1
00:00:03,630 --> 00:00:04,600
Good evening.

2
00:00:04,630 --> 00:00:07,630
I'm your guest lecturer,
Dr. Sheldon Cooper.

3
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I was expecting applause,

4
00:00:16,590 --> 00:00:20,380
but I suppose stunned silence
is equally appropriate.

5
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I agreed to speak
to you this evening,

6
00:00:23,040 --> 00:00:26,210
because I was told that you're
the best and the brightest

7
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of this university's
doctoral candidates.

8
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Hmm. Of course,
that's like saying

9
00:00:30,440 --> 00:00:33,740
you are the most important
electron in a hydrogen atom.

10
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'Cause, you see,

11
00:00:39,260 --> 00:00:43,530
there's only one electron
in a hydrogen atom.

12
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Best and brightest,
my sweet patootie.

13
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All right, let's begin.

14
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Show of hands,
who here is familiar

15
00:00:51,920 --> 00:00:54,580
with the concept
of topological insulators?

16
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Don't kid yourselves.

17
00:00:59,380 --> 00:01:02,050
I found another tweet from a
student at Sheldon's lecture.

18
00:01:02,050 --> 00:01:04,890
"Dr. Cooper has taken
a relatively boring subject

19
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"and managed to make it
completely insufferable.

20
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Plus, he looks
like a giant insect."

21
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Look. Listen to this one.

22
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"Does Einstein's theory
explain why time flies

23
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"when you're having fun,

24
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"but when you're listening
to Dr. Cooper,

25
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it falls out of the sky, dead?"

26
00:01:23,240 --> 00:01:24,570
Ooh, somebody took pictures

27
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and uploaded them
to their Flickr account.

28
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Wow.

29
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How do you get an
entire lecture hall

30
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to flip you off
at the same time?

31
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Apparently, if you're Sheldon,

32
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all you need
to do is turn your back.

33
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Hey, Leonard,
is your wi-fi down?

34
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I can't get on.

35
00:01:40,760 --> 00:01:42,220
Oh, Sheldon changed
the password.

36
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It's now
"Penny is a freeloader."

37
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No spaces.

38
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Thanks.
What are you guys doing?

39
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Sheldon gave a lecture
at the university tonight.

40
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We're reading
the reviews.

41
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Oh. How'd he do?

42
00:01:53,230 --> 00:01:55,370
Well, picture the Hindenburg
meets Chernobyl

43
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meets Three Mile Island
meets Tron 2.

44
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That bad, huh?

45
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Read this woman's tweet.

46
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"Listening to Dr. Cooper

47
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has made me want to start
cutting myself again"

48
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Yeah.

49
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Good evening,
Leonard, Howard, Raj,

50
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freeloader.

51
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So, how'd the lecture go?

52
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In a word, triumphant.

53
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Really? Triumphant?

54
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Oh, yes, you should have
seen those young people.

55
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Thirsty for knowledge,
drinking in my wisdom.

56
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I may have changed
a few lives today.

57
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Oh, please let
me tell him.

58
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I don't know,
I kind of promised Howard.

59
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Tell me what?

60
00:02:40,730 --> 00:02:42,320
Actually, we should
all share the moment.

61
00:02:42,320 --> 00:02:43,750
Raj, if you would.

62
00:02:46,490 --> 00:02:49,120
Oh, tweets about my lecture.

63
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Hmm...

64
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That's rather unfair.

65
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That's downright cruel.

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Plus, insects
have six legs.

67
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Yeah, I'm not familiar
with the acronym "KMN"

68
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From the context, we think
it means "kill me now."

69
00:03:12,710 --> 00:03:16,550
Well, I suppose everyone's
entitled to their own opinion.

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I think I'll turn in.

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I didn't want to teach
those poopy heads, anyway.

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FYI, I think that's
what Darth Vader said

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just before he started
building the Death Star.

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Sheldon still moping?

75
00:03:59,820 --> 00:04:01,080
Yeah, it's weird.
Even though he didn't want

76
00:04:01,080 --> 00:04:02,480
to give the lecture
in the first place,

77
00:04:02,480 --> 00:04:04,820
being rejected by those students
really hit him hard.

78
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I know the feeling.

79
00:04:06,270 --> 00:04:08,160
It's like accidentally
walking into a gay bar

80
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and then having
no one hit on you.

81
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It-It happened
to a friend of mine.

82
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Are you guys doing okay?

83
00:04:23,540 --> 00:04:24,940
Leonard and I are fine,

84
00:04:24,940 --> 00:04:27,780
but I think Raj needs
to meet a girl really soon.

85
00:04:28,680 --> 00:04:29,840
Well, that shouldn't
be too hard.

86
00:04:29,850 --> 00:04:30,950
He's such a cutie.

87
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Thank you,
but "cute" is for bunnies.

88
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I want to be something
with sex appeal,

89
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like...
like a labradoodle.

90
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Labradoodle?

91
00:04:40,990 --> 00:04:44,930
We might be starting
to zero in on your problem.

92
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Don't you listen to them.

93
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You've got plenty
of sex appeal.

94
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You really think so?

95
00:04:49,530 --> 00:04:50,780
Yeah. You're a hottie.

96
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Well, thanks, Bernadette.

97
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And just for the record,

98
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labradoodles are
hypo-allergenic,

99
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which is a very sexy quality to
those troubled by animal dander.

100
00:05:04,630 --> 00:05:06,580
AMY
So, what do you think?

101
00:05:08,880 --> 00:05:12,620
It's a charming illusion,
but it does not cheer me up.

102
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Not even when I do this?

103
00:05:20,400 --> 00:05:21,900
No.

104
00:05:23,170 --> 00:05:27,900
Well, that was the last arrow
in my quiver of whimsy.

105
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Do you realize that teaching
is the first thing

106
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I've failed at
since my ill-fated attempt

107
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to complete a chin-up
in March of 1989?

108
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If this humiliating experience

109
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is really troubling you,

110
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there are things
we could do about it.

111
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For instance?

112
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Well, the first thing
that comes to mind

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is isolating the part
of your brain

114
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where the memory is stored
and destroying it with a laser.

115
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Hmm, no.

116
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One slip of the hand,

117
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and suddenly I'm sitting
in the Engineering Department,

118
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building doodads with Wolowitz.

119
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All right.

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Have you considered improving
your socialization skills,

121
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thus allowing you

122
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to communicate more
effectively with other people?

123
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Isn't that their burden?

124
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I'm the one with something
interesting to say.

125
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Fair enough, but in its essence,

126
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teaching is a performance art.

127
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In the classroom paradigm,

128
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the teacher has the
responsibility to communicate,

129
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as well as entertain and engage.

130
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I sense that you're trying
to slow-walk me to an epiphany.

131
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Would you mind very much
jumping to it?

132
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Perhaps you should consider
taking acting lessons.

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Acting lessons.

134
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Interesting.

135
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It might help
if I could act as though I care

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00:06:34,100 --> 00:06:37,840
about my students
and whether or not they learn.

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Penny.

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Penny. Penny.

139
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What?

140
00:06:46,230 --> 00:06:49,150
You're an "actress," correct?

141
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I'm not an "actress."

142
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I'm an actress.

143
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All right.

144
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You're an actress.

145
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I need you to teach me.

146
00:07:00,400 --> 00:07:01,800
You want an acting lesson?

147
00:07:01,800 --> 00:07:05,030
Perhaps two. I'd like
to master the craft.

148
00:07:05,030 --> 00:07:07,840
Okay, where
is this coming from?

149
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It has been suggested to
me that acting techniques

150
00:07:11,710 --> 00:07:13,710
could improve my
lecturing, at which,

151
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if certain tweets and
blogs are to be believed,

152
00:07:16,040 --> 00:07:17,950
I "suck the big one."

153
00:07:17,950 --> 00:07:20,650
Yeah, I saw those.
They were funny.

154
00:07:20,650 --> 00:07:23,550
I printed a few out
and put 'em on my fridge.

155
00:07:23,550 --> 00:07:25,490
So, when could we start?

156
00:07:25,490 --> 00:07:27,220
Okay, just to be clear.

157
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You are asking me for help
because I know something

158
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that the brilliant
Dr. Sheldon Cooper doesn't.

159
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I suppose that's one
way to look at it.

160
00:07:36,230 --> 00:07:39,000
I think it's the only
way to look at it.

161
00:07:39,000 --> 00:07:40,900
Are you going to
help me or not?

162
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Probably. I'm just
enjoying the foreplay.

163
00:07:44,540 --> 00:07:46,940
Does this mean you are done
mocking my acting career?

164
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Oh, I'm sorry, I thought
making the transition

165
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from actor to acting teacher

166
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was the signal
that one's career

167
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had reached the
end of the road.

168
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Forget it.

169
00:07:58,270 --> 00:07:59,750
I'll pay you $40.

170
00:07:59,760 --> 00:08:02,310
Saturday, 9:00 a.m.
Bring cash.

171
00:08:04,430 --> 00:08:06,660
Raj, I have amazing news!

172
00:08:06,660 --> 00:08:07,630
What?

173
00:08:07,630 --> 00:08:08,980
I just got offered
a fellowship

174
00:08:08,980 --> 00:08:10,970
at the Weitzmann
Institute in Israel.

175
00:08:10,970 --> 00:08:12,730
Dude, that's incredible!
I know.

176
00:08:12,730 --> 00:08:15,640
The only thing is, I'm
gonna be gone for two years.

177
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Aw, I'm gonna miss you.

178
00:08:17,440 --> 00:08:18,570
Are you going with him?

179
00:08:18,570 --> 00:08:20,470
I have to stay
here for school.

180
00:08:20,480 --> 00:08:22,540
That's what we're here
to talk to you about.

181
00:08:22,540 --> 00:08:26,980
You see,
Bernadette has needs.

182
00:08:26,980 --> 00:08:29,620
What kind of needs?

183
00:08:29,620 --> 00:08:32,250
Sexual needs.

184
00:08:32,990 --> 00:08:34,490
Most of them regular,

185
00:08:34,490 --> 00:08:37,990
some of them
kind of messed up.

186
00:08:39,590 --> 00:08:41,760
So, while I'm gone,

187
00:08:41,760 --> 00:08:44,000
you're going
to have to satisfy her.

188
00:08:44,970 --> 00:08:46,800
What do you say?

189
00:08:48,100 --> 00:08:51,270
I say okey-dokey.

190
00:08:55,510 --> 00:08:58,310
What ya thinking
so hard about?

191
00:08:58,310 --> 00:09:02,450
Just that
I'm definitely not gay.

192
00:09:09,760 --> 00:09:12,030
Penny!

193
00:09:12,030 --> 00:09:14,790
Penny! Penny!

194
00:09:14,800 --> 00:09:15,700
What's wrong?

195
00:09:15,700 --> 00:09:18,200
Nothing.
I was acting.

196
00:09:19,970 --> 00:09:21,070
You were acting.

197
00:09:21,070 --> 00:09:23,550
Yes. In preparation
for today's studies,

198
00:09:23,550 --> 00:09:25,770
I read Stanislavski's
An Actor Prepares,

199
00:09:25,770 --> 00:09:27,940
Stella Adler's
The Technique of Acting,

200
00:09:27,940 --> 00:09:29,510
Uta Hagen's
Respect for Acting,

201
00:09:29,510 --> 00:09:32,880
and Henry Winkler's
Ayyy, I'm an Actor.

202
00:09:32,880 --> 00:09:34,780
Well, good for you.

203
00:09:34,780 --> 00:09:36,730
Come on in.

204
00:09:36,730 --> 00:09:37,850
How shall we begin?

205
00:09:37,850 --> 00:09:39,550
Well, I thought we'd start

206
00:09:39,550 --> 00:09:42,020
with some
basic movement exercises.

207
00:09:42,020 --> 00:09:43,860
You know, get our bodies
warmed up a little.

208
00:09:43,860 --> 00:09:45,090
All right.

209
00:09:45,090 --> 00:09:46,260
So I just want you to relax

210
00:09:46,260 --> 00:09:48,130
and kind of
move around in the space.

211
00:09:48,130 --> 00:09:50,910
You know,
just do whatever feels natural.

212
00:09:58,370 --> 00:09:59,540
Sheldon?

213
00:09:59,540 --> 00:10:02,240
You said to do whatever
feels natural.

214
00:10:02,240 --> 00:10:04,180
This feels natural.

215
00:10:04,930 --> 00:10:06,210
Certainly more natural

216
00:10:06,210 --> 00:10:08,010
than what you're doing.

217
00:10:08,020 --> 00:10:09,280
Come on,
you got to work with me.

218
00:10:09,280 --> 00:10:11,020
We need to get connected
with our bodies.

219
00:10:11,020 --> 00:10:13,990
Penny, my body and I have
a relationship

220
00:10:13,990 --> 00:10:16,290
that works best
when we maintain a cool,

221
00:10:16,290 --> 00:10:18,390
wary distance from each other.

222
00:10:20,630 --> 00:10:23,030
All right,
let's just say we've warmed up.

223
00:10:23,030 --> 00:10:25,080
You're the "teacher."

224
00:10:26,800 --> 00:10:29,340
Okay. One of the things
that might help you

225
00:10:29,340 --> 00:10:30,640
in connecting with your students

226
00:10:30,640 --> 00:10:32,510
is being
a little more spontaneous.

227
00:10:32,510 --> 00:10:34,440
So why don't we
try some improvisation?

228
00:10:34,440 --> 00:10:35,840
Why not?
It seems like

229
00:10:35,840 --> 00:10:37,780
you're improvising
your entire curriculum.

230
00:10:40,300 --> 00:10:43,050
This is all about
listening and responding.

231
00:10:43,050 --> 00:10:44,020
Gotcha.

232
00:10:44,020 --> 00:10:45,250
I'm going to create a character

233
00:10:45,250 --> 00:10:46,970
and a situation, and you
just jump in when you feel it.

234
00:10:46,970 --> 00:10:48,470
All right.
All right.

235
00:10:48,470 --> 00:10:50,520
Action.

236
00:10:52,330 --> 00:10:54,060
Okay, it's not a movie.

237
00:10:54,060 --> 00:10:56,230
It's improv.
So no one calls "action."

238
00:10:56,230 --> 00:10:58,280
Hey, you taught me something.

239
00:10:59,000 --> 00:11:00,770
Who would have thought it?

240
00:11:02,950 --> 00:11:04,200
Okay.

241
00:11:04,200 --> 00:11:06,010
Uh, no, the shipment
has not arrived,

242
00:11:06,010 --> 00:11:07,610
and I really need those shoes.

243
00:11:07,610 --> 00:11:08,830
They are my biggest seller.

244
00:11:08,830 --> 00:11:10,590
Yes, ladies sizes six
through ten.

245
00:11:10,590 --> 00:11:11,980
Thank you.
Oh, sorry.

246
00:11:11,980 --> 00:11:14,410
I have to go.
I have a customer. Bye-bye.

247
00:11:14,420 --> 00:11:15,630
Hi. Can I help you?

248
00:11:15,630 --> 00:11:19,350
I'd like a frozen yogurt,
please.

249
00:11:21,220 --> 00:11:23,260
Yogurt?

250
00:11:23,260 --> 00:11:24,790
Yeah.
Um...

251
00:11:24,790 --> 00:11:26,060
Okay, sure.

252
00:11:26,060 --> 00:11:29,530
Luckily, we sell both shoes
and yogurt here.

253
00:11:29,530 --> 00:11:32,130
You do?

254
00:11:33,930 --> 00:11:35,640
Yes. Look up at the sign,

255
00:11:35,640 --> 00:11:38,470
and remember, improv is always
about saying yes.

256
00:11:38,470 --> 00:11:40,640
All right.

257
00:11:40,640 --> 00:11:42,830
Yes.

258
00:11:43,860 --> 00:11:45,780
I see a sign.

259
00:11:45,780 --> 00:11:49,520
It says "Camarillo State
Mental Hospital."

260
00:11:49,520 --> 00:11:52,290
What?

261
00:11:52,290 --> 00:11:54,890
It's the only explanation
I can come up with

262
00:11:54,890 --> 00:11:58,220
for why you think
you sell shoes and yogurt.

263
00:11:58,230 --> 00:11:59,630
Okay, you know what?

264
00:11:59,630 --> 00:12:01,460
Let's just try
a different improv. Uh..

265
00:12:01,460 --> 00:12:04,730
Oh, this time
we will be two winos

266
00:12:04,730 --> 00:12:06,500
living under a freeway overpass.

267
00:12:06,500 --> 00:12:08,670
Oh, and we're going
to use props?

268
00:12:08,670 --> 00:12:10,670
You bet.

269
00:12:12,610 --> 00:12:13,970
I had dreams,
you know.

270
00:12:13,970 --> 00:12:15,310
I was gonna be famous.

271
00:12:15,310 --> 00:12:17,690
Show everybody back home
I could be someone.

272
00:12:17,690 --> 00:12:19,650
Now look at me.

273
00:12:19,650 --> 00:12:21,650
Want some?

274
00:12:21,650 --> 00:12:24,480
You have any frozen yogurt?

275
00:12:27,670 --> 00:12:29,960
I'm still not adjusted

276
00:12:29,960 --> 00:12:32,630
to how the SyFy channel
spells their name now.

277
00:12:32,630 --> 00:12:36,260
S-y-F-y.
That's "siffy."

278
00:12:36,260 --> 00:12:38,260
Uh-huh.

279
00:12:42,000 --> 00:12:44,140
Hello?

280
00:12:45,640 --> 00:12:47,570
Oh, my God! Is he okay?

281
00:12:47,570 --> 00:12:49,480
What happened?
Hang on. Hang on.

282
00:12:49,480 --> 00:12:51,310
Uh-huh.

283
00:12:51,310 --> 00:12:52,850
Okay, thank you.

284
00:12:52,850 --> 00:12:56,280
Howard was on his scooter,
and got hit by a truck.

285
00:12:56,280 --> 00:12:58,280
He's in critical condition.

286
00:12:58,290 --> 00:13:00,490
Oh, no!

287
00:13:02,290 --> 00:13:03,460
Did you hear?

288
00:13:03,460 --> 00:13:05,370
Isn't it terrible?

289
00:13:05,380 --> 00:13:06,510
Have you seen him?

290
00:13:06,510 --> 00:13:07,790
They wouldn't let me in.

291
00:13:07,790 --> 00:13:10,730
Oh, my Howie.

292
00:13:10,730 --> 00:13:14,300
It'll be okay.
It'll be okay.

293
00:13:14,300 --> 00:13:16,300
It'll be okay.

294
00:13:16,300 --> 00:13:18,300
It'll be
okay.

295
00:13:20,770 --> 00:13:22,170
It's Howard.

296
00:13:23,840 --> 00:13:25,080
Howard, hello.

297
00:13:25,080 --> 00:13:28,650
Raj, is that you?

298
00:13:28,650 --> 00:13:30,520
Yeah, I'm right here,
buddy. How are you?

299
00:13:30,520 --> 00:13:32,050
Shh, shh. Listen to me.

300
00:13:32,050 --> 00:13:33,590
I'm not gonna make it.

301
00:13:33,590 --> 00:13:35,090
No, no, no,
don't say that.

302
00:13:35,090 --> 00:13:36,690
You're going to
be all right.

303
00:13:36,690 --> 00:13:38,990
Raj, I don't have time.
Now, pay attention.

304
00:13:38,990 --> 00:13:44,000
My last wish is that
you look after Bernadette.

305
00:13:44,000 --> 00:13:46,200
Of course, of course.

306
00:13:47,370 --> 00:13:50,500
Now when you say "look
after," you mean...

307
00:13:50,500 --> 00:13:52,440
Sexually.

308
00:13:52,440 --> 00:13:55,810
Excuse me, Bernadette.
I have to hear it from him.

309
00:13:55,810 --> 00:13:58,610
Sexually.

310
00:13:58,610 --> 00:14:00,350
Got it. Take care.

311
00:14:01,880 --> 00:14:03,080
I guess I have no choice

312
00:14:03,080 --> 00:14:04,850
but to make sweet,
guilt-free love to you

313
00:14:04,850 --> 00:14:07,070
over and over again
for the rest of my life.

314
00:14:07,070 --> 00:14:09,190
That's how I heard it.

315
00:14:16,060 --> 00:14:17,300
Or it could be "sy-fee."

316
00:14:17,300 --> 00:14:18,500
What?

317
00:14:18,500 --> 00:14:21,200
S-y-F-y. "Sy-fee."

318
00:14:21,200 --> 00:14:22,800
Oh, right.

319
00:14:22,800 --> 00:14:25,000
Good one.

320
00:14:27,440 --> 00:14:29,580
So, did you get a chance
to go over the scene I gave you?

321
00:14:29,580 --> 00:14:31,760
Yes. I didn't care for it.

322
00:14:33,510 --> 00:14:37,720
Okay, Cat on a Hot Tin Roof
is an American classic.

323
00:14:37,720 --> 00:14:38,990
So is the McRib sandwich.

324
00:14:38,990 --> 00:14:41,050
I don't care
for that, either.

325
00:14:43,560 --> 00:14:46,890
Fine. What would you rather do
as a scene study?

326
00:14:46,890 --> 00:14:48,530
I'm glad you asked.

327
00:14:48,530 --> 00:14:49,760
I took the liberty

328
00:14:49,760 --> 00:14:52,700
of adapting a Star Trek
fan fiction novella

329
00:14:52,700 --> 00:14:54,230
I wrote when I was ten

330
00:14:54,230 --> 00:14:56,040
into a one-act play.

331
00:14:56,040 --> 00:14:59,440
And you think it's better
than Tennessee Williams?

332
00:14:59,440 --> 00:15:03,440
Why don't we leave that for
future generations to decide?

333
00:15:03,440 --> 00:15:07,380
Where No Sheldon
Has Gone Before.

334
00:15:07,380 --> 00:15:11,250
It's the story of a young boy
who is transported

335
00:15:11,250 --> 00:15:13,820
from the ignorant backwoods
of East Texas

336
00:15:13,820 --> 00:15:15,350
to the 23rd Century,

337
00:15:15,360 --> 00:15:20,630
where his genius is not only
appreciated, but celebrated.

338
00:15:20,630 --> 00:15:22,850
KMN...

339
00:15:23,660 --> 00:15:25,980
Now, in this
pivotal scene,

340
00:15:25,980 --> 00:15:29,400
Sheldon's mother, played by you,
argues with an emissary

341
00:15:29,400 --> 00:15:32,300
of the United Federation
of Planets, Mr. Spock,

342
00:15:32,310 --> 00:15:34,940
the role I will bring to life.

343
00:15:34,940 --> 00:15:37,410
Okay, that's fine,
but let's try

344
00:15:37,410 --> 00:15:39,510
and get you out
of your comfort zone.

345
00:15:39,510 --> 00:15:41,350
Why would we want to do that?

346
00:15:41,350 --> 00:15:44,120
It's called "the comfort zone"
for a reason.

347
00:15:44,120 --> 00:15:47,290
Okay, the whole point of this is
to loosen you up a little,

348
00:15:47,290 --> 00:15:49,820
so I'm thinking you'll play
the role of your mother,

349
00:15:49,820 --> 00:15:52,060
and I will bring life
to Mr. Spock.

350
00:15:57,660 --> 00:15:59,170
I'm sorry.

351
00:15:59,170 --> 00:16:00,970
You'll be Spock?

352
00:16:00,970 --> 00:16:03,640
It's only logical.

353
00:16:06,440 --> 00:16:08,310
Very well.

354
00:16:08,310 --> 00:16:09,640
I'll set the scene.

355
00:16:09,640 --> 00:16:10,610
All right.

356
00:16:10,610 --> 00:16:12,610
"East Texas.

357
00:16:12,610 --> 00:16:14,900
"A warm summer night.

358
00:16:14,900 --> 00:16:16,430
"A woman, Mary,

359
00:16:16,430 --> 00:16:18,550
"stands on a porch.

360
00:16:18,550 --> 00:16:21,190
In the distance, we hear a
lonesome train whistle..."

361
00:16:23,560 --> 00:16:25,360
"The droning buzz of cicadas.."

362
00:16:27,040 --> 00:16:29,380
"A coyote howls at the moon,

363
00:16:29,380 --> 00:16:31,800
frightening sensitive young boys
everywhere."

364
00:16:33,130 --> 00:16:35,100
"Out in the woods,

365
00:16:35,100 --> 00:16:36,800
an owl screeches..."
Okay, okay.

366
00:16:36,800 --> 00:16:38,440
We get it.
You set the scene.

367
00:16:38,440 --> 00:16:40,510
Hoo!

368
00:16:41,540 --> 00:16:43,840
Now just read
your mother's line.

369
00:16:46,260 --> 00:16:48,010
"Shelly!

370
00:16:48,010 --> 00:16:50,550
"Shelly, how many times
have I told you

371
00:16:50,550 --> 00:16:53,820
"not to leave your sciencey
stuff out on the porch?

372
00:16:53,820 --> 00:16:55,520
"Goodness,

373
00:16:55,520 --> 00:16:57,990
"I'll never understand that boy.

374
00:16:57,990 --> 00:17:00,930
"But then again,
I'm a religious nut,

375
00:17:00,930 --> 00:17:05,030
and my mind is closed
to so many things."

376
00:17:08,790 --> 00:17:12,200
"Spock to Enterprise.
Transport successful."

377
00:17:12,210 --> 00:17:14,470
"Glory be to Heaven,

378
00:17:14,470 --> 00:17:18,180
"some sort of creature
just manifested out of thin air.

379
00:17:18,180 --> 00:17:20,610
"George, put down that Pepsi can
full of bourbon

380
00:17:20,610 --> 00:17:23,880
that ain't foolin' no one,
and get your shotgun!"

381
00:17:23,880 --> 00:17:26,140
"Greetings, Mary Cooper.

382
00:17:26,140 --> 00:17:28,390
I am Spock."

383
00:17:31,160 --> 00:17:33,140
I'm sorry.
I just don't buy it.

384
00:17:34,030 --> 00:17:36,230
Just keep going!

385
00:17:37,260 --> 00:17:41,530
"Oh, my, your sudden appearance
startles me."

386
00:17:41,540 --> 00:17:43,370
"We have been monitoring
your son Sheldon

387
00:17:43,370 --> 00:17:45,040
"from the 23rd Century, and

388
00:17:45,040 --> 00:17:46,810
"we have determined
that he is now ready

389
00:17:46,810 --> 00:17:48,070
"to join us.

390
00:17:48,070 --> 00:17:49,910
"His unique genius
is our best hope

391
00:17:49,910 --> 00:17:52,950
for bringing peace
to a vast and troubled galaxy."

392
00:17:52,950 --> 00:17:54,350
"I understand.

393
00:17:54,350 --> 00:17:56,450
"Oh, Shelly?

394
00:17:56,450 --> 00:17:59,050
"A man's here
to take you away to the future!

395
00:17:59,050 --> 00:18:00,920
Be sure to pack
clean underwear."

396
00:18:02,260 --> 00:18:04,390
Okay, okay, let's try
that last line again,

397
00:18:04,390 --> 00:18:06,260
and this time,
maybe try choking up

398
00:18:06,260 --> 00:18:07,860
a little.
Why?

399
00:18:07,860 --> 00:18:09,400
Well, you're losing your son.

400
00:18:09,400 --> 00:18:11,700
Yes, but he's going
to a better place

401
00:18:11,700 --> 00:18:14,930
where he won't get beat up...
so much.

402
00:18:14,940 --> 00:18:16,900
All right, come on,
just try it my way.

403
00:18:16,900 --> 00:18:18,470
Pretend you're sad
to see him go.

404
00:18:18,470 --> 00:18:20,860
I'm gonna lead you in.

405
00:18:20,860 --> 00:18:22,830
"His unique genius
is our best hope

406
00:18:22,830 --> 00:18:26,530
for bringing peace
to a vast and troubled galaxy."

407
00:18:27,750 --> 00:18:30,950
- That's your cue.
- I'm sorry. I just love that line.

408
00:18:31,840 --> 00:18:33,620
Even the way you do it.

409
00:18:34,450 --> 00:18:36,150
All right, come on, come on.

410
00:18:36,160 --> 00:18:37,510
Put some real emotion into it.

411
00:18:37,510 --> 00:18:39,290
Blah-blah, blah, blah...
"vast and troubled galaxy."

412
00:18:39,290 --> 00:18:40,690
Go.
Hmm.

413
00:18:41,490 --> 00:18:43,300
"Oh, Shelly?

414
00:18:43,300 --> 00:18:46,000
A man's here
to take you away to the future"

415
00:18:50,000 --> 00:18:52,740
"Be sure to pack clean
underwear."

416
00:18:52,740 --> 00:18:55,020
That's good. That's good.
That's good.

417
00:18:55,940 --> 00:18:58,480
Mommy, why are you crying?

418
00:18:58,480 --> 00:19:01,450
'Cause I'm gonna
miss you, Shelly-bean,

419
00:19:01,450 --> 00:19:05,020
even though you creep
the bugeeses out of me.

420
00:19:05,020 --> 00:19:06,900
Okay, I guess
we're improvising now.

421
00:19:06,900 --> 00:19:08,320
I'm sorry.

422
00:19:08,320 --> 00:19:09,790
It's not my fault.

423
00:19:09,790 --> 00:19:11,360
I'm just incredibly smart,

424
00:19:11,360 --> 00:19:14,860
and everyone around here is
dumber than a bag of rocks.

425
00:19:14,860 --> 00:19:16,730
Oh, now, don't
you start crying.

426
00:19:16,730 --> 00:19:18,210
You get in that spaceship.

427
00:19:18,220 --> 00:19:19,830
Mommy's late for
Indian bingo.

428
00:19:23,500 --> 00:19:25,200
Mrs. Cooper, hey, it's Penny.

429
00:19:25,210 --> 00:19:27,210
Yeah, I think I broke your son.

430
00:19:27,210 --> 00:19:28,470
Hey, hold on.

431
00:19:28,480 --> 00:19:29,610
Talk to your mother.

432
00:19:30,730 --> 00:19:32,480
Mommy, I love you.

433
00:19:32,480 --> 00:19:34,980
Don't let Spock take
me to the future!

434
00:19:42,540 --> 00:19:43,270
Okay, Raj,

435
00:19:43,330 --> 00:19:45,930
I know you've been avoiding me
and Howard, and I'm not leaving

436
00:19:45,930 --> 00:19:47,460
until you tell me
what's going on

437
00:19:47,460 --> 00:19:48,870
inside that little head
of yours.

438
00:21:00,200 --> 00:21:03,020
Dance number aside,
I'm so not gay.

439
00:21:05,410 --> 00:21:08,410
— Sync, corrected by elderman —
— for www.addic7ed.com —

440
00:21:08,410 --> 00:21:11,570
— Resync to The Big Bang Theory S04
720p BluRay x264-CLUE by lorez —

