1
00:00:01,699 --> 00:00:03,614
GOOD MORNING,

2
00:00:01,699 --> 00:00:03,614
DIAZ, PERALTA.

3
00:00:03,656 --> 00:00:05,987
CAPTAIN.

4
00:00:03,656 --> 00:00:05,987
YOU'RE SMILING.

5
00:00:06,029 --> 00:00:08,818
IT'S VERY WEIRD, LIKE SEEING

6
00:00:06,029 --> 00:00:08,818
A TURTLE OUT OF ITS SHELL.

7
00:00:08,859 --> 00:00:10,025
I'M HAPPY.

8
00:00:10,067 --> 00:00:11,648
OUR DRUG TASK FORCE

9
00:00:10,067 --> 00:00:11,648
WAS A SUCCESS,

10
00:00:11,689 --> 00:00:14,021
AND TODAY, I GET TO WATCH

11
00:00:11,689 --> 00:00:14,021
MY NEMESIS, MADELINE WUNTCH,

12
00:00:14,063 --> 00:00:15,977
DRAPE A MEDAL

13
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AROUND MY NECK.

14
00:00:16,019 --> 00:00:17,475
ALSO, WE CLEANED UP

15
00:00:16,019 --> 00:00:17,475
THE STREETS.

16
00:00:17,517 --> 00:00:18,682
YEAH, SURE.

17
00:00:17,517 --> 00:00:18,682
THAT'S GOOD TOO.

18
00:00:18,724 --> 00:00:20,639
SO I'VE BEEN PLANNING

19
00:00:18,724 --> 00:00:20,639
HOW TO ZING MADELINE

20
00:00:20,680 --> 00:00:21,971
WHEN SHE PUTS THE MEDAL ON.

21
00:00:22,013 --> 00:00:23,262
I HAVE THE PERFECT LINE.

22
00:00:23,304 --> 00:00:25,010
"WUNTCH-TIME IS OVER."

23
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IT'S A...

24
00:00:27,342 --> 00:00:29,131
IT'S A PLAY ON "LUNCH TIME."

25
00:00:29,173 --> 00:00:30,796
YES, DEVASTATING BURN, SIR.

26
00:00:30,837 --> 00:00:32,502
BUT YOU KNOW WHAT WOULD

27
00:00:30,837 --> 00:00:32,502
REALLY SHOW HER

28
00:00:32,543 --> 00:00:33,959
IS IF YOU SAID

29
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NOTHING AT ALL.

30
00:00:34,001 --> 00:00:35,624
OH, INTERESTING. INTERESTING.

31
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LET MADELINE KNOW

32
00:00:35,665 --> 00:00:37,123
SHE'S NOT EVEN WORTH

33
00:00:37,165 --> 00:00:38,579
MY STAYING UP ALL NIGHT

34
00:00:37,165 --> 00:00:38,579
CRAFTING ZINGERS.

35
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"WUNTCH-TIME" TOOK YOU

36
00:00:38,621 --> 00:00:40,079
ALL NIGHT?

37
00:00:40,120 --> 00:00:42,450
TRUST ME.

38
00:00:40,120 --> 00:00:42,450
TURN THE OTHER CHEEK.

39
00:00:42,492 --> 00:00:45,614
WHICH I RECENTLY LEARNED

40
00:00:42,492 --> 00:00:45,614
IS ABOUT FACES AND NOT BUTTS,

41
00:00:45,655 --> 00:00:47,280
BUT WORKS EITHER WAY.

42
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YES.

43
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I SHOULD BE

44
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THE BIGGER PERSON.

45
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THAT SHOULDN'T BE HARD,

46
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GIVEN THAT

47
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MADELINE'S NOT TECHNICALLY

48
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A PERSON.

49
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FOR MERITORIOUS SERVICE,

50
00:00:55,812 --> 00:00:58,102
THE NYPD BESTOWS THIS AWARD

51
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ON DETECTIVES ROSA DIAZ,

52
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JAKE PERALTA,

53
00:01:01,389 --> 00:01:03,554
AND CAPTAIN...

54
00:01:03,596 --> 00:01:05,137
RAYMOND HOLT.

55
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RAYMOND.

56
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MADELINE.

57
00:01:12,712 --> 00:01:13,961
YOU WON.

58
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GO AHEAD AND GLOAT,

59
00:01:14,003 --> 00:01:15,959
YOU TOAD.

60
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THANK YOU FOR THIS HONOR,

61
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DEPUTY CHIEF.

62
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OH.

63
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OKAY.

64
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YOU'RE WELCOME.

65
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WUNTCH-TIME IS OVER.

66
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BOOM! DID IT!

67
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HAD IT BOTH WAYS.

68
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NO REGRETS.

69
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LISTEN UP, GANG.

70
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WE HAVE INTEL

71
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ON A DROP HOUSE

72
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USED BY ALEXEI BISKO,

73
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A CAPTAIN

74
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IN THE UKRAINIAN MAFIA.

75
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OH, HE SHOULD BE PSYCHED.

76
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THAT'S A VERY

77
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UP-AND-COMING MAFIA.

78
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HIS SOLDIERS USE THE SITE

79
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TO DROP OFF MONEY

80
00:02:05,534 --> 00:02:07,242
AND PICK UP WEAPONS.

81
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WE NEED A COUPLE OF TEAMS

82
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TO DO LONG-TERM STAKEOUTS.

83
00:02:09,905 --> 00:02:10,862
I'M OUT.

84
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FOUR HOURS IS THE MOST

85
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I'VE EVER SPENT ALONE

86
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WITH ANY HUMAN.

87
00:02:13,152 --> 00:02:14,525
IT WAS THE WORST EXPERIENCE

88
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OF MY LIFE.

89
00:02:14,566 --> 00:02:16,481
WHAT ABOUT THAT TIME WE DROVE

90
00:02:14,566 --> 00:02:16,481
OUT TO BOSTON TOGETHER?

91
00:02:16,523 --> 00:02:18,771
THAT WAS ABOUT FOUR HOURS.

92
00:02:18,813 --> 00:02:20,352
OH, I SEE

93
00:02:18,813 --> 00:02:20,352
WHAT JUST HAPPENED.

94
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THE ONLY DECENT VANTAGE

95
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IS THIS CONDEMNED HOTEL

96
00:02:23,226 --> 00:02:24,183
ACROSS THE STREET.

97
00:02:24,225 --> 00:02:25,347
WE CAN GO IN

98
00:02:24,225 --> 00:02:25,347
AS EXTERMINATORS,

99
00:02:25,389 --> 00:02:27,637
BUT TOO MUCH MOVEMENT

100
00:02:25,389 --> 00:02:27,637
WILL LOOK SUSPICIOUS.

101
00:02:27,679 --> 00:02:29,220
IT'S AN EIGHT-DAY OP,

102
00:02:27,679 --> 00:02:29,220
SO TWO TEAMS

103
00:02:29,261 --> 00:02:30,342
WILL DO FOUR DAYS EACH.

104
00:02:30,384 --> 00:02:31,383
BOYLE AND I ARE IN.

105
00:02:31,424 --> 00:02:33,339
OKAY, THAT'S ONE TEAM.

106
00:02:33,381 --> 00:02:34,338
WHO WANTS TO RELIEVE THEM?

107
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IF EXTRACTION IS A RISK,

108
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THE TWO OF US

109
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CAN DO THE FULL EIGHT DAYS.

110
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A HANUKKAH MIRACLE.

111
00:02:38,417 --> 00:02:39,959
NO, THAT IS TOO LONG

112
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TO BE HOLED UP TOGETHER

113
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LIKE THAT.

114
00:02:41,665 --> 00:02:43,247
I DID A SIX-DAY STAKEOUT ONCE.

115
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DID NOT GO WELL.

116
00:02:45,037 --> 00:02:46,660
WELL, THAT'S NOT GONNA BE

117
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A PROBLEM FOR US.

118
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THE ONLY TIME

119
00:02:46,701 --> 00:02:48,201
I EVER YELLED AT CHARLES

120
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WAS CHEERING HIM ON AT

121
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HIS ROLLER BOOGIE COMPETITION.

122
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WE NEVER FIGHT.

123
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IT WON'T BE A STAKEOUT,

124
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IT'LL BE A STAKE-CATION.

125
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WE ALREADY HAVE

126
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A THEME SONG.

127
00:03:01,978 --> 00:03:03,309
THAT CONCLUDES THIS MEETING.

128
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OOH, WHAT'S THIS?

129
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NONE OF YOUR BUSINESS.

130
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"NONE OF YOUR BUSINESS"?

131
00:03:09,180 --> 00:03:12,300
THE MOST ENTICING WORDS

132
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A PERSON CAN SAY.

133
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TERRY, I WILL NOT LEAVE

134
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YOUR SIDE

135
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UNTIL THERE ARE NO SECRETS

136
00:03:14,423 --> 00:03:16,630
BETWEEN US.

137
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FINE.

138
00:03:17,670 --> 00:03:18,669
I'M MAKING MY TWINS

139
00:03:18,711 --> 00:03:20,169
A PICTURE BOOK

140
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FOR THEIR BIRTHDAY.

141
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IT'S CALLED JUNE BUG

142
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ADVENTURE GIRLS.

143
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WHOA, THIS ONE LOOKS

144
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JUST LIKE YOU, GINA.

145
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YES.

146
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SHE IS STRAIGHT-UP GORGEOUS.

147
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AND THIS ONE'S

148
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DEFINITELY YOU.

149
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LOOK HOW MASCULINE

150
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THE CLOTHES ARE.

151
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IT'S A SUIT OF ARMOR.

152
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PANTSUIT OF ARMOR.

153
00:03:36,526 --> 00:03:38,026
THE DRAWINGS LOOK LIKE YOU TWO,

154
00:03:38,067 --> 00:03:41,438
BUT ONLY BECAUSE IT'S EASIER

155
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FOR ME TO DRAW FROM REAL LIFE.

156
00:03:41,479 --> 00:03:42,770
THE WHOLE SQUAD'S IN HERE.

157
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TINY SQUIRREL IS CHARLES,

158
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THE WALRUS IS CAPTAIN HOLT,

159
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AND THE HIPPO WITH HEADS

160
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ON BOTH ENDS,

161
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THAT'S HITCHCOCK AND SCULLY.

162
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HOW DO THEY DEFECATE?

163
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IT'S A KID'S BOOK, SANTIAGO!

164
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THIS IS WHY I DIDN'T WANT

165
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TO SHOW IT TO PEOPLE.

166
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PICKIN' IT APART.

167
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OH.

168
00:04:10,492 --> 00:04:12,824
OH, MY GOD, DID YOU CARRY US

169
00:04:10,492 --> 00:04:12,824
UP HERE LIKE SUITCASES?

170
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NO, MAN.

171
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THIS IS REAL LIFE.

172
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I ROLLED YOU IN

173
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ON THE CART.

174
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BOO!

175
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TERRY SUCKS!

176
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TERRY SUCKS!

177
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TERRY'S GREAT.

178
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TERRY'S GREAT.

179
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WHERE DO YOU WANT THE FOOD?

180
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AND DOES BRAIDED HERRING

181
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AND JELLIED STARFISH

182
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COUNT AS FOOD?

183
00:04:25,602 --> 00:04:27,267
OH, INDEED IT DOES.

184
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I MAY BE STUCK

185
00:04:27,308 --> 00:04:28,808
IN A TINY ROOM,

186
00:04:28,850 --> 00:04:30,722
BUT MY PALATE

187
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WILL TRAVEL THE WORLD.

188
00:04:30,764 --> 00:04:31,721
LISTEN UP.

189
00:04:31,763 --> 00:04:33,137
THIS IS A REAL SMALL ROOM.

190
00:04:33,177 --> 00:04:34,885
IF YOU START GETTING ON

191
00:04:33,177 --> 00:04:34,885
EACH OTHER'S NERVES,

192
00:04:34,927 --> 00:04:36,134
DO WHAT I DO

193
00:04:36,174 --> 00:04:37,966
GO TO SEPARATE CORNERS.

194
00:04:38,007 --> 00:04:39,630
WE CALL IT "ALONE ZONES."

195
00:04:39,672 --> 00:04:42,168
ALL DUE RESPECT, SARGE,

196
00:04:39,672 --> 00:04:42,168
BUT WE DON'T NEED "ALONE ZONES."

197
00:04:42,210 --> 00:04:43,668
NO, WE DO NOT.

198
00:04:43,709 --> 00:04:45,457
BUT LET ME

199
00:04:43,709 --> 00:04:45,457
ASK YOU A QUESTION.

200
00:04:45,499 --> 00:04:47,580
HOW DO WE FEEL

201
00:04:45,499 --> 00:04:47,580
ABOUT SCONE ZONES?

202
00:04:47,622 --> 00:04:49,038
I FEEL GREAT ABOUT IT.

203
00:04:49,080 --> 00:04:50,079
ME TOO.

204
00:04:50,120 --> 00:04:51,078
SARGE?

205
00:04:51,119 --> 00:04:52,367
I'M A MUFFIN GUY.

206
00:04:52,408 --> 00:04:54,448
BOO!

207
00:04:52,408 --> 00:04:54,448
BOO!

208
00:04:56,905 --> 00:04:58,194
GREAT NEWS, MY FRIEND.

209
00:04:58,236 --> 00:05:00,317
WE HAVE A BATHROOM PET.

210
00:05:00,359 --> 00:05:02,690
HIS NAME IS HORACE,

211
00:05:00,359 --> 00:05:02,690
AND HE'S EITHER A SMALL RAT

212
00:05:02,732 --> 00:05:04,146
OR A LARGE COCKROACH,

213
00:05:04,188 --> 00:05:06,063
AND HE'S EITHER SLEEPING

214
00:05:04,188 --> 00:05:06,063
OR DEAD.

215
00:05:07,685 --> 00:05:09,266
EIGHT HOURS

216
00:05:07,685 --> 00:05:09,266
BOTH ON WATCH;

217
00:05:09,308 --> 00:05:10,557
EIGHT HOURS I SLEEP,

218
00:05:09,308 --> 00:05:10,557
YOU WATCH;

219
00:05:10,599 --> 00:05:12,057
EIGHT HOURS YOU SLEEP,

220
00:05:10,599 --> 00:05:12,057
I WATCH.

221
00:05:12,098 --> 00:05:13,304
I SET AN ALARM.

222
00:05:13,346 --> 00:05:14,678
I MADE THE PERFECT RINGTONE.

223
00:05:14,720 --> 00:05:16,011
LISTEN.

224
00:05:20,964 --> 00:05:21,922
I LOVE IT.

225
00:05:21,963 --> 00:05:23,711
ALL RIGHT, WE GOT BINOCS,

226
00:05:23,753 --> 00:05:26,833
CAMERA, NIGHT VISION GOGGLES,

227
00:05:23,753 --> 00:05:26,833
COMPUTER, AND...

228
00:05:28,956 --> 00:05:30,788
MINI-BASKETBALL.

229
00:05:30,829 --> 00:05:32,952
OH, MY GOD,

230
00:05:30,829 --> 00:05:32,952
I LOVE THAT.

231
00:05:32,994 --> 00:05:34,784
MY WHOLE PROBLEM

232
00:05:32,994 --> 00:05:34,784
WITH BASKETBALL

233
00:05:34,825 --> 00:05:36,448
WAS BIG BALL,

234
00:05:34,825 --> 00:05:36,448
TINY HANDS.

235
00:05:36,490 --> 00:05:37,906
TINY BALL,

236
00:05:36,490 --> 00:05:37,906
PROBLEM SOLVED.

237
00:05:37,947 --> 00:05:38,905
OOP ME.

238
00:05:38,946 --> 00:05:41,276
READY? OOPING.

239
00:05:38,946 --> 00:05:41,276
ONE, TWO, THREE!

240
00:05:43,649 --> 00:05:44,940
DID THAT LOOK

241
00:05:43,649 --> 00:05:44,940
AS COOL AS IT FELT?

242
00:05:44,982 --> 00:05:46,064
HOW COOL DID IT FEEL?

243
00:05:46,104 --> 00:05:47,270
MM.

244
00:05:47,312 --> 00:05:49,185
EVERYONE,

245
00:05:47,312 --> 00:05:49,185
THIS IS MY NEPHEW MARCUS.

246
00:05:49,226 --> 00:05:50,392
HE'S NEW IN TOWN.

247
00:05:50,434 --> 00:05:52,557
HE'S STAYING WITH ME

248
00:05:50,434 --> 00:05:52,557
UNTIL HE FINDS A PLACE.

249
00:05:52,599 --> 00:05:53,681
HE IS 31.

250
00:05:53,723 --> 00:05:55,137
YOU'RE A TERRIBLE HYPE-MAN.

251
00:05:55,179 --> 00:05:57,343
AND YOU MUST BE GINA.

252
00:05:57,385 --> 00:05:58,634
I HEARD A LOT ABOUT EVERYONE.

253
00:05:58,676 --> 00:06:01,049
I TAKE IT YOU'RE AMY,

254
00:06:01,089 --> 00:06:02,422
ROSA,

255
00:06:02,464 --> 00:06:03,421
TERRY...

256
00:06:03,463 --> 00:06:05,961
I'M JAKE.

257
00:06:03,463 --> 00:06:05,961
WE'RE BOTH JAKE.

258
00:06:06,003 --> 00:06:07,917
SCULLY AND HITCHCOCK.

259
00:06:07,959 --> 00:06:10,414
HEY, WELL, I JUST CAME TO GET

260
00:06:07,959 --> 00:06:10,414
THE KEYS FROM MY UNCLE RAY.

261
00:06:10,456 --> 00:06:12,328
LET EVERYBODY GET BACK TO WORK.

262
00:06:12,370 --> 00:06:13,745
NICE MEETING YOU.

263
00:06:12,370 --> 00:06:13,745
PLEASURE.

264
00:06:13,786 --> 00:06:14,827
BYE.

265
00:06:14,869 --> 00:06:17,073
HOLY MOSES.

266
00:06:17,115 --> 00:06:18,364
"BYE"?

267
00:06:17,115 --> 00:06:18,364
WHAT?

268
00:06:18,406 --> 00:06:20,529
FOR YOU, THAT'S BASICALLY

269
00:06:18,406 --> 00:06:20,529
WALKING UP TO HIM

270
00:06:20,571 --> 00:06:22,610
AND JAMMING YOUR TONGUE

271
00:06:20,571 --> 00:06:22,610
DOWN HIS THROAT.

272
00:06:22,652 --> 00:06:23,609
SHUT UP.

273
00:06:23,651 --> 00:06:24,734
YES, GINA, THAT'S ENOUGH.

274
00:06:24,775 --> 00:06:26,148
YOU'RE RIGHT.

275
00:06:24,775 --> 00:06:26,148
SORRY.

276
00:06:26,189 --> 00:06:28,730
TOO FAR.

277
00:06:28,771 --> 00:06:31,435
BUT LET ME JUST ADD

278
00:06:28,771 --> 00:06:31,435
ONE LITTLE THING OFF TOPIC.

279
00:06:31,476 --> 00:06:33,266
ROSA WANTS TO BONE

280
00:06:31,476 --> 00:06:33,266
YOUR NEPHEW.

281
00:06:46,753 --> 00:06:47,961
WOW.

282
00:06:48,002 --> 00:06:50,040
THAT SLEEP APNEA MASK

283
00:06:48,002 --> 00:06:50,040
IS SOMETHING ELSE, HUH?

284
00:06:51,081 --> 00:06:52,038
I GOT TO SAY,

285
00:06:52,080 --> 00:06:53,871
EVER SINCE I GOT HER...

286
00:06:52,080 --> 00:06:53,871
HER?

287
00:06:53,913 --> 00:06:55,035
SHE TOUCHES MY LIPS, JAKE.

288
00:06:55,077 --> 00:06:56,368
SHE'S A HER.

289
00:06:56,410 --> 00:06:58,491
AND SINCE SHE TOOK UP RESIDENCE

290
00:06:56,410 --> 00:06:58,491
ON MY FACE,

291
00:06:58,533 --> 00:06:59,782
I SLEEP LIKE A BABY.

292
00:06:59,824 --> 00:07:00,781
OKAY.

293
00:07:00,823 --> 00:07:02,362
WELL, WHILE YOU SLEPT,

294
00:07:02,404 --> 00:07:03,903
THERE WAS SOME ACTION

295
00:07:02,404 --> 00:07:03,903
AT THE DROP SITE.

296
00:07:03,945 --> 00:07:05,275
A BLUE SEDAN PULLED UP.

297
00:07:05,317 --> 00:07:07,440
I GOT THE PLATES

298
00:07:05,317 --> 00:07:07,440
AND THE DRIVER'S FACE.

299
00:07:07,482 --> 00:07:10,229
ALSO, THIS IS THE GUY

300
00:07:07,482 --> 00:07:10,229
WHO RUNS THE DROP HOUSE.

301
00:07:10,270 --> 00:07:12,769
I CALL HIM "THE BEACH UMBRELLA"

302
00:07:10,270 --> 00:07:12,769
BECAUSE HE LOOKS SO SHADY.

303
00:07:12,811 --> 00:07:13,768
OH.

304
00:07:15,641 --> 00:07:17,555
HEY, THIS IS A KIND OF

305
00:07:15,641 --> 00:07:17,555
WEIRD REQUEST,

306
00:07:17,597 --> 00:07:19,929
BUT WOULD YOU MAYBE MIND

307
00:07:17,597 --> 00:07:19,929
CHEWING YOUR NORTFLUSKERS

308
00:07:19,970 --> 00:07:21,093
WITH YOUR MOUTH CLOSED?

309
00:07:21,134 --> 00:07:24,423
I CAN'T, AND I'M EXCITED

310
00:07:21,134 --> 00:07:24,423
TO TELL YOU WHY.

311
00:07:24,465 --> 00:07:25,756
I HAVE A NEW EATING METHOD.

312
00:07:25,798 --> 00:07:29,293
I REALIZED THAT OPEN MOUTHS

313
00:07:25,798 --> 00:07:29,293
OXYGENATE THE FOOD,

314
00:07:29,335 --> 00:07:31,583
SO IT'S KIND OF LIKE

315
00:07:29,335 --> 00:07:31,583
WINE TASTING.

316
00:07:31,625 --> 00:07:32,582
AND I HEAR YOU, BUDDY.

317
00:07:32,624 --> 00:07:33,581
I REALLY DO.

318
00:07:33,623 --> 00:07:35,412
IT'S JUST...

319
00:07:33,623 --> 00:07:35,412
IT'S PRETTY GROSS,

320
00:07:35,454 --> 00:07:37,702
SO MAYBE JUST WHILE

321
00:07:35,454 --> 00:07:37,702
WE'RE TOGETHER,

322
00:07:37,744 --> 00:07:40,491
YOU COULD KEEP

323
00:07:37,744 --> 00:07:40,491
THE OLD CHEWER SHUT?

324
00:07:40,532 --> 00:07:42,822
OKAY, BUT I DON'T COMPLAIN

325
00:07:42,864 --> 00:07:44,236
ABOUT HOW GROSS

326
00:07:42,864 --> 00:07:44,236
YOUR MEAL IS.

327
00:07:44,278 --> 00:07:46,485
WHAT'S GROSS ABOUT PANCAKES

328
00:07:44,278 --> 00:07:46,485
WITH BUTTER AND MAPLE SYRUP?

329
00:07:46,526 --> 00:07:48,358
YOU'VE COMPLETELY ABANDONED

330
00:07:46,526 --> 00:07:48,358
THE PANCAKE PART.

331
00:07:48,399 --> 00:07:49,899
NOW YOU'RE JUST EATING

332
00:07:48,399 --> 00:07:49,899
BUTTER WITH SYRUP ON IT.

333
00:07:49,940 --> 00:07:51,271
YEAH, I CUT OUT THE CARBS.

334
00:07:51,313 --> 00:07:52,854
THIS IS ME BEING HEALTHY.

335
00:07:52,896 --> 00:07:55,267
OKAY, WELL, MAYBE WE JUST EAT

336
00:07:52,896 --> 00:07:55,267
IN SEPARATE CORNERS OF THE ROOM.

337
00:07:55,309 --> 00:07:56,642
GREAT.

338
00:07:55,309 --> 00:07:56,642
I LOVE THAT PLAN.

339
00:07:56,683 --> 00:07:59,347
WAIT!

340
00:07:56,683 --> 00:07:59,347
THAT'S ALONE ZONES.

341
00:07:59,388 --> 00:08:00,471
WE DON'T NEED ALONE ZONES.

342
00:08:00,512 --> 00:08:01,803
WE'RE FINE.

343
00:08:00,512 --> 00:08:01,803
WE'RE NOT FIGHTING.

344
00:08:01,845 --> 00:08:02,927
WE'RE GREAT.

345
00:08:01,845 --> 00:08:02,927
EAT YOUR BUTTER-SYRUP.

346
00:08:02,967 --> 00:08:05,633
YEAH, KEEP THAT CHEW HOLE OPEN.

347
00:08:11,209 --> 00:08:13,249
IT'S A SHIFT.

348
00:08:11,209 --> 00:08:13,249
LOVE THIS SONG.

349
00:08:13,291 --> 00:08:15,831
I CAN'T EVEN REMEMBER

350
00:08:13,291 --> 00:08:15,831
THE ORIGINAL LYRICS ANYMORE.

351
00:08:15,873 --> 00:08:16,830
HMM.

352
00:08:17,871 --> 00:08:19,744
BLACK SUV,

353
00:08:17,871 --> 00:08:19,744
FEMALE DRIVER.

354
00:08:19,785 --> 00:08:21,450
SHE'S WEARING A LOT

355
00:08:19,785 --> 00:08:21,450
OF DRAB COLORS,

356
00:08:21,491 --> 00:08:23,615
SO WE'LL CALL HER

357
00:08:21,491 --> 00:08:23,615
MRS. PEACOCK.

358
00:08:23,656 --> 00:08:25,904
MALE PEACOCKS ARE

359
00:08:23,656 --> 00:08:25,904
THE COLORFUL DRESSERS.

360
00:08:25,944 --> 00:08:28,735
GOD, HOW DID HUMANS

361
00:08:25,944 --> 00:08:28,735
GET IT SO BACKWARDS?

362
00:08:28,776 --> 00:08:30,608
WE MAY NEVER KNOW.

363
00:08:28,776 --> 00:08:30,608
MM-HMM.

364
00:08:31,189 --> 00:08:34,854
HEY, LISTEN, ABOUT

365
00:08:31,189 --> 00:08:34,854
OUR ALONE ZONE CLOSE CALL...

366
00:08:34,895 --> 00:08:36,101
OH, THAT...

367
00:08:34,895 --> 00:08:36,101
IT'S NOT A BIG DEAL.

368
00:08:36,143 --> 00:08:37,726
WE'RE NOT GONNA START FIGHTING.

369
00:08:36,143 --> 00:08:37,726
WE NEVER FIGHT.

370
00:08:37,767 --> 00:08:38,725
YEAH, TOTALLY.

371
00:08:37,767 --> 00:08:38,725
YEAH.

372
00:08:38,766 --> 00:08:40,347
THAT'S WHAT I WAS THINKING.

373
00:08:40,389 --> 00:08:42,804
BUT JUST TO BE SAFE,

374
00:08:40,389 --> 00:08:42,804
WE COULD WRITE DOWN

375
00:08:42,846 --> 00:08:44,385
SOME OF EACH OTHER'S

376
00:08:42,846 --> 00:08:44,385
ANNOYING BEHAVIORS

377
00:08:44,427 --> 00:08:46,758
THAT WE WANT TO BE

378
00:08:44,427 --> 00:08:46,758
OFF-LIMITS, YOU KNOW?

379
00:08:46,800 --> 00:08:48,214
WE COULD CALL IT

380
00:08:46,800 --> 00:08:48,214
"THE NO-NO LIST."

381
00:08:48,256 --> 00:08:49,755
OH, I LOVE IT.

382
00:08:51,253 --> 00:08:54,166
OKAY, SO HERE'S

383
00:08:51,253 --> 00:08:54,166
WHAT I'VE GOT FOR YOU.

384
00:08:54,208 --> 00:08:55,541
NO EATING WITH YOUR MOUTH OPEN.

385
00:08:55,583 --> 00:08:56,540
WE KNEW THAT.

386
00:08:56,582 --> 00:08:57,996
NO RASTA-MAN VOICE,

387
00:08:58,037 --> 00:08:59,579
NO RECITING POETRY,

388
00:08:59,620 --> 00:09:01,326
NO BALLROOM DANCING,

389
00:08:59,620 --> 00:09:01,326
NO BIRD CALLS,

390
00:09:01,368 --> 00:09:03,533
AND NO MALE KEGELS.

391
00:09:03,575 --> 00:09:05,573
CAN I DO MY KEGELS SECRETLY?

392
00:09:03,575 --> 00:09:05,573
WATCH THIS.

393
00:09:05,614 --> 00:09:08,111
YOU'LL NEVER KNOW

394
00:09:05,614 --> 00:09:08,111
I'M DOING THEM.

395
00:09:08,152 --> 00:09:09,694
I CAN DEFINITELY TELL.

396
00:09:09,735 --> 00:09:11,275
ALL RIGHT,

397
00:09:09,735 --> 00:09:11,275
GIVE ME MY NO-NO'S.

398
00:09:11,316 --> 00:09:13,106
OKAY,

399
00:09:11,316 --> 00:09:13,106
NO BUTTER-SYRUP,

400
00:09:13,147 --> 00:09:15,104
NO TALKING ABOUT DIE HARD...

401
00:09:15,145 --> 00:09:16,603
OKAY.

402
00:09:15,145 --> 00:09:16,603
I CAN DO THAT.

403
00:09:16,645 --> 00:09:18,226
OR DIE HARD TWO

404
00:09:16,645 --> 00:09:18,226
OR DIE HARD THREE.

405
00:09:18,268 --> 00:09:19,517
WHAT?

406
00:09:18,268 --> 00:09:19,517
COME ON.

407
00:09:19,559 --> 00:09:21,223
SO YOU JUST WANT ME

408
00:09:19,559 --> 00:09:21,223
TO TALK ABOUT THE FOURTH ONE?

409
00:09:21,265 --> 00:09:22,806
THERE'S A FOURTH ONE?

410
00:09:21,265 --> 00:09:22,806
CHARLES!

411
00:09:22,847 --> 00:09:24,512
NO JUDGING ME

412
00:09:22,847 --> 00:09:24,512
FOR NOT KNOWING THE DIE HARDS.

413
00:09:24,554 --> 00:09:26,967
ALL RIGHT, FINE. WHAT ELSE?

414
00:09:24,554 --> 00:09:26,967
OKAY.

415
00:09:27,008 --> 00:09:28,049
NO EATING MAYONNAISE

416
00:09:27,008 --> 00:09:28,049
STRAIGHT FROM THE JAR,

417
00:09:28,091 --> 00:09:29,298
NO USING MY TOOTHBRUSH.

418
00:09:29,340 --> 00:09:30,506
AND THAT'S IT.

419
00:09:30,548 --> 00:09:33,795
JAKE, THIS NO-NO LIST,

420
00:09:30,548 --> 00:09:33,795
IT'S A SLAM DUNK.

421
00:09:33,836 --> 00:09:34,794
OOP ME.

422
00:09:34,835 --> 00:09:36,333
OOPING.

423
00:09:38,913 --> 00:09:40,120
I'M GETTING BETTER.

424
00:09:40,162 --> 00:09:41,161
YEAH, YOU ARE.

425
00:09:41,952 --> 00:09:42,909
YOU WANTED TO SEE ME, SIR?

426
00:09:42,951 --> 00:09:45,699
HAVE A SEAT, DIAZ.

427
00:09:45,741 --> 00:09:49,529
YOU REMEMBER MY NEPHEW MARCUS?

428
00:09:45,741 --> 00:09:49,529
THE 31-YEAR-OLD?

429
00:09:49,570 --> 00:09:51,610
HE ASKED ME TO ASK YOU

430
00:09:49,570 --> 00:09:51,610
IF YOU ARE SINGLE.

431
00:09:51,652 --> 00:09:53,816
I'M TOLD HIM I'M NOT

432
00:09:51,652 --> 00:09:53,816
A THIRD-GRADE GIRL

433
00:09:53,856 --> 00:09:55,689
WITH PIGTAILS

434
00:09:53,856 --> 00:09:55,689
PASSING LOVE NOTES.

435
00:09:55,731 --> 00:09:57,395
YEAH, IT'S SO IMMATURE.

436
00:09:57,437 --> 00:09:58,893
PRECISELY.

437
00:09:57,437 --> 00:09:58,893
IT'S EMBARRASSING.

438
00:09:58,935 --> 00:10:00,559
AGREED.

439
00:10:00,601 --> 00:10:01,558
I AM SINGLE.

440
00:10:01,600 --> 00:10:03,181
OH.

441
00:10:03,223 --> 00:10:04,180
I SEE.

442
00:10:04,222 --> 00:10:06,512
BUT IF MARCUS

443
00:10:04,222 --> 00:10:06,512
WANTS MY NUMBER,

444
00:10:06,553 --> 00:10:07,967
HE CAN ASK ME FOR IT.

445
00:10:11,298 --> 00:10:15,085
BUT WHO WILL TELL HIM THAT?

446
00:10:17,501 --> 00:10:18,831
UM, YEAH.

447
00:10:18,873 --> 00:10:20,289
YOU TOOK THE LAST DANISH.

448
00:10:20,331 --> 00:10:21,663
OH, SORRY.

449
00:10:21,705 --> 00:10:24,118
DID YOU READ TERRY'S BOOK

450
00:10:21,705 --> 00:10:24,118
ABOUT US?

451
00:10:24,160 --> 00:10:26,325
NO.

452
00:10:24,160 --> 00:10:26,325
HE SAID NOT TO READ IT.

453
00:10:28,072 --> 00:10:29,238
OKAY, FINE, I READ IT.

454
00:10:29,280 --> 00:10:31,818
MY CHARACTER, CRICKET,

455
00:10:29,280 --> 00:10:31,818
IS SUCH A PUSHOVER.

456
00:10:31,860 --> 00:10:33,193
SHE JUST LETS

457
00:10:31,860 --> 00:10:33,193
ALL THE FOREST FOLK

458
00:10:33,234 --> 00:10:34,815
TAKE HER MAGIC MOOSE WISHES.

459
00:10:34,857 --> 00:10:37,314
WELL, JUNE BUG

460
00:10:34,857 --> 00:10:37,314
IS A STONE-COLD BITCH.

461
00:10:37,355 --> 00:10:41,393
SHE TOLD ALL THE BABY PLATY-PUPS

462
00:10:37,355 --> 00:10:41,393
THEY HAD WEIRD FEET.

463
00:10:41,435 --> 00:10:42,849
IS THAT HOW PEOPLE SEE US?

464
00:10:42,891 --> 00:10:45,097
WELL, YOU DID JUST STEAL

465
00:10:42,891 --> 00:10:45,097
THAT DANISH OUT OF MY HAND

466
00:10:45,139 --> 00:10:46,472
AND START EATING IT.

467
00:10:46,513 --> 00:10:47,844
AND I LET YOU.

468
00:10:47,886 --> 00:10:49,343
AND APOLOGIZED.

469
00:10:49,385 --> 00:10:50,883
CLASSIC CRICKET MOVE.

470
00:10:50,924 --> 00:10:54,422
HEY, CAN I JUST SCOOTCH

471
00:10:50,924 --> 00:10:54,422
IN THERE TO THE COFFEE?

472
00:10:54,464 --> 00:10:57,876
YOU CAN SCOOTCH YOUR ASS

473
00:10:54,464 --> 00:10:57,876
BACK IN LINE.

474
00:10:57,917 --> 00:11:01,498
MY COFFEE NEEDS

475
00:10:57,917 --> 00:11:01,498
ARE JUST AS IMPORTANT AS YOURS.

476
00:11:04,952 --> 00:11:05,909
WHAT WAS THAT ALL ABOUT?

477
00:11:05,951 --> 00:11:07,617
TERRY, I TRY NOT TO

478
00:11:05,951 --> 00:11:07,617
JUDGE PEOPLE,

479
00:11:07,659 --> 00:11:09,115
SO I WOULDN'T KNOW.

480
00:11:09,157 --> 00:11:11,071
MAYBE I SHOULD

481
00:11:09,157 --> 00:11:11,071
GO CHECK ON LITTLE AMY

482
00:11:11,113 --> 00:11:13,111
AND GIVE HER

483
00:11:11,113 --> 00:11:13,111
THE GREATEST GIFT OF ALL...

484
00:11:13,153 --> 00:11:14,527
A HUG.

485
00:11:16,150 --> 00:11:17,732
COME ON.

486
00:11:17,772 --> 00:11:20,604
SOMEONE USE THE DROP HOUSE.

487
00:11:20,646 --> 00:11:22,436
THE DROP HOUSE.

488
00:11:22,477 --> 00:11:24,600
PERFECT NAME

489
00:11:22,477 --> 00:11:24,600
FOR A PORTA-POTTY COMPANY.

490
00:11:24,642 --> 00:11:25,889
AS SOON AS WE GET OUT OF HERE,

491
00:11:25,931 --> 00:11:28,179
I AM TAKING THAT

492
00:11:25,931 --> 00:11:28,179
STRAIGHT TO SHARK TANK.

493
00:11:28,221 --> 00:11:30,428
HOW GREAT

494
00:11:28,221 --> 00:11:30,428
IS THIS NO-NO LIST?

495
00:11:30,469 --> 00:11:33,840
I MEAN, WE'VE MADE IT IMPOSSIBLE

496
00:11:30,469 --> 00:11:33,840
TO ANNOY EACH OTHER.

497
00:11:33,881 --> 00:11:36,588
WE'RE GONNA MAKE OUT

498
00:11:33,881 --> 00:11:36,588
WITH THIS STAKEOUT.

499
00:11:36,630 --> 00:11:39,293
MM.

500
00:11:39,335 --> 00:11:41,583
HEY, BUD, IS RHYMING

501
00:11:39,335 --> 00:11:41,583
ON YOUR NO-NO LIST?

502
00:11:41,625 --> 00:11:42,707
NO.

503
00:11:42,747 --> 00:11:44,912
COOL, COOL.

504
00:11:44,954 --> 00:11:48,535
JUST SEEMS PRETTY CLOSE

505
00:11:44,954 --> 00:11:48,535
TO RECITING POETRY.

506
00:11:48,576 --> 00:11:50,324
YEAH, YEAH.

507
00:11:48,576 --> 00:11:50,324
BUT IT'S DIFFERENT.

508
00:11:50,366 --> 00:11:51,863
YEAH.

509
00:11:50,366 --> 00:11:51,863
IT'S DIFFERENT.

510
00:11:51,905 --> 00:11:53,113
IT'S DIFFERENT.

511
00:11:55,277 --> 00:11:57,484
I'M JUST GONNA ADD IT.

512
00:11:57,526 --> 00:11:59,814
OH, SO WE CAN ADD THINGS NOW?

513
00:11:59,855 --> 00:12:01,105
YEAH, WHY NOT, RIGHT?

514
00:12:01,146 --> 00:12:03,061
I MEAN, WE GOT THE TIME,

515
00:12:01,146 --> 00:12:03,061
AND WE GOT THE INK.

516
00:12:03,103 --> 00:12:04,394
EVERYTHING

517
00:12:03,103 --> 00:12:04,394
BUT THE KITCHEN SINK.

518
00:12:04,435 --> 00:12:05,601
WHAT DID I JUST SAY?

519
00:12:05,643 --> 00:12:07,099
OKAY.

520
00:12:05,643 --> 00:12:07,099
THAT IS UNDER CHARLES.

521
00:12:07,140 --> 00:12:08,640
SURE, SURE, SURE.

522
00:12:07,140 --> 00:12:08,640
COOL, COOL, COOL...

523
00:12:12,594 --> 00:12:13,551
GOOD. TO THE WINDOW.

524
00:12:13,593 --> 00:12:14,924
GET BACK IN THE WINDOW.

525
00:12:18,004 --> 00:12:19,379
WHAT IS HAPPENING?

526
00:12:19,420 --> 00:12:20,876
I GOT TO DO THIS

527
00:12:19,420 --> 00:12:20,876
OR THE BULLET HOLES

528
00:12:20,918 --> 00:12:22,042
IN MY BUTT STIFFEN UP.

529
00:12:22,084 --> 00:12:23,666
NO TALKING ABOUT

530
00:12:22,084 --> 00:12:23,666
YOUR BUTT HOLES.

531
00:12:26,080 --> 00:12:29,784
TWO...

532
00:12:29,825 --> 00:12:31,200
THREE...

533
00:12:31,241 --> 00:12:32,282
NO PULL-UPS.

534
00:12:34,364 --> 00:12:35,404
NO YOGA.

535
00:12:37,942 --> 00:12:38,900
NO BEATBOXING.

536
00:12:38,941 --> 00:12:42,937
NO LETTING IT MELLOW.

537
00:12:42,979 --> 00:12:45,684
NO SISTER ACT.

538
00:12:45,726 --> 00:12:47,184
NO LIFE HACKS.

539
00:12:47,225 --> 00:12:49,930
NO MULTI-LEVEL

540
00:12:47,225 --> 00:12:49,930
MARKETING SCHEMES.

541
00:12:49,972 --> 00:12:52,802
NO CALLING LEGITIMATE

542
00:12:49,972 --> 00:12:52,802
BUSINESS IDEAS "SCHEMES."

543
00:12:52,844 --> 00:12:55,134
NO LICKING FINGERS

544
00:12:52,844 --> 00:12:55,134
BEFORE TURNING PAGES.

545
00:12:55,176 --> 00:12:56,133
NO IMPRESSIONS.

546
00:12:56,175 --> 00:12:57,257
NO TEA CEREMONIES.

547
00:12:57,299 --> 00:12:58,256
NO CABBAGE PATCH.

548
00:12:58,298 --> 00:12:59,339
NO PARKOUR.

549
00:12:59,380 --> 00:13:01,128
NO RUNNING MAN...

550
00:12:59,380 --> 00:13:01,128
MOVIE OR THE DANCE.

551
00:13:01,170 --> 00:13:02,210
NO UNREQUESTED LULLABY.

552
00:13:02,252 --> 00:13:05,041
NO LADY-STYLE TOWELS.

553
00:13:14,449 --> 00:13:16,530
HEY.

554
00:13:14,449 --> 00:13:16,530
NO NOSE HAIR TRIMMING.

555
00:13:16,572 --> 00:13:18,069
WE'RE HERE FOR EIGHT DAYS, JAKE.

556
00:13:18,111 --> 00:13:19,817
I DON'T CARE.

557
00:13:18,111 --> 00:13:19,817
IT'S ON THE LIST.

558
00:13:19,859 --> 00:13:22,107
WELL, I HOPE YOU LIKE

559
00:13:19,859 --> 00:13:22,107
NOSTRIL BUSH.

560
00:13:22,149 --> 00:13:23,855
NOSTRIL BUSH?

561
00:13:23,896 --> 00:13:25,062
ALL RIGHT, NO MORE TALKING.

562
00:13:25,104 --> 00:13:26,478
NO MORE TALKING AT ALL.

563
00:13:26,520 --> 00:13:28,143
FINE, I'M PUTTING THAT

564
00:13:26,520 --> 00:13:28,143
ON YOUR LIST TOO.

565
00:13:28,184 --> 00:13:29,559
THAT WAS TALKING.

566
00:13:29,600 --> 00:13:30,558
SO WAS THAT.

567
00:13:30,599 --> 00:13:32,846
OKAY, FINE.

568
00:13:30,599 --> 00:13:32,846
IN THREE, TWO, ONE.

569
00:13:32,887 --> 00:13:34,220
NO TALKING.

570
00:13:32,887 --> 00:13:34,220
ZIP IT.

571
00:13:46,790 --> 00:13:48,123
HEY, CAPTAIN.

572
00:13:48,164 --> 00:13:49,372
HOW'S THE OPERATION GOING?

573
00:13:49,414 --> 00:13:50,413
GREAT,

574
00:13:49,414 --> 00:13:50,413
THE BEACH UMBRELLA

575
00:13:50,454 --> 00:13:51,910
HAS HAD NONSTOP VISITORS.

576
00:13:51,952 --> 00:13:53,368
"THE BEACH UMBRELLA"?

577
00:13:53,410 --> 00:13:55,574
BISKO'S LIEUTENANT

578
00:13:53,410 --> 00:13:55,574
WHO RUNS THE DROP SITE.

579
00:13:55,614 --> 00:13:57,531
WE CAME UP WITH FUN LITTLE

580
00:13:55,614 --> 00:13:57,531
NICKNAMES FOR EVERYONE.

581
00:13:57,572 --> 00:13:59,320
I'M GLAD YOU'RE AMUSING

582
00:13:57,572 --> 00:13:59,320
YOURSELVES.

583
00:13:59,362 --> 00:14:01,608
PEOPLE THOUGHT YOU'D BE

584
00:13:59,362 --> 00:14:01,608
AT EACH OTHER'S THROATS BY NOW.

585
00:14:02,774 --> 00:14:03,731
DO YOU NEED A RELIEF TEAM?

586
00:14:03,773 --> 00:14:05,813
WHAT?

587
00:14:03,773 --> 00:14:05,813
NUH-UH-UH!

588
00:14:05,854 --> 00:14:07,354
NO SASSY "NUH-UH-UHS."

589
00:14:07,396 --> 00:14:08,353
WHAT WAS THAT?

590
00:14:08,395 --> 00:14:09,560
UH, NOTHING.

591
00:14:09,600 --> 00:14:11,058
I JUST SAID WE DON'T NEED

592
00:14:09,600 --> 00:14:11,058
A RELIEF TEAM.

593
00:14:11,100 --> 00:14:12,391
EVERYTHING'S GOING GREAT.

594
00:14:11,100 --> 00:14:12,391
RIGHT, BOYLE?

595
00:14:12,432 --> 00:14:13,431
RIGHT. SO GREAT.

596
00:14:13,473 --> 00:14:15,594
GOOD.

597
00:14:13,473 --> 00:14:15,594
SEE YOU IN A COUPLE OF DAYS.

598
00:14:15,636 --> 00:14:16,802
OKAY, SOUNDS GOOD.

599
00:14:15,636 --> 00:14:16,802
OKAY, BYE.

600
00:14:16,843 --> 00:14:18,009
BYE-BYE NOW.

601
00:14:16,843 --> 00:14:18,009
BYE. I LOVE YOU.

602
00:14:18,051 --> 00:14:19,259
WHAT?

603
00:14:25,709 --> 00:14:26,667
HOLD THE DOOR.

604
00:14:26,708 --> 00:14:27,666
SORRY, SARGE.

605
00:14:27,707 --> 00:14:28,790
MAYBE IF YOU DID MORE CARDIO

606
00:14:28,831 --> 00:14:30,248
AND LESS WEIGHTS,

607
00:14:28,831 --> 00:14:30,248
YOU'D MOVE FASTER.

608
00:14:30,289 --> 00:14:31,662
NO, NO, NO, AMY.

609
00:14:31,703 --> 00:14:33,618
WE NEED TO BE THE CHANGE

610
00:14:31,703 --> 00:14:33,618
WE WANT TO SEE IN THE ELEVATOR.

611
00:14:33,660 --> 00:14:34,867
UH-UH.

612
00:14:33,660 --> 00:14:34,867
DOOR OPEN. DOOR OPEN.

613
00:14:34,909 --> 00:14:37,407
DOOR CLOSE. DOOR CLOSE.

614
00:14:34,909 --> 00:14:37,407
DOOR OPEN. DOOR OPEN.

615
00:14:37,449 --> 00:14:39,155
WHAT IS GOING ON

616
00:14:37,449 --> 00:14:39,155
WITH YOU TWO?

617
00:14:39,197 --> 00:14:41,237
WHAT'S GOING ON WITH YOU?

618
00:14:39,197 --> 00:14:41,237
LOVE.

619
00:14:41,278 --> 00:14:42,319
THAT'S IT.

620
00:14:42,361 --> 00:14:45,316
TIME FOR AN EMERGENCY

621
00:14:42,361 --> 00:14:45,316
STOP AND TALK.

622
00:14:45,358 --> 00:14:46,315
(Amy)

623
00:14:45,358 --> 00:14:46,315
OKAY, FINE.

624
00:14:46,357 --> 00:14:47,687
YOU WANT TO KNOW

625
00:14:46,357 --> 00:14:47,687
WHAT'S GOING ON?

626
00:14:47,729 --> 00:14:49,103
WE READ YOUR BOOK.

627
00:14:49,145 --> 00:14:51,850
AND YOU SHOULD KNOW

628
00:14:49,145 --> 00:14:51,850
I'M NOT A PUSHOVER.

629
00:14:51,892 --> 00:14:54,265
AND I'M NOT

630
00:14:51,892 --> 00:14:54,265
A STONE-COLD BITCH.

631
00:14:54,307 --> 00:14:56,678
I'M A NATURAL,

632
00:14:54,307 --> 00:14:56,678
BEAUTIFUL PRESENCE.

633
00:14:56,720 --> 00:15:00,301
OKAY, I'M SORRY

634
00:14:56,720 --> 00:15:00,301
THESE CHARACTERS LOOK LIKE YOU,

635
00:15:00,343 --> 00:15:03,048
BUT THAT'S WHERE

636
00:15:00,343 --> 00:15:03,048
THE RESEMBLANCE STOPS.

637
00:15:03,089 --> 00:15:06,253
SURE, JUNE BUG IS A MEANIE

638
00:15:03,089 --> 00:15:06,253
TO THE PLATY-PUPS,

639
00:15:06,295 --> 00:15:08,708
BUT SHE'S A SWEETHEART

640
00:15:06,295 --> 00:15:08,708
TO THE SOCKTOPUS.

641
00:15:08,750 --> 00:15:10,789
AND CRICKET IS A PUSHOVER

642
00:15:10,831 --> 00:15:12,537
WHEN IT COMES TO

643
00:15:10,831 --> 00:15:12,537
MAGIC MOOSE WISHES,

644
00:15:12,579 --> 00:15:16,493
BUT SHE'S VERY BRAVE

645
00:15:12,579 --> 00:15:16,493
IN THE DOLPHIN WARS.

646
00:15:16,533 --> 00:15:18,325
I GUESS WHAT I'M SAYING IS,

647
00:15:18,366 --> 00:15:21,405
THESE STORIES ARE NONSENSE.

648
00:15:21,447 --> 00:15:22,819
I LOVE YOU GUYS,

649
00:15:22,861 --> 00:15:24,859
BUT IF YOU'RE BRINGING

650
00:15:22,861 --> 00:15:24,859
SOMETHING MORE TO MY BOOK,

651
00:15:24,901 --> 00:15:26,982
THAT'S ON YOU.

652
00:15:28,938 --> 00:15:30,519
IF YOU HADN'T STOPPED

653
00:15:28,938 --> 00:15:30,519
THE ELEVATOR,

654
00:15:30,561 --> 00:15:33,808
YOU COULD HAVE WALKED OFF

655
00:15:30,561 --> 00:15:33,808
AFTER YOUR GREAT SPEECH.

656
00:15:33,850 --> 00:15:35,681
NOW WE ALL GOT TO SIT IN IT.

657
00:15:37,554 --> 00:15:39,387
MARCUS, YOU LEAVING?

658
00:15:39,429 --> 00:15:40,634
COME, HAVE BREAKFAST WITH US.

659
00:15:40,676 --> 00:15:42,467
YOU'RE UP EARLY.

660
00:15:42,507 --> 00:15:43,882
OKAY.

661
00:15:46,628 --> 00:15:50,376
AND DETECTIVE DIAZ IS HERE

662
00:15:46,628 --> 00:15:50,376
AS WELL.

663
00:15:50,418 --> 00:15:52,374
HEY.

664
00:15:52,416 --> 00:15:53,415
HELLO, KEVIN.

665
00:15:53,456 --> 00:15:54,954
ROSA. MARCUS.

666
00:15:54,996 --> 00:15:56,287
KEVIN. UNCLE RAY.

667
00:15:56,328 --> 00:15:58,285
MARCUS.

668
00:15:56,328 --> 00:15:58,285
AND CHEDDAR.

669
00:15:58,326 --> 00:15:59,907
CHEDDAR IS ALSO HERE.

670
00:15:59,949 --> 00:16:01,073
UH, WOULD YOU CARE

671
00:15:59,949 --> 00:16:01,073
TO JOIN US?

672
00:16:01,115 --> 00:16:02,072
SURE.

673
00:16:02,114 --> 00:16:04,569
SHALL WE SIT?

674
00:16:04,610 --> 00:16:06,277
I DON'T THINK...

675
00:16:04,610 --> 00:16:06,277
SIT.

676
00:16:06,318 --> 00:16:09,440
GOOD, THEN FEEL NO OBLIGATION

677
00:16:06,318 --> 00:16:09,440
TO STAY, ROSA.

678
00:16:09,480 --> 00:16:11,063
DETECTIVE DIAZ.

679
00:16:11,105 --> 00:16:14,269
DETECTIVE ROSA DIAZ

680
00:16:11,105 --> 00:16:14,269
IS IN MY BREAKFAST NOOK.

681
00:16:14,310 --> 00:16:15,641
SO WHO WOULD LIKE

682
00:16:14,310 --> 00:16:15,641
FRENCH TOAST?

683
00:16:15,683 --> 00:16:17,349
I CAN PUT

684
00:16:15,683 --> 00:16:17,349
A BACON SMILE ON IT.

685
00:16:17,391 --> 00:16:19,055
MY BEING HERE IS WEIRD.

686
00:16:19,097 --> 00:16:20,221
THIS WAS A BAD IDEA.

687
00:16:20,263 --> 00:16:23,093
WE SHOULDN'T

688
00:16:20,263 --> 00:16:23,093
SEE EACH OTHER AGAIN.

689
00:16:24,465 --> 00:16:27,754
WELL, DETECTIVE ROSA DIAZ

690
00:16:24,465 --> 00:16:27,754
HAS LEFT.

691
00:16:27,796 --> 00:16:29,254
HMM.

692
00:16:32,292 --> 00:16:33,623
THE ONLY FOOD LEFT

693
00:16:32,292 --> 00:16:33,623
IN THE WHOLE ROOM

694
00:16:33,665 --> 00:16:34,747
IS YOUR STUPID HERRING.

695
00:16:34,789 --> 00:16:36,413
OH, SO WE'RE TALKING NOW?

696
00:16:36,453 --> 00:16:38,660
WELL, I GUESS SO,

697
00:16:36,453 --> 00:16:38,660
SINCE WORDS CAME OUT OF MY MOUTH

698
00:16:38,701 --> 00:16:39,659
AND YOU HEARD THEM.

699
00:16:39,700 --> 00:16:41,200
THAT'S GLIB.

700
00:16:39,700 --> 00:16:41,200
NO BEING GLIB.

701
00:16:41,242 --> 00:16:42,199
IT'S ON THE LIST.

702
00:16:42,241 --> 00:16:43,738
I'M SO SICK OF THE LIST.

703
00:16:43,780 --> 00:16:45,321
I DON'T EVEN KNOW

704
00:16:43,780 --> 00:16:45,321
WHAT "GLIB" MEANS.

705
00:16:45,363 --> 00:16:46,485
ASK YOURSELF THIS.

706
00:16:46,527 --> 00:16:48,318
IS IT SOMETHING YOU CAN HEAR

707
00:16:46,527 --> 00:16:48,318
GARFIELD SAYING?

708
00:16:48,360 --> 00:16:49,982
IF SO, IT'S GLIB.

709
00:16:50,024 --> 00:16:51,190
SO WHAT, YOU WANT ME

710
00:16:51,232 --> 00:16:53,271
TO JUST BE GARFIELD'S OWNER,

711
00:16:51,232 --> 00:16:53,271
JON ARBUCKLE?

712
00:16:53,313 --> 00:16:54,519
THINK ABOUT WHAT YOU'RE SAYING.

713
00:16:54,560 --> 00:16:56,143
HE'S SPINELESS AND BLAND.

714
00:16:56,185 --> 00:16:57,724
AND BY THE WAY,

715
00:16:56,185 --> 00:16:57,724
ME KEEPING THINGS LIGHT

716
00:16:57,766 --> 00:17:00,721
AND BEING "GARFELDIAN" IS

717
00:16:57,766 --> 00:17:00,721
THE ONLY REASON WE DON'T FIGHT.

718
00:17:02,262 --> 00:17:03,220
WRONG, BABY.

719
00:17:03,261 --> 00:17:04,550
THE ONLY REASON WE DON'T FIGHT

720
00:17:04,592 --> 00:17:07,132
IS BECAUSE I NEVER SAY ANYTHING

721
00:17:04,592 --> 00:17:07,132
WHEN YOU ANNOY ME,

722
00:17:07,174 --> 00:17:09,047
WHICH IS CONSTANTLY, BABY.

723
00:17:09,089 --> 00:17:10,379
I JUST LET IT ROLL OFF.

724
00:17:10,419 --> 00:17:12,127
I'M A DUCK'S BACK, BABY.

725
00:17:12,169 --> 00:17:13,416
STOP SAYING "BABY."

726
00:17:13,458 --> 00:17:15,041
CHARLES BOYLE

727
00:17:13,458 --> 00:17:15,041
CALLS PEOPLE "BABY"

728
00:17:15,083 --> 00:17:16,040
WHEN HE GETS ANGRY.

729
00:17:16,082 --> 00:17:17,289
THAT'S WHO I AM.

730
00:17:17,331 --> 00:17:19,120
AND ALL THIS

731
00:17:17,331 --> 00:17:19,120
IS WHO I AM.

732
00:17:19,162 --> 00:17:20,701
AND IF YOU DON'T LIKE

733
00:17:19,162 --> 00:17:20,701
THIS STUFF,

734
00:17:20,743 --> 00:17:22,201
THEN WE SHOULDN'T BE FRIENDS.

735
00:17:22,242 --> 00:17:23,490
GREAT.

736
00:17:22,242 --> 00:17:23,490
'CAUSE GUESS WHAT?

737
00:17:23,531 --> 00:17:25,156
WE'RE NOT FRIENDS.

738
00:17:25,198 --> 00:17:27,861
THAT'S FINE WITH ME, BABY.

739
00:17:34,729 --> 00:17:35,728
UH-OH.

740
00:17:39,807 --> 00:17:42,679
WELL, THE OPERATION IS BLOWN.

741
00:17:45,885 --> 00:17:49,090
OH, I HATE THIS SONG.

742
00:17:45,885 --> 00:17:49,090
I STAND BY IT.

743
00:17:50,963 --> 00:17:53,045
WELL, I'M GONNA

744
00:17:50,963 --> 00:17:53,045
CHECK THIS STUFF BACK IN.

745
00:17:53,086 --> 00:17:54,044
GREAT. DO IT.

746
00:17:54,085 --> 00:17:55,458
OKAY.

747
00:17:55,499 --> 00:17:56,457
THEN WE'RE DONE.

748
00:17:56,498 --> 00:17:57,622
YEAH, THEN WE'RE DONE.

749
00:17:58,747 --> 00:18:00,288
WELL, WELL, WELL.

750
00:18:00,329 --> 00:18:03,658
LOOKS LIKE BOYLE'S OUT

751
00:18:00,329 --> 00:18:03,658
AND HITCHCOCK'S IN.

752
00:18:03,700 --> 00:18:04,824
WHAT DO YOU WANT TO DO TONIGHT?

753
00:18:04,866 --> 00:18:05,823
GO TO A STRIP CLUB?

754
00:18:05,865 --> 00:18:07,362
HAVE DINNER WITH MY WIFE?

755
00:18:07,404 --> 00:18:08,528
ARE THOSE SEPARATE OPTIONS,

756
00:18:08,570 --> 00:18:10,028
OR DOES SHE LIVE

757
00:18:08,570 --> 00:18:10,028
AT THE STRIP CLUB?

758
00:18:10,069 --> 00:18:11,817
YOU WANT TO KNOW,

759
00:18:10,069 --> 00:18:11,817
YOU GOT TO GO.

760
00:18:11,859 --> 00:18:13,191
OKAY.

761
00:18:13,233 --> 00:18:16,022
PERALTA, THANKS TO

762
00:18:13,233 --> 00:18:16,022
YOUR BASKETBALL MISHAP,

763
00:18:16,063 --> 00:18:17,352
THE DROP SITE

764
00:18:16,063 --> 00:18:17,352
HAS BEEN ABANDONED,

765
00:18:17,394 --> 00:18:19,269
AND ALEXEI BISKO'S

766
00:18:17,394 --> 00:18:19,269
GONE TO GROUND.

767
00:18:19,310 --> 00:18:21,765
WE TOLD YOU EIGHT DAYS

768
00:18:19,310 --> 00:18:21,765
WAS TOO LONG FOR A STAKEOUT.

769
00:18:21,807 --> 00:18:23,972
WITH ALL DUE RESPECT, SIR,

770
00:18:21,807 --> 00:18:23,972
IT WASN'T THE AMOUNT OF TIME.

771
00:18:24,014 --> 00:18:25,221
IT'S WHO I WAS

772
00:18:24,014 --> 00:18:25,221
STUCK THERE WITH.

773
00:18:25,263 --> 00:18:27,177
I COULD EASILY HAVE DONE IT

774
00:18:25,263 --> 00:18:27,177
WITH SCULLY.

775
00:18:27,219 --> 00:18:28,383
REALLY?

776
00:18:28,425 --> 00:18:30,216
YOU WOULD'VE APPLIED

777
00:18:28,425 --> 00:18:30,216
THAT CREAM TO HIS BACK?

778
00:18:30,258 --> 00:18:31,505
NO, I WOULD'VE PUT IT

779
00:18:30,258 --> 00:18:31,505
ON THE FLOOR

780
00:18:31,547 --> 00:18:32,629
AND LET HIM ROLL AROUND IN IT.

781
00:18:32,671 --> 00:18:34,129
THIS ISN'T MY FIRST RODEO.

782
00:18:34,170 --> 00:18:35,169
YOU NEED TO FIND BISKO.

783
00:18:35,211 --> 00:18:36,500
YOU CAN START

784
00:18:35,211 --> 00:18:36,500
BY DOING DOOR DUTY,

785
00:18:36,542 --> 00:18:37,708
SEE IF ANYONE KNOWS

786
00:18:36,542 --> 00:18:37,708
WHERE HE IS.

787
00:18:37,749 --> 00:18:38,790
TAKE BOYLE.

788
00:18:38,832 --> 00:18:42,162
SIR, I'D LIKE TO REQUEST

789
00:18:38,832 --> 00:18:42,162
A NEW PARTNER.

790
00:18:42,204 --> 00:18:43,203
I CAN'T WORK WITH CHARLES.

791
00:18:43,245 --> 00:18:44,450
WE'RE NOT FRIENDS ANYMORE.

792
00:18:44,492 --> 00:18:45,449
"FRIENDS?"

793
00:18:45,491 --> 00:18:46,657
I DON'T CARE IF YOU'RE FRIENDS.

794
00:18:46,699 --> 00:18:47,656
THIS IS NOT A PLAYDATE.

795
00:18:47,698 --> 00:18:48,863
THIS IS YOUR COMMANDING OFFICER

796
00:18:48,905 --> 00:18:50,361
ORDERING YOU TO DO YOUR JOB.

797
00:18:50,403 --> 00:18:51,402
FINE,

798
00:18:51,443 --> 00:18:52,776
BUT I HOPE YOU CAN LIVE

799
00:18:51,443 --> 00:18:52,776
WITH THE FACT

800
00:18:52,818 --> 00:18:54,774
THAT YOU'RE FORCING PEOPLE

801
00:18:52,818 --> 00:18:54,774
TO SPEND TIME TOGETHER

802
00:18:54,816 --> 00:18:56,397
WHO WOULD RATHER NOT.

803
00:18:56,438 --> 00:18:58,230
I'M FINE WITH THAT.

804
00:19:00,144 --> 00:19:02,683
SARGE, I NEED TO TALK TO YOU

805
00:19:00,144 --> 00:19:02,683
ABOUT THE KID'S BOOK.

806
00:19:02,724 --> 00:19:03,682
SERIOUSLY?

807
00:19:03,723 --> 00:19:04,681
I'M WRAPPING IT RIGHT NOW,

808
00:19:04,722 --> 00:19:05,721
AND I NEED TO FOCUS.

809
00:19:05,763 --> 00:19:07,678
LOOK, I KNOW THE STORY

810
00:19:05,763 --> 00:19:07,678
IS NONSENSE

811
00:19:07,719 --> 00:19:11,258
AND I'M NOT A FOREST NYMPH

812
00:19:07,719 --> 00:19:11,258
WHO WEARS ARMOR PANTSUITS,

813
00:19:11,298 --> 00:19:14,295
BUT I THINK IT BOTHERED ME

814
00:19:11,298 --> 00:19:14,295
BECAUSE SOMETIMES

815
00:19:14,337 --> 00:19:16,669
I CAN BE TOO MUCH

816
00:19:14,337 --> 00:19:16,669
OF A PUSHOVER.

817
00:19:16,710 --> 00:19:19,791
TO BE HONEST, IT FELT NICE TO

818
00:19:16,710 --> 00:19:19,791
STAND UP FOR MYSELF THIS WEEK.

819
00:19:19,832 --> 00:19:21,413
GOOD FOR YOU, SANTIAGO.

820
00:19:21,455 --> 00:19:24,452
I ALSO LEARNED A VALUABLE LESSON

821
00:19:21,455 --> 00:19:24,452
FROM YOUR STUPID BOOK.

822
00:19:24,494 --> 00:19:26,283
I LEARNED I'M PERFECT

823
00:19:24,494 --> 00:19:26,283
THE WAY I AM,

824
00:19:26,325 --> 00:19:27,991
AND I SHOULD NEVER CHANGE.

825
00:19:29,032 --> 00:19:32,527
THIS IS A SYMBOLIC GESTURE.

826
00:19:32,569 --> 00:19:34,442
I'M SPEAKING TO YOU

827
00:19:32,569 --> 00:19:34,442
AS A FRIEND,

828
00:19:34,484 --> 00:19:35,441
NOT A CAPTAIN.

829
00:19:35,483 --> 00:19:37,773
AND AS YOUR FRIEND,

830
00:19:37,814 --> 00:19:39,437
I HAVE THIS BRASSIERE

831
00:19:39,479 --> 00:19:41,852
YOU LEFT BEHIND

832
00:19:39,479 --> 00:19:41,852
IN MARCUS' ROOM.

833
00:19:46,931 --> 00:19:49,594
ALSO, I JUST WANTED YOU

834
00:19:46,931 --> 00:19:49,594
TO KNOW,

835
00:19:49,636 --> 00:19:52,633
UM, I THINK MARCUS

836
00:19:49,636 --> 00:19:52,633
IS GREAT, AND...

837
00:19:52,674 --> 00:19:54,672
AND YOU'RE GREAT,

838
00:19:54,714 --> 00:19:58,251
AND I HOPE THE FACT

839
00:19:54,714 --> 00:19:58,251
THAT YOU AND I WORK TOGETHER

840
00:19:58,293 --> 00:19:59,751
WON'T PREVENT YOU

841
00:19:58,293 --> 00:19:59,751
FROM DATING

842
00:19:59,792 --> 00:20:03,081
IF THAT'S WHAT

843
00:19:59,792 --> 00:20:03,081
YOU WANT TO DO.

844
00:20:03,123 --> 00:20:05,079
I MIGHT.

845
00:20:05,121 --> 00:20:06,619
BUT I DON'T WANT TO

846
00:20:05,121 --> 00:20:06,619
TALK TO YOU ABOUT IT.

847
00:20:06,660 --> 00:20:09,741
PERFECT,

848
00:20:06,660 --> 00:20:09,741
BECAUSE I'M NOT COMFORTABLE

849
00:20:09,782 --> 00:20:10,907
KNOWING ABOUT IT.

850
00:20:10,948 --> 00:20:14,235
GREAT, THEN LET'S

851
00:20:10,948 --> 00:20:14,235
NEVER TALK ABOUT IT.

852
00:20:14,277 --> 00:20:15,568
LET'S NEVER TALK ABOUT

853
00:20:14,277 --> 00:20:15,568
ANYTHING.

854
00:20:15,610 --> 00:20:16,734
DONE.

855
00:20:16,775 --> 00:20:18,732
THIS IS BISKO'S AUNT'S

856
00:20:16,775 --> 00:20:18,732
APARTMENT.

857
00:20:18,773 --> 00:20:19,981
MAYBE SHE'S SEEN SOMETHING.

858
00:20:20,023 --> 00:20:21,770
LET'S JUST GET THIS

859
00:20:20,023 --> 00:20:21,770
OVER WITH.

860
00:20:26,974 --> 00:20:28,056
YES?

861
00:20:28,098 --> 00:20:29,387
IT'S BISKO. FIRE ESCAPE.

862
00:20:29,429 --> 00:20:30,469
I'LL CUT HIM OFF

863
00:20:29,429 --> 00:20:30,469
AT THE BACK.

864
00:20:34,092 --> 00:20:35,506
POLICE! NYPD!

865
00:20:46,412 --> 00:20:47,411
HEY!

866
00:20:54,362 --> 00:20:58,026
ALEXEI BISKO,

867
00:20:54,362 --> 00:20:58,026
YOU'RE UNDER ARREST.

868
00:20:59,524 --> 00:21:00,481
YOU OKAY?

869
00:21:00,523 --> 00:21:02,187
YEAH.

870
00:21:02,229 --> 00:21:03,270
THANKS FOR HAVING MY BACK.

871
00:21:03,311 --> 00:21:04,894
YOU DON'T HAVE TO THANK ME.

872
00:21:04,936 --> 00:21:07,142
I'VE ALWAYS GOT YOUR BACK.

873
00:21:07,182 --> 00:21:09,057
LOOK, THIS WHOLE THING

874
00:21:07,182 --> 00:21:09,057
HAS BEEN SO STUPID.

875
00:21:09,099 --> 00:21:10,638
RIGHT?

876
00:21:10,680 --> 00:21:11,637
ARE WE FRIENDS AGAIN?

877
00:21:11,679 --> 00:21:12,678
NO.

878
00:21:14,467 --> 00:21:15,716
WE'RE BROTHERS.

879
00:21:15,758 --> 00:21:17,007
GAH, THAT WAS TERRIFYING!

880
00:21:17,049 --> 00:21:18,421
DON'T PAUSE LIKE THAT.

881
00:21:18,463 --> 00:21:19,921
LOOK, BROTHERS FIGHT,

882
00:21:19,963 --> 00:21:20,962
BUT AT THE END OF THE DAY,

883
00:21:21,003 --> 00:21:23,667
THEY'RE ALWAYS THERE

884
00:21:21,003 --> 00:21:23,667
FOR EACH OTHER.

885
00:21:23,708 --> 00:21:24,916
MY BROTHER HAD SEX

886
00:21:23,708 --> 00:21:24,916
WITH MY WIFE,

887
00:21:24,958 --> 00:21:27,081
AND THEN HE RAN

888
00:21:24,958 --> 00:21:27,081
TO THE FLORIDA KEYS.

889
00:21:27,122 --> 00:21:29,037
ONE DAY I'LL FINISH HIM.

890
00:21:29,079 --> 00:21:30,493
JUST BE ARRESTED, MAN.

891
00:21:30,535 --> 00:21:32,117
WE'RE TRYING TO HAVE

892
00:21:30,535 --> 00:21:32,117
A MOMENT HERE.

893
00:21:32,157 --> 00:21:34,197
NOT A DOCTOR.

894
00:21:32,157 --> 00:21:34,197
SHH.