00:39:02,700 --> 00:39:05,940 Oh, you know, just meetings and... studio heads and... 275 00:39:06,020 --> 00:39:07,380 How'd you get on the lot? 276 00:39:07,460 --> 00:39:11,020 (CLEARS THROAT) I basically just hauled ass past the guard gates. 277 00:39:11,100 --> 00:39:12,750 I think I have 20 minutes until they find me. 278 00:39:13,900 --> 00:39:15,620 You don't have a break coming up, do you? 279 00:39:15,700 --> 00:39:17,500 I'm off in 10 minutes, so... 280 00:39:18,940 --> 00:39:20,300 Can I hide in the bathroom? 281 00:39:20,380 --> 00:39:22,540 - Yes. - Okay. 282 00:39:23,740 --> 00:39:25,020 Sorry. 283 00:39:25,100 --> 00:39:28,070 Um... I actually do have to check. I'm sorry. 284 00:39:32,260 --> 00:39:34,780 That's the window that Humphrey Bogart and Ingrid Bergman 285 00:39:34,860 --> 00:39:35,980 looked out of in Casablanca. 286 00:39:36,060 --> 00:39:37,300 Wow! Yeah. 287 00:39:37,340 --> 00:39:39,310 I can't believe you work right across the street from that. 288 00:39:39,340 --> 00:39:41,100 - Yeah. - That's amazing. 289 00:39:41,180 --> 00:39:44,980 What was your Bogart's name? 290 00:39:45,060 --> 00:39:47,260 What's his name? Is it Greg? 291 00:39:47,380 --> 00:39:49,380 Yeah. Greg. 292 00:39:49,460 --> 00:39:52,270 Right. How long have you been... 293 00:39:52,340 --> 00:39:54,180 We've been seeing each other for about a month. 294 00:39:54,220 --> 00:39:55,790 Oh, that's great. 295 00:39:55,860 --> 00:39:57,190 He's, um... He's sweet. 296 00:39:57,260 --> 00:39:59,340 Anyway, I love being around this stuff, you know? 297 00:39:59,420 --> 00:40:00,420 I know what you mean. 298 00:40:00,500 --> 00:40:03,740 I get coffee five miles out of the way just so I can be near a jazz club. 299 00:40:03,820 --> 00:40:05,310 - Really? - Yeah, the Van Beek. 300 00:40:05,380 --> 00:40:06,460 - Do you know it? - Mmm-mmm. 301 00:40:06,540 --> 00:40:10,980 All the big swing bands used to play there. Count Basie, Chick Webb. 302 00:40:11,060 --> 00:40:13,460 Anyway, it's a samba-tapas place now, so... 303 00:40:14,980 --> 00:40:16,310 What's a samba-tapas place? 304 00:40:16,380 --> 00:40:18,860 It's just a samba place where they serve tapas. 305 00:40:18,940 --> 00:40:20,900 - Oh. - Yeah, so the joke's on... 306 00:40:20,980 --> 00:40:22,220 - history? - (LAUGHS) 307 00:40:22,300 --> 00:40:23,580 I don't know. That's L.A. 308 00:40:23,660 --> 00:40:27,340 They just worship everything and they value nothing. 309 00:40:27,460 --> 00:40:29,820 We're about to roll. Stop, please, guys. 310 00:40:29,900 --> 00:40:31,020 (WHISPERING) Okay. 311 00:40:31,100 --> 00:40:32,670 - You're rolling? - Yeah. 312 00:40:32,740 --> 00:40:35,150 I know. They shoot movies on my street all the time, so I know about movies. 313 00:40:35,180 --> 00:40:36,380 - Come this way. Great. 314 00:40:36,460 --> 00:40:38,780 It's a lock-down. - (MIA GASPS) 315 00:40:38,860 --> 00:40:40,820 - I love her! And here we go. 316 00:40:40,900 --> 00:40:42,820 (WHISPERING) Hey! How'd you get into all this? 317 00:40:42,900 --> 00:40:44,340 And roll! 318 00:40:44,420 --> 00:40:45,860 - Get into what? Sound speed! 319 00:40:45,900 --> 00:40:47,420 You know, movies, acting... 320 00:40:47,500 --> 00:40:49,500 Action! - Oh, um... 321 00:40:49,580 --> 00:40:52,420 - My aunt was an actress. - Oh, okay. 322 00:40:52,500 --> 00:40:54,860 She was in a traveling theater company. 323 00:40:54,940 --> 00:40:57,140 I grew up in Boulder City, Nevada. 324 00:40:57,220 --> 00:40:59,820 So across the street from my house there was this little library 325 00:40:59,900 --> 00:41:01,500 that had an old movie section. 326 00:41:01,620 --> 00:41:06,020 So she took me and we spent an entire day watching all these old movies 327 00:41:06,100 --> 00:41:10,150 like Notorious and Bringing Up Baby and Casablanca. 328 00:41:10,220 --> 00:41:11,660 - And... Cut it there! Cut! 329 00:41:11,740 --> 00:41:13,820 Check the gate. - So we can talk now. 330 00:41:13,860 --> 00:41:15,700 - She sounds incredible. - She was incredible. 331 00:41:15,780 --> 00:41:18,380 And I would put on all these plays in my bedroom, 332 00:41:18,460 --> 00:41:23,700 and it would basically just be she and I re-enacting those scenes from the movies. 333 00:41:23,780 --> 00:41:25,190 And then I would write my own plays. 334 00:41:25,260 --> 00:41:26,830 - Wow. - Um... Yeah. 335 00:41:47,980 --> 00:41:49,580 I love it. 336 00:41:53,740 --> 00:41:56,780 So anyway, I left college after two years to come here 337 00:41:56,860 --> 00:41:59,700 and my last audition was for a teen show 338 00:41:59,780 --> 00:42:01,940 pitched as "Dangerous Minds meets The O.C." 339 00:42:02,020 --> 00:42:06,100 So, yeah, should've been a lawyer. 340 00:42:06,180 --> 00:42:08,100 'Cause the world needs more lawyers. 341 00:42:08,180 --> 00:42:10,300 It doesn't need more actresses. 342 00:42:10,380 --> 00:42:11,790 You're not just an actress. 343 00:42:11,860 --> 00:42:14,460 - What do you mean, "just an actress"? - You said it yourself. 344 00:42:14,540 --> 00:42:16,980 (STAMMERS) You're a child prodigy playwright. 345 00:42:17,060 --> 00:42:18,500 That is not what I said. 346 00:42:18,580 --> 00:42:22,100 Well, you're too modest to say it, but it's true. 347 00:42:22,180 --> 00:42:23,980 You could just write your own roles, you know? 348 00:42:24,020 --> 00:42:25,940 Write something that's as interesting as you are, 349 00:42:25,980 --> 00:42:27,510 and you don't have to audition for this... 350 00:42:27,540 --> 00:42:28,870 - uh, piece of caca. - Yeah. 351 00:42:28,940 --> 00:42:30,350 Look at Louis Armstrong. 352 00:42:30,460 --> 00:42:33,110 He could've just played the marching band charts that he was given. 353 00:42:33,180 --> 00:42:34,900 But he didn't do that. What did he do? 354 00:42:34,980 --> 00:42:38,340 - What did he do? - He made history, didn't he? 355 00:42:38,420 --> 00:42:41,390 Well, I'm gonna stop auditioning and I'm gonna make history instead. 356 00:42:42,380 --> 00:42:46,140 Well, my work is done here. 357 00:42:46,220 --> 00:42:49,380 I should probably tell you something now, just to get it out of the way. 358 00:42:49,460 --> 00:42:50,700 - Mmm-hmm? - I hate jazz. 359 00:42:53,500 --> 00:42:54,660 Are you okay? 360 00:42:54,740 --> 00:42:57,020 What do you mean, you hate jazz? 361 00:42:57,100 --> 00:42:58,910 It just means that when I listen to it, I don't like it. 362 00:42:58,940 --> 00:43:01,860 Yeah, but it's such a blanket statement you don't like jazz. 363 00:43:01,940 --> 00:43:03,180 What are you doing right now? 364 00:43:04,540 --> 00:43:05,950 Nothing. 365 00:43:22,820 --> 00:43:25,580 I just think that people, when they say that they... 366 00:43:26,620 --> 00:43:30,140 you know, hate jazz, they just... 367 00:43:30,220 --> 00:43:34,060 They don't have context, they don't know where it comes from. 368 00:43:34,140 --> 00:43:37,780 Jazz was born in a little flophouse in New Orleans, 369 00:43:37,900 --> 00:43:39,870 and it's just because people were crammed in there, 370 00:43:39,900 --> 00:43:42,510 they spoke five different languages, they couldn't talk to each other. 371 00:43:42,540 --> 00:43:46,340 The only way they could communicate was with jazz. 372 00:43:46,420 --> 00:43:47,830 Yeah, but what about Kenny G? 373 00:43:49,300 --> 00:43:51,140 - What? - What about Kenny G? 374 00:43:51,220 --> 00:43:53,060 I mean, what about elevator music? 375 00:43:53,140 --> 00:43:55,620 You know, jazz music that I know? 376 00:43:55,700 --> 00:43:57,460 - What about it? - From my life? 377 00:43:57,540 --> 00:43:59,860 - Mmm-hmm? - I just find it relaxing. 378 00:43:59,940 --> 00:44:02,340 It's not relaxing. It's not, it's not. 379 00:44:02,420 --> 00:44:05,540 Sidney Bechet shot somebody because they told him he played a wrong note. 380 00:44:05,620 --> 00:44:06,860 That's hardly relaxing. 381 00:44:06,940 --> 00:44:11,150 Yeah, but where I grew up there was this station called K-jazz 103. 382 00:44:11,220 --> 00:44:14,110 And people would just put on that station when they had a cocktail party... 383 00:44:14,140 --> 00:44:15,380 Right. 384 00:44:15,460 --> 00:44:17,620 And everyone would kinda just talk over it. 385 00:44:17,700 --> 00:44:18,700 I know. 386 00:44:18,780 --> 00:44:20,270 - 'Cause it was... - That's the prob... 387 00:44:20,300 --> 00:44:22,660 Okay, okay. So I think that's part of the problem, 388 00:44:22,780 --> 00:44:24,590 is that you can't hear it, you know? You have to see it. 389 00:44:24,620 --> 00:44:26,950 You have to see what's at stake. I mean, look at these fellas. 390 00:44:26,980 --> 00:44:29,260 Look at the sax player right now. 391 00:44:29,340 --> 00:44:31,580 He just hijacked the song. He's on his own trip. 392 00:44:31,660 --> 00:44:33,260 Every one of these guys is composing, 393 00:44:33,340 --> 00:44:35,060 they're rearranging, they're writing. 394 00:44:35,140 --> 00:44:36,710 Then they're playing the melody. They're just... 395 00:44:36,740 --> 00:44:38,100 And now look, the trumpet player. 396 00:44:38,180 --> 00:44:39,670 He's got his own idea. 397 00:44:39,740 --> 00:44:44,260 And so, it's conflict, and it's compromise, and it's just... 398 00:44:44,340 --> 00:44:45,700 It's new every time. 399 00:44:45,780 --> 00:44:49,260 It's brand-new every night. It's very, very exciting. 400 00:44:56,580 --> 00:44:59,820 And it's dying. It's dying, Mia. 401 00:44:59,940 --> 00:45:01,380 It's dying on the vine. 402 00:45:01,460 --> 00:45:04,780 And the world says, "Let it die. It had its time." 403 00:45:04,860 --> 00:45:06,660 Well, not on my watch. 404 00:45:08,020 --> 00:45:11,540 - What are you gonna do? - I'm gonna have my own club. 405 00:45:11,660 --> 00:45:13,230 - Really? - Yes. 406 00:45:13,300 --> 00:45:16,110 We're gonna play whatever we want, whenever we want, 407 00:45:16,180 --> 00:45:20,420 however we want, as long as it's pure jazz. 408 00:45:21,540 --> 00:45:22,780 Hi, this is Mia Dolan. 409 00:45:23,780 --> 00:45:25,300 Yeah, I just missed a call. 410 00:45:32,420 --> 00:45:35,180 - I got a callback! - What? Come on! 411 00:45:35,260 --> 00:45:36,620 - (LAUGHS) - For what? 412 00:45:36,700 --> 00:45:39,740 For a TV show. The one I was telling you about earlier. 413 00:45:39,820 --> 00:45:42,020 - The "Dangerous Minds meets The O.C."? - Yeah. 414 00:45:42,100 --> 00:45:44,390 - Congratulations! That's incredible! - It's really exciting. 415 00:45:44,420 --> 00:45:46,420 I feel like I said negative stuff about it before. 416 00:45:46,500 --> 00:45:48,540 - What? - It's like Rebel Without a Cause. 417 00:45:49,700 --> 00:45:51,740 "I got the bullets!" 418 00:45:51,820 --> 00:45:54,300 Yes. 419 00:45:54,380 --> 00:45:56,220 - You've never seen it! - I've never seen it. 420 00:45:56,300 --> 00:45:58,980 Oh, my! You know, it's playing at the Rialto. 421 00:45:59,060 --> 00:46:00,180 - Really? - Yes. 422 00:46:00,260 --> 00:46:03,740 You should go... I mean, (STAMMERING) I can take you. 423 00:46:03,820 --> 00:46:04,820 Okay. 424 00:46:04,900 --> 00:46:06,390 - You know, for research. - For research. 425 00:46:06,420 --> 00:46:08,260 - Yeah. Okay. - Yeah. 426 00:46:08,340 --> 00:46:10,500 Um, Monday night, 10:00. 427 00:46:10,580 --> 00:46:12,380 - Yeah. Great. - Okay. 428 00:46:12,460 --> 00:46:13,820 For research. 429 00:48:01,620 --> 00:48:03,740 - Stand right there, please. - Okay. Nice to meet you. 430 00:48:05,620 --> 00:48:08,860 - Hi. Hi. 431 00:48:31,660 --> 00:48:32,940 In your own time. 432 00:48:33,020 --> 00:48:34,300 Okay. 433 00:48:38,220 --> 00:48:39,710 Two options. 434 00:48:39,780 --> 00:48:42,100 You either follow my rules or follow my rules. 435 00:48:42,180 --> 00:48:43,420 - Capisce? - Thank you. 436 00:48:44,540 --> 00:48:45,980 - Oh... - Thanks. 437 00:48:46,060 --> 00:48:47,300 I can do it a different way. 438 00:48:47,380 --> 00:48:49,780 No, that's fine. Thank you very much. Thank you. 439 00:48:58,260 --> 00:48:59,340 That was fun. Thanks. 440 00:48:59,420 --> 00:49:00,660 - Bye. - (DOOR OPENS) 441 00:49:29,740 --> 00:49:31,620 Oh, hey, Mia? 442 00:49:31,700 --> 00:49:33,700 - Hey. - Greg's here. 443 00:49:33,780 --> 00:49:37,780 - What do you mean... - Hey, babe. Got a space out front. 444 00:49:37,860 --> 00:49:39,580 - (CHUCKLES) Great. - We should get going. 445 00:49:39,660 --> 00:49:41,260 - Okay. - My brother landed really early. 446 00:49:44,220 --> 00:49:46,870 - Did you forget? You forgot. - Shit. 447 00:49:46,940 --> 00:49:48,660 That's tonight. 448 00:49:48,740 --> 00:49:51,060 - That's okay. You forgot. - Yeah. Okay. 449 00:49:51,140 --> 00:49:52,590 All right, so then I'll just get changed. 450 00:49:52,620 --> 00:49:55,100 - Okay. Great. - Okay. Great. 451 00:49:55,180 --> 00:49:57,540 - (CELL PHONE RINGING) - (GREG CHUCKLES) 452 00:49:57,620 --> 00:49:58,900 - Yeah, that's him. - Um... 453 00:49:58,980 --> 00:50:00,740 Hey, Josh, yeah. Uh... 454 00:50:00,820 --> 00:50:03,820 Just pickin' up Mia. We'll be there in, like... 455 00:50:04,860 --> 00:50:07,310 But now we've got this surround-sound set-up, so it's like... 456 00:50:07,340 --> 00:50:09,700 - It's like being in a movie theater. - Wow. 457 00:50:09,780 --> 00:50:11,230 But better than being in a theater, really. 458 00:50:11,260 --> 00:50:13,190 I can't wait. - You know theaters these days. 459 00:50:13,220 --> 00:50:15,060 - Yeah. - They're so dirty. 460 00:50:15,140 --> 00:50:16,550 Yeah, I know. And so smelly. 461 00:50:16,620 --> 00:50:18,270 And they're either too hot or too cold. 462 00:50:18,300 --> 00:50:19,990 I know. The quality's really fallen off. 463 00:50:20,020 --> 00:50:22,510 The quality's terrible. And there's always people talking. 464 00:50:22,540 --> 00:50:24,150 Because... - Which is just... Oh, it's the worst! 465 00:50:24,180 --> 00:50:25,590 - (CELL PHONE BUZZES) - Oh, I'm sorry. 466 00:50:25,620 --> 00:50:27,340 - Hold on one second. The texting. 467 00:50:28,340 --> 00:50:29,340 Hello? 468 00:50:29,420 --> 00:50:30,990 - Probably work. - Mmm. 469 00:50:36,860 --> 00:50:39,860 - Sorry. So, yeah, we love it. - Oh, it's so nice. 470 00:50:39,940 --> 00:50:43,990 Well, we have to come. Maybe. You should. Come by. 471 00:51:00,940 --> 00:51:02,670 I got one word for you, man. Mmm-hmm? 472 00:51:02,700 --> 00:51:05,940 - Indonesia. - Never heard anyone say that. 473 00:51:06,020 --> 00:51:09,180 I don't even know. I can't keep track of it, but honestly, it was life-changing. 474 00:51:09,220 --> 00:51:11,460 - Really? - Yeah. It affected me. 475 00:51:11,540 --> 00:51:14,060 - It was incredible. - Is it amazing? 476 00:51:14,140 --> 00:51:16,340 - Yes. - A 5-star jungle eco-resort 477 00:51:16,420 --> 00:51:18,220 - you would not believe. - Amazing. 478 00:51:18,300 --> 00:51:19,630 We were thinking about Nicaragua. 479 00:51:19,700 --> 00:51:22,510 The thing about Nicaragua is it's less developed, it's a little under-developed. 480 00:51:22,540 --> 00:51:23,540 Right. 481 00:51:23,620 --> 00:51:27,300 I think there's a little more... Yeah, then, I just don't know if it's safe. 482 00:51:27,380 --> 00:51:29,060 - Yeah, yeah. It's... - You know? 483 00:51:29,140 --> 00:51:30,310 fiancée Yeah, you don't want to explore too far. 484 00:51:30,340 --> 00:51:31,910 Kind of a "natives are restless" sort of thing. 485 00:51:33,220 --> 00:51:36,030 Actually, China's going to build a canal. 486 00:52:00,740 --> 00:52:02,230 I'm sorry. 487 00:53:36,700 --> 00:53:39,060 the immensity of our universe. 488 00:53:39,140 --> 00:53:41,950 For many days before the end of our earth, 489 00:53:42,020 --> 00:53:43,740 people will look into the night sky 490 00:53:43,820 --> 00:53:48,340 and notice a star increasingly bright and increasingly near. 491 00:53:48,420 --> 00:53:50,820 As this star approaches us... 492 00:53:52,220 --> 00:53:54,620 Jim Stark. 493 00:53:54,700 --> 00:53:56,500 I'll go find a place. I'm sorry. 494 00:53:56,580 --> 00:53:58,110 As this star approaches us, 495 00:53:58,140 --> 00:54:00,060 the weather will change. 496 00:54:00,140 --> 00:54:04,300 The great polar fields of the north and south will rot and divide, 497 00:54:04,380 --> 00:54:07,420 and the seas will turn warm. 498 00:54:07,500 --> 00:54:10,740 The last of us search the heavens and stand amazed, 499 00:54:10,820 --> 00:54:13,660 for the stars will still be there and will be... 500 00:54:21,460 --> 00:54:23,980 - (CHUCKLES) - (BLOWS RASPBERRY) 501 00:54:26,460 --> 00:54:27,700 Mmm... 502 00:54:31,140 --> 00:54:33,180 I have an idea. 503 00:59:07,740 --> 00:59:09,540 What is that? Is it a script? 504 00:59:09,620 --> 00:59:11,030 It's a play. 505 00:59:11,100 --> 00:59:13,940 A play? You better give us all roles! 506 00:59:14,020 --> 00:59:17,860 Actually, it's a one-woman show! So I can't. 507 00:59:22,780 --> 00:59:25,670 Wow. Is that gonna happen every time? 508 00:59:25,740 --> 00:59:27,390 I think so. 509 00:59:42,540 --> 00:59:44,580 Ahh! It's one-way! - (TIRES SCREECH) 510 01:02:05,860 --> 01:02:07,580 I love you. 511 01:02:17,700 --> 01:02:19,420 (LAUGHING) Oh! 512 01:02:21,660 --> 01:02:23,150 Sebastian? 513 01:02:26,660 --> 01:02:27,940 Keith. 514 01:02:28,020 --> 01:02:29,430 Come here, man. 515 01:02:31,260 --> 01:02:33,020 - How are you? - I've been good, man. 516 01:02:33,100 --> 01:02:34,860 This is Mia. Mia, Keith. 517 01:02:34,940 --> 01:02:36,180 Hi, Mia. Nice to meet you. 518 01:02:36,260 --> 01:02:38,830 - Nice to meet you. - I used to play with this guy. 519 01:02:38,900 --> 01:02:40,500 Went to school together. 520 01:02:40,580 --> 01:02:42,230 - So how you been, brother? - Great. 521 01:02:42,300 --> 01:02:43,740 Never been better. How 'bout you? 522 01:02:43,820 --> 01:02:45,580 I been really good. Been very busy. 523 01:02:45,660 --> 01:02:48,140 - I got a new combo. - Okay. Cool. 524 01:02:48,220 --> 01:02:49,660 We're lookin' for keys. 525 01:02:51,060 --> 01:02:53,580 - Are you kidding me? - No, I'm not kidding you. 526 01:02:53,660 --> 01:02:55,540 - No, I'm good. - Are you sure? It pays. 527 01:02:56,740 --> 01:02:58,390 I'm good. 528 01:02:58,460 --> 01:03:00,740 Let's just grab a drink then. It's been too long. 529 01:03:00,820 --> 01:03:02,100 - Okay. - Nice to meet you, Mia. 530 01:03:02,180 --> 01:03:03,590 Nice to meet you. 531 01:03:13,260 --> 01:03:14,780 "The end." 532 01:03:19,740 --> 01:03:21,740 - Genius. - (CHUCKLES) Really? 533 01:03:21,820 --> 01:03:23,470 - Yes. Yes. - Really? 534 01:03:23,540 --> 01:03:24,820 It feels really nostalgic to me. 535 01:03:24,860 --> 01:03:26,390 - Is it too nostalgic? - That's the point. 536 01:03:26,420 --> 01:03:28,820 Are people gonna like it? 537 01:03:28,900 --> 01:03:31,470 - Fuck 'em. - (LAUGHS) You always say that. 538 01:03:31,540 --> 01:03:35,220 - Well, I truly believe it. - I made you something. 539 01:03:35,300 --> 01:03:37,950 - For what? - For your club. 540 01:03:39,820 --> 01:03:41,100 Why does it say "Seb's"? 541 01:03:41,180 --> 01:03:42,790 'Cause I think you should call it "Seb's." 542 01:03:42,820 --> 01:03:43,910 - What? - 'Cause no one will come 543 01:03:43,940 --> 01:03:45,510 to "Chicken on a Stick." 544 01:03:45,580 --> 01:03:47,500 Is that a music note as an apostrophe? 545 01:03:47,580 --> 01:03:48,900 - Yes! Yeah. - That's pretty cool. 546 01:03:48,940 --> 01:03:51,060 It's gotta be "Chicken on a Stick," 547 01:03:51,140 --> 01:03:52,980 because Charlie Parker got his nickname... 548 01:03:53,060 --> 01:03:55,380 I know, because he loved chicken. 549 01:03:55,460 --> 01:03:58,700 - (BOTH LAUGH) - That's why they called him "Bird." 550 01:03:58,780 --> 01:04:01,540 So I'm gonna have chicken, beer, jazz. "Chicken on a Stick." 551 01:04:01,620 --> 01:04:04,900 I know. You should drop the chicken and just have drinks and jazz, and also... 552 01:04:04,980 --> 01:04:08,060 - I'm not droppin' the chicken. - You could maybe do it somewhere else. 553 01:04:08,140 --> 01:04:09,470 - What are you talk... - Find a new spot. 554 01:04:09,500 --> 01:04:10,940 It's gotta be the Van Beek. 555 01:04:11,020 --> 01:04:12,390 Well, it doesn't have to be the Van Beek. 556 01:04:12,420 --> 01:04:14,860 I can't let them samba all over its history. 557 01:04:14,940 --> 01:04:16,860 - (GROANS) - I can't do it. 558 01:04:16,940 --> 01:04:19,260 You can let them, but you refuse to. 559 01:04:19,340 --> 01:04:21,780 Your play's incredible. 560 01:04:21,860 --> 01:04:26,070 You know, the whole world from your bedroom. 561 01:04:26,140 --> 01:04:29,140 What else do they want? Who's doing that? 562 01:04:30,180 --> 01:04:32,420 - I'm doing that. - You're doing that. 563 01:04:33,420 --> 01:04:37,740 Who was that guy at The Lighthouse? The guy that offered you the gig? 564 01:04:37,820 --> 01:04:38,940 - Keith. - Yeah. 565 01:04:39,020 --> 01:04:43,100 - Why was it so weird between you two? - It's always weird with him. 566 01:04:43,180 --> 01:04:44,420 - Really? - Yeah. 567 01:04:44,540 --> 01:04:47,780 But he seemed kinda nice 'cause he did offer you a job. 568 01:04:48,860 --> 01:04:52,990 - Are you gonna call him? - No. No. 569 01:04:53,060 --> 01:04:54,980 All right. 570 01:04:55,060 --> 01:04:58,340 So... Here's what we know. 571 01:04:58,420 --> 01:05:00,220 Yeah? 572 01:05:00,300 --> 01:05:03,700 It's definitely "Chicken on a Stick," 573 01:05:03,780 --> 01:05:05,820 and your play is gonna be a triumph. 574 01:05:08,820 --> 01:05:11,060 It's a one-woman show, so it's just me... 575 01:05:11,140 --> 01:05:13,620 No, I mean, I'm acting in it, too. 576 01:05:15,260 --> 01:05:18,940 No, Mom, I'm not getting paid. I'm paying to do it. 577 01:05:21,220 --> 01:05:23,900 He's great. He's gonna open his own jazz club. 578 01:05:23,980 --> 01:05:25,630 Yeah, it's gonna be incredible. 579 01:05:28,060 --> 01:05:29,820 No, he hasn't. He hasn't opened it yet. 580 01:05:29,900 --> 01:05:31,140 He needs some... 581 01:05:35,300 --> 01:05:37,020 He's saving up, I think. 582 01:05:43,180 --> 01:05:45,180 No, he doesn't have a steady gig. 583 01:05:45,260 --> 01:05:48,070 But he's figuring it out, it's just been a little tricky lately. 584 01:05:52,180 --> 01:05:55,340 Morn, he's gonna find a way to open it and you're gonna love it, okay? 585 01:05:55,420 --> 01:05:56,660 How's Dad? 586 01:06:04,620 --> 01:06:07,820 Sebastian. Come on in, man. 587 01:06:09,380 --> 01:06:11,220 - Thanks for comin'. - Thanks for having me. 588 01:06:11,300 --> 01:06:13,660 Wasn't sure I'd see you today. 589 01:06:13,740 --> 01:06:15,620 - So... Here's the deal. - Okay. 590 01:06:15,700 --> 01:06:18,620 We got distribution with Universal. We've got our own imprint. 591 01:06:18,700 --> 01:06:20,110 About to go on the road. 592 01:06:20,220 --> 01:06:22,260 Uh, we can pay you 1,000 bucks a week, 593 01:06:22,340 --> 01:06:25,460 plus a cut of the ticket revenue and merchandising. 594 01:06:25,540 --> 01:06:27,190 Sound good? 595 01:06:29,620 --> 01:06:31,700 - Sebastian? All right. - Yeah. 596 01:06:31,780 --> 01:06:33,060 - Let's play- - Okay. 597 01:07:32,100 --> 01:07:33,180 I know. It's different. 598 01:07:35,300 --> 01:07:37,660 But you say you wanna save jazz. 599 01:07:37,740 --> 01:07:40,180 How you gonna save jazz if no one's listening? 600 01:07:40,300 --> 01:07:42,740 Jazz is dying because of people like you. 601 01:07:42,820 --> 01:07:47,030 You're playin' to 90-year-olds at The Lighthouse. 602 01:07:47,140 --> 01:07:49,580 Where are the kids? Where are the young people? 603 01:07:49,660 --> 01:07:54,060 You're so obsessed with Kenny Clarke and Thelonious Monk. 604 01:07:54,140 --> 01:07:55,790 These guys were revolutionaries. 605 01:07:55,900 --> 01:07:59,980 How are you gonna be a revolutionary if you're such a traditionalist? 606 01:08:00,060 --> 01:08:03,860 You're holdin' onto the past, but jazz is about the future. 607 01:08:08,820 --> 01:08:10,660 I know. 608 01:08:10,740 --> 01:08:13,660 The other guy, he wasn't as good as you. 609 01:08:15,060 --> 01:08:17,820 But you're a pain in the ass, man. 610 01:16:38,220 --> 01:16:39,900 Hey, it's me. 611 01:16:39,980 --> 01:16:41,350 Uh, I'm not sure where you are right now. 612 01:16:41,380 --> 01:16:45,620 I think Boston? Maybe Dallas, I don't know. 613 01:16:45,700 --> 01:16:47,580 Uh... 614 01:16:47,660 --> 01:16:52,870 I haven't heard from you in a little while and I miss you. 615 01:16:55,340 --> 01:16:56,940 All right, bye. 616 01:17:30,820 --> 01:17:32,390 - (LAUGHS) - (SEBASTIAN CLEARS THROAT) 617 01:17:33,380 --> 01:17:36,580 I thought... Surprise. 618 01:17:39,620 --> 01:17:42,540 Gotta leave first thing in the morning, but I just had to see you... 619 01:17:47,980 --> 01:17:49,780 It's so nice to be home. 620 01:17:52,620 --> 01:17:54,270 I'm so glad you're home. 621 01:17:56,660 --> 01:17:58,900 How's the play goin'? 622 01:17:58,980 --> 01:18:00,630 Um... I'm nervous. 623 01:18:00,700 --> 01:18:02,420 - You are? Why? - Mmm-hmm. 624 01:18:02,500 --> 01:18:04,500 Because what if people show up'? 625 01:18:04,580 --> 01:18:05,860 Piece of caca. 626 01:18:05,940 --> 01:18:10,420 - You nervous about what they think? - I'm nervous to do it. 627 01:18:10,500 --> 01:18:13,470 I'm nervous to get up on a stage and perform for people... 628 01:18:13,540 --> 01:18:14,950 I mean, I don't need to say that to you. 629 01:18:14,980 --> 01:18:18,580 - It's gonna be incredible. - You don't get it, but I'm terrified. 630 01:18:18,660 --> 01:18:22,580 They should be so lucky to see it. I can't wait. 631 01:18:22,660 --> 01:18:24,150 I can. 632 01:18:26,340 --> 01:18:27,580 When do you leave, the morning? 633 01:18:27,660 --> 01:18:30,820 (CLEARS THROAT) Yeah. 6:45. 634 01:18:30,900 --> 01:18:31,940 - Ooh. - Boise. 635 01:18:32,940 --> 01:18:35,020 - Boy-he? - Boyden. 636 01:18:35,100 --> 01:18:36,750 To Boise! 637 01:18:39,620 --> 01:18:40,980 You should come. 638 01:18:42,420 --> 01:18:43,660 To Boise? 639 01:18:43,740 --> 01:18:45,470 Yeah, you can knock that off your bucket list. 640 01:18:45,500 --> 01:18:49,500 Oh, that would be... really exciting. I wish I could. 641 01:18:49,580 --> 01:18:50,940 What are you doing after the tour? 642 01:18:52,340 --> 01:18:53,670 Why can't you? 643 01:18:53,740 --> 01:18:54,900 - Come to Boise? - Yeah. 644 01:18:54,980 --> 01:18:56,420 'Cause I have to rehearse. 645 01:18:56,500 --> 01:18:58,500 But can't you rehearse anywhere? 646 01:19:02,300 --> 01:19:04,580 Anywhere you are? 647 01:19:04,660 --> 01:19:06,500 I mean, I guess. 648 01:19:07,500 --> 01:19:10,980 Um... all my stuff is here, and it's in two weeks, 649 01:19:11,060 --> 01:19:13,820 So I don't really think that would be... 650 01:19:13,900 --> 01:19:18,260 - Okay. Well. - the best idea right now, but... 651 01:19:18,340 --> 01:19:20,540 - I wish I could. - (GRUNTS) 652 01:19:20,620 --> 01:19:23,780 We're just gonna have to try and see each other. We never see each other. 653 01:19:23,860 --> 01:19:26,380 I know, but when are you done? 654 01:19:26,460 --> 01:19:29,300 What do you mean? I mean... 655 01:19:29,380 --> 01:19:31,460 When are you finished with the whole tour? 656 01:19:31,540 --> 01:19:35,430 After we finish, we're gonna go and record, and then we go back on tour. 657 01:19:35,500 --> 01:19:36,990 You know, we tour so we can make the record, 658 01:19:37,020 --> 01:19:39,300 so we can go back and tour the record. 659 01:19:43,060 --> 01:19:46,030 So it's like the long haul? 660 01:19:48,500 --> 01:19:50,380 What do you mean, "the long haul"? 661 01:19:50,460 --> 01:19:54,740 I mean the long haul, like you're gonna stay in this band for a long time. 662 01:19:56,100 --> 01:19:57,510 On tour. 663 01:19:59,420 --> 01:20:01,020 What did you think I was gonna do? 664 01:20:01,100 --> 01:20:05,310 I don't... I hadn't really thought it through. I didn't know that the band... 665 01:20:07,140 --> 01:20:09,700 - was so important. - You didn't think it would be successful? 666 01:20:10,100 --> 01:20:12,860 Um... 667 01:20:12,940 --> 01:20:15,620 No, that's not really what I mean. I just mean that you... 668 01:20:15,700 --> 01:20:19,420 You're gonna be on tour for, what, months now? Years? 669 01:20:19,500 --> 01:20:21,070 Yeah. I don't believe... This is it. 670 01:20:21,140 --> 01:20:23,540 I mean, it could easily be... 671 01:20:23,620 --> 01:20:26,350 I could be on tour with this for a couple of years, at least. 672 01:20:26,420 --> 01:20:28,620 Just this record. 673 01:20:28,700 --> 01:20:31,460 Do you like the music you're playing? 674 01:20:33,140 --> 01:20:35,100 I don't... (SIGHS) 675 01:20:35,180 --> 01:20:38,780 I don't know what it matters. 676 01:20:38,860 --> 01:20:41,940 Well, it matters, because if you're gonna give up your dream, 677 01:20:42,020 --> 01:20:46,940 I think it matters that you like what you're playing on the road for years. 678 01:20:49,540 --> 01:20:50,950 Do you like the music I'm playing? 679 01:20:51,020 --> 01:20:54,990 Yeah. I do. 680 01:20:55,060 --> 01:20:57,420 I just didn't think that you did. 681 01:20:57,500 --> 01:20:59,900 - Yeah, well... - You always said Keith is the worst, 682 01:20:59,980 --> 01:21:03,100 and now you're gonna be on tour with him for years, so I just didn't... 683 01:21:03,180 --> 01:21:04,710 - What are you doing right now? - know if you were happy. 684 01:21:04,740 --> 01:21:05,830 - Why are you doing this? - I don't... 685 01:21:05,860 --> 01:21:08,070 - What do you mean, why am I doing this? - I thought you wanted me to do this. 686 01:21:08,100 --> 01:21:09,910 It just sounds like now you don't want me to do it. 687 01:21:09,940 --> 01:21:12,420 What do you mean, I wanted you to do this? 688 01:21:12,500 --> 01:21:14,620 This is what you wanted for me. 689 01:21:14,740 --> 01:21:15,780 To be in this band? 690 01:21:15,860 --> 01:21:18,590 To be in a band. To have a steady job, you know? 691 01:21:18,700 --> 01:21:22,020 To be... You know. 692 01:21:22,100 --> 01:21:24,060 Of course I wanted you to have a steady job, 693 01:21:24,140 --> 01:21:26,150 so that you could take care of yourself and your life 694 01:21:26,180 --> 01:21:27,460 and you could start your club. 695 01:21:27,540 --> 01:21:29,950 So I'm doing that, so I don't understand. Why aren't we celebrating? 696 01:21:29,980 --> 01:21:31,900 Why aren't you starting your club? 697 01:21:31,980 --> 01:21:34,500 You said yourself no one wants to go to that club. 698 01:21:34,580 --> 01:21:36,670 No one wants to go to a club called "Chicken on a Stick." 699 01:21:36,700 --> 01:21:37,780 So change the name! 700 01:21:37,860 --> 01:21:40,020 Well, no one likes jazz! Not even you! 701 01:21:40,140 --> 01:21:41,940 I do like jazz now because of you! 702 01:21:42,020 --> 01:21:44,460 And this is what I thought you wanted me to do! 703 01:21:44,540 --> 01:21:47,740 What am I supposed to do? Go back to playing "Jingle Bells"? 704 01:21:47,820 --> 01:21:48,820 I'm not saying that. 705 01:21:48,940 --> 01:21:50,110 I'm saying why don't you take what you've made and start the club? 706 01:21:50,140 --> 01:21:52,790 Scraping pennies so I can start a club no one wants to go to? 707 01:21:52,900 --> 01:21:55,710 People will want to go to it because you're passionate about it, 708 01:21:55,820 --> 01:21:58,100 and people love what other people are passionate about. 709 01:21:58,180 --> 01:22:00,700 - You remind people of what they forgot. - Not in my experience. 710 01:22:04,220 --> 01:22:07,900 Well, whatever, all right? It's just time to grow up, you know? 711 01:22:07,980 --> 01:22:10,060 I have a steady job, this is what I'm doing. 712 01:22:10,140 --> 01:22:11,870 And now all of a sudden if you had these problems, 713 01:22:11,900 --> 01:22:13,620 I wish you would have said them earlier, 714 01:22:13,700 --> 01:22:15,190 before I signed on the goddamn dotted line! 715 01:22:15,220 --> 01:22:16,940 I'm pointing out that you had a dream 716 01:22:17,020 --> 01:22:18,830 that you followed, that you were sticking to... 717 01:22:18,860 --> 01:22:20,980 This is the dream! This is the dream. 718 01:22:21,060 --> 01:22:22,340 This is not your dream! 719 01:22:22,420 --> 01:22:24,660 Guys like me work their whole lives to be in something 720 01:22:24,740 --> 01:22:27,820 that's successful, that people like. You know? 721 01:22:27,900 --> 01:22:31,740 I mean, I'm finally in something that-that-that people enjoy. 722 01:22:31,820 --> 01:22:33,230 Since when do you care about being liked? 723 01:22:33,260 --> 01:22:34,830 Just 'cause I don't enjoy it, it doesn't matter. 724 01:22:34,860 --> 01:22:36,780 Why do you care so much about being liked? 725 01:22:36,860 --> 01:22:38,860 You're an actress! What are you talking about? 726 01:22:38,940 --> 01:22:40,780 - (SCOFFS) - (MUSIC STOPS) 727 01:22:56,980 --> 01:22:58,700 Maybe you just liked me when I was on my ass 728 01:22:58,780 --> 01:23:00,860 'cause it made you feel better about yourself. 729 01:23:05,660 --> 01:23:07,900 - Are you kidding? - No. 730 01:23:28,980 --> 01:23:30,220 I don't know. 731 01:24:50,580 --> 01:24:52,940 Okay, fellas. I'll see ya tomorrow. 732 01:24:53,020 --> 01:24:54,260 - Sebastian? - Yeah? 733 01:24:54,340 --> 01:24:57,020 You're good for tonight, right? 734 01:24:57,100 --> 01:24:58,620 (SIGHS) What are you talking about? 735 01:24:58,700 --> 01:25:01,270 7:00, the photo shoot. 736 01:25:01,380 --> 01:25:03,620 Mojo. Are you good? 737 01:25:06,300 --> 01:25:09,700 - I thought that was next Thursday. - No, it's tonight. 738 01:25:12,300 --> 01:25:13,740 Is that okay? 739 01:26:07,820 --> 01:26:10,060 - (MUSIC PLAYING) - (LIP-SYNCHING) 740 01:26:10,140 --> 01:26:12,110 - Give me the other camera! - What's wrong with that one? 741 01:26:12,140 --> 01:26:15,580 "What's wrong with that one?" It doesn't bloody work, that's what's wrong with it! 742 01:26:15,660 --> 01:26:17,340 All right, trumpet, that's lovely. 743 01:26:18,780 --> 01:26:22,020 Lovely! Beautiful, beautiful! 744 01:26:22,100 --> 01:26:24,380 Okay, keyboard. Okay, look up. 745 01:26:24,460 --> 01:26:27,460 That's good. That's good, that's lovely. Lovely. 746 01:26:27,540 --> 01:26:31,380 Okay, cut the music! That is lovely. That's lovely. 747 01:26:31,460 --> 01:26:35,260 Okay, now bite your lip like this, sort of like... 748 01:26:35,340 --> 01:26:38,980 like you're concentrating on something, I don't know, like a piece of your music. 749 01:26:39,060 --> 01:26:40,300 Bite my what? 750 01:26:40,380 --> 01:26:42,260 Your lip. You know, bite your lip... 751 01:26:43,380 --> 01:26:46,140 Yeah, that's good. That's great. 752 01:26:46,220 --> 01:26:47,460 Beautiful! Beautiful. 753 01:26:47,540 --> 01:26:50,820 Okay, now just move your glasses down on... onto the nose... 754 01:26:50,900 --> 01:26:53,500 A little bit further, just a little bit, a touch further. 755 01:26:53,620 --> 01:26:55,820 Keep your head down, but look up at me. 756 01:26:55,900 --> 01:26:57,580 Look sort of moody. 757 01:26:57,660 --> 01:27:00,260 Yeah! That's beautiful! That is great! 758 01:27:00,340 --> 01:27:03,380 Okay, turn the keyboard on live! 759 01:27:03,460 --> 01:27:04,830 (MUFFLED) Do you wanna hear the keyboard then? 760 01:27:04,860 --> 01:27:07,510 You don't have to bite your lip now. 761 01:27:07,580 --> 01:27:10,020 Well, actually play something. 762 01:27:10,100 --> 01:27:12,220 Play something. You know? Anything. 763 01:27:12,300 --> 01:27:15,030 You're a pianist, aren't you? Play something. 764 01:27:26,380 --> 01:27:29,270 - (CAMERA CLICKING) - That's great, that's beautiful. 765 01:27:29,340 --> 01:27:31,180 That's lovely. Oh, that's good. 766 01:27:31,260 --> 01:27:33,300 No, don't stop. Keep playing. 767 01:27:33,380 --> 01:27:36,030 Go on, just keep playing. That was great! 768 01:28:15,740 --> 01:28:19,180 shoot myself in the head. (CHUCKLING) 769 01:28:19,260 --> 01:28:20,830 She's not even good. 770 01:28:20,900 --> 01:28:22,550 That whole window thing... 771 01:28:22,620 --> 01:28:25,020 Yeah, what was that shit with the window? 772 01:28:25,100 --> 01:28:27,750 Oh, my God! Don't quit your day job. 773 01:28:27,820 --> 01:28:29,660 Oh, well... 774 01:28:29,740 --> 01:28:32,630 Not good. One-woman shows are always terrible. 775 01:28:55,900 --> 01:28:57,140 Mia! 776 01:28:59,140 --> 01:29:01,820 Mia. I'm so sorry. 777 01:29:04,140 --> 01:29:06,710 Just tell me how it went. How was it? 778 01:29:06,780 --> 01:29:09,220 - Don't help me. - I'm sorry. 779 01:29:09,300 --> 01:29:11,710 - I'm sorry I've been such a prick. - You're sorry, you're sorry... 780 01:29:11,740 --> 01:29:14,500 (CRYING) You're sorry. You're sorry... 781 01:29:14,580 --> 01:29:18,420 I'm gonna make it up to you. Let me make it up to you, okay? 782 01:29:24,540 --> 01:29:28,020 - I don't blame you for not wanting... - It's over. 783 01:29:28,100 --> 01:29:30,100 - What is? - It's over. (SIGHS) 784 01:29:30,180 --> 01:29:31,510 What? 785 01:29:33,340 --> 01:29:34,860 All of this. 786 01:29:34,940 --> 01:29:38,500 I'm done embarrassing myself. I'm done, I'm done. 787 01:29:39,540 --> 01:29:41,260 - Nobody showed up. - So what? So what? 788 01:29:41,340 --> 01:29:43,780 I can't pay back the theater. This is so... 789 01:29:45,140 --> 01:29:46,940 I'm gonna go home for a while. 790 01:29:47,020 --> 01:29:50,780 - I'll come see you tomorrow. - No, I'm going "home" home. 791 01:29:50,860 --> 01:29:53,460 - This is home. - No, it's not anymore. 792 01:32:08,860 --> 01:32:10,140 Yep? 793 01:32:10,220 --> 01:32:11,860 Hi, I'm trying to reach Mia Dolan. 794 01:32:13,100 --> 01:32:14,340 Wrong number. 795 01:32:14,420 --> 01:32:16,990 She's not answering her cell. I was told I might find her here. 796 01:32:17,060 --> 01:32:18,300 Not anymore. 797 01:32:18,380 --> 01:32:20,540 - Okay, well, if you do talk to her... - I won't. 798 01:32:20,620 --> 01:32:24,140 could you tell her Jane at Amy Brandt Casting is trying to reach her? 799 01:32:29,820 --> 01:32:31,060 Casting? 800 01:32:39,620 --> 01:32:40,950 Who the hell is that? 801 01:32:46,580 --> 01:32:47,820 Shut that thing off! 802 01:32:58,540 --> 01:32:59,780 Why did you come here? 803 01:32:59,900 --> 01:33:02,140 - Because I have good news. - What? 804 01:33:02,220 --> 01:33:05,860 Amy Brandt, the casting director? 805 01:33:05,940 --> 01:33:09,300 - Yeah. - She was at your play, and she loved it. 806 01:33:09,380 --> 01:33:13,300 And she loved it so much that she wants you to come in tomorrow 807 01:33:13,380 --> 01:33:16,060 and audition for this huge movie that she's got. 808 01:33:18,220 --> 01:33:19,710 I'm not going to that. 809 01:33:21,940 --> 01:33:23,110 - I'm not going to that. - What? 810 01:33:23,140 --> 01:33:25,870 That one's gonna be... No. That one's gonna be... 811 01:33:25,940 --> 01:33:27,220 I'm sorry? 812 01:33:27,300 --> 01:33:29,140 That will kill me. 813 01:33:30,620 --> 01:33:32,060 - What? - What? 814 01:33:32,140 --> 01:33:33,940 What? Shh! Stop! 815 01:33:34,060 --> 01:33:35,500 - No! - (SHUSHING) 816 01:33:35,580 --> 01:33:37,700 You have to be quiet. We're in a neighborhood. 817 01:33:37,780 --> 01:33:39,950 If you want me to be quiet, you have to make some goddamn sense! 818 01:33:39,980 --> 01:33:41,270 - Tell me why you're not going. - They'll call the police. 819 01:33:41,300 --> 01:33:42,380 - Because. Because... - Why? 820 01:33:42,420 --> 01:33:45,150 I've been to a million auditions, and the same thing happens every time 821 01:33:45,180 --> 01:33:48,020 where I get interrupted because someone wants to get a sandwich! 822 01:33:48,100 --> 01:33:50,750 Or I'm crying, and they start laughing! 823 01:33:50,820 --> 01:33:52,860 Or there's people sitting in the waiting room, 824 01:33:52,940 --> 01:33:57,150 and they're like me, but prettier and better at the... 825 01:33:57,220 --> 01:33:58,870 Because maybe I'm not good enough! 826 01:33:58,940 --> 01:34:01,220 - Yes, you are. - No... 827 01:34:01,300 --> 01:34:02,870 - No, maybe I'm not. - Yes, you are. 828 01:34:02,940 --> 01:34:05,750 - Maybe I'm not. - You are. 829 01:34:08,140 --> 01:34:11,900 Maybe I'm one of those people that has always wanted to do it, 830 01:34:11,980 --> 01:34:15,220 but it's like a pipe dream for me, you know? 831 01:34:15,300 --> 01:34:16,740 And then, you said it, 832 01:34:16,820 --> 01:34:19,660 you change your dreams, and then you grow up. 833 01:34:19,740 --> 01:34:21,940 Maybe I'm one of those people, and I'm not supposed to. 834 01:34:22,020 --> 01:34:24,060 And I can go back to school, 835 01:34:24,140 --> 01:34:26,260 and I can find something else I'm supposed to do. 836 01:34:26,340 --> 01:34:30,340 'Cause I left to do that, and it's been six years, 837 01:34:30,420 --> 01:34:32,020 and I don't want to do it anymore. 838 01:34:35,740 --> 01:34:36,980 Why? 839 01:34:39,260 --> 01:34:42,180 - Why what? - Why don't you want to do it anymore? 840 01:34:44,260 --> 01:34:47,150 'Cause I think it hurts a little bit too much. 841 01:34:48,980 --> 01:34:50,260 You're a baby. 842 01:34:51,700 --> 01:34:53,270 - I'm not a baby. I'm trying to grow up. - You are. 843 01:34:53,300 --> 01:34:54,910 - You're crying like a baby. - (SNIFFLES) Oh, my God. 844 01:34:54,940 --> 01:34:58,060 You have an audition tomorrow at 5:30. 845 01:34:58,140 --> 01:35:00,820 I'll be out front at 8:00 A.M. 846 01:35:00,940 --> 01:35:03,300 You'll be out front or not, I don't know. 847 01:35:04,940 --> 01:35:06,460 How'd you find me here? 848 01:35:06,540 --> 01:35:09,540 The house in front of the library. 849 01:35:52,820 --> 01:35:54,820 - I got coffee. - Okay, great. 850 01:36:12,900 --> 01:36:14,180 Mia? 851 01:36:20,260 --> 01:36:22,460 Hi, Mia. I'm Amy and this is Frank. 852 01:36:22,540 --> 01:36:23,820 Hi. How are ya? 853 01:36:23,940 --> 01:36:26,180 - Nice to meet you. - Glad we found you. 854 01:36:26,260 --> 01:36:27,700 Me, too. 855 01:36:28,700 --> 01:36:33,990 The film shoots in Paris, and we don't have a script. 856 01:36:34,060 --> 01:36:35,550 It's gonna be a process. 857 01:36:35,660 --> 01:36:37,700 We're gonna build the character around the actress. 858 01:36:37,780 --> 01:36:40,430 It's a 3-month rehearsal and a 4-month shoot. 859 01:36:42,420 --> 01:36:44,180 Okay. 860 01:36:44,260 --> 01:36:47,820 And we thought that you could just tell us a story. 861 01:36:47,900 --> 01:36:49,140 About? 862 01:36:49,220 --> 01:36:52,900 - You can just tell us anything. - Anything? 863 01:36:52,980 --> 01:36:55,790 Yeah, just tell us a story. You're a storyteller. 864 01:36:55,860 --> 01:36:57,980 (CHUCKLES) um... 865 01:37:01,140 --> 01:37:03,140 Whenever you're ready. 866 01:37:12,980 --> 01:37:15,180 My aunt used to live in Paris. 867 01:37:19,940 --> 01:37:21,220 I remember she used to come home 868 01:37:21,260 --> 01:37:26,550 and she would tell us these stories about being abroad, and... 869 01:37:28,940 --> 01:37:30,180 I remember... 870 01:37:31,500 --> 01:37:34,700 She told us that she jumped into the river once. 871 01:41:18,140 --> 01:41:20,500 When do you find out'? 872 01:41:20,580 --> 01:41:23,150 Oh, they said the next couple days. 873 01:41:23,220 --> 01:41:25,620 But I'm not expecting to find anything out. 874 01:41:25,740 --> 01:41:26,980 You're gonna get it. 875 01:41:27,060 --> 01:41:28,430 - I really might not. - Yes, you are. 876 01:41:28,460 --> 01:41:31,140 - I hope you're not disappointed. - I know. 877 01:41:31,220 --> 01:41:33,870 I know. I know these things. 878 01:41:35,940 --> 01:41:37,180 Where are we? 879 01:41:40,820 --> 01:41:43,710 - Griffith Park. - Where... are we? 880 01:41:43,780 --> 01:41:46,900 I know. (INHALES DEEPLY) 881 01:41:46,980 --> 01:41:48,660 I don't know. 882 01:41:51,380 --> 01:41:53,260 What do we do? 883 01:41:53,340 --> 01:41:56,310 I don't think we can do anything, 884 01:41:56,380 --> 01:41:59,300 - 'cause when you get this... - If I get this. 885 01:41:59,380 --> 01:42:04,180 When you get this, you gotta give it everything you got. 886 01:42:06,060 --> 01:42:07,300 Everything. 887 01:42:08,300 --> 01:42:10,020 It's your dream. 888 01:42:10,100 --> 01:42:12,060 What are you gonna do? 889 01:42:12,140 --> 01:42:14,020 I gotta follow my own plan, you know? 890 01:42:14,100 --> 01:42:16,180 Stay here and get my own thing goin'. 891 01:42:22,260 --> 01:42:26,540 You're gonna be in Paris. Good jazz there. 892 01:42:26,620 --> 01:42:31,460 And you love jazz now. Right? 893 01:42:33,180 --> 01:42:34,420 Yes. 894 01:42:43,780 --> 01:42:46,100 And I guess we're just gonna have to wait and see. 895 01:42:55,140 --> 01:42:56,980 I'm always gonna love you. 896 01:42:58,660 --> 01:43:00,260 I'm always gonna love you, too. 897 01:43:08,380 --> 01:43:10,380 - Look at this view! - (CHUCKLES) 898 01:43:11,740 --> 01:43:14,310 - I've seen better. Yeah. - It's the worst. 899 01:43:18,660 --> 01:43:20,660 I've never been here during the day. 900 01:44:13,260 --> 01:44:14,870 Hi. Could I have two iced coffees, please? 901 01:44:14,900 --> 01:44:17,380 - Right. Of course. - On us. 902 01:44:17,460 --> 01:44:19,380 Oh, no, thank you, I insist. 903 01:44:49,500 --> 01:44:53,340 Sounds good. Harris did a good job. 904 01:44:53,420 --> 01:44:55,990 - Took him long enough. - It always does. 905 01:44:56,060 --> 01:44:57,500 Signature time. 906 01:44:59,780 --> 01:45:01,740 Not doin' too bad, Seb. 907 01:45:01,820 --> 01:45:04,710 - "Not too bad" is great. - See ya tonight. 908 01:45:04,780 --> 01:45:06,110 See ya tonight. 909 01:45:26,660 --> 01:45:28,230 Hi. 910 01:45:28,300 --> 01:45:30,380 - How was your day? - Good. 911 01:45:34,260 --> 01:45:35,910 - Hmm. How is she? - She's great. 912 01:45:35,980 --> 01:45:37,220 - Yeah? - Yeah, come on. 913 01:45:37,300 --> 01:45:39,420 (GASPS) Hi, buddy! 914 01:45:40,780 --> 01:45:44,500 I didn't think you were gonna be home yet. 915 01:45:44,580 --> 01:45:46,740 - Are you drawing? - Yeah. 916 01:45:46,820 --> 01:45:49,900 Can I help? You know I love to draw. 917 01:46:29,500 --> 01:46:32,070 Okay, Chelsea, we're gonna go. Are you good? 918 01:46:32,140 --> 01:46:34,740 - We're good. - You need anything? 919 01:46:34,820 --> 01:46:36,820 Bye, baby. 920 01:46:36,900 --> 01:46:38,230 - Say "bye, Mommy." - Sleep well. 921 01:46:38,300 --> 01:46:40,460 - Bye, Mommy. - (LAUGHING) Have fun with Chelsea. 922 01:46:40,540 --> 01:46:41,900 Have fun. Bye, Mia. 923 01:46:41,980 --> 01:46:43,710 - Bye. Thank you so much. - Good night, guys. 924 01:46:43,740 --> 01:46:45,940 - Night, sweetie. Bye. - Good night. 925 01:46:55,060 --> 01:46:56,860 - Oh, boy. - (YAWNS) 926 01:46:57,900 --> 01:47:00,140 What if we miss this? What do you wanna tell Natalie? 927 01:47:00,220 --> 01:47:03,140 Oh... (SIGHS) We'll just see it back in New York. 928 01:47:03,220 --> 01:47:04,790 Okay. 929 01:47:06,580 --> 01:47:09,900 I do not miss this. This is bad. 930 01:47:15,980 --> 01:47:18,740 Do you want to just pull off here and get dinner? 931 01:47:20,900 --> 01:47:22,940 - Sure, yeah. Yeah. - Yeah? 932 01:47:23,020 --> 01:47:24,300 Okay. 933 01:47:52,300 --> 01:47:54,460 Do you want to check it out? 934 01:48:16,500 --> 01:48:17,940 This place is pretty cool. 935 01:48:28,300 --> 01:48:30,060 I love them. 936 01:49:18,980 --> 01:49:20,980 Cal Bennett on sax! 937 01:49:21,060 --> 01:49:22,780 Javier Gonzalez on trumpet. 938 01:49:22,860 --> 01:49:25,510 The lovely Nedra Wheeler on bass. 939 01:49:25,580 --> 01:49:30,460 The one and only Clifton "Fou-fou" Eddie on drums! 940 01:49:30,540 --> 01:49:31,900 And a little too good on piano, 941 01:49:31,980 --> 01:49:34,580 so good he's gonna own this place if I'm not careful, 942 01:49:34,660 --> 01:49:36,230 Khirye Tyler, everybody. 943 01:49:46,860 --> 01:49:49,620 (CLICKS TONGUE) Uh... 944 01:49:49,700 --> 01:49:51,620 Welcome to Seb's. 945 01:51:41,820 --> 01:51:43,940 I just heard you play and I want to... 946 01:58:31,060 --> 01:58:32,550 Do you want to stay for another? 947 01:58:38,620 --> 01:58:41,740 - No, we should go. - All right. 948 01:59:43,180 --> 01:59:45,580 One, two. One, two, three, four.