1 00:01:00,499 --> 00:01:02,376 A DRILL, SOLDIER… THIS IS NOT 2 00:01:02,418 --> 00:01:05,379 NOT A DRILL, SOLDIER. WE'RE CLEAR ON THAT? 3 00:01:07,381 --> 00:01:10,718 THIS IS A LIVE PROJECT. YOU'RE A GO… 4 00:01:10,760 --> 00:01:13,304 YOU'RE A GO. 5 00:01:13,345 --> 00:01:16,891 TRAINING IS OVER… TRAINING IS OVER… 6 00:01:17,892 --> 00:01:19,811 TRAINING IS OVER. 7 00:02:06,691 --> 00:02:09,735 I'M OKAY. IT'S FINE. 8 00:02:09,777 --> 00:02:12,363 IT'S JUST A HEADACHE. 9 00:02:16,826 --> 00:02:19,411 YOU'RE BURNING UP. 10 00:02:33,759 --> 00:02:37,096 IT'S OKAY, 11 00:02:37,138 --> 00:02:39,515 JUST A HEADACHE. 12 00:02:59,911 --> 00:03:04,082 ANYTHING NEW? NO. 13 00:03:05,208 --> 00:03:07,710 IT'S JUST BITS AND PIECES. 14 00:03:09,921 --> 00:03:12,924 I CAN HEAR CONKLIN'S VOICE, 15 00:03:12,965 --> 00:03:15,384 AND THERE'S THAT PHOTOGRAPH, BUT… 16 00:03:17,595 --> 00:03:19,597 I JUST CAN'T STAY WITH IT. 17 00:03:19,638 --> 00:03:23,184 BUT YOU'RE SURE IT'S NOT JUST A BAD DR… IT HAPPENED. 18 00:03:23,226 --> 00:03:25,228 IT WAS A MISSION. 19 00:03:27,605 --> 00:03:29,607 AND I WAS THERE. 20 00:03:29,648 --> 00:03:32,651 YOU SHOULD WRITE IT DOWN. 21 00:03:34,737 --> 00:03:36,864 TWO YEARS WE'RE SCRIBBLING IN THAT NOTEBOOK, 22 00:03:36,906 --> 00:03:39,324 IT'S ALWAYS BAD… IT HASN'T BEEN TWO YEARS. 23 00:03:39,366 --> 00:03:43,913 NOW IT'S THE SAME THING OVER AND OVER AGAIN. THAT'S WHY WE WRITE IT DOWN. 24 00:03:43,955 --> 00:03:47,625 BECAUSE SOONER OR LATER YOU'LL REMEMBER SOMETHING GOOD. 25 00:03:49,127 --> 00:03:52,379 SOMETHING GOOD… I DO REMEMBER 26 00:03:52,421 --> 00:03:55,174 ALL THE TIME. 27 00:04:50,980 --> 00:04:54,317 BERLIN, GERMANY 28 00:04:54,358 --> 00:04:56,652 I WANT ONE FINAL GO-ROUND. 29 00:04:56,694 --> 00:04:59,864 Man #2: ALL TEAMS LISTEN UP. WE ARE STANDING BY FOR FINAL GREEN. 30 00:04:59,905 --> 00:05:02,491 SURVEY TWO, I NEED TO KNOW WHEN YOU'VE GOT EYES. 31 00:05:02,533 --> 00:05:04,576 HUB, THIS IS SURVEY TWO. I HAVE EYES. Man #3: 32 00:05:04,618 --> 00:05:06,829 COPY THAT. Man #2: 33 00:05:06,871 --> 00:05:08,747 SURVEY ONE, THIS IS HUB. 34 00:05:08,789 --> 00:05:11,083 DO YOU HAVE VISUAL CONTACT? 35 00:05:11,125 --> 00:05:15,754 HUB, THIS IS SURVEY ONE. MOBILE ONE IS IN MOTION. 36 00:05:19,591 --> 00:05:22,427 SURVEY THREE, THAT IS GOOD. Woman #2: 37 00:05:23,512 --> 00:05:26,182 HUB. 38 00:05:26,224 --> 00:05:28,600 DIRECTOR MARSHALL FROM LANGLEY. 39 00:05:28,642 --> 00:05:30,394 LANGLEY. STAND BY, PLEASE. 40 00:05:30,435 --> 00:05:32,897 MARTIN? 41 00:05:32,938 --> 00:05:34,648 CENTRAL INTELLIGENCE AGENCY - LANGLEY, VIRGINIA 42 00:05:34,690 --> 00:05:36,317 SO IS DONNIE AND JACK WELLER. I'M HERE. 43 00:05:36,359 --> 00:05:37,902 WE UNDERSTAND YOU'RE USING 44 00:05:37,943 --> 00:05:40,029 THE FULL ALLOCATION FOR THIS BUY. 45 00:05:40,071 --> 00:05:42,073 IT'S A LOT OF MONEY, PAM. THAT'S WHERE WE CAME OUT. 46 00:05:42,114 --> 00:05:44,116 FOR A THIEF… A MOLE. 47 00:05:44,158 --> 00:05:46,244 IF IT DOES NOTHING MORE THAN NARROW THE LIST OF SUSPECTS, 48 00:05:46,285 --> 00:05:48,037 IT'S A BARGAIN AT 10 TIMES THE PRICE. 49 00:05:48,079 --> 00:05:51,623 HUB, THIS IS SURVEY TWO. ESCORT IS BREAKING OFF. 50 00:05:51,665 --> 00:05:54,168 MOBILE ONE IS ENTERING THE BUILDING. 51 00:05:54,210 --> 00:05:56,628 GENTLEMEN, I HAVE THE SELLER ON SITE AND IN PLAY. 52 00:05:56,670 --> 00:05:58,839 NOTHING MUCH MORE TO DISCUSS. QUITE FRANKLY, THERE'S 53 00:06:04,636 --> 00:06:06,347 ALL RIGHT, PAM, YOUR CALL. 54 00:06:06,389 --> 00:06:08,307 GO. WE'RE ON. 55 00:06:08,349 --> 00:06:12,853 AUDIO CONTACT ONLY. SWITCHING TO CHANNEL ONE NOW. 56 00:06:12,895 --> 00:06:15,273 THAT'S AFFIRMATIVE. COPY THAT. 57 00:06:52,017 --> 00:06:53,560 HAVE YOU GOT IT? 58 00:06:53,602 --> 00:06:58,023 I'VE GOT IT. FOLLOW ME. 59 00:07:13,580 --> 00:07:16,708 HUB, MOBILE ONE AND SELLER HAVE ENTERED THE OFFICE. 60 00:07:16,750 --> 00:07:18,961 COPY THAT. 61 00:07:32,350 --> 00:07:34,018 THIS IS EVERYTHING? 62 00:07:34,059 --> 00:07:37,062 IT'S ALL THERE. 63 00:07:37,104 --> 00:07:39,564 THESE FILES WILL PROVE WHO STOLE YOUR MONEY. 64 00:08:10,012 --> 00:08:11,847 THOSE ARE SHOTS. 65 00:08:17,436 --> 00:08:20,981 SURVEY ONE, I NEED TO KNOW SURVEY ONE, COME IN! WHAT HAPPENED. 66 00:08:21,023 --> 00:08:22,858 DO YOU SEE ANY SHADOWS? I SEE NOTHING. 67 00:08:22,900 --> 00:08:26,487 GET MEN IN THERE. GET MEN IN THERE NOW! 68 00:08:28,947 --> 00:08:30,741 EYE CONTACT, I DON'T CARE IF IT'S MOBILE ONE. 69 00:08:30,782 --> 00:08:32,910 MOBILE ONE, COPY PLEASE. ARE YOU THERE, MOBILE ONE? 70 00:08:32,951 --> 00:08:35,704 I'M SORRY. 71 00:08:35,746 --> 00:08:39,375 THREE PLACES OUT. WE'VE GOT 72 00:08:55,182 --> 00:08:57,726 …THE ASSOCIATION'S ANNUAL CONFERENCE HERE IN BERLIN 73 00:08:57,768 --> 00:09:00,812 CHIEF EXECUTIVE OFFICER YURI GRETKOV. IS PECOS OIL 74 00:09:00,854 --> 00:09:06,235 GRETKOV HAS TURNED PECOS INTO AN OIL EMPIRE… IN JUST SIX YEARS, 75 00:09:10,822 --> 00:09:13,117 THE WEALTHIEST MEN IN RUSSIA …HAS BECOME ONE OF 76 00:09:13,158 --> 00:09:15,369 AFTER CONSOLIDATING DRILLING RIGHTS IN THE CASPIAN SEA, 77 00:09:15,411 --> 00:09:18,497 OF ONE OF THE WORLD'S AND GAINING CONTROL VAST OIL RESERVES. 78 00:09:20,624 --> 00:09:23,085 YOU'RE LATE. 79 00:09:24,462 --> 00:09:26,297 THE FILES. 80 00:09:34,805 --> 00:09:38,850 YOU'LL GET THE REST WHEN YOU FINISH THE JOB. 81 00:09:42,521 --> 00:09:44,898 I NEED TO CLEAN UP. 82 00:09:44,940 --> 00:09:48,277 HURRY, YOUR PLANE LEAVES IN ONE HOUR. 83 00:09:50,404 --> 00:09:53,991 ARE YOU SURE THE INFORMATION IS GOOD? 84 00:09:54,032 --> 00:09:56,118 HE'LL BE THERE. 85 00:10:10,090 --> 00:10:12,801 HOW MUCH? 86 00:12:44,995 --> 00:12:47,748 GOOD MORNING, SIR. MORNING. 87 00:12:47,790 --> 00:12:52,503 HE IS MY FRIEND. THERE'S BEEN A DEATH IN THE FAMILY, 88 00:12:52,544 --> 00:12:55,547 AND I WONDER IF YOU'VE SEEN HIM. 89 00:13:39,508 --> 00:13:41,134 HEY. GET IN. 90 00:13:41,176 --> 00:13:43,387 WHAT'S WRONG? WE'RE BLOWN. 91 00:13:43,428 --> 00:13:46,682 HOW? WE PUSHED IT. WE GOT LAZY. 92 00:14:05,033 --> 00:14:06,993 THAT'S TWICE NOW I'VE SEEN THE SAME GUY. I SAW HIM IN TOWN 93 00:14:07,035 --> 00:14:10,706 AT THE TELEGRAPH OFFICE. ARE YOU SURE? HOW CAN YOU BE SURE? 94 00:14:10,748 --> 00:14:14,917 'CAUSE HE'S WRONG… THE GUY, THE CAR HE'S DRIVING, WHAT HE'S WEARING… IT'S JUST WRONG. 95 00:14:17,462 --> 00:14:19,840 WELL, JASON, LET'S THINK FOR A WHILE. THIS IS REAL. 96 00:14:19,882 --> 00:14:22,133 HE COULD BE ANYBODY. THIS IS REAL. 97 00:14:22,175 --> 00:14:24,553 THAT'S HIM. THAT'S HIM RIGHT THERE. GET YOUR HEAD DOWN. 98 00:14:24,595 --> 00:14:27,347 SILVER HYUNDAI. GET YOUR HEAD DOWN. 99 00:14:47,242 --> 00:14:49,453 HOW FAR IS HE? 100 00:14:51,580 --> 00:14:52,997 HOW FAR? 101 00:14:54,999 --> 00:14:56,418 100 METERS. 102 00:15:14,561 --> 00:15:17,981 HERE, TAKE THE WHEEL. YOU'RE GONNA DRIVE. 103 00:15:18,022 --> 00:15:19,733 SWITCH. 104 00:15:22,152 --> 00:15:24,195 JUST HEAD TO THE BRIDGE. 105 00:15:44,007 --> 00:15:46,092 TURN HERE. CUT THROUGH THE FIELD. 106 00:15:46,134 --> 00:15:47,511 HANG ON. 107 00:16:35,099 --> 00:16:36,810 YOU KEEP GOING TO THE SHACK. 108 00:16:36,852 --> 00:16:38,562 I'LL MEET YOU THERE IN ONE HOUR. 109 00:16:38,603 --> 00:16:39,980 I'LL BAIL ON THE OTHER SIDE OF THIS BRIDGE. 110 00:16:40,022 --> 00:16:42,232 IT'S THE ONLY WAY HE CAN FOLLOW US. 111 00:16:42,273 --> 00:16:44,234 WHAT IF IT'S NOT WHO YOU THINK? IT'S THEM. IT'S TREADSTONE. 112 00:16:44,275 --> 00:16:46,778 DON'T DO IT. I DON'T WANT YOU TO… I WARNED 'EM. 113 00:16:46,820 --> 00:16:48,947 I TOLD THEM WHAT WOULD HAPPEN IF THEY DIDN'T LEAVE US ALONE! 114 00:16:48,989 --> 00:16:51,700 IT'LL NEVER BE OVER LIKE THIS. I DON'T WANT… 115 00:16:51,742 --> 00:16:55,370 WE DON'T HAVE A CHOICE! YES, YOU DO. 116 00:19:01,746 --> 00:19:05,667 TWO POLICE OFFICERS FOR 64… 117 00:19:11,965 --> 00:19:13,424 THANK YOU. 118 00:19:13,466 --> 00:19:17,012 TWO OF THESE EXPLOSIVE CHARGES 119 00:19:17,054 --> 00:19:19,222 PLACED ON THE POWER LINES. ONE OF 'EM FAILED. 120 00:19:19,263 --> 00:19:21,307 HERE ARE THE FINGERPRINTS FROM THE ONE THAT DIDN'T GO OFF. 121 00:19:21,349 --> 00:19:24,061 THE GERMANS CAN'T MATCH IT? NO, NOBODY'S GOT IT. 122 00:19:24,102 --> 00:19:25,937 WE CHECKED OUT EVERY DATABASE WE COULD ACCESS. 123 00:19:25,979 --> 00:19:29,774 BUT WE'RE HOOKED INTO LANGLEY NOW. RUN IT. 124 00:19:29,816 --> 00:19:31,484 OKAY. 125 00:19:39,325 --> 00:19:41,995 WHAT THE HELL IS TREADSTONE? 126 00:19:44,206 --> 00:19:46,708 GET ME A FLIGHT. WE'RE GOING TO LANGLEY. 127 00:20:09,689 --> 00:20:12,067 BOURNE? 128 00:20:12,109 --> 00:20:13,651 DONE. 129 00:20:13,693 --> 00:20:16,029 YOU'RE SURE HE'S DEAD? 130 00:20:16,071 --> 00:20:18,448 BECAUSE THERE'S NO ROOM FOR… 131 00:20:18,489 --> 00:20:20,117 IT'S FINISHED. 132 00:20:20,158 --> 00:20:23,578 BOURNE. THE FILES. THE FINGERPRINT. 133 00:20:29,417 --> 00:20:33,255 I'LL CONTACT YOU IN A MONTH. 134 00:22:19,110 --> 00:22:20,904 TWO MEN DEAD. 135 00:22:20,945 --> 00:22:23,114 THREE MILLION IN CASH GONE. 136 00:22:23,156 --> 00:22:26,993 NO NESKI FILES. AND ALL VERY PUBLIC. 137 00:22:27,035 --> 00:22:30,454 THIS IS STILL A CLANDESTINE AGENCY, NO? 138 00:22:30,496 --> 00:22:32,456 I DON'T VIEW THIS EVENT AS A FAILURE. 139 00:22:32,498 --> 00:22:34,458 YOU CALL IT A SUCCESS? 140 00:22:34,500 --> 00:22:37,921 WE HAVE A LEAD, A FINGERPRINT LEFT BY THE ASSASSIN. 141 00:22:37,962 --> 00:22:42,217 HE'S ONE OF US. WHO IS IT? 142 00:22:42,259 --> 00:22:44,719 WHAT CAN YOU TELL ME ABOUT TREADSTONE? 143 00:22:44,761 --> 00:22:46,596 TREADSTONE? 144 00:22:46,637 --> 00:22:48,765 THAT'S WHERE THE TRAIL DEAD-ENDS. 145 00:22:48,806 --> 00:22:51,601 IF YOU WANT AN ANSWER, YOU'RE GONNA HAVE TO GIVE ME 146 00:22:51,642 --> 00:22:54,436 A LEVEL-FIVE S.C.I. ACCESS. 147 00:22:57,357 --> 00:22:59,984 WE HAVE A LEAD, MARTY. 148 00:23:02,112 --> 00:23:05,447 ALL RIGHT, YOU'VE GOT YOUR CLEARANCE. 149 00:23:05,489 --> 00:23:09,160 A VERY SHORT LEASH. BUT YOU'RE ON 150 00:23:09,202 --> 00:23:11,371 AND YOU GIVE A FULL REPORT TO THE GROUP. 151 00:23:11,413 --> 00:23:13,581 I WANT TO KNOW WHERE YOU'RE GOING WITH THIS. 152 00:23:13,623 --> 00:23:15,666 SIR. 153 00:24:32,785 --> 00:24:34,829 WARD? 154 00:24:34,871 --> 00:24:36,622 PAMELA LANDY. 155 00:24:36,664 --> 00:24:38,875 WHAT CAN I DO FOR YOU? HEY, PAM, 156 00:24:38,916 --> 00:24:41,252 YOU HAD SOME TIME I WAS HOPING FOR ME. 157 00:24:41,294 --> 00:24:43,296 TIME FOR WHAT? I'M FREE RIGHT NOW, ACTUALLY. 158 00:24:43,338 --> 00:24:47,008 LET ME CHECK MY SCHEDULE. THAT SOUNDS OMINOUS. 159 00:24:50,845 --> 00:24:53,348 EXCUSE ME, CAN I HELP YOU? 160 00:24:53,390 --> 00:24:55,350 YEAH, I'M HERE TO SEE MR. ABBOTT. 161 00:24:55,392 --> 00:24:58,686 20 MINUTES? SEE YOU. 162 00:25:07,153 --> 00:25:09,531 OPERATION TREADSTONE. NEVER HEARD OF IT. 163 00:25:09,571 --> 00:25:11,949 THAT'S NOT GONNA FLY. WITH ALL DUE RESPECT, PAM, 164 00:25:11,991 --> 00:25:14,536 I THINK YOU MIGHT HAVE WANDERED A LITTLE PAST YOUR PAY GRADE. 165 00:25:14,576 --> 00:25:17,455 THAT'S A WARRANT FROM DIRECTOR MARSHALL GRANTING ME UNRESTRICTED ACCESS 166 00:25:17,497 --> 00:25:21,042 TO ALL PERSONNEL MATERIALS ASSOCIATED WITH TREADSTONE. 167 00:25:24,170 --> 00:25:27,798 SO, WHAT ARE WE LOOKING AT? 168 00:25:27,840 --> 00:25:29,717 I WANT TO KNOW ABOUT IT. KNOW ABOUT IT? 169 00:25:29,759 --> 00:25:31,386 IT WAS A KILL SQUAD. BLACK ON BLACK. 170 00:25:31,428 --> 00:25:33,471 WE CLOSED IT DOWN TWO YEARS AGO. 171 00:25:33,513 --> 00:25:36,182 NOBODY WANTS TO KNOW ABOUT TREADSTONE… NOT AROUND HERE. 172 00:25:36,224 --> 00:25:38,893 SO I THINK YOU BETTER TAKE THIS BACK TO MARTY AND LET HIM KNOW 173 00:25:38,935 --> 00:25:42,188 EXACTLY WHAT YOU'RE DOING. HE DOES. I'VE BEEN DOWN TO THE ARCHIVES. 174 00:25:42,230 --> 00:25:44,274 I HAVE THE FILES, WARD. 175 00:25:44,315 --> 00:25:48,694 LET'S TALK ABOUT CONKLIN. WHAT ARE YOU AFTER, PAM? 176 00:25:48,736 --> 00:25:52,532 YOU WANT TO FRY ME? YOU WANT MY DESK? IS THAT IT? 177 00:25:52,574 --> 00:25:55,659 I WANT TO KNOW WHAT HAPPENED. WHAT HAPPENED? JASON BOURNE HAPPENED. 178 00:25:55,701 --> 00:25:59,830 YOU GOT THE FILES. THEN LET'S CUT THE CRAP. 179 00:25:59,872 --> 00:26:03,543 CONKLIN HAD THESE GUYS WOUND SO TIGHT THEY WERE BOUND TO SNAP. 180 00:26:03,585 --> 00:26:05,878 BOURNE WAS HIS NUMBER ONE. 181 00:26:05,920 --> 00:26:08,714 THE GUY WENT FOR A JOB, SCREWED THE OP, NEVER CAME BACK. 182 00:26:08,756 --> 00:26:11,509 COULDN'T ADJUST. CONKLIN COULDN'T FIX IT. COULDN'T FIND BOURNE. 183 00:26:11,551 --> 00:26:15,388 SO YOU HAD CONKLIN KILLED. IT ALL WENT SIDEWAYS. 184 00:26:15,430 --> 00:26:17,307 I MEAN, IF WE'RE CUTTING THE CRAP. 185 00:26:17,348 --> 00:26:19,892 I'VE GIVEN 30 YEARS AND TWO MARRIAGES TO THIS AGENCY. 186 00:26:19,934 --> 00:26:22,604 I'VE SHOVELED SHIT ON FOUR CONTINENTS. I'M DUE TO RETIRE NEXT YEAR. 187 00:26:22,686 --> 00:26:25,731 BUT IF YOU THINK I'M GONNA SIT HERE AND LET YOU DANGLE ME WITH THIS, 188 00:26:25,773 --> 00:26:30,278 YOU CAN GO TO HELL. AND MARSHALL TOO. 189 00:26:30,320 --> 00:26:32,238 IT HAD TO BE DONE. 190 00:26:32,280 --> 00:26:34,115 AND BOURNE… WHERE IS HE NOW? 191 00:26:34,157 --> 00:26:36,742 DEAD IN A DITCH, DRUNK IN A BAR IN MOGADISHU. 192 00:26:36,784 --> 00:26:38,869 WHO KNOWS? I THINK I DO. 193 00:26:38,911 --> 00:26:41,122 I HAD A DEAL GOING DOWN IN BERLIN LAST WEEK. 194 00:26:41,164 --> 00:26:44,125 AND DURING THE BUY, BOTH OUR CASE OFFICER AND THE SELLER WERE KILLED. 195 00:26:44,167 --> 00:26:47,253 THEY WERE KILLED BY JASON BOURNE. 196 00:26:50,672 --> 00:26:52,925 THEY'RE READY FOR US UPSTAIRS. 197 00:26:57,221 --> 00:27:02,852 LONDON, ENGLAND CIA SUBSTATION 198 00:27:32,006 --> 00:27:35,593 SEVEN YEARS AGO, $20 MILLION OF CIA FUNDS DISAPPEARED 199 00:27:35,635 --> 00:27:37,887 DURING A WIRE TRANSFER THROUGH MOSCOW. 200 00:27:37,928 --> 00:27:39,930 IN THE INVESTIGATION THAT FOLLOWED, 201 00:27:39,972 --> 00:27:43,059 WE WERE CONTACTED BY A RUSSIAN POLITICIAN, VLADIMIR NESKI. 202 00:27:43,100 --> 00:27:45,520 NESKI CLAIMED WE HAD A LEAK, 203 00:27:45,562 --> 00:27:47,897 AND THAT WE'D BEEN RIPPED OFF BY ONE OF OUR OWN. 204 00:27:47,938 --> 00:27:49,773 AND WERE WE? WE NEVER FOUND OUT. 205 00:27:49,815 --> 00:27:52,109 WE WERE NEGOTIATING A MEET WHEN HE WAS KILLED. 206 00:27:52,151 --> 00:27:54,320 BY WHO? HIS WIFE. 207 00:27:54,362 --> 00:27:57,114 THE CASE HAD GONE COLD UNTIL A MONTH AGO WHEN WE FOUND A SOURCE… 208 00:27:57,156 --> 00:28:00,326 ANOTHER RUSSIAN IN BERLIN WHO CLAIMED TO HAVE ACCESS TO THE NESKI MURDER FILES. 209 00:28:00,368 --> 00:28:03,204 WE THOUGHT WE HAD ANOTHER BITE AT THE APPLE. 210 00:28:06,040 --> 00:28:10,002 TURNS OUT THE ASSASSIN WAS ONE OF OUR OWN, JASON BOURNE. 211 00:28:10,044 --> 00:28:14,298 I KNOW TREADSTONE IS NOT A VERY POPULAR SUBJECT AROUND HERE, 212 00:28:14,340 --> 00:28:17,051 BUT WE FOUND SOME INTERESTING THINGS WHEN WE DUG A LITTLE DEEPER. 213 00:28:17,093 --> 00:28:19,721 THIS IS CONKLIN'S PERSONAL COMPUTER. 214 00:28:19,761 --> 00:28:23,474 HIS TREADSTONE FILES ARE BLOATED WITH CODE KEYS 215 00:28:23,516 --> 00:28:26,185 AND CASE FILES THAT HE NEITHER NEEDED NOR HAD CLEARANCE FOR. 216 00:28:26,227 --> 00:28:28,396 BURIED IN THE HARD DRIVE, WE FOUND A DELETED FILE 217 00:28:28,438 --> 00:28:31,023 WITH AN ACCOUNT NUMBER TO A BANK IN ZURICH. 218 00:28:31,065 --> 00:28:34,985 AT THE TIME OF HIS DEATH, HE WAS SITTING ON A PERSONAL ACCOUNT OF $760,000. 219 00:28:35,027 --> 00:28:37,779 HIS BUDGET WAS? YOU KNOW WHAT 220 00:28:37,821 --> 00:28:40,658 WE WERE THROWING MONEY AT HIM, THROWING IT AT HIM AND ASKING HIM TO KEEP IT DARK. 221 00:28:40,700 --> 00:28:42,368 IT WAS HIS OWN ACCOUNT. HE WAS UP TO SOMETHING. 222 00:28:42,410 --> 00:28:43,953 THIS IS SUPPOSED TO BE DEFINITIVE? 223 00:28:43,994 --> 00:28:46,289 WHAT'S DEFINITIVE IS I JUST LOST TWO PEOPLE IN BERLIN. 224 00:28:46,330 --> 00:28:48,874 SO WHAT'S YOUR THEORY? CONKLIN'S REACHING OUT FROM THE GRAVE TO PROTECT HIS GOOD NAME? 225 00:28:48,916 --> 00:28:52,086 THE MAN IS DEAD. NO ONE'S DISPUTING THAT, WARD. 226 00:28:52,128 --> 00:28:54,756 OH, FOR CHRIST'S SAKE, MARTY, YOU KNEW CONKLIN. 227 00:28:54,797 --> 00:29:00,010 DOES THIS SCAN? I MEAN, AT ALL? 228 00:29:00,052 --> 00:29:03,306 CUT TO THE CHASE, PAM. I THINK BOURNE AND CONKLIN WERE IN BUSINESS TOGETHER. 229 00:29:03,347 --> 00:29:06,517 BOURNE'S STILL INVOLVED AND WHATEVER INFORMATION I WAS TRYING TO BUY IN BERLIN 230 00:29:06,559 --> 00:29:11,188 WAS BIG ENOUGH TO BRING BOURNE OUT FROM HIDING TO KILL AGAIN. HOW'S THAT SCAN? 231 00:29:12,649 --> 00:29:14,734 EXCUSE ME, SIR, BUT YOU'RE NOT GOING TO BELIEVE THIS. 232 00:29:14,776 --> 00:29:18,195 JASON BOURNE'S PASSPORT JUST POPPED UP ON THE GRID IN NAPLES. 233 00:29:21,783 --> 00:29:24,702 OKAY, CONTACT NAPLES. THEY NEED TO KNOW WHO THEY'RE DEALING WITH. 234 00:29:24,744 --> 00:29:29,123 WE HAVE IN PLACE THERE. FIND OUT WHAT KIND OF LOCAL ASSETS 235 00:29:33,252 --> 00:29:38,007 SOME GUY'S NAME CAME UP NO, IT'S NOTHING. ON THE COMPUTER. 236 00:29:38,048 --> 00:29:39,509 YOU MAY GO. 237 00:29:39,550 --> 00:29:40,968 YEAH. HEY, LISTEN, TOM, 238 00:29:41,010 --> 00:29:43,053 I'M GONNA CALL YOU BACK, OKAY? 239 00:29:59,111 --> 00:30:01,698 MR. BOURNE, I'M JOHN NEVINS. 240 00:30:01,739 --> 00:30:05,827 I'M WITH THE U.S. CONSULATE. I JUST HAVE A FEW QUESTIONS FOR YOU. 241 00:30:15,461 --> 00:30:18,798 OUT OF TANGIERS. IS THAT CORRECT? YOU'RE COMING 242 00:30:24,387 --> 00:30:27,223 OF YOUR VISIT TO NAPLES? WHAT'S THE, UH, NATURE 243 00:30:36,566 --> 00:30:38,651 DID HE SAY ANYTHING? 244 00:30:48,703 --> 00:30:51,121 LOOK, I DON'T KNOW WHAT YOU DID. 245 00:30:51,163 --> 00:30:53,999 AND I DON'T KNOW WHO YOU'RE WORKING FOR, 246 00:30:54,041 --> 00:30:56,252 BUT I PROMISE YOU THIS, 247 00:30:56,293 --> 00:30:58,880 YOU'RE GOING TO PLAY BALL ONE WAY OR THE OTHER. 248 00:31:08,848 --> 00:31:11,559 THIS IS NEVINS. THIS IS TOM CRONIN, C.I. OPERATIONS OFFICER 249 00:31:11,601 --> 00:31:14,854 CALLING FROM LANGLEY, VIRGINIA. DO YOU HAVE A JASON BOURNE IN CUSTODY? 250 00:31:14,896 --> 00:31:17,815 YES, I DO. LISTEN, HE'S AN AGENCY PRIORITY TARGET. 251 00:31:17,857 --> 00:31:21,068 USE WHATEVER MEANS NECESSARY. 252 00:31:21,110 --> 00:31:24,238 CALL ME BACK I UNDERST AS SOON AS HE'S SECURE. 253 00:32:07,657 --> 00:32:10,910 HE'S BEEN DETAINED. HERE'S THE NUMBER. 254 00:32:10,952 --> 00:32:12,912 HE'S BEING INTERROGATED BY A FIELD OFFICER 255 00:32:12,954 --> 00:32:14,789 OUT OF THE CONSULATE. 256 00:32:28,636 --> 00:32:32,014 HELLO? THIS IS PAMELA LANDY, C.I. SUPERVISOR. 257 00:32:32,055 --> 00:32:33,766 WHERE DO WE STAND? 258 00:32:33,808 --> 00:32:37,687 I, UH, THINK HE GOT AWAY. 259 00:32:37,728 --> 00:32:40,356 DAMN IT! 260 00:32:40,397 --> 00:32:42,441 HAVE YOU LOCKED DOWN THE AREA? 261 00:32:42,483 --> 00:32:44,777 NO. NO, THIS IS ITALY, LOCKED IT DOWN? 262 00:32:44,819 --> 00:32:47,112 THEY DON'T EXACTLY LOCK DOWN. 263 00:32:47,154 --> 00:32:50,324 HOW LONG HAVE YOU WORKED FOR THE AGENCY? ME? FOUR YEARS, MA'AM. 264 00:32:50,366 --> 00:32:52,576 IF YOU WANT TO MAKE IT TO FIVE, LISTEN CLOSE. 265 00:32:52,618 --> 00:32:54,411 AND EXTREMELY DANGEROUS. BOURNE IS ARMED 266 00:32:54,453 --> 00:32:56,706 HE ASSASSINATED TWO MEN, LAST WEEK IN BERLIN, 267 00:32:56,747 --> 00:32:58,916 EXPERIENCED FIELD OFFICER. ONE A HIGHLY 268 00:32:58,958 --> 00:33:01,878 I WANT YOU TO SECURE THAT AREA. I WANT ANY EVIDENCE SECURED. 269 00:33:01,919 --> 00:33:04,839 YES, SIR… MA'AM. AND I WANT IT DONE RIGHT NOW. IS THAT CLEAR? 270 00:33:04,881 --> 00:33:06,799 I'M GETTING A PLANE TO BERLIN IN 45 MINUTES, 271 00:33:06,841 --> 00:33:09,092 WHICH MEANS YOU'LL CALL ME BACK IN 30. 272 00:33:09,134 --> 00:33:11,303 AND WHEN I ASK YOU WHERE WE STAND, I'D BETTER BE IMPRESSED. 273 00:33:15,391 --> 00:33:17,935 BERLIN? I ALREADY HAVE A TEAM IN PLACE THERE. 274 00:33:17,977 --> 00:33:19,896 I DOUBT BOURNE'S IN NAPLES READY TO START A FAMILY. 275 00:33:19,937 --> 00:33:22,147 YOU HAVE NO IDEA NO IDEA WHAT YOU'RE GETTING INTO. 276 00:33:22,189 --> 00:33:24,400 DO YOU? FROM THE MINUTE HE LEFT TREADSTONE, 277 00:33:24,441 --> 00:33:26,485 HE'S KILLED AND ELUDED EVERY PERSON YOU'VE SENT TO FIND HIM. 278 00:33:26,527 --> 00:33:29,071 SO YOU READ A COUPLE FILES ON JASON BOURNE, THAT MAKES YOU AN EXPERT? 279 00:33:29,112 --> 00:33:31,448 THIS IS MY CASE. ENOUGH. 280 00:33:31,490 --> 00:33:33,576 I WANT YOU BOTH ON THAT PLANE. 281 00:33:33,617 --> 00:33:36,579 GOING TO DO WHAT WE WERE WE ARE, ALL OF US, EITHER TOO LAZY 282 00:33:36,620 --> 00:33:38,372 THE LAST TIME AROUND. OR INEPT TO DO 283 00:33:38,414 --> 00:33:41,333 WE'RE GONNA FIND THIS SON OF A BITCH AND TAKE HIM DOWN. 284 00:33:41,375 --> 00:33:45,046 ANY MORE OF THIS AGENCY. JASON BOURNE DESTROY I'M NOT HAVING 285 00:33:45,087 --> 00:33:47,048 IS THAT DEFINITIVE ENOUGH FOR YOU? 286 00:33:47,089 --> 00:33:49,550 YES, SIR. 287 00:33:52,887 --> 00:33:55,639 AND EXTREMELY DANGEROUS. JASON BOURNE IS ARMED Pam's voice: 288 00:33:55,681 --> 00:33:57,558 HE ASSASSINATED TWO MEN. LAST WEEK IN BERLIN 289 00:33:57,600 --> 00:33:59,393 ONE AN HIGHLY EXPERIENCED FIELD OFFICER. 290 00:33:59,435 --> 00:34:01,020 I WANT THAT AREA… 291 00:34:01,062 --> 00:34:02,605 …HE ASSASSINATED TWO MEN. 292 00:34:02,646 --> 00:34:04,147 ONE AN HIGHLY EXPERIENCED FIELD OFFICER. 293 00:34:04,189 --> 00:34:05,983 I WANT THAT AREA SECURED. 294 00:34:06,025 --> 00:34:07,985 I WANT ANY EVIDENCE SECURED. I WANT IT DONE RIGHT NOW… 295 00:34:33,385 --> 00:34:36,055 THIS IS NOT A DRILL, SOLDIER. Conklin's voice: 296 00:34:38,057 --> 00:34:40,935 ARE WE CLEAR ON THAT? 297 00:35:29,108 --> 00:35:33,696 AMSTERDAM, NETHERLANDS 298 00:35:53,716 --> 00:35:55,968 WORKING AT TREADSTONE YOU'D BEEN FOR THREE YEARS. 299 00:35:56,010 --> 00:35:59,180 AT THE TIME WAS WHAT? AND YOUR COVER 300 00:35:59,221 --> 00:36:01,682 I WAS AN AMERICAN STUDENT IN PARIS. 301 00:36:01,724 --> 00:36:04,768 AND WHAT EXACTLY DID YOUR JOB WITH TREADSTONE IN PARIS CONSIST OF? 302 00:36:04,810 --> 00:36:08,689 I HAD TWO RESPONSIBILITIES. LOGISTICAL OPERATIONS. ONE WAS TO COORDINATE 303 00:36:08,731 --> 00:36:10,983 THE HEALTH OF THE AGENTS. THE OTHER WAS MONITOR 304 00:36:11,025 --> 00:36:13,360 HEALTH, MEANING WHAT? THEIR MENTAL HEALTH. 305 00:36:13,402 --> 00:36:15,738 BECAUSE OF WHAT THEY HAD BEEN THROUGH, THEY WERE PRONE TO PROBLEMS. 306 00:36:15,779 --> 00:36:20,367 WHAT KIND OF PROBLEMS? DEPRESSION, ANGER, COMPULSIVE BEHAVIORS. 307 00:36:20,409 --> 00:36:24,496 THEY HAD PHYSICAL SYMPTOMS. HEADACHES, SENSITIVITY TO THE LIGHT. 308 00:36:24,538 --> 00:36:26,999 AMNESIA? BEFORE BOURNE, NO. 309 00:36:32,379 --> 00:36:34,757 THE PLANE'S READY. THERE'S A CAR WAITING FOR YOU. 310 00:36:34,798 --> 00:36:37,467 GOOD LUCK. NO, YOU WERE HIS LOCAL CONTACT. 311 00:36:37,509 --> 00:36:39,970 THE NIGHT CONKLIN DIED. YOU WERE WITH HIM 312 00:36:40,012 --> 00:36:42,056 YOU'RE COMING WITH US. 313 00:37:43,784 --> 00:37:47,830 LANGLEY PULLED AN IMAGE OUT OF NAPLES. IT'S UPLOADING RIGHT NOW. 314 00:37:47,871 --> 00:37:51,000 IT'S COMING IN NOW. WORKING. 315 00:37:51,041 --> 00:37:54,211 I NEED CLEARANCE. HE'S NOT HIDING. THAT'S FOR SURE. 316 00:37:54,253 --> 00:37:56,630 WHY NAPLES? WHY NOW? COULD BE RANDOM. 317 00:37:56,672 --> 00:37:58,715 MAYBE HE'S RUNNING. ON HIS OWN PASSPORT? 318 00:37:58,757 --> 00:38:01,802 WHAT IS HE ACTUALLY DOING? HE'S MAKING HIS FIRST MISTAKE. 319 00:38:01,844 --> 00:38:04,763 IT'S NOT A MISTAKE. 320 00:38:04,805 --> 00:38:07,016 THEY DON'T MAKE MISTAKES. 321 00:38:07,057 --> 00:38:09,601 THEY DON'T DO "RANDOM". THERE'S ALWAYS AN OBJECTIVE. ALWAYS A TARGET. 322 00:38:09,643 --> 00:38:13,230 THE OBJECTIVES AND TARGETS CAME FROM US. WHO'S GIVING THEM TO HIM NOW? 323 00:38:13,272 --> 00:38:15,649 SCARY VERSION? 324 00:38:15,691 --> 00:38:18,360 HE IS. 325 00:38:21,071 --> 00:38:24,491 MUNICH, GERMANY 326 00:39:15,751 --> 00:39:17,836 I EMPTIED IT. 327 00:39:17,878 --> 00:39:20,839 IT FELT A LITTLE LIGHT. 328 00:39:20,881 --> 00:39:22,966 PUT IT DOWN. 329 00:39:27,888 --> 00:39:29,806 FRONT. 330 00:39:30,849 --> 00:39:33,185 SORRY, OLD HABITS. 331 00:39:35,062 --> 00:39:37,231 USE YOUR TEETH. 332 00:39:48,325 --> 00:39:51,578 WORD IN THE ETHER WAS YOU'D LOST YOUR MEMORY. 333 00:39:51,620 --> 00:39:53,914 YOU STILL SHOULD HAVE MOVED. 334 00:39:56,666 --> 00:39:59,586 WHAT DO YOU WANT? CONKLIN. 335 00:39:59,628 --> 00:40:02,214 HE'S DEAD. SHOT DEAD IN PARIS. 336 00:40:02,256 --> 00:40:04,425 DEAD THE NIGHT YOU WALKED OUT. 337 00:40:04,466 --> 00:40:06,635 SO WHO'S RUNNING TREADSTONE NOW? 338 00:40:06,676 --> 00:40:08,804 NOBODY. THEY SHUT IT DOWN. 339 00:40:08,845 --> 00:40:12,015 IT'S OVER. 340 00:40:12,057 --> 00:40:14,351 WE'RE THE LAST TWO. 341 00:40:18,647 --> 00:40:20,732 THEN WHY ARE THEY STILL AFTER ME? IF IT'S OVER, 342 00:40:20,774 --> 00:40:23,610 I DON'T KNOW. EVER HEARD THE NAME PAMELA LANDY? 343 00:40:23,652 --> 00:40:25,821 I DON'T KNOW WHO THAT IS. PAMELA LANDY IN BERLIN. 344 00:40:25,862 --> 00:40:30,117 WHAT'S GOING ON IN BERLIN? I DON'T KNOW. 345 00:40:30,159 --> 00:40:32,286 WHY WOULD I LIE? 346 00:40:56,059 --> 00:40:58,603 I THOUGHT YOU WERE HERE TO KILL ME. 347 00:41:00,147 --> 00:41:01,898 WHAT'D YOU DO? 348 00:41:01,940 --> 00:41:05,152 I'M SORRY. 349 00:41:05,194 --> 00:41:07,570 DID YOU CALL IT IN? 350 00:41:10,657 --> 00:41:13,535 GET UP. COME ON. 351 00:41:16,288 --> 00:41:18,081 YOU HAVE A CAR OUT FRONT? 352 00:41:18,123 --> 00:41:20,334 THE KEYS ARE IN MY COAT POCKET, BUT WE SHOULD… 353 00:41:20,376 --> 00:41:22,878 WHAT? GO OUT THE BACK. I HAVE ANOTHER CAR. 354 00:45:54,190 --> 00:45:57,653 BERLIN HILTON, HOW CAN I HELP YOU? 355 00:45:57,694 --> 00:46:00,196 CAN I SPEAK TO THE GUEST PAMELA LANDY? 356 00:46:00,238 --> 00:46:02,491 ONE MOMENT, PLEASE. 357 00:46:02,532 --> 00:46:04,951 I AM SORRY, SIR, BUT WE DON'T HAVE A GUEST BY THAT NAME. 358 00:46:04,993 --> 00:46:06,411 THANK YOU. 359 00:46:09,038 --> 00:46:12,542 HOTEL RITZ-CARLTON, HELLO! 360 00:46:12,584 --> 00:46:15,086 CAN I SPEAK TO THE GUEST PAMELA LANDY? 361 00:46:15,128 --> 00:46:18,131 NO, WE DON'T HAVE A GUEST BY THAT NAME. 362 00:46:22,302 --> 00:46:26,014 WESTIN GRAND HOTEL, HELLO! HOW CAN I HELP YOU? 363 00:46:26,055 --> 00:46:28,099 PAMELA LANDY, PLEASE. 364 00:46:30,560 --> 00:46:32,813 YES, ONE MOMENT PLEASE, I WILL PUT YOU THROUGH. 365 00:47:00,215 --> 00:47:03,593 WESTIN GRAND HOTEL, HELLO! HOW CAN I HELP YOU? 366 00:47:03,635 --> 00:47:05,428 PAMELA LANDY, PLEASE. 367 00:47:05,470 --> 00:47:08,598 THANK YOU. ONE MOMENT, PLEASE. 368 00:47:08,640 --> 00:47:11,309 HELLO! HOW CAN I HELP YOU? 369 00:47:11,351 --> 00:47:13,102 I WANTED TO CALL A GUEST. 370 00:47:13,144 --> 00:47:15,438 PAMELA LANDY. JUST ONE SECOND, PLEASE. 371 00:47:15,480 --> 00:47:18,191 HELLO? 372 00:47:21,319 --> 00:47:24,364 HELLO? 373 00:47:24,406 --> 00:47:26,366 I'M SORRY, SIR, THE PHONE'S BUSY RIGHT NOW. 374 00:47:26,408 --> 00:47:29,578 YOU LIKE TO LEAVE A MESSAGE? I'LL TRY LATER, THANK YOU. 375 00:48:15,707 --> 00:48:17,834 OKAY, LET'S TAKE A LOOK AT THE TIMELINE. 376 00:48:17,876 --> 00:48:19,878 WHAT'S BOURNE'S OBJECTIVE? 377 00:48:19,920 --> 00:48:22,004 NOW, I WANT TO BREAK THIS OUT IN BOXES. 378 00:48:22,046 --> 00:48:25,341 NAPLES OUTBOUND. CHECK EVERYTHING. FLIGHTS, TRAINS, POLICE REPORTS. 379 00:48:25,383 --> 00:48:28,969 THAT'S BOX ONE. TEDDY, THAT'S YOURS. YOU GOT IT. 380 00:48:31,139 --> 00:48:33,934 "PRIOR CONNECTIONS." BOX #2… CALL IT 381 00:48:33,974 --> 00:48:39,147 I WANT TO RERUN ALL BOURNE'S TREADSTONE MATERIAL… EVERY FOOTSTEP. 382 00:48:39,188 --> 00:48:42,108 HIS METHOD OF TRAVEL. I WANT TO IDENTIFY KIM, BOX THREE. 383 00:48:42,150 --> 00:48:45,821 WE NEED A VEHICLE, A PARKING STAY ON THE LOCAL COPS. TICKET… SOMETHING. 384 00:48:45,862 --> 00:48:50,742 LANGLEY'S OFFERED TO UPLOAD ANY SATELLITE IMAGING WE NEED. SO, LET'S FIND A TARGET. 385 00:48:50,784 --> 00:48:53,954 WE NEED FRESH EYES. DANNY, BOX FOUR. 386 00:48:53,994 --> 00:48:56,372 REVIEW THE BUY WHERE WE LOST THE NESKI FILES. 387 00:48:56,414 --> 00:48:58,333 TIMELINE IT WITH WHAT WE KNOW ABOUT BOURNE'S MOVEMENTS. 388 00:48:58,374 --> 00:49:02,963 TURN IT UPSIDE DOWN AND SEE WHAT WE CAN FIND. 389 00:49:03,003 --> 00:49:05,423 WE RAN THIS GUY'S LIFE WITH TOTAL CONTROL COME ON, GUYS. 390 00:49:05,465 --> 00:49:08,134 FOR ALL THOSE YEARS. WE SHOULD BE A STEP AHEAD OF HIM. 391 00:49:08,176 --> 00:49:11,387 YOU WANT TO GO HOME? FIND JASON BOURNE. 392 00:49:30,406 --> 00:49:32,158 PAMELA LANDY. 393 00:49:32,200 --> 00:49:35,328 THIS IS JASON BOURNE. 394 00:49:35,370 --> 00:49:37,163 BOURNE? IT'S BOURNE. 395 00:49:37,205 --> 00:49:39,457 WE GOT 90 SECONDS TO TRIANGULATE HIS POSITION. 396 00:49:39,499 --> 00:49:42,210 WHAT DO YOU WANT? 397 00:49:44,921 --> 00:49:47,047 ARE YOU RUNNING TREADSTONE? 398 00:49:49,509 --> 00:49:52,888 TWO YEARS AGO. YOU KNOW THAT. TREADSTONE WAS CLOSED DOWN 399 00:49:52,929 --> 00:49:55,557 THEN WHO'S PLANNING THE MISSIONS NOW? 400 00:49:55,598 --> 00:49:58,894 THERE ARE NO MISSIONS. IT'S OVER. 401 00:50:00,645 --> 00:50:04,357 THEN WHAT DO YOU WANT WITH ME? BERLIN. 402 00:50:05,984 --> 00:50:08,611 HAVE YOU FORGOTTEN WHAT HAPPENED IN BERLIN? 403 00:50:10,572 --> 00:50:12,741 TWO PEOPLE, BOURNE. YOU KILLED 404 00:50:12,782 --> 00:50:15,577 YOU KILLED TWO PEOPLE, BOURNE. 405 00:50:18,287 --> 00:50:21,207 NESKI, VLADIMIR NESKI. Conklin's voice: 406 00:50:32,134 --> 00:50:33,929 BOURNE? 407 00:50:36,096 --> 00:50:38,433 I WANT TO COME IN. 408 00:50:41,019 --> 00:50:43,980 OKAY, HOW DO YOU WANT TO DO IT? I NEED 35 SECONDS. 409 00:50:44,022 --> 00:50:46,900 I KNOW TO BRING ME IN. I NEED SOMEONE 410 00:50:46,942 --> 00:50:48,985 WHO? 411 00:50:49,027 --> 00:50:51,821 THERE WAS A GIRL IN PARIS, PART OF THE PROGRAM. 412 00:50:51,863 --> 00:50:54,240 SHE USED TO HANDLE LOGISTICS. 413 00:50:54,282 --> 00:50:57,827 30 MINUTES… UNDER ALEXANDERSTRASSE, THE WORLD CLOCK. 414 00:50:57,869 --> 00:51:00,872 GIVE HER YOUR PHONE. SEND HER ALONE. 415 00:51:00,914 --> 00:51:02,665 WHAT IF I CAN'T FIND HER? 416 00:51:02,707 --> 00:51:05,418 IT'S EASY. SHE'S STANDING RIGHT NEXT TO YOU. 417 00:51:20,516 --> 00:51:22,894 THERE IS JUST SO MANY… HERE IT IS. 418 00:51:22,936 --> 00:51:25,647 HERE… THE SECOND QUADRANT. 419 00:51:28,316 --> 00:51:32,320 THE CLOCK IS RIGHT HERE. HE'S PUT HER IN THE MIDDLE OF EVERYTHING. 420 00:51:32,361 --> 00:51:35,824 IT'S A SECURITY NIGHTMARE. THERE IS NO WAY WE'RE GONNA GET HER COVERED. 421 00:51:35,865 --> 00:51:39,159 CALL A MAYDAY INTO BERLIN STATION. WE NEED SNIPERS, D.O.D…. 422 00:51:39,201 --> 00:51:42,622 YOU PUT SNIPERS ON THE ROOF AND IT'LL SCARE HIM OFF. NO SNIPERS! NO SNIPERS! 423 00:51:42,664 --> 00:51:45,583 I NEED ANSWERS. YOU CAN'T REALLY BELIEVE HE WANTS TO COME IN. 424 00:51:45,625 --> 00:51:47,877 ABOUT THE NESKI CASE. HE KNOWS SOMETHING 425 00:51:47,919 --> 00:51:49,587 AND I'M NOT GONNA PASS UP THIS CHANCE TO FIND OUT WHAT IT IS. 426 00:51:49,629 --> 00:51:51,131 DON'T BE A FOOL! 427 00:51:51,171 --> 00:51:53,716 ARE WE TALKING ABOUT PROTECTING NICKY OR KILLING BOURNE? 428 00:51:53,758 --> 00:51:56,427 KILLING BOURNE. WE'RE TALKING ABOUT THE NEXT DEAD BODY. 429 00:51:56,469 --> 00:51:58,972 IT MIGHT BE NICKY. IT WILL BE SOMEONE. YOU'RE NOT HEARING ME. 430 00:51:59,014 --> 00:52:01,891 GIVES ME NOTHING. BOURNE DEAD 431 00:52:03,225 --> 00:52:06,312 CAN I TALK TO YOU PRIVATELY? 432 00:52:12,568 --> 00:52:15,113 WHAT? I KNOW HOW YOU'RE FEELING. 433 00:52:15,155 --> 00:52:17,949 YOU LOST TWO MEN IN BERLIN AND YOU WANT IT TO MEAN SOMETHING. 434 00:52:17,991 --> 00:52:20,200 BUT NOTHING BOURNE GIVES YOU WILL BRING YOUR MEN BACK. 435 00:52:20,242 --> 00:52:23,163 NOTHING IN THOSE FILES MAKES THEIR SACRIFICE WORTHWHILE. 436 00:52:23,203 --> 00:52:26,041 YOU HAVE TO LET GO. WE'RE PROFESSIONALS. 437 00:52:26,082 --> 00:52:28,334 WHEN AN OPERATION GOES BAD, WE TIE IT OFF. 438 00:52:28,376 --> 00:52:30,461 IF THERE'S SOMETHING YOU'RE NOT TELLING ME, I WANT IT NOW, 439 00:52:30,503 --> 00:52:33,006 BEFORE I SEND THAT GIRL. DO YOU UNDERSTAND? 440 00:52:35,633 --> 00:52:39,303 YOU TALK ABOUT THIS STUFF LIKE YOU READ IT IN A BOOK. 441 00:52:52,650 --> 00:52:54,652 WHAT DO YOU WANT TO DO? 442 00:52:56,445 --> 00:52:59,074 PUT THE SNIPERS IN PLACE. 443 00:52:59,115 --> 00:53:02,410 IF THINGS GO BAD, WE TAKE HIM OUT. 444 00:53:02,451 --> 00:53:04,537 YOU GOT IT. 445 00:53:42,784 --> 00:53:46,370 WE HAVE A CROWD MOVING IN. HUB, THIS IS SURVEY ONE. 446 00:53:46,412 --> 00:53:48,957 CAN YOU GET CLOSER? IT'S SOME SORT OF PROTEST MARCH. 447 00:53:48,998 --> 00:53:50,583 SORRY, THAT'S AS CLOSE AS I CAN GET. 448 00:53:50,625 --> 00:53:52,961 SURVEY TWO, CAN YOU GET IN ANY CLOSER? 449 00:53:53,002 --> 00:53:56,505 KURT, MAKE SURE THE SOUTH END IS COVERED. ROGER. 450 00:53:56,547 --> 00:53:58,216 AFFIRMATIVE. COPY THAT. 451 00:54:12,272 --> 00:54:14,816 HELLO. THERE'S A TRAM COMING TOWARDS YOU. 452 00:54:14,857 --> 00:54:17,110 GET ON IT. SHE'S MOVING TO THE TRAM. 453 00:54:17,152 --> 00:54:20,404 SHE'S COMING YOUR WAY, SURVEY FIVE. WHERE'S IT GOING? 454 00:54:20,446 --> 00:54:23,365 TO ALEXANDERPLATZ STATION. 455 00:54:27,745 --> 00:54:31,874 THIS IS SURVEY FIVE. I CAN'T SEE HIM. I DON'T SEE HIM. 456 00:54:35,003 --> 00:54:37,922 SHE'S GETTING ON THE TRAM. THIS IS SURVEY TWO. 457 00:54:37,964 --> 00:54:40,008 SHE'S GETTING ON THE TRAM. ZOOM IN. 458 00:54:40,049 --> 00:54:43,052 BOURNE'S ON THE TRAM. I DON'T THINK HE'S ON THE TRAM. 459 00:54:43,094 --> 00:54:45,096 HE'S ON THE TRAM. 460 00:54:47,140 --> 00:54:49,892 SEND THEM IN TO FOLLOW. TELL THEM TO KEEP THEIR DISTANCE. 461 00:54:49,934 --> 00:54:52,812 OKAY, DELTA, LET'S GO. GET ON IT. 462 00:54:52,854 --> 00:54:54,563 LET'S GO. 463 00:54:56,149 --> 00:54:57,692 TELL THEM TO HURRY. 464 00:54:57,733 --> 00:55:00,153 THERE'S NOTHING ON THE SOUTH SIDE. 465 00:55:14,709 --> 00:55:17,879 ALEXANDERPLATZ STATION, 25 SECONDS. 466 00:55:17,920 --> 00:55:20,298 in German, indistinct ) ( crowd shouting 467 00:55:32,392 --> 00:55:34,937 THERE'S A LOT OF PROTESTORS THIS IS SURVEY THREE. HERE. 468 00:55:34,979 --> 00:55:38,649 WE CAN COVER HER OUT THERE. THERE'S NO WAY 469 00:55:38,691 --> 00:55:41,944 GET HER OUT OF THERE. GO, DELTA. MOVE, NOW! 470 00:55:59,503 --> 00:56:01,714 SHE'S NOT HERE. SHE'S GONE. 471 00:56:01,756 --> 00:56:04,175 GOD DAMN IT. THEY'RE NOT ON THE TRAM. 472 00:56:04,217 --> 00:56:06,844 JASON, PLEASE DON'T HURT ME. 473 00:56:06,886 --> 00:56:10,390 WHAT WERE MY WORDS? WHAT DID I SAY? 474 00:56:10,430 --> 00:56:12,850 I SAID LEAVE ME ALONE, LEAVE ME OUT OF IT. I DID, I SWEAR. 475 00:56:12,892 --> 00:56:15,186 THAT I BELIEVED YOU. JASON, I TOLD THEM 476 00:56:15,228 --> 00:56:17,313 I'M GOING TO ASK YOU SOME SIMPLE QUESTIONS. 477 00:56:17,355 --> 00:56:21,150 YOU'RE GONNA ANSWER ME HONESTLY OR I SWEAR TO GOD I'M GOING TO KILL YOU. 478 00:56:21,192 --> 00:56:24,320 DELTA, GIVE ME SOMETHING. I NEED SOMETHING. THEY'RE ON IT! 479 00:56:24,362 --> 00:56:26,197 WHO'S PAMELA LANDY? 480 00:56:26,239 --> 00:56:28,991 SHE'S A TASK FORCE CHIEF. 481 00:56:29,033 --> 00:56:31,493 IS SHE RUNNING TREADSTONE? NO, SHE'S THE DEPUTY DIRECTOR. 482 00:56:31,535 --> 00:56:33,746 WHY IS SHE TRYING TO KILL ME? 483 00:56:33,788 --> 00:56:36,624 LAST WEEK AN AGENCY FIELD OFFICER TRIED TO MAKE A BUY OFF ONE HER OPS. 484 00:56:36,665 --> 00:56:39,127 HE WAS TRYING TO SELL OUT A MOLE OR SOMETHING. AND? 485 00:56:39,168 --> 00:56:41,503 AND YOU GOT TO HIM BEFORE WE DID. I KILLED HIM? 486 00:56:41,545 --> 00:56:44,924 YOU LEFT A PRINT. THERE WERE PARTIAL PRINTS TRACED BACK TO TREADSTONE. 487 00:56:44,966 --> 00:56:47,509 THEY KNOW IT WAS YOU. THAT IS INSANE. 488 00:56:47,551 --> 00:56:49,637 WHY ARE YOU DOING THIS? WHY COME BACK NOW? 489 00:56:49,678 --> 00:56:52,265 JUST STOP! STOP! 490 00:56:52,307 --> 00:56:56,394 LAST WEEK, I WAS 4,000 MILES AWAY IN INDIA WATCHING MARIE DIE. 491 00:56:56,436 --> 00:57:00,148 THEY CAME FOR ME, AND THEY KILLED HER INSTEAD. 492 00:57:00,189 --> 00:57:02,233 THIS ENDS NOW. 493 00:57:06,321 --> 00:57:09,489 FIND HER. 494 00:57:09,531 --> 00:57:12,076 WHAT DO YOU PEOPLE WANT WITH ME? 495 00:57:12,118 --> 00:57:13,744 WHY ARE YOU TRYING TO FRAME ME? 496 00:57:13,786 --> 00:57:16,205 PLEASE, I'M ONLY HERE BECAUSE OF PARIS. ABBOTT… 497 00:57:16,247 --> 00:57:19,667 ABBOTT? WHO'S ABBOTT? CONKLIN'S BOSS. HE… HE SHUT DOWN TREADSTONE. 498 00:57:19,708 --> 00:57:21,543 IS HE HERE IN BERLIN? YES. 499 00:57:21,585 --> 00:57:23,712 DID HE RUN TREADSTONE? PLEASE… 500 00:57:23,754 --> 00:57:26,590 DID HE RUN TREADSTONE? YES, CONKLIN REPORTED TO HIM. 501 00:57:26,632 --> 00:57:28,843 PLEASE, PLEASE, I SWEAR. 502 00:57:28,884 --> 00:57:30,594 WHAT WAS LANDY BUYING? WHAT KIND OF FILES? 503 00:57:30,636 --> 00:57:32,554 CONKLIN… STUFF ON CONKLIN. 504 00:57:32,596 --> 00:57:35,766 IT WAS SOMETHING TO DO WITH A RUSSIAN POLITICIAN. 505 00:57:41,981 --> 00:57:45,734 NESKI. WHAT? WHAT ARE YOU TALKING ABOUT? 506 00:57:47,569 --> 00:57:51,073 YOUR TRAINING IS OVER. 507 00:57:51,115 --> 00:57:53,659 WHEN WAS I HERE IN BERLIN? WHAT DO YOU MEAN? 508 00:57:53,701 --> 00:57:56,496 FOR TREADSTONE. YOU KNOW MY FILE. I DID A JOB HERE… WHEN? 509 00:57:56,537 --> 00:57:58,747 NO. YOU NEVER WORKED IN BERLIN. - MY FIRST JOB. 510 00:57:58,789 --> 00:58:01,000 IN BERLIN, I DID A JOB HERE. YOU KNOW MY FILE. 511 00:58:01,042 --> 00:58:03,127 YOU'VE NEVER WORKED BERLIN. MY FIRST JOB. 512 00:58:03,169 --> 00:58:06,172 NO, YOUR FIRST ASSIGNMENT WAS GENEVA. YOU FUCKING PEOPLE! 513 00:58:06,214 --> 00:58:08,424 I SWEAR, I SWEAR! 514 00:58:08,466 --> 00:58:11,719 I KNOW I WAS HERE, NICKY. IT'S NOT IN YOUR FILE. IT'S NOT IN YOUR FILE. 515 00:58:11,760 --> 00:58:13,054 I KNOW I WAS HERE! 516 00:58:13,095 --> 00:58:16,474 I SWEAR. OH, PLEASE… 517 00:58:31,406 --> 00:58:34,075 HE'S GOT TO BE DOWN HERE SOMEWHERE. 518 00:58:34,116 --> 00:58:35,743 PAM, I WANT TO SHOW YOU SOMETHING. 519 00:58:35,784 --> 00:58:38,413 THIS IS ALEXANDERPLATZ. WE GOT THREE LEVELS. 520 00:58:38,454 --> 00:58:41,332 15 TUNNELS ALL CONVERGING IN A FIVE-BLOCK RADIUS. 521 00:58:41,374 --> 00:58:43,501 OVER HERE LUFTSCHUTZBUNKER. AN OLD WAR SHELTER. 522 00:58:43,543 --> 00:58:44,960 HOW MANY MEN? TWO COVERING THE BACK, 523 00:58:45,002 --> 00:58:46,837 THE REST FANNED OUT FOR A SEARCH. 524 00:58:46,879 --> 00:58:48,839 WHAT'S OUR SECURITY SITUATION HERE? 525 00:58:48,881 --> 00:58:51,717 WHERE HERE? IN THE BUILDING. CHECK EVERYTHING. 526 00:58:51,759 --> 00:58:56,264 RECHECK ALL THE STAIRWELLS, ALL THE HALLWAYS, EVERYTHING. DONE. 527 00:58:56,305 --> 00:58:59,975 LET'S GO PUBLIC. RELEASE HIS PHOTO TO THE BERLIN POLICE. 528 00:59:00,017 --> 00:59:02,853 AND CHECK OUT HIS STORY ABOUT THE GIRLFRIEND IN INDIA, TOO. 529 00:59:02,895 --> 00:59:05,981 I'M ON IT. YOU'RE IN A BIG PUDDLE OF SHIT, PAMELA. 530 00:59:06,023 --> 00:59:08,067 AND YOU DON'T HAVE THE SHOES FOR IT. 531 00:59:08,109 --> 00:59:10,194 HE SAID HE DIDN'T KNOW ANYTHING ABOUT BERLIN. 532 00:59:10,236 --> 00:59:11,904 HE KNEW NICKY WORE A WIRE. 533 00:59:11,946 --> 00:59:13,406 DON'T YOU THINK THAT WAS FOR OUR BENEFIT? 534 00:59:13,448 --> 00:59:16,117 HE DIDN'T SOUND LIKE A MAN IN CONTROL. 535 00:59:16,158 --> 00:59:18,494 WE KNOW HE WAS IN BERLIN. 536 00:59:18,536 --> 00:59:20,788 HIS MIND IS BROKEN! WE BROKE IT! AND NOW… 537 00:59:20,829 --> 00:59:23,874 NOW TERMINATE HIM? YOU'VE BEEN PUSHING THAT SINCE WE GOT HERE. 538 00:59:23,916 --> 00:59:26,168 HE SAID YOU'RE RUNNING TREADSTONE. SHOULD WE BELIEVE THAT TOO? 539 00:59:26,210 --> 00:59:29,671 I'M CONVINCED BOURNE KNOWS SOMETHING. HE KNOWS YOU'RE AFTER HIM. 540 00:59:29,713 --> 00:59:31,757 AND IN THE INTEREST OF SELF-PRESERVATION, 541 00:59:31,799 --> 00:59:33,968 YOU MIGHT START WITH THAT. 542 00:59:34,009 --> 00:59:37,096 CHECK ON THOSE PHOTOS. HAVE THEY GONE OUT? 543 00:59:49,984 --> 00:59:51,986 I NEED TO SHOW YOU SOMETHING. 544 01:01:38,008 --> 01:01:40,177 ALL RIGHT, I FINISHED MY BOX WORK, 545 01:01:40,219 --> 01:01:42,430 BUT I WANTED TO SHOW YOU BEFORE I SHOWED LANDY. 546 01:01:42,471 --> 01:01:46,100 I CAME DOWN HERE LAST NIGHT, BECAUSE NONE OF THIS IS MAKING ANY SENSE. 547 01:01:46,141 --> 01:01:48,644 CONKLIN WAS A NUT, I'M WITH YOU… BUT A TRAITOR? 548 01:01:48,686 --> 01:01:50,646 I JUST CAN'T GET THERE. 549 01:01:50,688 --> 01:01:54,316 WHAT DO YOU HAVE, DANNY? IF YOU PUT A 4-GRAM KEL ON HERE, 550 01:01:54,358 --> 01:01:56,694 IT'S GONNA TAKE OUT POWER TO THE BUILDING. YOU KNOW THAT. 551 01:01:56,736 --> 01:01:59,821 THERE WERE TWO CHARGES THAT WERE SUPPOSED TO GO OFF SIMULTANEOUSLY. 552 01:01:59,863 --> 01:02:03,158 THE SECOND ONE, THE ONE OVER HERE DIDN'T GO OFF. 553 01:02:03,200 --> 01:02:06,621 NOTHING… IT'S A SUB-LINE FOR THE BREAKER ABOVE. FIRST OF ALL, THIS IS 554 01:02:06,662 --> 01:02:09,039 SECOND… WHY PUT THE CHARGE ALL THE WAY DOWN HERE? 555 01:02:09,081 --> 01:02:12,376 ENOUGH TO GET IN HERE AND HANDLE THE GEAR, IF YOU'RE GOOD 556 01:02:12,418 --> 01:02:14,545 YOU'RE GOOD ENOUGH TO KNOW YOU DON'T NEED THIS. 557 01:02:14,587 --> 01:02:17,298 BOURNE WOULD KNOW. IT WAS STAGED? 558 01:02:17,339 --> 01:02:19,091 IS IT A SLAM DUNK? NO. 559 01:02:19,133 --> 01:02:21,719 BUT WHAT IF SOMEBODY WERE TRYING TO COVER THEIR TRACKS 560 01:02:21,761 --> 01:02:23,721 BY BLAMING CONKLIN AND BOURNE? 561 01:02:23,763 --> 01:02:26,474 WHAT IF BOURNE DIDN'T HAVE ANYTHING TO DO WITH THIS? 562 01:02:28,559 --> 01:02:32,354 SHOW ME AGAIN. ALL RIGHT. WHAT IF… 563 01:02:32,396 --> 01:02:34,774 metal jingles ) ( grunts, 564 01:02:57,755 --> 01:03:01,008 PULL OVER, HE'S GETTING OUT. Conklin's voice: 565 01:03:03,093 --> 01:03:05,471 THIS IS NOT A DRILL, SOLDIER. 566 01:03:05,513 --> 01:03:07,889 WE'RE CLEAR ON THAT? 567 01:03:07,931 --> 01:03:12,269 THIS IS A LIVE PROJECT AND YOU ARE GO. 568 01:03:13,688 --> 01:03:15,939 ON THE OTHER SIDE. WE'LL SEE YOU 569 01:03:35,626 --> 01:03:37,753 GOOD EVENING, SIR. HOW CAN I HELP YOU? 570 01:03:37,795 --> 01:03:39,755 YEAH, HI, I WANTED TO GET A ROOM FOR THE NIGHT. 571 01:03:39,797 --> 01:03:42,466 DO YOU HAVE A RESERVATION? NO. 572 01:03:46,762 --> 01:03:51,933 ACTUALLY, IS ROOM 645 AVAILABLE? I'VE STAYED THERE BEFORE. 573 01:03:54,144 --> 01:03:56,814 I'M SORRY, SIR, THAT ROOM IS OCCUPIED. 574 01:03:56,856 --> 01:04:01,652 HOW ABOUT ROOM 644? IT'S RIGHT ACROSS THE HALL. 575 01:04:01,694 --> 01:04:03,945 SIR? 576 01:04:03,987 --> 01:04:07,115 644? IT'S FINE, THANK YOU. 577 01:04:07,157 --> 01:04:10,118 I JUST NEED YOUR PASSPORT AND SIGNATURE. 578 01:04:10,160 --> 01:04:12,788 RIGHT HERE, PLEASE. 579 01:04:14,039 --> 01:04:16,166 HAVE A NICE NIGHT. 580 01:04:43,527 --> 01:04:46,405 MR. HASLER, PLEASE TAKE A LOOK. 581 01:04:48,323 --> 01:04:50,618 HE JUST CHECKED IN. YES. 582 01:05:16,560 --> 01:05:19,396 POLICE, YOU CALLED US. YES, HELLO. 583 01:05:19,438 --> 01:05:21,148 WHAT IS THE MATTER? 584 01:05:22,900 --> 01:05:25,026 HE IS OUR GUEST. 585 01:05:35,120 --> 01:05:37,748 WHERE? BRECKER HOTEL, ON THE KUR'DAMM. 586 01:05:37,790 --> 01:05:39,667 TEDDY, TAKE THE VAN. OKAY, WE'RE THERE. 587 01:05:39,708 --> 01:05:42,503 BRECKER? HOW FAR? ABOUT FIVE, SIX MINUTES. 588 01:06:05,734 --> 01:06:08,654 speaking Russian ) ( Neski and wife 589 01:07:02,624 --> 01:07:06,461 CONGRATULATIONS, SOLDIER, TRAINING IS OVER. 590 01:07:45,125 --> 01:07:48,503 THIS WAY! MOVE, MOVE! 591 01:08:34,299 --> 01:08:36,259 BLACK COAT… POSSIBLY LEATHER, 592 01:08:36,301 --> 01:08:39,096 DARK T-SHIRT, DARK PANTS. 593 01:08:39,138 --> 01:08:41,849 THE COPS OUT THERE WANT TO CORRAL ALL THE GUESTS 594 01:08:41,890 --> 01:08:43,892 ON THE SIDEWALK AND CHECK THEM OUT ONE BY ONE. 595 01:08:43,934 --> 01:08:46,812 WHAT THE HELL IS HE DOING HERE? THAT'LL REALLY WORK. 596 01:08:46,854 --> 01:08:48,897 MAYBE HE JUST WANTED TO STAY THE NIGHT. 597 01:08:57,906 --> 01:08:59,533 HE LEFT THE HOTEL. 598 01:09:16,967 --> 01:09:19,260 TO THE RIGHT! FASTER! 599 01:09:24,474 --> 01:09:26,894 FREEZE, POLICE! STAND STILL! 600 01:09:26,935 --> 01:09:29,479 GET OUT OF THE WAY! 601 01:09:40,490 --> 01:09:41,742 POLICE! 602 01:09:41,783 --> 01:09:44,244 GET OUT OF THE WAY! 603 01:10:01,095 --> 01:10:04,514 GET OUT OF THE WAY! POLICE! 604 01:10:17,986 --> 01:10:21,406 STOP HIM! KEEP THE DOOR OPEN! 605 01:10:23,324 --> 01:10:25,619 KEEP THE DOOR OPEN! 606 01:10:29,497 --> 01:10:31,875 POLICE! FREEZE! 607 01:10:31,917 --> 01:10:34,086 THERE HE IS! GET MOVING! 608 01:11:09,537 --> 01:11:12,457 WE NEED TO STOP THE SHIP! DO YOU SEE HIM? 609 01:12:24,029 --> 01:12:28,700 I DON'T KNOW WHAT'S GOING ON. THERE IS A HUGE RIOT THIS EVENING. 610 01:12:28,742 --> 01:12:30,577 THEY MISSED HIM? YEAH, SO FAR. 611 01:12:30,618 --> 01:12:32,453 BUT THEY FOUND NICKY. SHE'S BACK AT THE WESTIN. 612 01:12:32,495 --> 01:12:35,123 BOURNE LET HER GO. HE LET HER GO? 613 01:12:35,165 --> 01:12:37,959 YEAH. WHERE'S DANNY ZORN? 614 01:12:38,001 --> 01:12:40,962 HE OUGHT TO HEAD OVER THERE AND DEBRIEF HER. 615 01:12:41,004 --> 01:12:44,632 WHY DID BOURNE COME HERE? WE DON'T KNOW YET. 616 01:12:44,674 --> 01:12:46,467 LANDY'S UPSTAIRS IN ONE OF THE ROOMS. 617 01:12:46,509 --> 01:12:48,887 SHE SAID SHE'D CALL YOU WHEN SHE'S DONE. 618 01:12:51,014 --> 01:12:53,016 OKAY… 619 01:12:54,642 --> 01:12:59,147 A CAB BACK TO THE HOTEL. I THINK I'LL TAKE 620 01:13:04,319 --> 01:13:07,281 SO THE ROOM HE CHECKED INTO WAS ACROSS THE HALL. 621 01:13:07,322 --> 01:13:08,823 MM-HMM… 622 01:13:08,865 --> 01:13:11,659 WHY WOULD HE COME IN HERE? 623 01:13:19,334 --> 01:13:24,339 WHAT ARE YOU THINKING? I RECOGNIZE THIS ROOM FROM A PHOTO. 624 01:13:24,381 --> 01:13:27,801 THERE WAS A CHALK OUTLINE RIGHT HERE… AROUND THE BODY OF VLADIMIR NESKI. 625 01:13:27,842 --> 01:13:32,555 THIS IS WHERE HIS WIFE KILLED HIM? 626 01:13:32,597 --> 01:13:34,975 DO YOU STILL THINK HIS WIFE KILLED HIM? 627 01:13:43,400 --> 01:13:45,693 GUESS HE GOT OUT THROUGH THIS WINDOW. 628 01:13:45,735 --> 01:13:50,115 FROM THE BERLIN POLICE. WE JUST GOT WORD 629 01:13:50,157 --> 01:13:52,700 DANNY ZORN'S BODY. THEY FOUND 630 01:13:57,080 --> 01:13:59,040 I WANT YOU TWO TO STAY ON BOURNE. 631 01:13:59,082 --> 01:14:01,084 CHECK EVERYTHING THAT'S OUT THERE. 632 01:14:01,126 --> 01:14:03,753 CALL ABBOTT. TELL HIM TO WAIT FOR ME IN HIS HOTEL. 633 01:14:03,795 --> 01:14:05,297 I'M COMING TO SEE HIM. 634 01:14:33,408 --> 01:14:35,369 DA. 635 01:14:35,410 --> 01:14:39,206 IT'S ME. THEY'RE ONTO NESKI. 636 01:14:39,247 --> 01:14:42,125 THIS IS NOT A CLEAN PHONE. 637 01:14:42,167 --> 01:14:44,169 THEY CAN'T PROVE ANYTHING WITHOUT BOURNE. 638 01:14:44,211 --> 01:14:46,296 KILL BOURNE AND YOU KILL THIS INVESTIGATION. 639 01:14:46,338 --> 01:14:50,384 THE TIME HAS COME FOR US I'M AFRAID, WARD, TO PART COMPANY. 640 01:14:50,425 --> 01:14:52,760 YOU BOUGHT THOSE OIL LEASES LISTEN, YURI, 641 01:14:52,802 --> 01:14:55,472 IN STOLEN CIA SEED MONEY. WITH 20 MILLION 642 01:14:55,514 --> 01:14:58,099 YOU OWE ME. I GAVE YOU YOUR CUT. 643 01:14:58,141 --> 01:15:00,227 WE BOTH GOT RICH. 644 01:15:00,268 --> 01:15:02,396 I DON'T OWE YOU ANYTHING. 645 01:15:02,437 --> 01:15:05,315 THE PLAN CAN STILL BE SALVAGED. JUST GET BOURNE. 646 01:15:05,357 --> 01:15:07,775 HE'S STILL OUT THERE! DO YOU HEAR ME? NOW, GET HIM! 647 01:15:07,817 --> 01:15:09,736 GET JASON B… 648 01:15:30,048 --> 01:15:33,468 I DON'T SUPPOSE IT'LL DO ME MUCH GOOD TO CRY FOR HELP, HUH? 649 01:15:35,011 --> 01:15:37,055 NOT MUCH. 650 01:15:38,265 --> 01:15:40,767 YOU KILLED HER. 651 01:15:40,808 --> 01:15:45,397 IT WAS A MISTAKE. IT WAS SUPPOSED TO BE YOU. 652 01:15:45,439 --> 01:15:49,526 TO THE NESKI MURDER. FILES LINKING ME THERE WERE 653 01:15:49,568 --> 01:15:52,404 IF THE FILES DISAPPEARED AND THEY SUSPECTED YOU, 654 01:15:52,446 --> 01:15:55,449 THEY'D BE CHASING A GHOST FOR 10 YEARS. 655 01:15:55,490 --> 01:15:57,784 SO HE GOT IN THE WAY? 656 01:15:57,825 --> 01:16:01,288 IS THAT WHY NESKI DIED? IS THAT WHY YOU KILLED MARIE? 657 01:16:01,329 --> 01:16:03,248 YOU KILLED MARIE… 658 01:16:03,290 --> 01:16:05,500 THE MINUTE YOU CLIMBED INTO HER CAR. 659 01:16:05,542 --> 01:16:09,296 THE MINUTE YOU ENTERED HER LIFE, SHE WAS DEAD. 660 01:16:09,337 --> 01:16:11,172 I TOLD YOU PEOPLE TO LEAVE US ALONE. 661 01:16:11,214 --> 01:16:13,425 I FELL OFF THE GRID. I WAS HALFWAY AROUND THE WORLD. 662 01:16:13,467 --> 01:16:16,511 THERE'S NO PLACE THEY WON'T CATCH UP TO YOU. 663 01:16:16,553 --> 01:16:19,180 IT'S HOW EVERY STORY ENDS. 664 01:16:19,222 --> 01:16:22,434 IT'S WHAT YOU ARE, JASON, A KILLER. 665 01:16:22,476 --> 01:16:25,228 YOU ALWAYS WILL BE. 666 01:16:26,729 --> 01:16:30,191 GO AHEAD, GO ON, GO ON, DO IT. DO IT! 667 01:16:32,402 --> 01:16:34,821 SHE WOULDN'T WANT ME TO. 668 01:16:34,862 --> 01:16:37,157 THAT'S THE ONLY REASON YOU'RE ALIVE. 669 01:17:21,451 --> 01:17:24,412 ANYTHING ELSE THERE? ENHANCING. 670 01:17:52,607 --> 01:17:55,902 I SERVED MY COUNTRY. I'M A PATRIOT. 671 01:17:55,943 --> 01:17:59,864 AND DANNY ZORN? WHAT WAS HE? UNLUCKY. 672 01:18:01,449 --> 01:18:03,702 COLLATERAL DAMAGE? 673 01:18:06,079 --> 01:18:08,206 SO WHAT DO WE DO NOW? 674 01:18:08,248 --> 01:18:11,585 I'M NOT SORRY. 675 01:18:43,366 --> 01:18:44,659 THANK YOU. 676 01:19:08,808 --> 01:19:12,103 NO, FORGET IT. 677 01:19:12,145 --> 01:19:15,398 CALL ME AS SOON AS IT'S SECURE. NO, THAT'S NOTHING. 678 01:19:15,440 --> 01:19:17,817 WE COULD SYNCH UP. WHO'S THIS GUY? 679 01:19:17,858 --> 01:19:19,860 PLATFORM P… 680 01:19:19,902 --> 01:19:23,281 GO ON, DO IT. DO IT! Abbott's vo GO AHEAD, GO ON, 681 01:19:23,323 --> 01:19:25,617 SHE WOULDN'T WANT ME TO. 682 01:19:25,659 --> 01:19:29,036 THAT'S THE ONLY REASON YOU'RE ALIVE. 683 01:19:39,506 --> 01:19:41,675 WE GOT A CALL FROM LANGLEY. 684 01:19:41,716 --> 01:19:44,803 THEY'RE GOING THROUGH ABBOTT'S RECORDS. 685 01:19:44,844 --> 01:19:47,764 MARSHALL WANTS TO KNOW WHAT'S GOING ON WITH BOURNE. 686 01:19:49,557 --> 01:19:53,436 WAIT, TEDDY… TEDDY, WHO'S THIS? LOOK AT THIS GUY. 687 01:19:53,478 --> 01:19:55,563 HE'S ABOUT TO ENTER RIGHT THERE. THERE! 688 01:19:55,605 --> 01:19:58,941 THAT'S BOURNE. GET DOWN HERE. WE GOT SOMETHING. 689 01:19:58,983 --> 01:20:01,110 WHAT DO YOU GOT? WE GOT A SIGHTING. CHECK IT OUT. 690 01:20:01,152 --> 01:20:02,945 THERE, I GOT IT ON THE BIG MONITOR. 691 01:20:02,987 --> 01:20:05,406 HOLD ON. LOOK, HERE HE COMES AGAIN. 692 01:20:05,448 --> 01:20:08,117 WHOA, HOLD ON, HE'S JUST ENTERED FRAME. 693 01:20:08,159 --> 01:20:12,079 IT'S THE COAT. THAT'S HIM. WHAT TRAIN IS THAT? 694 01:20:12,121 --> 01:20:16,376 THAT'S THE TRAIN TO MOSCOW. WHY THE HELL WOULD HE GO TO MOSCOW? 695 01:20:19,086 --> 01:20:21,464 GET ME THE RUSSIAN INTERIOR MINISTRY. 696 01:20:22,716 --> 01:20:27,261 MOSCOW, RUSSIA 697 01:21:07,594 --> 01:21:09,470 YOUR PHONE IS OFF. 698 01:21:09,512 --> 01:21:11,180 WHAT THE HELL IS GOING ON? 699 01:21:11,222 --> 01:21:16,770 YOU TOLD ME I HAD ONE MONTH OFF. 700 01:21:16,811 --> 01:21:20,106 YOU TOLD ME JASON BOURNE WAS DEAD. 701 01:22:31,218 --> 01:22:34,722 CAN YOU TAKE ME TO THIS ADDRESS? 702 01:22:34,764 --> 01:22:36,098 RUBLES? 703 01:22:36,140 --> 01:22:38,142 DOLLARS. 704 01:22:57,871 --> 01:22:59,288 WANTED 705 01:22:59,330 --> 01:23:01,708 THIS IS 34. WE'LL BE ON SITE IN THREE MINUTES. 706 01:23:06,212 --> 01:23:09,757 LEAVING TRAIN STATION. DISPATCH, TAXI 34… 707 01:24:06,355 --> 01:24:08,691 WAIT HERE. 708 01:24:46,104 --> 01:24:48,940 ALLO? 709 01:24:48,982 --> 01:24:52,151 THE AMERICAN, RIGHT? 710 01:24:52,192 --> 01:24:56,280 GOOD DAY. I'M LOOKING FOR THE GIRL WHO LIVES AT NUMBER 48. 711 01:24:56,322 --> 01:25:00,868 THE NESKI GIRL? SHE DOESN'T LIVE HERE ANYMORE. 712 01:25:00,910 --> 01:25:02,662 SHE MOVED OUT OF THE CITY. 713 01:25:02,703 --> 01:25:04,163 THE ORANNYI PROJECTS. 714 01:25:04,204 --> 01:25:07,667 NUMBER 16, I THINK. 715 01:26:04,140 --> 01:26:06,517 I'M SECRET SERVICE! I'M SECRET SERVICE! 716 01:27:31,894 --> 01:27:34,605 DOWN, GET DOWN! STAY DOWN! 717 01:28:04,051 --> 01:28:08,639 HEY, GET AWAY FROM MY CAB, ASSHOLE! 718 01:29:34,558 --> 01:29:38,604 REQUESTING FSB BACK UP. HIGH SPEED PURSUIT. 719 01:36:05,949 --> 01:36:10,996 QUIET. SILENCE. OKAY? 720 01:36:14,541 --> 01:36:19,004 I DON'T HAVE ANY MONEY OR DRUGS. IS THAT WHAT YOU WANT? 721 01:36:21,006 --> 01:36:23,717 SIT DOWN. SIT DOWN. 722 01:36:26,094 --> 01:36:30,056 TAKE THE CHAIR. 723 01:36:46,448 --> 01:36:50,577 I SPEAK ENGLISH. I'M NOT GONNA HURT YOU. 724 01:36:52,788 --> 01:36:55,248 I WON'T HURT YOU. 725 01:37:02,506 --> 01:37:04,675 YOU'RE OLDER… 726 01:37:08,637 --> 01:37:11,139 OLDER THAN I THOUGHT YOU'D BE. 727 01:37:15,101 --> 01:37:17,020 THAT PICTURE… 728 01:37:19,064 --> 01:37:21,316 DOES THAT MEAN A LOT TO YOU? 729 01:37:23,443 --> 01:37:26,822 IT'S NOTHING. IT'S JUST A PICTURE. 730 01:37:26,864 --> 01:37:29,408 NO… 731 01:37:29,449 --> 01:37:32,952 IT'S 'CAUSE YOU DON'T KNOW HOW THEY DIED. 732 01:37:32,994 --> 01:37:35,288 I DO. 733 01:37:36,456 --> 01:37:38,667 NO, YOU DON'T. 734 01:37:43,589 --> 01:37:45,965 I WOULD WANT TO KNOW. 735 01:37:50,470 --> 01:37:52,930 I WOULD WANT TO KNOW THAT MY… 736 01:37:52,972 --> 01:37:55,684 THAT MY MOTHER DIDN'T KILL MY FATHER. 737 01:37:55,726 --> 01:37:58,896 THAT SHE DIDN'T KILL HERSELF. 738 01:37:58,936 --> 01:38:00,856 WHAT? 739 01:38:02,524 --> 01:38:06,862 THAT'S… NOT WHAT HAPPENED TO YOUR PARENTS. 740 01:38:13,285 --> 01:38:15,412 I KILLED THEM. 741 01:38:18,707 --> 01:38:21,167 I KILLED THEM. 742 01:38:23,587 --> 01:38:25,756 IT WAS MY JOB. 743 01:38:27,758 --> 01:38:30,343 IT WAS MY FIRST TIME. 744 01:38:34,473 --> 01:38:37,726 YOUR FATHER WAS SUPPOSED TO BE ALONE. 745 01:38:42,689 --> 01:38:44,775 BUT THEN YOUR MOTHER… 746 01:38:46,568 --> 01:38:48,779 CAME OUT OF NOWHERE. 747 01:38:52,491 --> 01:38:54,952 AND I HAD TO CHANGE MY PLAN. 748 01:39:00,958 --> 01:39:03,669 IT CHANGES THINGS… 749 01:39:03,710 --> 01:39:06,964 THAT KNOWLEDGE… DOESN'T IT? 750 01:39:12,761 --> 01:39:15,639 WHEN WHAT YOU LOVE GETS TAKEN FROM YOU… 751 01:39:19,768 --> 01:39:22,145 YOU'D WANT TO KNOW THE TRUTH. 752 01:39:41,414 --> 01:39:43,500 I'M SORRY. 753 01:40:32,257 --> 01:40:37,136 NEW YORK CITY, NEW YORK 754 01:40:41,600 --> 01:40:43,476 PAMELA LANDY. 755 01:40:43,518 --> 01:40:46,772 I HEAR YOU'RE STILL LOOKING FOR ME. 756 01:40:49,148 --> 01:40:52,027 BOURNE? WHAT DO YOU WANT? 757 01:40:55,030 --> 01:40:58,283 I WANTED TO THANK YOU 758 01:40:58,324 --> 01:41:00,577 FOR THE TAPE. 759 01:41:00,619 --> 01:41:02,871 WE GOT WHAT WE NEEDED. 760 01:41:02,913 --> 01:41:06,291 IT'S ALL TIED OFF. IT'S OVER. 761 01:41:06,332 --> 01:41:08,460 I GUESS I OWE YOU AN APOLOGY. 762 01:41:08,501 --> 01:41:11,546 IS THAT OFFICIAL? 763 01:41:11,588 --> 01:41:13,757 NO, OFF THE RECORD. 764 01:41:13,799 --> 01:41:16,676 YOU KNOW HOW IT IS. 765 01:41:16,718 --> 01:41:19,471 GOODBYE. WAIT, WAIT. 766 01:41:23,767 --> 01:41:28,145 DAVID WEBB. THAT'S YOUR REAL NAME. 767 01:41:28,187 --> 01:41:32,818 YOU WERE BORN 4/15/71 IN NIXON, MISSOURI. 768 01:41:34,444 --> 01:41:37,322 WHY DON'T YOU COME IN, AND WE'LL TALK ABOUT IT? 769 01:41:40,617 --> 01:41:43,036 BOURNE? 770 01:41:45,789 --> 01:41:49,292 GET SOME REST, PAM. YOU LOOK TIRED. 771 01:41:51,461 --> 01:41:54,339 music playing ) ( electronica 772 01:42:15,694 --> 01:42:18,030 ARE BACK AGAIN d d EXTREME WAYS 773 01:42:22,784 --> 01:42:25,202 THAT I'D OWNED d d EVERYTHING 774 01:42:25,244 --> 01:42:27,831 THE WINDOWS, CAME ALONG d d I THREW IT OUT 775 01:42:47,224 --> 01:42:49,310 COMING THROUGH d d DIRTY PLACES 776 01:42:51,270 --> 01:42:54,149 LIKE IT PLANNED? d d DID YOU EVER 777 01:43:58,713 --> 01:44:00,715 GET ME AT ALL ♪ d THAT COULD