1
00:00:40,800 --> 00:00:44,399
Keyworth Pictures invites you
to Hotel Reverie.

2
00:00:44,400 --> 00:00:46,399
Renowned Dr. Alex Palmer

3
00:00:46,400 --> 00:00:49,199
encounters tragic heiress Clara Ryce.

4
00:00:49,200 --> 00:00:51,439
Waiter, another scotch, please.

5
00:00:51,440 --> 00:00:54,000
- And for yourself?
- Thank you. A Black Rose.

6
00:00:54,600 --> 00:00:55,680
A rose for a rose.

7
00:00:59,600 --> 00:01:03,199
A piano standing silent
always makes me so melancholy.

8
00:01:03,200 --> 00:01:04,399
It's silly, I know.

9
00:01:04,400 --> 00:01:07,720
If it's "Clair de Lune" you want,
it's "Clair de Lune" you shall have.

10
00:01:08,600 --> 00:01:10,519
Yet,
even as their affection grows,

11
00:01:10,520 --> 00:01:11,599
the pair are unaware

12
00:01:11,600 --> 00:01:15,319
Clara's fiendish husband, Claude,
is plotting her death.

13
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My accursed wife
has more lives than a damn cat.

14
00:01:18,760 --> 00:01:20,393
She dies tonight.

15
00:01:20,395 --> 00:01:21,439
Don't move.

16
00:01:21,440 --> 00:01:23,599
Oh my goodness!

17
00:01:43,440 --> 00:01:45,840
Your studio, Keyworth Pictures,

18
00:01:45,841 --> 00:01:48,120
has the most incredible back catalog.

19
00:01:49,040 --> 00:01:50,319
Noir thrillers,

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00:01:50,320 --> 00:01:52,599
wartime romances, caper comedies.

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00:01:52,600 --> 00:01:55,239
An unrivaled collection
of heritage media.

22
00:01:55,240 --> 00:01:57,439
By "heritage," you mean old.

23
00:01:57,440 --> 00:01:58,920
I mean, uh, vintage.

24
00:01:59,800 --> 00:02:01,519
You have a great reputation.

25
00:02:01,520 --> 00:02:02,999
Fifty years ago, yes.

26
00:02:03,000 --> 00:02:05,359
Look, I know you're trying
to blow smoke up my arse,

27
00:02:05,360 --> 00:02:06,599
but let's be real.

28
00:02:06,600 --> 00:02:09,199
My stages are empty.
We're up to our knockers in debt.

29
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I was in Cannes last week

30
00:02:10,720 --> 00:02:13,960
trying to sell our library
to some streamers, and they were NFI.

31
00:02:14,560 --> 00:02:16,239
NFI? That's a non-fungible…

32
00:02:16,240 --> 00:02:17,520
Not fucking interested.

33
00:02:18,160 --> 00:02:20,919
The Keyworth brand is not what it was.

34
00:02:20,920 --> 00:02:23,239
We're going under,
and everybody knows it.

35
00:02:23,240 --> 00:02:26,399
Well, I believe
with your prestige content...

36
00:02:26,400 --> 00:02:29,279
Please don't call it content.
Makes me heave.

37
00:02:29,280 --> 00:02:30,679
Okay. Okay.

38
00:02:30,680 --> 00:02:32,399
I'm… I'm sorry.

39
00:02:32,400 --> 00:02:33,600
Prestige movies.

40
00:02:34,360 --> 00:02:36,279
Dreams. Classics.

41
00:02:36,280 --> 00:02:38,719
Like Hotel Reverie.

42
00:02:39,880 --> 00:02:41,680
"I'll be yours forevermore."

43
00:02:42,680 --> 00:02:44,279
My father's favorite.

44
00:02:44,280 --> 00:02:45,280
And mine.

45
00:02:45,680 --> 00:02:47,559
But try telling that to the public.

46
00:02:47,560 --> 00:02:49,319
- I think you'll find them...
- NFI.

47
00:02:49,320 --> 00:02:50,364
Well, you know,

48
00:02:50,366 --> 00:02:53,599
what's the point of watching an
old movie starring Ralph Redwell

49
00:02:53,600 --> 00:02:58,879
when you could watch a new movie
starring Ryan Gosling or Ryan…

50
00:02:58,880 --> 00:02:59,957
Reynolds?

51
00:02:59,959 --> 00:03:03,199
Yeah. But they're
way out of my price league.

52
00:03:03,920 --> 00:03:05,999
Well, what if I told you

53
00:03:06,000 --> 00:03:08,759
my company has an affordable way

54
00:03:08,760 --> 00:03:11,439
to take a shuttered classic,
like Hotel Reverie,

55
00:03:11,440 --> 00:03:14,959
and almost instantly recast the lead
with a contemporary Hollywood star?

56
00:03:14,960 --> 00:03:16,359
- We can't...
- Whoa, whoa, whoa!

57
00:03:16,360 --> 00:03:18,480
Who you will be able to afford

58
00:03:19,080 --> 00:03:22,119
because you'll only need
96 minutes of their time.

59
00:03:22,120 --> 00:03:25,119
You're gonna use
one of those AI paint boxes

60
00:03:25,120 --> 00:03:27,119
and deepfake Ryan over Ralph...

61
00:03:27,120 --> 00:03:28,839
What we're proposing isn't fake.

62
00:03:30,640 --> 00:03:31,640
It's real.

63
00:03:33,200 --> 00:03:35,679
Oh, you've intrigued me.

64
00:03:35,680 --> 00:03:37,600
So which Ryan are we calling first?

65
00:03:46,720 --> 00:03:48,519
Hey, Brandy.

66
00:03:48,520 --> 00:03:50,559
Listen, the studio are chasing.

67
00:03:50,560 --> 00:03:54,359
I'm telling you, I just love
this project for you right now.

68
00:03:54,360 --> 00:03:55,439
We all do.

69
00:03:55,440 --> 00:03:57,559
And, hey, the money is off the chart.

70
00:03:57,560 --> 00:04:01,080
Call me when you get a chance.
Bye now. Bye-bye.

71
00:04:06,120 --> 00:04:07,159
No.

72
00:04:07,160 --> 00:04:10,199
Whoa now. Did you read the material?
Lola's in almost every scene.

73
00:04:10,200 --> 00:04:12,799
- It's a big role.
- It's a big supporting role.

74
00:04:12,800 --> 00:04:15,239
Backing up Mr. "Lead Dude" again.

75
00:04:15,240 --> 00:04:16,480
Hey.

76
00:04:17,880 --> 00:04:19,239
You get lead roles.

77
00:04:19,240 --> 00:04:20,919
Yeah, for Sundance misery porn.

78
00:04:20,920 --> 00:04:22,919
You don't want those
roles anymore either?

79
00:04:22,920 --> 00:04:26,799
I'm saying I'm tired
of my only available options

80
00:04:26,800 --> 00:04:31,159
being noble victim or fuckable sidekick.

81
00:04:31,160 --> 00:04:34,240
I can't control which box
the world wants to put you in.

82
00:04:34,960 --> 00:04:37,280
It's the same box, and I'm sick of it.

83
00:04:38,640 --> 00:04:40,799
You know I got into this
to be other things.

84
00:04:40,800 --> 00:04:42,639
To express other things.

85
00:04:42,640 --> 00:04:43,760
Like what?

86
00:04:46,520 --> 00:04:48,559
Like something romantic.

87
00:04:48,560 --> 00:04:50,639
This is romantic.

88
00:04:50,640 --> 00:04:53,280
For the lead guy.
I don't wanna be pursued.

89
00:04:53,840 --> 00:04:55,480
Why can't I pursue?

90
00:04:56,680 --> 00:04:57,680
Huh?

91
00:04:59,320 --> 00:05:02,400
I just want something… magical.

92
00:05:03,000 --> 00:05:04,400
Timeless. Something

93
00:05:05,960 --> 00:05:07,440
I can escape into.

94
00:05:07,960 --> 00:05:10,440
Are you talking career or personal life?

95
00:05:11,240 --> 00:05:12,240
Both.

96
00:05:13,280 --> 00:05:14,800
Where's my Casablanca?

97
00:05:15,400 --> 00:05:18,360
Where's… where's…
where's my Brief Encounter?

98
00:05:19,200 --> 00:05:23,039
Come on! British
romance. 1940s. Classic.

99
00:05:23,040 --> 00:05:24,519
Like Hotel Reverie?

100
00:05:24,520 --> 00:05:26,959
Yes! Hotel Reverie.

101
00:05:26,960 --> 00:05:28,719
"I'll be yours forevermore."

102
00:05:28,720 --> 00:05:30,839
Is that where that line comes from?

103
00:05:30,840 --> 00:05:33,159
The iconic final line? Yeah.

104
00:05:33,160 --> 00:05:34,679
Hey, I knew the line, not the movie.

105
00:05:34,680 --> 00:05:37,679
Weird thing is, this is the second time
this has come up this morning.

106
00:05:37,680 --> 00:05:40,479
- What do you mean?
- The studio. Uh, Keyworth… something.

107
00:05:40,480 --> 00:05:43,599
- They're doing some kind of reboot.
- They're remaking Hotel Reverie?

108
00:05:43,600 --> 00:05:47,239
Yeah, with a high-tech shooting style.
They want an A-lister for the male lead.

109
00:05:47,240 --> 00:05:48,680
- To play Alex? Dr. Palmer?
- Yeah.

110
00:05:48,682 --> 00:05:49,720
I wanna do it.

111
00:05:50,400 --> 00:05:51,719
It's a male lead.

112
00:05:51,720 --> 00:05:54,559
So they… they can't flip it?
Have a woman play the lead?

113
00:05:54,560 --> 00:05:56,399
They want a Ryan. One of the Ryans.

114
00:05:56,400 --> 00:05:58,120
Tell them I wanna do this.

115
00:05:58,680 --> 00:06:01,239
- So I'm afraid Ryan's a "no."
- Which one?

116
00:06:01,240 --> 00:06:02,759
Both of them.

117
00:06:02,760 --> 00:06:05,211
Sorry, did you say
that they don't have to talk British?

118
00:06:05,213 --> 00:06:06,359
They… they can be American?

119
00:06:06,360 --> 00:06:08,119
Didn't get that far.

120
00:06:08,120 --> 00:06:10,039
Also, Timothée Chalamet is unavail.

121
00:06:10,040 --> 00:06:11,999
Chris Hemsworth didn't connect
with the material.

122
00:06:12,000 --> 00:06:14,119
Donald Glover says
thanks for thinking of him,

123
00:06:14,120 --> 00:06:16,479
but he has a family commitment.

124
00:06:16,480 --> 00:06:18,359
- So they're all NFI?
- Sorry?

125
00:06:18,360 --> 00:06:21,599
Is there really not one A-lister
who's curious?

126
00:06:21,600 --> 00:06:23,799
Well, you won't believe this,

127
00:06:23,800 --> 00:06:27,600
but Brandy Friday's team
says she's interested.

128
00:06:29,200 --> 00:06:31,279
Holy shit! Brandy Friday?

129
00:06:31,280 --> 00:06:32,719
She big?

130
00:06:32,720 --> 00:06:35,039
She's… she's huge. She… she's available?

131
00:06:35,040 --> 00:06:37,759
I tried to explain
it's not the Clara role, but…

132
00:06:37,760 --> 00:06:39,793
Well, could we make it the Clara role?

133
00:06:39,795 --> 00:06:40,999
That's the thing.

134
00:06:41,000 --> 00:06:43,879
They said she's only interested
if she plays the lead.

135
00:06:43,880 --> 00:06:45,720
- Well, that's just…
- Brilliant.

136
00:07:12,560 --> 00:07:13,560
Ready.

137
00:07:14,280 --> 00:07:16,319
Should I just pretend
it's a normal call?

138
00:07:16,320 --> 00:07:17,879
- Yes.
- Right.

139
00:07:17,880 --> 00:07:18,880
Here we go.

140
00:07:21,400 --> 00:07:25,519
I realize I'm… I'm waiting for it to
ring, but it's not connected, is it?

141
00:07:25,520 --> 00:07:26,719
No.

142
00:07:28,400 --> 00:07:30,280
God, I'm such a fool.

143
00:07:30,960 --> 00:07:33,480
Right, I'll imagine it's ringing.

144
00:07:36,520 --> 00:07:38,880
Hello, Ryce-Lechere residence.

145
00:07:39,400 --> 00:07:40,920
To whom am I speaking?

146
00:07:43,800 --> 00:07:44,800
I…

147
00:07:47,000 --> 00:07:48,760
Oh, God damn it.

148
00:07:49,280 --> 00:07:51,919
Well, it's just so hard
when there's no one on the other end.

149
00:07:51,920 --> 00:07:53,519
Uh, from the top.

150
00:07:53,520 --> 00:07:54,520
Take two.

151
00:07:55,320 --> 00:07:57,640
Hello, Ryce-Lechere residence.

152
00:07:59,680 --> 00:08:00,799
To whom am I...

153
00:08:03,560 --> 00:08:05,159
Buckinghamshire, England.

154
00:08:05,160 --> 00:08:06,519
And an outpouring of grief

155
00:08:06,520 --> 00:08:10,119
as actress Dorothy Chambers
is found dead at home.

156
00:08:10,120 --> 00:08:13,639
The cause of death,
an overdose of sleeping pills.

157
00:08:13,640 --> 00:08:16,239
The reclusive beauty never married

158
00:08:16,240 --> 00:08:18,759
and was well known
to be troubled by pernicious gossip

159
00:08:18,760 --> 00:08:20,480
surrounding her personal life.

160
00:08:26,200 --> 00:08:27,519
- Oh, hi.
- Hey.

161
00:08:27,520 --> 00:08:29,679
- This is for you.
- Thank you.

162
00:08:29,680 --> 00:08:32,200
- It needs a signature just here.
- Oh, sure.

163
00:08:33,440 --> 00:08:34,920
Sorry, I shouldn't, but

164
00:08:36,200 --> 00:08:39,239
I really loved that movie you were in
about the secret CIA agent.

165
00:08:39,240 --> 00:08:42,039
- Thank you.
- He was so good.

166
00:08:42,040 --> 00:08:44,079
- Thank you.
- Are you still with that actor...

167
00:08:44,080 --> 00:08:45,679
Uh, no, we're not together anymore.

168
00:08:45,680 --> 00:08:49,559
Oh, he was so good in that movie
about the pilot that saves the…

169
00:08:49,560 --> 00:08:51,519
- I've got to take this.
- Okay.

170
00:08:51,520 --> 00:08:53,279
Don't let the gate hit you.

171
00:08:55,153 --> 00:08:56,358
Hey.

172
00:08:56,360 --> 00:08:58,079
Great news. You got it.

173
00:08:58,080 --> 00:08:59,131
Got what?

174
00:08:59,133 --> 00:09:01,719
The lead in Hotel Reverie.
I guess they're gonna flip it.

175
00:09:01,720 --> 00:09:03,439
- Yes!
- Okay, so look.

176
00:09:03,440 --> 00:09:06,439
It's a straight offer,
so they're sending the materials to you.

177
00:09:06,440 --> 00:09:08,719
Oh, yeah, I think I just got those.

178
00:09:08,720 --> 00:09:12,079
They say they're gonna need you
in the studio next Monday.

179
00:09:12,080 --> 00:09:15,119
- That's in England.
- Wait. They start filming next Monday?

180
00:09:15,120 --> 00:09:17,359
Uh, no, they say no.
It's some kind of test.

181
00:09:17,360 --> 00:09:18,640
Who's playing Clara?

182
00:09:19,200 --> 00:09:21,199
Seems confidential. It's all laid out

183
00:09:21,200 --> 00:09:22,440
in that info pack.

184
00:09:23,120 --> 00:09:24,839
Pepe from Streamberry is here.

185
00:09:24,840 --> 00:09:26,119
- Thank you.
- Wait.

186
00:09:26,120 --> 00:09:27,144
Laid out where?

187
00:09:27,146 --> 00:09:30,959
Yeah, oh, congratulations again.
Okay, look, I gotta go. Bye, bye, bye.

188
00:09:30,960 --> 00:09:32,120
Okay, thanks.

189
00:09:37,680 --> 00:09:38,800
Drop your weapon.

190
00:09:40,680 --> 00:09:43,119
Shoot him. He's trying to kill me.

191
00:09:43,120 --> 00:09:45,639
Wait. I know that man.

192
00:09:45,640 --> 00:09:47,159
He diagnosed my allergy.

193
00:09:47,160 --> 00:09:48,680
Arrest the other man.

194
00:09:49,480 --> 00:09:50,560
Non!

195
00:09:51,360 --> 00:09:53,080
Non! Laissez-moi.

196
00:09:53,720 --> 00:09:54,919
Mais laissez-moi.

197
00:10:00,920 --> 00:10:02,080
Stay with me.

198
00:10:02,760 --> 00:10:04,600
Promise me you'll stay.

199
00:10:06,920 --> 00:10:09,960
I'll be yours… forevermore.

200
00:10:24,240 --> 00:10:26,160
I'll be yours forevermore.

201
00:10:30,560 --> 00:10:32,680
I'll be yours forevermore.

202
00:10:36,160 --> 00:10:37,719
What is up with the printer?

203
00:10:39,960 --> 00:10:41,840
I just need to get this up and running.

204
00:10:42,260 --> 00:10:43,439
There we go.

205
00:10:43,440 --> 00:10:45,719
- Powering up in a few minutes.
- Jack.

206
00:10:45,720 --> 00:10:47,719
Give me two seconds. Um…

207
00:10:47,720 --> 00:10:49,279
- Jack.
- Yeah?

208
00:10:49,280 --> 00:10:51,679
No liquids near the tech.
Isn't that your mantra?

209
00:10:51,680 --> 00:10:52,680
Oh…

210
00:10:53,080 --> 00:10:54,120
Sorry.

211
00:10:55,400 --> 00:10:56,591
She's late.

212
00:10:56,593 --> 00:10:58,600
Her driver said she's stuck in traffic.

213
00:10:59,240 --> 00:11:01,399
You've only got this stage
for two more hours.

214
00:11:01,400 --> 00:11:04,439
It's leased to some Swedes
who are shooting a loo roll commercial.

215
00:11:04,440 --> 00:11:06,559
You said we had three hours. No?

216
00:11:06,560 --> 00:11:08,279
I said I'd ask for three.

217
00:11:08,280 --> 00:11:09,280
Hey.

218
00:11:09,960 --> 00:11:13,200
- Hi.
- Uh… Ms. Friday.

219
00:11:14,200 --> 00:11:15,440
Judith Keyworth.

220
00:11:17,080 --> 00:11:18,599
Goodness, can I tell you

221
00:11:18,600 --> 00:11:20,959
how thrilled we are
that you're doing this?

222
00:11:20,960 --> 00:11:22,439
Oh, it's my pleasure.

223
00:11:22,440 --> 00:11:24,359
I love old movies.

224
00:11:24,360 --> 00:11:25,439
I'm sure.

225
00:11:26,600 --> 00:11:30,480
Meet the young lady who I've
entrusted with my studio's life.

226
00:11:31,320 --> 00:11:33,759
Uh, Kimmy. Project leader.

227
00:11:33,760 --> 00:11:36,600
Um, and can I just say I've been
a fan of you since Zodiac Suite?

228
00:11:37,720 --> 00:11:39,399
You saw Zodiac Suite?

229
00:11:39,400 --> 00:11:42,119
I did. Off-Broadway
when I was back in NYU.

230
00:11:42,120 --> 00:11:43,359
- Oh wow.
- And I loved...

231
00:11:44,886 --> 00:11:45,959
- Yes.
- Anyway.

232
00:11:45,960 --> 00:11:47,079
Anyway. Yes.

233
00:11:47,080 --> 00:11:49,693
We, uh… Let's… let's, uh…
Let's dive on in.

234
00:11:49,695 --> 00:11:50,879
Okay.

235
00:11:50,880 --> 00:11:53,773
So you know the ReDream, how it works?

236
00:11:53,775 --> 00:11:54,878
Re-what?

237
00:11:54,880 --> 00:11:56,880
Uh, ReDream. The
system that we're using.

238
00:11:59,680 --> 00:12:01,439
You got the info pack, right?

239
00:12:01,440 --> 00:12:02,720
The info pack? I…

240
00:12:03,240 --> 00:12:06,359
- You got the script and the movie?
- Read the script. Watched the movie.

241
00:12:06,360 --> 00:12:10,680
There was a USB stick in there, too,
with the info pack on it.

242
00:12:12,400 --> 00:12:13,680
You… you didn't see that?

243
00:12:14,200 --> 00:12:15,200
Uh, no.

244
00:12:16,280 --> 00:12:17,639
- Uh…
- Talk me through it.

245
00:12:17,640 --> 00:12:19,400
What exactly am I looking at?

246
00:12:20,560 --> 00:12:22,400
Do… You know your lines, right?

247
00:12:24,200 --> 00:12:25,280
Sure.

248
00:12:27,080 --> 00:12:28,080
Come with me.

249
00:12:29,200 --> 00:12:31,759
We're making the movie right now,
in real time,

250
00:12:31,760 --> 00:12:32,999
like theater.

251
00:12:33,000 --> 00:12:34,679
ReDream is the system we're using.

252
00:12:34,680 --> 00:12:37,239
It ingests a movie
and all of its surrounding material.

253
00:12:37,240 --> 00:12:40,799
Screenplay, casting reels,
dailies, all of it.

254
00:12:40,800 --> 00:12:42,586
It creates an entirely self-sufficient

255
00:12:42,587 --> 00:12:44,559
fictive dimension in
which we immerse you.

256
00:12:44,561 --> 00:12:46,293
Can you slow down a little bit, please?

257
00:12:46,295 --> 00:12:47,418
Yeah.

258
00:12:47,420 --> 00:12:49,199
I bet this is very overwhelming.

259
00:12:49,200 --> 00:12:52,160
Why don't you lie down?
Lie down and make yourself comfortable.

260
00:12:53,360 --> 00:12:57,479
So, if you hold still,
I'm just gonna attach this mesmerizer.

261
00:12:57,480 --> 00:12:58,799
"Mesmerizer"?

262
00:12:58,800 --> 00:13:01,719
Yeah, it's a nickname
for a synaptic fictive interface.

263
00:13:01,720 --> 00:13:02,931
It's… whatever.

264
00:13:02,933 --> 00:13:04,800
- I don't know what you're saying.
- Yeah.

265
00:13:05,560 --> 00:13:09,519
Um, when you're in there,
everyone and everything except you

266
00:13:09,520 --> 00:13:11,598
will be in stasis until the titles,

267
00:13:11,600 --> 00:13:13,079
which should give
you a minute to adjust.

268
00:13:13,080 --> 00:13:14,200
Adjust to what?

269
00:13:14,800 --> 00:13:16,039
You're a pro.

270
00:13:16,040 --> 00:13:18,239
Just say your lines,
hit the story beats.

271
00:13:18,240 --> 00:13:20,239
If we get too far off arc,
we'll pull you out.

272
00:13:20,240 --> 00:13:22,480
That won't happen, though, you know?

273
00:13:28,133 --> 00:13:29,225
Okay.

274
00:13:29,240 --> 00:13:30,480
Executing runtime.

275
00:13:34,200 --> 00:13:37,319
And… syncing realms.

276
00:14:06,680 --> 00:14:08,040
Oh my God.

277
00:14:28,120 --> 00:14:32,759
Okay, how we doing in there?
I'll be giving you direction. Brandy?

278
00:14:32,760 --> 00:14:34,240
This is insane!

279
00:14:34,840 --> 00:14:37,479
I mean, is this the original movie set?

280
00:14:37,480 --> 00:14:40,919
Yeah, it's a little intense
in there at first.

281
00:14:40,920 --> 00:14:41,960
Oh, you think?

282
00:14:42,760 --> 00:14:44,719
I'm in black and white! Uh…

283
00:14:44,720 --> 00:14:47,439
Look, we've got about 90 seconds
until we roll the credits.

284
00:14:47,440 --> 00:14:50,806
So… head for the table,
the one with the newspaper,

285
00:14:50,808 --> 00:14:51,919
behind the piano.

286
00:14:51,920 --> 00:14:53,880
- Like in the opening scene?
- Exactly.

287
00:14:54,720 --> 00:14:56,959
- There's, like, frozen people?
- Yeah.

288
00:14:56,960 --> 00:14:58,919
They'll unpause when the titles start.

289
00:14:58,920 --> 00:15:02,600
And when they do, just
remember that, to them, this is real.

290
00:15:03,680 --> 00:15:07,080
They think that they're real people
living in a real world.

291
00:15:07,493 --> 00:15:08,693
So who are they gonna think I am?

292
00:15:08,695 --> 00:15:12,318
Alex Palmer, Doctor
of Tropical Medicine.

293
00:15:12,320 --> 00:15:15,079
Who's a middle-aged British white guy?

294
00:15:15,080 --> 00:15:17,199
Right, that's not who they'll see.

295
00:15:17,200 --> 00:15:19,639
They will see and hear you as you are,

296
00:15:19,640 --> 00:15:22,720
and they'll just accept
that you're Alex Palmer,

297
00:15:23,360 --> 00:15:24,879
the character in the story.

298
00:15:24,880 --> 00:15:28,079
Okay, so to them,
Dr. Palmer is a Black woman

299
00:15:28,080 --> 00:15:32,119
just rolling up in 1940-whatever,
and it's just fine?

300
00:15:32,120 --> 00:15:33,133
That's fine.

301
00:15:33,135 --> 00:15:34,279
It's fine?

302
00:15:34,280 --> 00:15:35,599
Yes, that's fine.

303
00:15:35,600 --> 00:15:36,600
It's fine.

304
00:15:36,960 --> 00:15:39,280
They're AIs.
They're… they're constructs.

305
00:15:39,800 --> 00:15:43,079
They only know the parameters
of the story and the character names.

306
00:15:43,080 --> 00:15:45,959
I know it sounds crazy.
It won't even cross their minds.

307
00:15:45,960 --> 00:15:47,439
Okay.

308
00:15:47,440 --> 00:15:49,519
Just, uh, keep the story going.

309
00:15:49,520 --> 00:15:51,879
If you say your lines, we're all good.

310
00:15:51,880 --> 00:15:52,880
Good luck.

311
00:15:58,400 --> 00:15:59,839
Get the newspaper.

312
00:15:59,840 --> 00:16:00,840
Okay.

313
00:16:05,920 --> 00:16:06,920
Arc ready.

314
00:16:07,640 --> 00:16:08,919
Feedback ready.

315
00:16:08,920 --> 00:16:10,159
Supervision ready.

316
00:16:10,160 --> 00:16:11,479
Forecasting ready.

317
00:16:11,480 --> 00:16:13,960
- Prep titles.
- Prepped. Simulation running.

318
00:16:20,520 --> 00:16:24,160
Five, four, three, two, one.

319
00:16:24,680 --> 00:16:25,959
And action.

320
00:16:25,960 --> 00:16:28,280
Titles rolling.

321
00:16:29,360 --> 00:16:32,160
Exterior, hotel, night.

322
00:16:34,240 --> 00:16:35,600
Clara, inbound.

323
00:16:50,600 --> 00:16:53,200
Yes, it's Dorothy Chambers.
Stop staring.

324
00:16:59,040 --> 00:17:02,479
Clara speaks in three, two, one…

325
00:17:02,480 --> 00:17:03,640
Excuse me.

326
00:17:04,200 --> 00:17:06,079
Oui. What do you want?

327
00:17:06,080 --> 00:17:08,079
May I have a seat at your table?

328
00:17:08,080 --> 00:17:10,279
It's awfully crowded in here.
I was hoping…

329
00:17:10,280 --> 00:17:11,880
I do not understand.

330
00:17:12,480 --> 00:17:15,239
- Which seat do you wish to take?
- Keep the paper up, Brandy.

331
00:17:15,240 --> 00:17:16,759
Perhaps that one.

332
00:17:16,760 --> 00:17:19,999
That one is for mon petit Bonbon.

333
00:17:20,000 --> 00:17:21,119
Oh.

334
00:17:21,120 --> 00:17:25,480
Bonbon does not sit on the ground.
Do you, Bonbon?

335
00:17:26,080 --> 00:17:27,479
Okay, Brandy. You're up.

336
00:17:27,480 --> 00:17:29,080
Live dialogue in three, two…

337
00:17:31,280 --> 00:17:32,280
Ma'am?

338
00:17:33,480 --> 00:17:34,520
I have a spare seat.

339
00:17:35,120 --> 00:17:37,039
And I can assure you, no Bonbon.

340
00:17:37,040 --> 00:17:38,319
I couldn't impose.

341
00:17:38,320 --> 00:17:39,559
I could use the company.

342
00:17:39,560 --> 00:17:42,960
It's a very different flavor
than dear old Ralphy.

343
00:17:44,320 --> 00:17:46,840
- Alex Palmer.
- Oh. Clara Ryce-Lechere.

344
00:17:48,160 --> 00:17:50,760
Ryce-Lechere? That's half the alphabet.

345
00:17:51,960 --> 00:17:53,080
All in sync.

346
00:17:53,960 --> 00:17:55,359
She's word-perfect.

347
00:17:55,360 --> 00:17:57,919
Lechere comes courtesy of my husband,
who's French.

348
00:17:57,920 --> 00:17:58,959
Story on track.

349
00:17:58,960 --> 00:18:00,159
Pierre Lechere?

350
00:18:00,160 --> 00:18:02,359
Claude. Sorry to disappoint you.

351
00:18:02,360 --> 00:18:04,039
Will Claude be joining us?

352
00:18:04,040 --> 00:18:06,919
No, no. Claude has work commitments.

353
00:18:06,920 --> 00:18:08,799
He holds
an important role in the business.

354
00:18:08,800 --> 00:18:09,920
The business?

355
00:18:09,921 --> 00:18:12,159
Oh, my father's
business, Ryce Holdings.

356
00:18:12,160 --> 00:18:16,399
Oh my. I didn't realize
you were the Clara Ryce.

357
00:18:16,400 --> 00:18:19,599
Oh yes, the Clara Ryce,
heir to the Ryce empire.

358
00:18:19,600 --> 00:18:22,040
- Exposition delivered.
- What brings you to Cairo?

359
00:18:22,560 --> 00:18:25,159
I'm giving a talk
at the School of Medicine.

360
00:18:25,160 --> 00:18:27,440
- You're a surgeon?
- Just a doctor.

361
00:18:27,960 --> 00:18:30,839
Albeit one who knows an absurd
amount about tropical diseases.

362
00:18:30,840 --> 00:18:33,959
Backstory deployed.
Hitting all her beats.

363
00:18:33,960 --> 00:18:36,039
Dreadful, yes.
Accomplished, I'm not so sure.

364
00:18:36,040 --> 00:18:39,639
Oh, waiter. Another scotch, please.
And for yourself?

365
00:18:39,640 --> 00:18:41,599
Thank you. A Black Rose.

366
00:18:41,600 --> 00:18:43,799
Ah. A rose for a rose.

367
00:18:45,480 --> 00:18:47,879
- Attraction building.
- It's a tradition for me.

368
00:18:47,880 --> 00:18:50,479
One scotch and one Black Rose.

369
00:18:50,480 --> 00:18:51,719
For the heiress?

370
00:18:51,720 --> 00:18:53,879
- Murder attempt number one imminent.
- Yes.

371
00:18:58,040 --> 00:19:01,559
Black Rose created.
I repeat, Black Rose has been created.

372
00:19:01,560 --> 00:19:03,119
- Oh dear.
- What's wrong?

373
00:19:03,120 --> 00:19:05,320
Oh, nothing really. Just the piano.

374
00:19:06,240 --> 00:19:09,840
A piano standing silent always
makes me melancholy. Silly, I know.

375
00:19:11,840 --> 00:19:15,359
Say a pianist walked in right now.
What would you have him play?

376
00:19:15,360 --> 00:19:16,759
"Clair de Lune."

377
00:19:16,760 --> 00:19:18,999
Oh, that's easy. "Clair de Lune."

378
00:19:19,000 --> 00:19:20,919
- My dad's favorite.
- Debussy?

379
00:19:20,920 --> 00:19:23,479
Do you know it?
Oh, it's the most wonderful piece.

380
00:19:23,480 --> 00:19:26,319
It transports me to
the gayest of places.

381
00:19:26,320 --> 00:19:29,520
And at the same time,
it's so sad, so full of yearning.

382
00:19:30,920 --> 00:19:33,320
Well, Clara,
if it's "Clair de Lune" you want,

383
00:19:33,840 --> 00:19:35,760
it's "Clair de Lune" you shall have.

384
00:19:53,280 --> 00:19:54,520
What… What's she doing?

385
00:19:55,720 --> 00:19:57,080
- Uh…
- Brandy?

386
00:19:57,082 --> 00:19:58,159
What the hell?

387
00:19:58,160 --> 00:20:00,479
You didn't say it was a real piano.

388
00:20:00,480 --> 00:20:02,306
I thought you could play the real piano.

389
00:20:02,308 --> 00:20:03,319
No!

390
00:20:03,320 --> 00:20:05,193
But you played the
piano in Zodiac Suite.

391
00:20:05,195 --> 00:20:06,918
That was a backing track.

392
00:20:08,000 --> 00:20:09,359
She can't stop.

393
00:20:09,360 --> 00:20:11,839
The piano playing
sets up the inciting incident.

394
00:20:11,840 --> 00:20:15,319
Uh, Brandy, you gotta keep playing.
That's the point of the scene.

395
00:20:15,320 --> 00:20:17,679
My God, she's doing "Chopsticks."

396
00:20:17,680 --> 00:20:19,679
Narrative integrity failing.

397
00:20:19,680 --> 00:20:21,479
We're heading for yellow here.

398
00:20:21,480 --> 00:20:23,439
I take it that means something bad.

399
00:20:23,440 --> 00:20:25,620
If that one hits red, it collapses.

400
00:20:25,622 --> 00:20:26,719
Oh, great.

401
00:20:26,720 --> 00:20:29,319
Mika, how far off base are we?

402
00:20:29,320 --> 00:20:30,599
So, in the original,

403
00:20:30,600 --> 00:20:33,679
the beautiful music
makes Clara choke up with emotion.

404
00:20:33,680 --> 00:20:36,199
She steps outside.
Alex follows. They talk.

405
00:20:36,200 --> 00:20:38,440
It's the encounter
that sets the story rolling.

406
00:20:39,360 --> 00:20:41,759
Can we hit that plot
point some other way?

407
00:20:41,760 --> 00:20:44,199
Maybe, but we've got
an even bigger problem.

408
00:20:44,200 --> 00:20:45,399
Bigger than that?

409
00:20:45,400 --> 00:20:47,440
The poisoned cocktail. The Black Rose.

410
00:20:48,040 --> 00:20:49,480
Shit.

411
00:20:50,240 --> 00:20:53,479
Clara's supposed to have left before
it makes it to the table, but now…

412
00:20:53,480 --> 00:20:54,760
She's just sitting there.

413
00:20:55,280 --> 00:20:56,720
And if she drinks it, she dies.

414
00:20:57,400 --> 00:20:59,159
- Correct.
- And the whole thing's bollocksed.

415
00:20:59,160 --> 00:21:00,839
Narrative stress is rising, guys.

416
00:21:00,840 --> 00:21:03,360
Brandy, don't speak.

417
00:21:03,361 --> 00:21:05,879
I need you to follow some instructions
to get us back on track.

418
00:21:05,880 --> 00:21:07,319
Stop playing the piano.

419
00:21:07,320 --> 00:21:09,759
Go sit next to Clara. Now. Go. Now.

420
00:21:15,000 --> 00:21:17,400
Apologize for your poor piano.

421
00:21:18,200 --> 00:21:20,279
I'm afraid I'm a little out of practice.

422
00:21:20,280 --> 00:21:21,880
It certainly sounded that way.

423
00:21:22,600 --> 00:21:25,840
On the bright side, you seem to have
given Madam "Doglover" a headache.

424
00:21:26,360 --> 00:21:27,720
What a shame.

425
00:21:29,200 --> 00:21:30,480
One scotch.

426
00:21:33,280 --> 00:21:34,359
And a Black Rose.

427
00:21:34,360 --> 00:21:36,319
Just in time. I could use a tipple.

428
00:21:36,320 --> 00:21:38,319
Do not let her drink that.
Improvise!

429
00:21:38,320 --> 00:21:40,239
- Oh my God. Look.
- What?

430
00:21:40,240 --> 00:21:42,239
- Uh, the big… goose.
- No.

431
00:21:42,240 --> 00:21:44,199
Get rid of the drink.

432
00:21:44,200 --> 00:21:47,359
- But I don't see anything.
- Right there. See? Look.

433
00:21:47,360 --> 00:21:49,239
- Was there really a goose?
- Yes.

434
00:21:49,240 --> 00:21:50,719
No. There wasn't.

435
00:21:50,720 --> 00:21:51,959
No, there wasn't.

436
00:21:51,960 --> 00:21:54,360
- Mm-mm. I was kidding.
- I see.

437
00:21:56,640 --> 00:21:58,319
Another joke, I presume.

438
00:21:58,320 --> 00:21:59,680
Gotcha.

439
00:22:00,760 --> 00:22:02,719
I don't appreciate mockery, Dr. Palmer.

440
00:22:02,720 --> 00:22:05,519
I had quite enough of that
in my school days.

441
00:22:05,520 --> 00:22:07,960
- Good luck with your talk.
- Attraction falling, guys.

442
00:22:09,200 --> 00:22:10,280
Don't let her go.

443
00:22:11,600 --> 00:22:12,600
Follow her.

444
00:22:14,000 --> 00:22:15,000
Uh, wait!

445
00:22:15,600 --> 00:22:16,640
Uh, come back!

446
00:22:17,680 --> 00:22:19,040
Wait! I… I'm s…

447
00:22:20,080 --> 00:22:21,360
Dorothy!

448
00:22:24,080 --> 00:22:26,479
Clara! Her name is Clara.

449
00:22:26,480 --> 00:22:27,799
Divergence rising.

450
00:22:27,800 --> 00:22:29,200
Uh, Clara.

451
00:22:40,000 --> 00:22:41,719
Why did you call me Dorothy?

452
00:22:41,720 --> 00:22:43,000
Oh dear.

453
00:22:43,760 --> 00:22:46,759
Uh, you remind me of someone.

454
00:22:46,760 --> 00:22:48,840
Someone named Dorothy?

455
00:22:50,120 --> 00:22:51,240
Yeah.

456
00:22:52,280 --> 00:22:53,920
Why do I remind you of her?

457
00:22:54,640 --> 00:22:56,960
- They're way off script here.
- Sh, sh!

458
00:22:58,520 --> 00:22:59,600
She was

459
00:23:01,120 --> 00:23:04,440
someone who the world looked at and

460
00:23:05,840 --> 00:23:08,280
assumed had everything, but

461
00:23:09,960 --> 00:23:12,120
on the inside, she was…

462
00:23:13,520 --> 00:23:14,520
Blue.

463
00:23:16,880 --> 00:23:17,880
I don't know.

464
00:23:18,960 --> 00:23:20,360
But I think so.

465
00:23:23,200 --> 00:23:25,720
Then it's no surprise
I remind you of her.

466
00:23:29,000 --> 00:23:30,680
Follow her into the garden.

467
00:23:32,120 --> 00:23:33,279
Sit beside her.

468
00:23:33,280 --> 00:23:34,280
I was going to.

469
00:23:34,800 --> 00:23:35,800
Going to what?

470
00:23:36,760 --> 00:23:40,159
Oh, I was going to… to ask
if you wanna talk about it?

471
00:23:40,160 --> 00:23:41,480
Oh, no.

472
00:23:42,520 --> 00:23:45,399
One should never unburden oneself
to a stranger.

473
00:23:45,400 --> 00:23:46,719
Oh, it's no burden.

474
00:23:46,720 --> 00:23:48,439
Trust me, I'm a doctor.

475
00:23:48,440 --> 00:23:51,319
And I've given up
on my dreams of piano playing.

476
00:23:51,320 --> 00:23:53,279
Well, I think that's wise.

477
00:23:55,720 --> 00:23:58,400
I would talk to my husband
about it, but honestly,

478
00:23:58,920 --> 00:24:01,880
Claude stopped noticing
my temperament some time ago.

479
00:24:03,080 --> 00:24:05,080
He's so consumed by the business.

480
00:24:05,600 --> 00:24:09,239
Papa used to joke
that Claude was marrying the company

481
00:24:09,240 --> 00:24:10,680
rather than marrying me.

482
00:24:11,200 --> 00:24:13,400
If that's true, then Claude's crazy.

483
00:24:16,240 --> 00:24:17,360
You're sweet.

484
00:24:22,200 --> 00:24:24,000
Romantic interest rising.

485
00:24:26,080 --> 00:24:28,200
This Dorothy you mention,

486
00:24:28,960 --> 00:24:31,160
what's true of her is also true of me.

487
00:24:32,720 --> 00:24:37,360
You know, it's silly, but sometimes
a sense of such wretchedness seizes me

488
00:24:38,360 --> 00:24:41,600
as though I'm connected to some
fathomless sorrow reaching through time.

489
00:24:44,000 --> 00:24:46,399
Perhaps I was a tragic figure
in some other life.

490
00:24:46,400 --> 00:24:48,920
I thought you said
they weren't self-aware.

491
00:24:49,440 --> 00:24:50,560
They're not.

492
00:24:51,160 --> 00:24:54,319
The… the only reality she's aware of
is… is the story.

493
00:24:54,320 --> 00:24:56,480
Actually, I think she might be
sensing some echoes.

494
00:24:58,360 --> 00:25:00,159
Well, our Clara AI

495
00:25:00,160 --> 00:25:03,480
is derived from the original performance
by Dorothy Chambers. Uh…

496
00:25:04,240 --> 00:25:06,959
And Chambers drew on her own life.

497
00:25:06,960 --> 00:25:10,359
She sunk as much of herself as possible
into the role of Clara.

498
00:25:10,360 --> 00:25:12,679
There's echoes of her
running right through the data set.

499
00:25:12,680 --> 00:25:16,000
But when she heard her name,
connected with that essence,

500
00:25:17,480 --> 00:25:18,960
she's grown a dimension.

501
00:25:19,640 --> 00:25:22,759
And… and it's not really built
to accommodate that.

502
00:25:22,760 --> 00:25:25,319
Scene ending in
T-minus 30 seconds, guys.

503
00:25:25,320 --> 00:25:27,280
This Dorothy,
what happened to her?

504
00:25:29,440 --> 00:25:31,800
- We lost touch.
- Oh.

505
00:25:33,480 --> 00:25:35,440
I hope she's happy somewhere.

506
00:25:36,440 --> 00:25:37,440
Me too.

507
00:25:39,360 --> 00:25:41,120
Look at me complaining about my life.

508
00:25:41,640 --> 00:25:43,279
You must think me so ungrateful.

509
00:25:43,280 --> 00:25:45,160
Oh, no. I've been there.

510
00:25:46,360 --> 00:25:48,560
- "Been there"?
- I mean, I get it.

511
00:25:49,440 --> 00:25:50,639
Oh, you… you "get it."

512
00:25:50,640 --> 00:25:52,280
Yeah. You know, life shit.

513
00:25:52,880 --> 00:25:56,279
- No one says "shit" in the movie.
- Oh my God. I mean, um…

514
00:25:56,280 --> 00:25:57,719
"Life shit"?

515
00:25:57,720 --> 00:25:59,079
She's saying it now.

516
00:25:59,080 --> 00:26:01,559
I… misspoke.

517
00:26:01,560 --> 00:26:03,920
No, I'm not… I'm not offended.

518
00:26:04,600 --> 00:26:06,400
If anything, it's refreshing.

519
00:26:07,680 --> 00:26:09,360
I've never met someone so

520
00:26:10,480 --> 00:26:11,560
differently alive.

521
00:26:14,200 --> 00:26:16,080
Romantic likelihood increasing.

522
00:26:19,120 --> 00:26:20,720
Good night, Dr. Palmer.

523
00:26:22,400 --> 00:26:23,400
Good night.

524
00:26:33,160 --> 00:26:35,160
Forecast good. We're back on track.

525
00:26:35,880 --> 00:26:37,519
Narrative stress falling.

526
00:26:37,520 --> 00:26:39,199
Interior. Lobby.

527
00:26:39,200 --> 00:26:40,240
Continuous.

528
00:26:40,960 --> 00:26:42,480
Gorgeous Claude.

529
00:26:45,680 --> 00:26:46,680
Darling.

530
00:26:47,680 --> 00:26:48,960
Claude.

531
00:26:49,560 --> 00:26:51,159
This is the scene with Claude.

532
00:26:51,160 --> 00:26:54,159
Brandy's not on screen for two minutes,
so you're free to talk.

533
00:26:54,160 --> 00:26:56,040
Me too. I'm somewhat tired.

534
00:26:56,920 --> 00:26:59,239
Uh, think we're good. Brandy, thank you.

535
00:26:59,240 --> 00:27:02,079
Um, the camera's not on you right now,

536
00:27:02,080 --> 00:27:03,439
so catch your breath.

537
00:27:03,440 --> 00:27:05,319
Hey, you guys saw that, right?

538
00:27:05,320 --> 00:27:07,319
I mean, that was insane.

539
00:27:07,320 --> 00:27:10,039
Are you sure she's a…
computer person or whatever?

540
00:27:10,040 --> 00:27:12,039
Because she… she touched me.

541
00:27:12,040 --> 00:27:14,159
- It was weird. I don't…
- Uh, mm-hmm.

542
00:27:14,160 --> 00:27:17,759
I've just seen my wife,
who is most terribly alive.

543
00:27:17,760 --> 00:27:19,999
You were supposed to serve
that special Black Rose.

544
00:27:20,000 --> 00:27:21,039
Oh no.

545
00:27:21,040 --> 00:27:23,479
I did, boss,
but she never drank it.

546
00:27:23,480 --> 00:27:24,719
Never drank it?

547
00:27:24,720 --> 00:27:27,080
Guys? Oi!

548
00:27:28,040 --> 00:27:29,079
What is it?

549
00:27:29,080 --> 00:27:31,000
Bonbon's drinking the cocktail.

550
00:27:31,520 --> 00:27:32,520
Oh.

551
00:27:33,240 --> 00:27:34,439
Shit!

552
00:27:34,440 --> 00:27:35,959
Just a moment, Brandy.

553
00:27:35,960 --> 00:27:36,960
Non!

554
00:27:37,899 --> 00:27:39,039
Bonbon!

555
00:27:39,040 --> 00:27:40,800
Il est mort!

556
00:27:41,400 --> 00:27:42,839
Dead dog confirmed.

557
00:27:42,840 --> 00:27:45,440
I repeat, dead dog confirmed.

558
00:27:47,400 --> 00:27:49,159
We have a plot hole forming.

559
00:27:49,160 --> 00:27:50,399
Can… can we plug it?

560
00:27:50,400 --> 00:27:54,719
Okay, so Madam Roban was supposed to
steal the cocktail and drink the poison…

561
00:27:55,880 --> 00:27:57,359
This poor lady is dead.

562
00:27:57,360 --> 00:27:59,839
…which means Inspector Lavigne
gets called to the hotel

563
00:27:59,840 --> 00:28:02,046
and asks Alex
to sign the death certificate.

564
00:28:03,080 --> 00:28:05,039
And Alex sees Inspector Lavigne sneezing

565
00:28:05,040 --> 00:28:07,799
and diagnoses him
with allergies to his own cologne.

566
00:28:07,800 --> 00:28:11,079
Which sets up the beat for the
final scene when the police burst in.

567
00:28:11,080 --> 00:28:14,119
Lavigne recognizes Alex
and tells his men not to shoot.

568
00:28:14,120 --> 00:28:15,519
He diagnosed my allergy.

569
00:28:15,520 --> 00:28:18,919
- But then they won't have met before.
- So the police will just shoot her.

570
00:28:18,920 --> 00:28:19,999
That's horrid.

571
00:28:20,000 --> 00:28:21,320
Yeah, I've got it here.

572
00:28:25,280 --> 00:28:27,480
Uh, so that's gonna
tank the whole thing.

573
00:28:30,160 --> 00:28:31,639
So it's over, isn't it?

574
00:28:31,640 --> 00:28:34,239
No. We… we can reset.
We can try it again.

575
00:28:34,240 --> 00:28:35,399
From scratch?

576
00:28:35,400 --> 00:28:36,559
No, we can't.

577
00:28:36,560 --> 00:28:37,959
There isn't any time.

578
00:28:37,960 --> 00:28:42,359
They've got to get in and start building
some gargantuan toilet by noon.

579
00:28:42,360 --> 00:28:43,360
I'm sorry.

580
00:28:44,320 --> 00:28:45,920
Jack, pull her out.

581
00:28:48,680 --> 00:28:51,719
Okay, everybody.
That's a wrap, I'm afraid.

582
00:28:51,720 --> 00:28:54,840
- Um, it's still going.
- Jack, just pull her out, please.

583
00:28:55,440 --> 00:28:59,000
Uh, yeah, we may have
an operational issue in that regard.

584
00:29:00,840 --> 00:29:01,959
What?

585
00:29:01,960 --> 00:29:04,479
Uh, well,
the expansion of Clara's character

586
00:29:04,481 --> 00:29:06,013
seems to have triggered
a stack overflow,

587
00:29:06,015 --> 00:29:09,038
causing the exit code to, um, misbehave.

588
00:29:09,040 --> 00:29:10,999
"Misbehave"? As in, how?

589
00:29:11,000 --> 00:29:13,199
The extraction routine
is non-responsive at this time.

590
00:29:13,200 --> 00:29:14,879
- What?
- So you can't pull her out?

591
00:29:14,880 --> 00:29:17,999
Not until she gets to the end credits.
If she gets to the credits.

592
00:29:18,000 --> 00:29:21,399
Well, the story's broken anyway.
Why don't you just turn the machine off?

593
00:29:21,400 --> 00:29:23,399
No! No, no. Interrupting the simulation

594
00:29:23,400 --> 00:29:25,199
while her consciousness
is marooned in there

595
00:29:25,200 --> 00:29:29,159
could cause a catastrophic
synaptic failure in the subject.

596
00:29:29,160 --> 00:29:32,039
He's saying Brandy's consciousness
would be deleted, and she'd die.

597
00:29:32,040 --> 00:29:33,079
What?

598
00:29:33,080 --> 00:29:35,439
Uh, real Brandy Friday would die?

599
00:29:35,440 --> 00:29:38,720
Well, I mean,
there's a 98% chance of fatality, yes.

600
00:29:40,120 --> 00:29:41,280
Oh, marvelous.

601
00:29:41,800 --> 00:29:44,839
Keyworth Pictures
reinventing vintage movies,

602
00:29:44,840 --> 00:29:46,559
attracting Hollywood stars,

603
00:29:46,560 --> 00:29:48,079
and killing them.

604
00:29:48,080 --> 00:29:50,679
Hey, she's back on-screen
in T-minus 90 seconds.

605
00:29:50,680 --> 00:29:51,959
Maybe we should get her...

606
00:29:51,960 --> 00:29:55,119
What about the Lavigne plot hole?
They'll shoot Alex in the final scene.

607
00:29:55,120 --> 00:29:56,239
Oh Jesus.

608
00:29:56,240 --> 00:29:58,919
That's the end.
We have 90 minutes to fix this.

609
00:29:58,920 --> 00:30:00,100
Crystal, can we find a workaround?

610
00:30:00,102 --> 00:30:02,966
Yeah, maybe. Will I get a story credit?

611
00:30:04,720 --> 00:30:07,800
No. We'll discuss that later.
That's fine. Uh, I'll get to work.

612
00:30:08,880 --> 00:30:10,639
Brandy, we need to talk for a moment.

613
00:30:10,640 --> 00:30:13,799
Yeah, we do. I know I went
off script, but so did she.

614
00:30:13,800 --> 00:30:15,679
I know I wasn't supposed to say shit.

615
00:30:15,680 --> 00:30:17,319
- But she kind of laughed.
- Brandy.

616
00:30:17,320 --> 00:30:19,039
I just… I wasn't expecting it.

617
00:30:19,040 --> 00:30:21,999
I wasn't expecting her
to feel so… so real.

618
00:30:22,000 --> 00:30:23,279
- I feel like...
- Brandy.

619
00:30:23,280 --> 00:30:25,640
- We're gonna move on to the next scene.
- Right. Uh…

620
00:30:26,560 --> 00:30:29,519
The next scene is,
uh, Lavigne, the cop guy.

621
00:30:29,520 --> 00:30:32,639
- Whoa, whoa, whoa.
- To sign the lady's death certificate.

622
00:30:32,640 --> 00:30:35,039
But he's sneezing.
And then I'm supposed to...

623
00:30:35,040 --> 00:30:36,240
There's been a change of plan.

624
00:30:36,840 --> 00:30:37,879
Change of plan, how?

625
00:30:37,880 --> 00:30:38,880
Um…

626
00:30:39,760 --> 00:30:42,959
Madam Roban did not drink the cocktail.
Her dog did.

627
00:30:42,960 --> 00:30:44,600
Oh, the dog died.

628
00:30:45,400 --> 00:30:47,420
Wait, the old French lady's still alive?

629
00:30:47,422 --> 00:30:48,479
Yes.

630
00:30:48,480 --> 00:30:51,004
Wait. So the cop guy scene can't happen?

631
00:30:51,006 --> 00:30:52,199
We're working on it.

632
00:30:52,200 --> 00:30:56,279
No, we gotta reset. We gotta start over.
We gotta get the story right.

633
00:30:56,280 --> 00:30:59,600
So the thing about
that is, um… we can't.

634
00:31:00,200 --> 00:31:01,359
Can't, how?

635
00:31:01,360 --> 00:31:05,599
We're experiencing
a slight technical difficulty,

636
00:31:05,600 --> 00:31:10,399
um, which means that we can't extract
you until the narrative arc is complete,

637
00:31:10,400 --> 00:31:11,599
as in, the credits roll.

638
00:31:11,600 --> 00:31:14,519
- I'm stuck here?
- Until you bring the story to a close.

639
00:31:14,520 --> 00:31:16,519
So I have to make it
to the end of the movie?

640
00:31:16,520 --> 00:31:20,199
Yes. You say to Clara your final line,
"Yours forevermore,"

641
00:31:20,200 --> 00:31:21,959
credits roll, we pull you on out.

642
00:31:21,960 --> 00:31:25,919
- What if I can't make it that far?
- Let's focus on where we are.

643
00:31:25,920 --> 00:31:27,759
Uh, it's day two. Clock's a-tickin'.

644
00:31:27,760 --> 00:31:29,119
Day two? What does that…

645
00:31:29,120 --> 00:31:30,399
Clara goes sightseeing.

646
00:31:30,400 --> 00:31:31,799
You ask to accompany her.

647
00:31:31,800 --> 00:31:33,719
Okay, yeah. That's…

648
00:31:33,720 --> 00:31:36,359
Scene change in ten…

649
00:31:36,360 --> 00:31:38,039
New story day inbound.

650
00:31:38,040 --> 00:31:40,746
Brandy, you're gonna feel a time jump
at any moment.

651
00:31:40,748 --> 00:31:41,858
Feel, how?

652
00:31:41,860 --> 00:31:43,479
It might be a bit of a rug pull.

653
00:31:43,480 --> 00:31:47,199
Time and space change instantly
with the edit. Being, like, teleported.

654
00:31:47,200 --> 00:31:49,599
- What do you mean "teleported"?
- New story day.

655
00:31:49,600 --> 00:31:51,679
Interior. Hotel lobby. Morning.

656
00:31:51,680 --> 00:31:54,519
The scene is on. It's fully populated.

657
00:31:54,520 --> 00:31:57,360
A lot of eyes on you.
Blink twice if you understand.

658
00:31:59,000 --> 00:32:00,080
Clara's en route.

659
00:32:02,840 --> 00:32:04,960
Bump into her. Make it look natural.

660
00:32:07,560 --> 00:32:08,840
- Oh! Sorry!
- Oh!

661
00:32:09,400 --> 00:32:11,239
- Hey, Clara!
- Dr. Palmer.

662
00:32:11,240 --> 00:32:13,359
I'm in the habit of apologizing to you.

663
00:32:13,360 --> 00:32:15,360
Oh, it's quite all right. No harm done.

664
00:32:16,160 --> 00:32:17,439
You heading out?

665
00:32:17,440 --> 00:32:20,239
Well, I was planning
on doing some sightseeing,

666
00:32:20,240 --> 00:32:22,439
but Claude's been
called away on business,

667
00:32:22,440 --> 00:32:25,399
so it seems it's going to be
rather a solitary affair.

668
00:32:25,400 --> 00:32:27,199
- Invite yourself along.
- Unless you...

669
00:32:27,200 --> 00:32:31,320
I don't suppose… you would want
to accompany me, would you, Dr. Palmer?

670
00:32:33,040 --> 00:32:35,479
- Palmer's supposed to ask her that.
- Shit.

671
00:32:35,480 --> 00:32:37,680
I'm sorry. It's rather forward of me.

672
00:32:38,200 --> 00:32:39,479
She's gaining agency.

673
00:32:39,480 --> 00:32:41,600
What's wrong with that?
Actors love agency.

674
00:32:43,480 --> 00:32:45,919
Yeah. I think it adds something to it.

675
00:32:45,920 --> 00:32:48,319
- So why did you say "shit"?
- I said, "Shit, yeah."

676
00:32:48,320 --> 00:32:50,760
No, I'm just happy you asked.

677
00:32:52,040 --> 00:32:53,959
So what sights are we seeing?

678
00:32:53,960 --> 00:32:55,800
All that Cairo has to offer.

679
00:32:56,960 --> 00:32:59,519
Um, you're gonna experience
some dissolves.

680
00:32:59,520 --> 00:33:02,999
Uh, there's a montage coming up.
It might make you a little nauseous.

681
00:33:05,640 --> 00:33:08,760
- So looking forward to seeing Cairo.
- I can't wait.

682
00:33:12,320 --> 00:33:13,599
Hang on in there.

683
00:33:13,600 --> 00:33:16,759
No, because then
there's no time for the… the scene

684
00:33:16,760 --> 00:33:20,359
when, uh, Alex overhears
Claude talking to Otto.

685
00:33:20,360 --> 00:33:21,360
Fuck!

686
00:33:21,920 --> 00:33:23,520
I could do this for hours.

687
00:33:32,920 --> 00:33:35,039
I had the most magical day.

688
00:33:35,040 --> 00:33:37,239
Yeah, that was a trip.

689
00:33:37,240 --> 00:33:39,200
You do say the funniest things.

690
00:33:39,800 --> 00:33:41,919
I couldn't have asked
for a more agreeable companion.

691
00:33:41,920 --> 00:33:44,239
- Me either.
- You mean "neither."

692
00:33:44,240 --> 00:33:45,759
But I said "either."

693
00:33:45,760 --> 00:33:47,240
Don't debate grammar.

694
00:33:47,760 --> 00:33:49,999
Thanks for asking me along.

695
00:33:50,000 --> 00:33:51,480
There's no need to thank me.

696
00:33:52,200 --> 00:33:53,480
At all.

697
00:33:56,280 --> 00:33:58,120
Here's where
she twists her ankle.

698
00:33:59,400 --> 00:34:00,600
Oh God!

699
00:34:01,840 --> 00:34:03,519
- Oh God.
- God. Are you okay?

700
00:34:03,520 --> 00:34:05,159
Damn my damned heels.

701
00:34:05,160 --> 00:34:06,279
Help her to her room.

702
00:34:06,280 --> 00:34:07,359
I know!

703
00:34:07,360 --> 00:34:10,999
I know you'll need help
getting to your room.

704
00:34:11,000 --> 00:34:12,000
- Oh.
- Here.

705
00:34:12,560 --> 00:34:13,919
Seduction scene next.

706
00:34:13,920 --> 00:34:16,360
Oh, not at all.

707
00:34:18,720 --> 00:34:21,839
Okay, so here's where,
uh, you ask to check her leg,

708
00:34:21,840 --> 00:34:24,400
and things get a little… heated.

709
00:34:25,600 --> 00:34:27,680
That was quite the fall you took.

710
00:34:29,120 --> 00:34:30,880
Maybe I should check if it's swollen?

711
00:34:31,760 --> 00:34:34,560
Um, well, go gently on me.

712
00:34:35,280 --> 00:34:36,920
I'll do my best.

713
00:34:59,760 --> 00:35:01,600
How does this feel?

714
00:35:02,280 --> 00:35:04,160
Oh, that doesn't feel bad at all.

715
00:35:05,120 --> 00:35:06,760
That's a good sign.

716
00:35:07,560 --> 00:35:09,880
Will I still be able
to join the Bolshoi?

717
00:35:13,280 --> 00:35:14,599
I think so.

718
00:35:14,600 --> 00:35:17,560
Perhaps to make certain,
you might try a little bit higher.

719
00:35:23,160 --> 00:35:24,880
Like… here?

720
00:35:26,760 --> 00:35:27,800
That's good.

721
00:35:30,800 --> 00:35:32,440
How about here?

722
00:35:34,720 --> 00:35:35,720
Is that

723
00:35:36,680 --> 00:35:37,680
tender?

724
00:35:38,400 --> 00:35:39,400
Ever so tender.

725
00:35:39,840 --> 00:35:42,520
A tad fruitier than the original.

726
00:35:46,360 --> 00:35:48,999
Uh, that'll be the ice
I ordered for the swelling.

727
00:35:49,000 --> 00:35:50,000
Mm.

728
00:35:53,440 --> 00:35:55,280
Second murder attempt imminent.

729
00:35:56,920 --> 00:35:58,960
I swear I just ordered the ice.

730
00:36:00,760 --> 00:36:03,200
Well, it would be a shame to waste it.

731
00:36:03,726 --> 00:36:04,799
Are you sure?

732
00:36:04,800 --> 00:36:08,479
Champagne in my room with a stranger.
I'd never survive the scandal.

733
00:36:09,800 --> 00:36:12,320
Gosh, how I yearn to be free.

734
00:36:14,200 --> 00:36:16,039
This is your scorpion moment.

735
00:36:16,040 --> 00:36:17,660
Don't move.

736
00:36:17,662 --> 00:36:18,759
Hmm?

737
00:36:21,200 --> 00:36:23,040
Oh my goodness!

738
00:36:24,600 --> 00:36:27,960
Oh, I daren't even think what might
have happened if you hadn't been here.

739
00:36:29,120 --> 00:36:30,120
Oh, Alex.

740
00:36:43,360 --> 00:36:45,680
Romance levels peaking.

741
00:36:46,600 --> 00:36:49,080
Uh, yeah, that… that is peaking.

742
00:36:58,480 --> 00:37:01,120
She wasn't like this with Ralphy.

743
00:37:01,880 --> 00:37:03,400
No.

744
00:37:04,640 --> 00:37:05,680
Oh shit!

745
00:37:08,160 --> 00:37:09,999
- Data feed down.
- We've lost picture.

746
00:37:10,000 --> 00:37:12,079
- Time code borked.
- Live feed down.

747
00:37:12,080 --> 00:37:13,199
No! Fuck!

748
00:37:13,200 --> 00:37:14,251
I'm sorry.

749
00:37:14,253 --> 00:37:15,959
The coffee, Jack. The fucking...

750
00:37:20,560 --> 00:37:22,280
My heart is pounding like a drum.

751
00:37:23,680 --> 00:37:26,560
I feel as if the whole world
has somehow stopped turning.

752
00:37:27,680 --> 00:37:28,840
So do I.

753
00:37:30,920 --> 00:37:31,960
What is it?

754
00:37:32,720 --> 00:37:33,720
Do you hear that?

755
00:37:35,880 --> 00:37:37,200
It's silent.

756
00:37:38,520 --> 00:37:39,520
So it is.

757
00:37:40,440 --> 00:37:44,000
- I'm sorry! I spilled my coffee.
- Brandy! Brandy, can you hear me?

758
00:37:45,000 --> 00:37:46,000
Brandy!

759
00:37:46,480 --> 00:37:47,799
God damn it!

760
00:37:49,760 --> 00:37:51,600
- Oh.
- Who is that?

761
00:37:55,560 --> 00:37:56,560
It's Otto.

762
00:37:57,600 --> 00:38:00,360
Your husband's henchman kind of guy.
Oh, wait.

763
00:38:00,880 --> 00:38:03,999
You're not supposed to know that.
Forget I said that.

764
00:38:04,000 --> 00:38:05,800
Claude doesn't have henchmen.

765
00:38:09,360 --> 00:38:11,239
Why isn't he moving?

766
00:38:11,240 --> 00:38:12,680
They must be resetting.

767
00:38:13,513 --> 00:38:14,639
"They"?

768
00:38:14,640 --> 00:38:16,759
- No, no. I…
- Can you fix this?

769
00:38:16,760 --> 00:38:19,399
- Can I have… Towel!
- I told you about the coffee, dude.

770
00:38:19,400 --> 00:38:21,200
I don't understand.

771
00:38:23,040 --> 00:38:24,080
Kimmy?

772
00:38:25,040 --> 00:38:26,880
- Alex?
- Kimmy?

773
00:38:28,560 --> 00:38:29,600
Alex, I…

774
00:38:32,960 --> 00:38:34,120
Wait.

775
00:38:44,480 --> 00:38:46,400
- What's going on?
- We've lost connection.

776
00:38:47,080 --> 00:38:48,271
But it's still running.

777
00:38:48,272 --> 00:38:50,600
Sure, but she is
stuck in the simulation.

778
00:38:51,400 --> 00:38:54,199
So she could die? Be honest.

779
00:38:54,200 --> 00:38:55,200
- No.
- Maybe.

780
00:38:57,120 --> 00:38:58,959
If you had to put a percentage on it?

781
00:38:58,960 --> 00:39:01,319
Fifty-fifty?

782
00:39:01,320 --> 00:39:02,600
She said be honest!

783
00:39:07,800 --> 00:39:08,800
Hello?

784
00:39:09,720 --> 00:39:10,720
Guys?

785
00:39:12,680 --> 00:39:13,719
Hello?

786
00:39:13,720 --> 00:39:15,240
Kimmy, can you hear me?

787
00:39:21,000 --> 00:39:22,000
Guys?

788
00:39:23,320 --> 00:39:24,320
Kimmy?

789
00:39:24,720 --> 00:39:26,400
Who's Kimmy?

790
00:39:28,160 --> 00:39:31,719
Madam Roban. She's… she's still alive.

791
00:39:31,720 --> 00:39:35,479
She's supposed to be dead,
and the story's all messed up now.

792
00:39:35,480 --> 00:39:37,599
- You're… you're frightening me.
- Guys?

793
00:39:37,600 --> 00:39:39,000
G-Guys?

794
00:39:40,080 --> 00:39:43,200
Kimmy, it's not cool
to leave me hanging like this.

795
00:39:44,280 --> 00:39:46,680
- Please tell me what's happening.
- Guys?

796
00:39:49,680 --> 00:39:52,240
- Alex?
- I'm not fucking Alex!

797
00:39:56,480 --> 00:39:58,119
I need to speak to Kimmy, okay?

798
00:39:58,120 --> 00:40:01,120
I'd… I'd explain, but you won't get it.

799
00:40:02,760 --> 00:40:04,439
How do you know what I won't get?

800
00:40:04,440 --> 00:40:08,279
The world's broken,
and they're gonna have to reset it.

801
00:40:08,280 --> 00:40:11,160
You… probably won't
remember any of this.

802
00:40:11,800 --> 00:40:15,279
The movie is over.
I repeat, the movie is over!

803
00:40:15,280 --> 00:40:16,839
- What movie?
- The…

804
00:40:16,840 --> 00:40:20,320
Oh my God. This whole world's a movie.

805
00:40:21,520 --> 00:40:23,600
No, it's not.

806
00:40:25,600 --> 00:40:26,960
Look around.

807
00:40:27,760 --> 00:40:29,560
Yeah. It's not even in color.

808
00:40:30,400 --> 00:40:31,800
I don't know what you mean.

809
00:40:37,400 --> 00:40:38,400
See this banana?

810
00:40:39,840 --> 00:40:40,840
Not yellow.

811
00:40:43,200 --> 00:40:44,200
This orange?

812
00:40:45,160 --> 00:40:46,399
Un-orange.

813
00:40:46,400 --> 00:40:48,399
That's a perfectly normal orange.

814
00:40:51,360 --> 00:40:53,039
So what color is this apple?

815
00:40:53,040 --> 00:40:54,919
The same color an apple always is.

816
00:40:54,920 --> 00:40:56,360
Red or green?

817
00:40:59,720 --> 00:41:02,400
See? None of this is real.

818
00:41:03,400 --> 00:41:04,640
You're not real.

819
00:41:06,000 --> 00:41:08,399
I… No, I'm… I'm as real as you are.

820
00:41:11,760 --> 00:41:13,600
Do you remember being a kid?

821
00:41:14,120 --> 00:41:16,600
Do you have any
childhood memories at all?

822
00:41:17,213 --> 00:41:18,279
I…

823
00:41:18,280 --> 00:41:19,720
You mentioned your dad earlier.

824
00:41:20,480 --> 00:41:22,480
Can you describe what he looks like?

825
00:41:23,000 --> 00:41:24,200
Anything about him?

826
00:41:26,400 --> 00:41:27,600
- You can't.
- I…

827
00:41:28,520 --> 00:41:31,520
You don't even know his face
because he's not in this movie.

828
00:41:32,400 --> 00:41:35,319
I don't… I don't like this game.

829
00:41:35,320 --> 00:41:37,200
No, that… that's exactly it.

830
00:41:37,573 --> 00:41:38,719
It's a game.

831
00:41:38,720 --> 00:41:41,159
It's… "let's pretend."
It's a performance.

832
00:41:41,160 --> 00:41:42,400
You're a performance!

833
00:41:44,280 --> 00:41:45,280
No.

834
00:41:46,040 --> 00:41:47,199
Stop it. I'm...

835
00:41:47,200 --> 00:41:50,200
When I called you Dorothy earlier,
she wasn't someone I knew.

836
00:41:50,840 --> 00:41:52,159
She was you.

837
00:41:52,160 --> 00:41:53,440
The real you.

838
00:41:54,400 --> 00:41:55,480
She's an actress.

839
00:41:56,120 --> 00:41:58,360
Or… was an actress.

840
00:42:00,040 --> 00:42:01,320
Dorothy Chambers?

841
00:42:03,960 --> 00:42:05,239
You're a role she played.

842
00:42:09,760 --> 00:42:10,760
No.

843
00:42:11,480 --> 00:42:13,160
No, no.

844
00:42:19,920 --> 00:42:20,920
Shit.

845
00:43:07,240 --> 00:43:08,240
Hey.

846
00:43:10,920 --> 00:43:14,839
Uh, I'm sorry I yelled
at you back there.

847
00:43:14,840 --> 00:43:19,400
This… whole thing's
just really hard to explain.

848
00:43:21,280 --> 00:43:23,720
This is all a story

849
00:43:24,880 --> 00:43:26,160
in a computer.

850
00:43:26,680 --> 00:43:27,680
Or, uh…

851
00:43:29,000 --> 00:43:32,680
Or I… I guess think of it like a play

852
00:43:33,840 --> 00:43:36,480
in the brain of a machine.

853
00:43:37,720 --> 00:43:40,960
For now, the movie's stopped…

854
00:43:42,960 --> 00:43:43,999
for the moment.

855
00:43:44,000 --> 00:43:45,040
I don't know why.

856
00:43:46,440 --> 00:43:48,320
Maybe some technical problem.

857
00:43:53,480 --> 00:43:56,320
I know I said you weren't real.

858
00:43:59,240 --> 00:44:00,920
But I'm kind of not either.

859
00:44:05,680 --> 00:44:08,800
My name's not Alex. It's Brandy.

860
00:44:09,640 --> 00:44:11,600
I'm like you.

861
00:44:12,720 --> 00:44:13,760
I'm an actor.

862
00:44:15,680 --> 00:44:17,400
They… they hired me to…

863
00:44:19,400 --> 00:44:22,120
recast this whole thing.

864
00:44:26,760 --> 00:44:27,960
I don't know if

865
00:44:29,200 --> 00:44:32,160
any of this makes any sense to you?

866
00:44:44,520 --> 00:44:45,800
But, um…

867
00:44:48,800 --> 00:44:49,960
I'm really sorry.

868
00:45:21,400 --> 00:45:24,359
Wait. So the story's on hold,
but time's still advancing?

869
00:45:24,360 --> 00:45:26,759
Yeah, the chronographic tempo's
way out of whack.

870
00:45:26,760 --> 00:45:27,839
Which means?

871
00:45:27,840 --> 00:45:29,700
It means time in
there for her is running

872
00:45:29,701 --> 00:45:31,560
a lot faster than it is for us out here.

873
00:45:33,040 --> 00:45:34,199
Faster, as in?

874
00:45:34,200 --> 00:45:37,200
As in six, seven hours a second.

875
00:45:37,840 --> 00:45:40,360
Does that mean
we have to pay her for more days?

876
00:45:50,920 --> 00:45:53,719
- Clara?
- I thought you said I was Dorothy.

877
00:45:53,720 --> 00:45:55,999
Sleeping in the lobby
makes you look like a hobo.

878
00:45:56,000 --> 00:45:58,079
I tried the doors.
None of them have insides.

879
00:45:58,080 --> 00:46:00,719
They're not part of the story.
Where are you going?

880
00:46:00,720 --> 00:46:02,359
To find a way out.

881
00:46:02,360 --> 00:46:04,160
- I'll come with you.
- No, you won't.

882
00:47:04,960 --> 00:47:06,720
Something just breached the fringe.

883
00:47:07,406 --> 00:47:08,519
What?

884
00:47:27,880 --> 00:47:28,960
There it is again.

885
00:47:29,720 --> 00:47:31,039
Is it Brandy?

886
00:48:07,600 --> 00:48:09,680
I think it might be Clara.

887
00:48:10,680 --> 00:48:12,320
- Clara?
- Yeah.

888
00:48:13,680 --> 00:48:16,279
She… she would've been exposed
to the full data pool.

889
00:48:16,280 --> 00:48:17,280
I guess.

890
00:48:18,280 --> 00:48:20,480
Do we think that's… bad?

891
00:48:21,560 --> 00:48:23,440
Yeah. Yeah, that's…

892
00:48:24,840 --> 00:48:25,840
Oh no.

893
00:48:27,240 --> 00:48:29,840
- You seriously have to fix this.
- You seriously have to let me.

894
00:50:53,320 --> 00:50:54,360
Stop.

895
00:50:57,320 --> 00:51:01,119
Look, I may not be real,
and you may not be who you say you are,

896
00:51:01,120 --> 00:51:05,960
and this entire existence might be
a meaningless pantomime, but

897
00:51:07,720 --> 00:51:09,839
if you and I are going to be
stuck here together,

898
00:51:09,840 --> 00:51:13,760
then I'm not going to let you
defile that piano one moment longer.

899
00:51:14,960 --> 00:51:16,000
Go on, budge.

900
00:51:16,760 --> 00:51:18,640
Sit over there. Watch and learn.

901
00:51:22,760 --> 00:51:24,599
Come on, come on, come on!

902
00:51:24,600 --> 00:51:26,959
I think I've got something.

903
00:51:26,960 --> 00:51:27,999
Uh…

904
00:51:28,000 --> 00:51:29,919
- Oh my God.
- Whoa. What's that?

905
00:51:29,920 --> 00:51:30,984
- Clara…
- Okay.

906
00:51:30,986 --> 00:51:32,666
Why is Clara at the piano?

907
00:51:33,680 --> 00:51:36,079
- That's not in the script.
- What is that?

908
00:51:36,080 --> 00:51:37,440
What is she doing?

909
00:51:38,080 --> 00:51:39,399
Oh, uh…

910
00:51:39,400 --> 00:51:41,840
- What?
- What? Oh God.

911
00:51:44,000 --> 00:51:46,080
- Ready?
- I'm ready.

912
00:54:48,080 --> 00:54:50,240
- Morning.
- Morning.

913
00:54:58,440 --> 00:54:59,440
I love you.

914
00:55:02,320 --> 00:55:03,320
Mm-hmm.

915
00:55:04,720 --> 00:55:05,959
"Mm-hmm"?

916
00:55:08,080 --> 00:55:09,759
You know I do too. I…

917
00:55:09,760 --> 00:55:11,119
Phew.

918
00:55:13,160 --> 00:55:14,160
I just…

919
00:55:15,520 --> 00:55:16,520
I wonder…

920
00:55:16,960 --> 00:55:18,120
What do you wonder?

921
00:55:19,920 --> 00:55:23,360
Do you think you love me because

922
00:55:25,240 --> 00:55:26,640
Clara was written

923
00:55:27,600 --> 00:55:28,800
to feel that way?

924
00:55:30,160 --> 00:55:32,480
About this person she met, this…

925
00:55:34,880 --> 00:55:36,120
this Alex Palmer.

926
00:55:41,040 --> 00:55:42,720
But you're not Alex Palmer.

927
00:55:57,160 --> 00:55:59,640
- We have got a save state!
- Thank God!

928
00:56:00,640 --> 00:56:02,679
Chronographic tempo restored.

929
00:56:02,680 --> 00:56:04,399
I think we can reinstate comms too.

930
00:56:04,400 --> 00:56:06,039
- I can talk to her?
- Voice only.

931
00:56:06,040 --> 00:56:08,080
We won't have a visual until we reset.

932
00:56:08,600 --> 00:56:09,600
Brandy?

933
00:56:10,920 --> 00:56:11,920
Brandy?

934
00:56:12,440 --> 00:56:14,239
- Kimmy?
- Oh, thank God!

935
00:56:14,240 --> 00:56:16,079
Brandy? What is it?

936
00:56:16,080 --> 00:56:17,080
It's them.

937
00:56:17,960 --> 00:56:19,720
- Them?
- As in "them."

938
00:56:20,480 --> 00:56:22,639
You mean the people on the outside?

939
00:56:22,640 --> 00:56:24,639
Look, we had a hardware issue.

940
00:56:24,640 --> 00:56:26,800
We're just gonna have to pick it up
from where we were.

941
00:56:27,760 --> 00:56:29,399
Where we were? As in…

942
00:56:29,400 --> 00:56:31,599
The… the scene
in Clara's hotel suite.

943
00:56:31,600 --> 00:56:32,999
The kiss after the scorpion.

944
00:56:33,000 --> 00:56:34,480
Bit of time has passed for her.

945
00:56:35,320 --> 00:56:37,199
Wait, we're going back to…

946
00:56:37,200 --> 00:56:39,240
Resetting
the scorpion scene, yes.

947
00:56:41,920 --> 00:56:46,520
Uh, wait, Clara's here,
and she knows who I am, and we've been…

948
00:56:47,240 --> 00:56:48,719
No, don't worry.

949
00:56:48,720 --> 00:56:52,079
Um, she won't remember anything
that occurred after the save point.

950
00:56:52,080 --> 00:56:53,160
Okay. Save state prepped.

951
00:56:54,400 --> 00:56:55,759
She won't remember?

952
00:56:55,760 --> 00:56:58,199
No, just back to the film
like nothing happened.

953
00:56:58,200 --> 00:56:59,480
What won't I remember?

954
00:57:00,000 --> 00:57:01,679
Um, you ready?

955
00:57:01,680 --> 00:57:05,279
Reloading save state in five. Four.

956
00:57:05,280 --> 00:57:07,040
- Link reestablished.
- Three.

957
00:57:08,640 --> 00:57:09,759
Two.

958
00:57:09,760 --> 00:57:11,679
- One.
- Wait! No, no, no, no!

959
00:57:14,680 --> 00:57:16,520
My heart is pounding like a drum.

960
00:57:17,120 --> 00:57:18,399
- Yes!
- Great.

961
00:57:18,400 --> 00:57:19,560
Oh, thank God.

962
00:57:25,680 --> 00:57:27,360
She's got dialogue here.

963
00:57:29,480 --> 00:57:30,480
Brandy?

964
00:57:31,280 --> 00:57:33,120
You're supposed to say, "As is mine."

965
00:57:34,840 --> 00:57:35,840
Brandy?

966
00:57:37,080 --> 00:57:38,320
As is mine.

967
00:57:39,640 --> 00:57:42,000
I feel as though
the whole world has stopped turning.

968
00:57:42,520 --> 00:57:43,520
"So do I."

969
00:57:44,000 --> 00:57:45,440
The line is, "So do I."

970
00:57:48,120 --> 00:57:49,479
So do I.

971
00:57:49,480 --> 00:57:50,680
Oh my word.

972
00:57:55,040 --> 00:57:56,400
I'm a married woman.

973
00:57:58,040 --> 00:58:00,040
I mustn't behave this way. I can't

974
00:58:01,360 --> 00:58:02,400
feel this way.

975
00:58:07,520 --> 00:58:08,520
"Feel what way?"

976
00:58:10,800 --> 00:58:11,840
Feel what way?

977
00:58:14,360 --> 00:58:15,680
Don't make me say it.

978
00:58:22,000 --> 00:58:23,639
Um, okay, so your line here is...

979
00:58:23,640 --> 00:58:25,640
You don't have to say
anything you don't want to.

980
00:58:27,120 --> 00:58:28,160
That's not the line.

981
00:58:28,920 --> 00:58:30,760
- What?
- What's going on?

982
00:58:32,320 --> 00:58:33,400
You must go.

983
00:58:36,640 --> 00:58:38,480
You heard her. You gotta go.

984
00:58:39,800 --> 00:58:40,959
I don't want to.

985
00:58:40,960 --> 00:58:42,799
Jesus Christ!

986
00:58:42,800 --> 00:58:44,199
Oh, but you must.

987
00:58:44,200 --> 00:58:46,320
Yes, Brandy. You really must!

988
00:58:46,840 --> 00:58:48,280
It's part of the story.

989
00:58:50,200 --> 00:58:52,800
I'm so sorry, Dr. Palmer.

990
00:58:57,560 --> 00:58:58,560
So am I.

991
00:59:05,560 --> 00:59:06,999
How we doing in there?

992
00:59:08,920 --> 00:59:10,040
Um, Brandy?

993
00:59:10,640 --> 00:59:11,720
You… you can talk to me.

994
00:59:13,680 --> 00:59:14,680
I'm here.

995
00:59:15,160 --> 00:59:16,359
I need you to focus.

996
00:59:16,360 --> 00:59:17,800
Can you focus?

997
00:59:19,560 --> 00:59:21,839
Look, all you need to do
is keep the arc going

998
00:59:21,840 --> 00:59:24,119
and say your final
line at the right time.

999
00:59:24,120 --> 00:59:25,360
Trigger the end credits.

1000
00:59:25,880 --> 00:59:28,800
When the credits roll, we
can extract you. You got it?

1001
00:59:30,280 --> 00:59:32,040
What… what if I don't say it?

1002
00:59:32,966 --> 00:59:34,079
What?

1003
00:59:34,080 --> 00:59:36,960
What happens
if I don't say the final line?

1004
00:59:37,640 --> 00:59:41,040
Um, well, you'd be stuck in there.

1005
00:59:41,960 --> 00:59:43,879
- For how long?
- Forever.

1006
00:59:43,880 --> 00:59:45,880
Mm.

1007
00:59:48,040 --> 00:59:51,200
And, listen, Brandy, if that happens,

1008
00:59:52,000 --> 00:59:53,960
your actual body out here,

1009
00:59:55,320 --> 00:59:56,560
that would die.

1010
00:59:57,160 --> 00:59:59,040
But… but my spirit,

1011
01:00:00,360 --> 01:00:02,480
consciousness, whatever, that would…

1012
01:00:03,840 --> 01:00:05,080
that would stay here?

1013
01:00:05,960 --> 01:00:06,960
With her?

1014
01:00:10,080 --> 01:00:11,680
Brandy, what are you asking me?

1015
01:00:16,026 --> 01:00:17,119
Nothing.

1016
01:00:17,120 --> 01:00:19,480
Good. Don't lose it now.

1017
01:00:20,160 --> 01:00:22,120
I won't. What happens next?

1018
01:00:22,720 --> 01:00:25,439
Courtyard scene. You
head out for a smoke,

1019
01:00:25,440 --> 01:00:27,520
overhear Otto tell Claude
about the scorpion.

1020
01:00:28,920 --> 01:00:30,679
- We good?
- Sure.

1021
01:00:30,680 --> 01:00:33,919
Uh, head out, light my cigarette,
overhear the bad guys.

1022
01:00:36,920 --> 01:00:38,480
What is going on with her?

1023
01:00:39,000 --> 01:00:40,719
I… don't know.

1024
01:00:40,720 --> 01:00:43,680
Scene 63. Alex smoking in the garden.

1025
01:00:44,200 --> 01:00:46,839
Well, is my problem
taken care of?

1026
01:00:46,840 --> 01:00:48,800
No, boss.

1027
01:00:49,360 --> 01:00:52,359
The doctor trapped it in a glass.

1028
01:00:52,360 --> 01:00:53,719
Wait. What doctor?

1029
01:00:53,720 --> 01:00:55,520
The one attending to her.

1030
01:00:56,080 --> 01:00:58,479
Earlier, she fell and twisted her ankle.

1031
01:00:58,480 --> 01:01:00,759
If only she'd snapped her neck.

1032
01:01:00,760 --> 01:01:04,799
Look surprised as you overhear them.
This is fresh information to you.

1033
01:01:04,800 --> 01:01:06,920
She dies tonight.

1034
01:01:07,600 --> 01:01:10,279
Great. Now beat it back to Clara's suite

1035
01:01:10,280 --> 01:01:13,039
before the assholes start
discussing the rooftop plot.

1036
01:01:13,040 --> 01:01:14,440
Let's try plan C.

1037
01:01:16,240 --> 01:01:18,759
Did you sabotage the
railing as we agreed?

1038
01:01:18,760 --> 01:01:20,799
Loosened up nicely, boss.

1039
01:01:20,800 --> 01:01:21,920
Excellent.

1040
01:01:22,600 --> 01:01:25,839
I'll invite her up there
to take in the view,

1041
01:01:25,840 --> 01:01:27,879
then a quick shove,

1042
01:01:27,880 --> 01:01:30,399
then my troubles are over.

1043
01:01:32,840 --> 01:01:34,719
- Hey.
- Alex.

1044
01:01:34,720 --> 01:01:36,233
Your husband's trying to kill you.

1045
01:01:36,235 --> 01:01:38,423
If this is another
of your absurd japes…

1046
01:01:39,200 --> 01:01:43,399
My husband may have many faults,
Dr. Palmer, but a murderer he is not.

1047
01:01:43,400 --> 01:01:44,960
Darling.

1048
01:01:46,320 --> 01:01:47,599
- Who are you?
- Bran...

1049
01:01:47,600 --> 01:01:49,439
- Alex Palmer.
- Crystal, how we doing?

1050
01:01:49,440 --> 01:01:51,533
Okay. I have a pitch for the third act.

1051
01:01:51,535 --> 01:01:52,571
Uh-huh.

1052
01:01:52,573 --> 01:01:55,359
So, at the end of this scene,
uh, Alex leaves the room,

1053
01:01:55,360 --> 01:01:56,999
spots Otto, threatens him.

1054
01:01:57,000 --> 01:01:59,479
So then Otto tells Alex
about the loosened railing.

1055
01:01:59,480 --> 01:02:01,359
But Alex already knows
they'll be on the roof,

1056
01:02:01,360 --> 01:02:03,319
so that beat's actually
sort of redundant.

1057
01:02:03,320 --> 01:02:04,320
That's right.

1058
01:02:04,720 --> 01:02:07,399
So what if, instead of chasing Otto,

1059
01:02:07,400 --> 01:02:10,039
Alex runs across the street
to the police station,

1060
01:02:10,040 --> 01:02:12,719
warns them about Claude,
then she can meet Lavigne?

1061
01:02:12,720 --> 01:02:15,599
- And diagnose his allergies there.
- Great.

1062
01:02:15,600 --> 01:02:16,760
Do I get a credit?

1063
01:02:17,111 --> 01:02:18,319
If it works.

1064
01:02:18,320 --> 01:02:19,400
Okay.

1065
01:02:20,080 --> 01:02:22,559
- Will it work?
- Don't ask me. You called it "great."

1066
01:02:22,560 --> 01:02:23,839
There's no time for notes.

1067
01:02:23,840 --> 01:02:26,159
Is there anything I can help you with,
my good doctor?

1068
01:02:26,160 --> 01:02:30,040
The doctor was just leaving.
I'll show you out, Dr. Palmer.

1069
01:02:34,200 --> 01:02:36,719
- I swear that's the voice I heard.
- That's enough.

1070
01:02:36,720 --> 01:02:38,799
- Please, I...
- I want you to leave this room.

1071
01:02:38,800 --> 01:02:41,320
And you can leave this damned hotel
for all I care.

1072
01:02:41,960 --> 01:02:43,600
I never want to see you again.

1073
01:02:49,240 --> 01:02:50,240
My darling.

1074
01:02:53,680 --> 01:02:56,439
Okay, so this is where
you'd usually turn left.

1075
01:02:56,440 --> 01:03:00,079
Yeah, spot Otto, give chase, get
the info about the rooftop. I've got it.

1076
01:03:00,080 --> 01:03:02,840
No, no, no. We have a rewrite.
Uh, new pages.

1077
01:03:03,893 --> 01:03:04,999
Okay.

1078
01:03:05,000 --> 01:03:07,880
So you have to make a right
and head to the police station.

1079
01:03:07,882 --> 01:03:09,119
Across the street?

1080
01:03:09,120 --> 01:03:10,919
Demand to speak to
the highest-ranking cop.

1081
01:03:10,920 --> 01:03:12,759
- Uh, Lavigne.
- Correct.

1082
01:03:12,760 --> 01:03:15,519
All you have to do is tell him
Clara's husband is plotting something.

1083
01:03:15,520 --> 01:03:18,279
- He won't believe you, but…
- But he'll sneeze.

1084
01:03:18,280 --> 01:03:22,279
I'll diagnose his cologne allergy,
and he'll remember me for the finale.

1085
01:03:22,280 --> 01:03:23,759
- Yeah, that works.
- But hurry, okay?

1086
01:03:23,760 --> 01:03:25,559
Okay, it's creating a new scene.

1087
01:03:25,560 --> 01:03:28,599
Interior. Police station. Night.

1088
01:03:31,280 --> 01:03:33,199
Just a dog?

1089
01:03:33,200 --> 01:03:35,440
Bonbon was not just a dog.

1090
01:03:36,120 --> 01:03:37,959
And he was murdered.

1091
01:03:37,960 --> 01:03:39,759
Oh no, Madam Roban!

1092
01:03:39,760 --> 01:03:41,399
I forgot she was still in play.

1093
01:03:41,400 --> 01:03:42,559
- Oh.
- Damn it!

1094
01:03:42,560 --> 01:03:45,800
Brandy, just ignore the French lady.
Jump the line.

1095
01:03:46,480 --> 01:03:49,599
I need to speak
to your most senior inspector here.

1096
01:03:49,600 --> 01:03:51,879
Please wait your turn.
Madam was here first.

1097
01:03:51,880 --> 01:03:53,920
And I am reporting a murder.

1098
01:03:54,440 --> 01:03:56,800
Yes, of your poor sweet dog.

1099
01:03:57,400 --> 01:03:59,053
- That's right.
- That's why I'm here.

1100
01:03:59,055 --> 01:04:00,199
It is?

1101
01:04:00,200 --> 01:04:01,239
No, it isn't.

1102
01:04:01,240 --> 01:04:04,720
Yes, I know the man responsible
for murdering Bonbon.

1103
01:04:05,240 --> 01:04:07,119
- Bonbon?
- Madam's dog.

1104
01:04:07,120 --> 01:04:08,199
You do?

1105
01:04:08,200 --> 01:04:11,319
Yes. The most dangerous maniac.

1106
01:04:11,320 --> 01:04:12,759
And who is this maniac?

1107
01:04:12,760 --> 01:04:15,519
I'll only tell
your most senior inspector here.

1108
01:04:15,520 --> 01:04:17,800
What's all this? Explain yourself.

1109
01:04:20,440 --> 01:04:21,480
Four minutes.

1110
01:04:22,160 --> 01:04:24,039
Brandy, just summarize and split.

1111
01:04:24,040 --> 01:04:26,399
This woman's dog has been murdered
by Claude Ryce-Lechere.

1112
01:04:26,400 --> 01:04:28,880
He's about to kill his wife.
He's been trying for days.

1113
01:04:29,560 --> 01:04:31,479
What are you talking about?

1114
01:04:32,720 --> 01:04:34,959
Also, I'm a doctor.
You're allergic to your cologne.

1115
01:04:34,960 --> 01:04:36,839
Change it, and you'll stop sneezing.

1116
01:04:36,840 --> 01:04:39,439
Okay, listen out for gunshots, okay?

1117
01:04:39,440 --> 01:04:40,880
And remember this face.

1118
01:04:42,960 --> 01:04:45,360
Final murder attempt imminent.

1119
01:04:48,920 --> 01:04:49,920
Oh, Claude.

1120
01:04:50,320 --> 01:04:51,800
Oh, it's so romantic.

1121
01:04:52,600 --> 01:04:54,119
Is everything all right?

1122
01:04:54,120 --> 01:04:56,440
Yes. It's just, um,

1123
01:04:57,160 --> 01:04:58,760
you've been so busy.

1124
01:05:00,000 --> 01:05:03,399
I thought it was high time
you got what you deserve.

1125
01:05:03,400 --> 01:05:04,400
Darling.

1126
01:05:09,033 --> 01:05:10,399
Was that enough?

1127
01:05:10,400 --> 01:05:11,600
Uh, mm…

1128
01:05:12,200 --> 01:05:14,199
- We think so.
- You can't tell?

1129
01:05:14,200 --> 01:05:15,559
Three minutes remaining.

1130
01:05:15,560 --> 01:05:16,680
Just head to the roof.

1131
01:05:19,000 --> 01:05:20,520
How confident are we?

1132
01:05:21,400 --> 01:05:22,879
4.5.

1133
01:05:22,880 --> 01:05:24,040
Out of…

1134
01:05:25,320 --> 01:05:26,564
I'll tell you later.

1135
01:05:26,566 --> 01:05:27,879
Seven minutes until end credits.

1136
01:05:27,880 --> 01:05:29,439
I chose this spot

1137
01:05:29,440 --> 01:05:34,199
so you could enjoy the finest
vantage point in all of Cairo.

1138
01:05:34,200 --> 01:05:35,479
You do think of everything.

1139
01:05:35,480 --> 01:05:36,600
Indeed, I have.

1140
01:05:37,200 --> 01:05:38,200
Why,

1141
01:05:38,640 --> 01:05:42,000
oh, look at the pretty oil lamps
of the street vendors.

1142
01:05:43,080 --> 01:05:44,520
I can't make them out.

1143
01:05:45,040 --> 01:05:47,599
Come a little closer.
Lean over the railing.

1144
01:05:47,600 --> 01:05:50,120
I… It looks a bit dirty.

1145
01:05:50,640 --> 01:05:51,760
I don't know.

1146
01:05:53,200 --> 01:05:56,199
But it… it also looks quite unsafe.

1147
01:05:56,200 --> 01:05:58,279
Nonsense. Lean against it.

1148
01:05:58,280 --> 01:06:00,839
- I re… I really don't want to.
- I said lean!

1149
01:06:00,840 --> 01:06:02,519
Claude, what has got into you?

1150
01:06:06,880 --> 01:06:09,159
Just do as I say.

1151
01:06:09,160 --> 01:06:12,120
- No, please, no!
- Lean over the railing. Lean!

1152
01:06:12,673 --> 01:06:13,759
What?

1153
01:06:13,760 --> 01:06:15,839
- Get away from her!
- Not one step closer.

1154
01:06:15,840 --> 01:06:18,319
The police station is
across the street.

1155
01:06:18,320 --> 01:06:20,359
Pull that trigger, they'll come running.

1156
01:06:20,360 --> 01:06:24,120
Well, that's a chance
I'm willing to take.

1157
01:06:25,280 --> 01:06:26,999
Alex, no!

1158
01:06:32,680 --> 01:06:35,200
Come here.

1159
01:06:37,800 --> 01:06:40,599
I knew something was amiss with you.

1160
01:06:40,600 --> 01:06:42,519
Huh? The good doctor.

1161
01:06:42,520 --> 01:06:44,160
Well…

1162
01:06:45,160 --> 01:06:47,159
The story arc really doesn't like this.

1163
01:06:47,160 --> 01:06:49,439
This is the end for you both.

1164
01:06:56,760 --> 01:06:58,799
You?

1165
01:07:00,920 --> 01:07:02,280
What did she do that for?

1166
01:07:02,920 --> 01:07:05,040
- I don't…
- Claude's not meant to die.

1167
01:07:06,240 --> 01:07:07,599
No, he's not.

1168
01:07:07,600 --> 01:07:09,240
Police inbound.

1169
01:07:10,280 --> 01:07:12,159
Shit, they'll arrest Clara.

1170
01:07:12,160 --> 01:07:13,719
What will happen if they do that?

1171
01:07:13,720 --> 01:07:18,119
So they cuff Clara, and they
haul her away on a murder charge.

1172
01:07:18,120 --> 01:07:20,679
But Alex can still say the last line
as they drag Clara away.

1173
01:07:20,680 --> 01:07:24,439
- That should trigger the credits.
- So it… it becomes a tearjerker?

1174
01:07:24,440 --> 01:07:27,519
Young love destroyed when one
of them winds up in the slammer?

1175
01:07:27,520 --> 01:07:29,600
I… I don't know.
It's different, but it works.

1176
01:07:30,200 --> 01:07:33,479
- A bit ahead of its time.
- It gets her out of there.

1177
01:07:33,480 --> 01:07:35,199
I killed him.

1178
01:07:35,200 --> 01:07:36,959
- Brandy, new ending.
- I killed him.

1179
01:07:36,960 --> 01:07:39,639
- The cops are coming.
- The police are coming.

1180
01:07:39,640 --> 01:07:41,279
- They'll arrest her.
- They'll arrest you.

1181
01:07:41,280 --> 01:07:43,399
- Let them.
- Yes, let them.

1182
01:07:43,400 --> 01:07:44,759
And then what happens?

1183
01:07:44,760 --> 01:07:46,199
She goes to jail. So what?

1184
01:07:46,200 --> 01:07:48,999
- For how long?
- From her perspective, forever.

1185
01:07:49,000 --> 01:07:51,159
But she's not fucking real,
so who cares, Brandy?

1186
01:07:51,160 --> 01:07:53,720
I was born in a cage.
I should die in a cage.

1187
01:07:54,240 --> 01:07:55,319
I…

1188
01:07:55,320 --> 01:07:56,439
No!

1189
01:08:00,160 --> 01:08:02,280
- Uh…
- What are you doing?

1190
01:08:02,780 --> 01:08:04,414
We tell the police
I shot your husband.

1191
01:08:04,415 --> 01:08:05,879
- No.
- They'll arrest me.

1192
01:08:05,880 --> 01:08:07,519
- No.
- Believe me. It is the best way.

1193
01:08:07,520 --> 01:08:08,639
I won't let them.

1194
01:08:08,640 --> 01:08:09,640
Story arc is critical.

1195
01:08:14,440 --> 01:08:15,480
I love you.

1196
01:08:17,920 --> 01:08:19,040
And I love you.

1197
01:08:32,840 --> 01:08:33,840
Forgive me.

1198
01:08:35,480 --> 01:08:37,120
Clara, no!

1199
01:08:37,960 --> 01:08:39,600
- What are you doing?
- Stop!

1200
01:08:40,200 --> 01:08:41,600
Stop, or I shoot.

1201
01:08:42,480 --> 01:08:43,599
Drop your weapon.

1202
01:08:43,600 --> 01:08:45,480
Wait. I know this person.

1203
01:08:46,520 --> 01:08:47,640
He's a doctor. He...

1204
01:08:49,160 --> 01:08:50,400
No!

1205
01:08:51,040 --> 01:08:52,040
Oh God.

1206
01:09:00,200 --> 01:09:01,599
No!

1207
01:09:07,880 --> 01:09:09,239
No. No.

1208
01:09:13,440 --> 01:09:14,720
Don't cry for me.

1209
01:09:19,440 --> 01:09:20,560
Remember me.

1210
01:09:26,280 --> 01:09:27,319
Arc closing?

1211
01:09:32,440 --> 01:09:34,080
Her body's going into shock.

1212
01:09:34,880 --> 01:09:37,840
I can't extract till she cues titles.
She's gotta say the line.

1213
01:09:39,160 --> 01:09:40,200
Say the line, Brandy.

1214
01:09:41,480 --> 01:09:42,480
Say the line.

1215
01:09:44,040 --> 01:09:45,400
No!

1216
01:09:55,720 --> 01:09:57,000
Brandy.

1217
01:09:58,640 --> 01:09:59,960
Brandy, say the line.

1218
01:10:01,600 --> 01:10:03,039
Say the line, Brandy.

1219
01:10:06,840 --> 01:10:08,040
I'll be yours

1220
01:10:09,640 --> 01:10:10,960
forevermore.

1221
01:10:28,320 --> 01:10:30,240
- We have an ending.
- Extracting.

1222
01:10:31,360 --> 01:10:33,599
Do you think it worked? The ending?

1223
01:10:33,600 --> 01:10:35,040
Did it for me.

1224
01:10:36,560 --> 01:10:37,560
Roll credits.

1225
01:11:04,000 --> 01:11:05,600
Not a dry eye in the house.

1226
01:11:24,640 --> 01:11:25,959
Last century,

1227
01:11:25,960 --> 01:11:29,120
Keyworth Pictures invited guests
to Hotel Reverie.

1228
01:11:29,640 --> 01:11:33,279
Now, with the help of ReDream
and our friends at Streamberry,

1229
01:11:33,280 --> 01:11:35,080
we'd like to welcome you back.

1230
01:11:36,440 --> 01:11:39,679
You might notice
a few changes in the old place.

1231
01:11:39,680 --> 01:11:44,719
Renowned Dr. Alex Palmer
encounters tragic heiress Clara Ryce.

1232
01:11:44,720 --> 01:11:47,679
Waiter, another scotch, please.
And for yourself?

1233
01:11:47,680 --> 01:11:49,400
Thank you. A Black Rose.

1234
01:11:50,000 --> 01:11:51,080
A rose for a rose.

1235
01:11:55,000 --> 01:11:58,160
A piano standing silent
always makes me so melancholy.

1236
01:11:58,680 --> 01:11:59,799
It's silly, I know.

1237
01:11:59,800 --> 01:12:03,399
If it's "Clair de Lune" you want,
it's "Clair de Lune" you shall have.

1238
01:12:03,400 --> 01:12:05,879
Yet,
even as their affection grows,

1239
01:12:05,880 --> 01:12:09,239
the pair are unaware
of Clara's fiendish husband, Claude,

1240
01:12:09,240 --> 01:12:10,719
plotting her death.

1241
01:12:10,720 --> 01:12:14,159
My accursed wife has more lives
than a damn cat.

1242
01:12:14,160 --> 01:12:15,786
She dies tonight.

1243
01:12:15,788 --> 01:12:16,839
Don't move.

1244
01:12:16,840 --> 01:12:18,999
Oh my goodness!

1245
01:13:26,560 --> 01:13:29,400
So I… I just pretend
it's a normal telephone call?

1246
01:13:30,640 --> 01:13:31,839
Well, yes.

1247
01:13:31,840 --> 01:13:34,639
Right you are, Capt. Keyworth.

1248
01:13:35,960 --> 01:13:38,399
I'm… I'm here waiting
for it to ring. It…

1249
01:13:38,400 --> 01:13:40,079
but it's not connected, is it?

1250
01:13:40,080 --> 01:13:41,840
No.

1251
01:14:00,520 --> 01:14:03,440
Hello, Ryce-Lechere residence.

1252
01:14:06,120 --> 01:14:07,120
Hi.

1253
01:14:07,680 --> 01:14:08,680
Who's this?

1254
01:14:10,640 --> 01:14:12,080
A… friend?

1255
01:14:13,920 --> 01:14:14,960
Do I know you?

1256
01:14:17,400 --> 01:14:19,440
Yes and no.

1257
01:14:22,400 --> 01:14:23,760
What an intriguing answer.

1258
01:14:24,560 --> 01:14:25,960
Well, tell me more.

1259
01:14:27,840 --> 01:14:29,440
How much time do you have?

1260
01:14:30,560 --> 01:14:32,320
Since you've got a kind voice…

1261
01:14:34,480 --> 01:14:36,280
I've got all the time in the world.

1262
01:14:37,813 --> 01:14:40,885
sync and corrections by solfieri
www.addic7ed.com