1 00:00:02,466 --> 00:00:03,550 OH! 2 00:00:03,633 --> 00:00:05,135 OH, IT'S ON AGAIN! 3 00:00:05,218 --> 00:00:06,720 CAN WE NOT WATCH THIS? 4 00:00:06,803 --> 00:00:08,180 SHH! 5 00:00:08,263 --> 00:00:09,765 Folks, This ever happen to you? 6 00:00:09,848 --> 00:00:11,767 You go to the refrigerator to get a glass of milk 7 00:00:11,850 --> 00:00:15,229 but these darn cartons are so flingin'-flangin' hard to open? 8 00:00:15,312 --> 00:00:17,231 You said it, Mike. 9 00:00:17,314 --> 00:00:19,566 Oh! Oh! 10 00:00:19,649 --> 00:00:21,193 There's got to be a better way. 11 00:00:21,276 --> 00:00:22,568 And there is, Kevin. 12 00:00:23,653 --> 00:00:25,406 CAN WE PLEASE TURN THIS OFF? 13 00:00:25,489 --> 00:00:27,032 NO WAY, KEVIN. 14 00:00:27,115 --> 00:00:28,533 What if I told you that there's 15 00:00:28,616 --> 00:00:30,994 a revolutionary new product that guarantees 16 00:00:31,077 --> 00:00:33,956 you'll never have to open up milk cartons again? 17 00:00:34,039 --> 00:00:36,500 Meet the Milkmaster 2000! 18 00:00:38,126 --> 00:00:39,628 ARE YOU INTRIGUED? 19 00:00:39,711 --> 00:00:41,338 YOU'RE FLINGIN'-FLANGIN' RIGHT I AM. 20 00:00:42,964 --> 00:00:44,716 He's never used this product before. 21 00:00:44,799 --> 00:00:46,551 You're going to see how easy this is to do. 22 00:00:46,634 --> 00:00:48,137 Go ahead. 23 00:00:48,220 --> 00:00:50,013 This works in any milk carton. 24 00:00:50,096 --> 00:00:51,473 Wow, it is easy. 25 00:00:51,556 --> 00:00:54,142 Now I can have milk every day. 26 00:01:46,945 --> 00:01:47,988 WELL, IT'S OFFICIAL… 27 00:01:48,071 --> 00:01:49,614 THERE ARE NO GOOD MOVIES. 28 00:01:49,697 --> 00:01:52,576 SO LET'S GO TO A BAD ONE AND MAKE OUT. 29 00:01:56,746 --> 00:01:59,208 PERHAPS YOU WOULD LIKE ME TO TURN LIKE THIS 30 00:01:59,291 --> 00:02:02,210 SO YOU CAN BUNNY-BUMP AGAINST MY BACK. 31 00:02:04,546 --> 00:02:05,714 HEY, MAN. WHAT'S UP? 32 00:02:05,797 --> 00:02:07,216 MAYBE YOU CAN TELL ME. 33 00:02:07,299 --> 00:02:09,468 MY AGENT WOULD LIKE TO KNOW WHY I DIDN'T SHOW UP 34 00:02:09,551 --> 00:02:11,261 AT THE AUDITION I DIDN'T KNOW I HAD TODAY… 35 00:02:11,344 --> 00:02:13,180 THE FIRST GOOD THING SHE GETS ME IN WEEKS. 36 00:02:13,263 --> 00:02:15,224 HOW COULD YOU NOT GIVE ME THE MESSAGE? 37 00:02:15,307 --> 00:02:18,477 WELL, I TELL YOU, I DO ENJOY GUILT… 38 00:02:18,560 --> 00:02:20,270 BUT, UH, IT WASN'T ME. 39 00:02:20,353 --> 00:02:21,729 YES, IT WAS. IT WAS HIM. UH-HUH. 40 00:02:24,149 --> 00:02:25,733 OKAY, IT WAS ME. 41 00:02:27,360 --> 00:02:28,611 HOW WAS IT YOU? 42 00:02:28,694 --> 00:02:30,322 WELL, IT WAS ALL SO CRAZY, YOU KNOW. 43 00:02:30,405 --> 00:02:33,367 I MEAN, CHANDLER WAS IN THE CLOSET COUNTING TO TEN 44 00:02:33,450 --> 00:02:37,787 AND HE WAS UP TO SEVEN AND I HADN'T FOUND A PLACE TO HIDE YET. 45 00:02:37,870 --> 00:02:39,456 LOOK, I MEANT TO TELL YOU 46 00:02:39,539 --> 00:02:40,749 AND I WROTE IT ALL DOWN ON MY HAND. 47 00:02:40,832 --> 00:02:42,709 SEE? ALL OF IT. 48 00:02:42,792 --> 00:02:44,711 YEP, THAT'S MY AUDITION. 49 00:02:44,794 --> 00:02:47,881 SEE? NOW THIS IS WHY I KEEP NOTE PADS EVERYWHERE. 50 00:02:47,964 --> 00:02:50,092 YEP, AND THAT'S WHY 51 00:02:50,175 --> 00:02:51,885 WE DON'T INVITE YOU TO PLAY. 52 00:02:51,968 --> 00:02:53,636 WHAT IS THE GREAT TRAGEDY HERE? 53 00:02:53,719 --> 00:02:55,638 YOU GO GET YOURSELF ANOTHER APPOINTMENT. 54 00:02:55,721 --> 00:02:57,266 WELL, ESTELLE TRIED, YOU KNOW. 55 00:02:57,349 --> 00:02:59,935 THE CASTING DIRECTOR TOLD HER I MISSED MY CHANCE. 56 00:03:00,018 --> 00:03:01,353 WELL, THAT IS UNFAIR. 57 00:03:01,436 --> 00:03:02,438 I'LL CALL HER. I'LL TELL HER 58 00:03:02,521 --> 00:03:04,814 IT WAS TOTALLY MY FAULT. 59 00:03:04,897 --> 00:03:07,067 THE CASTING DIRECTOR DOESN'T TALK TO FRIENDS. 60 00:03:07,150 --> 00:03:08,444 SHE ONLY TALKS TO AGENTS. 61 00:03:08,527 --> 00:03:10,778 WHAT A SAD LITTLE LIFE SHE MUST LEAD. 62 00:03:12,155 --> 00:03:13,614 OKAY. OOH. 63 00:03:13,697 --> 00:03:15,033 WHAT ARE YOU DOING? 64 00:03:15,116 --> 00:03:16,535 NO, NO, NO, I KNOW, I KNOW. 65 00:03:16,618 --> 00:03:18,161 OOH. 66 00:03:18,244 --> 00:03:19,620 HI, THIS IS CAITLIN 67 00:03:19,703 --> 00:03:21,081 FROM PHOEBE BUFFAY'S OFFICE. 68 00:03:21,164 --> 00:03:25,710 UM… IS ANNE THERE FOR PHOEBE? 69 00:03:25,793 --> 00:03:28,213 SHE'LL KNOW WHAT IT'S ABOUT. 70 00:03:28,296 --> 00:03:29,881 HANG UP. HANG UP RIGHT… 71 00:03:29,964 --> 00:03:31,133 ANNIE? 72 00:03:31,216 --> 00:03:33,635 ANNIE! HI. 73 00:03:33,718 --> 00:03:35,720 LISTEN, WE'VE GOT A PROBLEM WITH JOEY TRIBBIANI. 74 00:03:35,803 --> 00:03:37,306 APPARENTLY HE MISSED HIS AUDITION. 75 00:03:37,389 --> 00:03:38,515 WHO DID YOU SPEAK TO IN MY OFFICE? 76 00:03:38,598 --> 00:03:39,849 ESTELLE? 77 00:03:39,932 --> 00:03:42,060 I DON'T KNOW WHAT TO DO WITH HER. 78 00:03:42,143 --> 00:03:44,729 SO YOUR HUSBAND LEAVES YOU AND BURNS DOWN THE APARTMENT. 79 00:03:44,812 --> 00:03:47,107 THE WORLD DOES NOT STOP. 80 00:03:47,190 --> 00:03:48,900 IS ANYBODY ELSE SCARED? 81 00:03:48,983 --> 00:03:52,613 RIGHT, WELL, IF JOEY LOSES THIS AUDITION 82 00:03:52,696 --> 00:03:55,282 THEN THAT IS IT FOR ESTELLE. I DON'T CARE. 83 00:03:55,365 --> 00:03:56,825 ANNIE, YOU ARE A DOLL. 84 00:03:56,908 --> 00:03:58,160 WHAT TIME CAN YOU SEE HIM? 85 00:03:58,243 --> 00:03:59,243 I NEED A PEN. 86 00:04:06,084 --> 00:04:08,086 GET THE WOMAN A PAD! GET THE WOMAN A PAD! 87 00:04:08,169 --> 00:04:10,172 A PAD! A PAD! 88 00:04:10,255 --> 00:04:12,298 OH, NOW YOU WANT A PAD. 89 00:04:16,177 --> 00:04:17,720 HEY! 90 00:04:17,803 --> 00:04:22,184 HERE'S MY BOY. HERE'S MY BOY. 91 00:04:22,267 --> 00:04:24,852 AND HERE'S HIS… BARBIE. 92 00:04:30,024 --> 00:04:31,234 WHAT'S UH..? 93 00:04:31,317 --> 00:04:33,320 WHAT'S MY BOY DOING WITH A BARBIE? 94 00:04:33,403 --> 00:04:35,656 HE PICKED IT OUT OF THE TOY STORE HIMSELF. 95 00:04:35,739 --> 00:04:36,990 HE LOVES IT. 96 00:04:37,073 --> 00:04:38,492 HE CARRIES IT EVERYWHERE. 97 00:04:38,575 --> 00:04:39,909 IT'S LIKE A SECURITY BLANKET… 98 00:04:39,992 --> 00:04:42,078 BUT WITH SKI BOOTS AND A KICKY BERET. 99 00:04:43,622 --> 00:04:45,666 YEAH, IT'S… IT'S CUTE. 100 00:04:45,749 --> 00:04:48,585 WHY… WHY DOES HE HAVE IT AGAIN? 101 00:04:48,668 --> 00:04:51,337 SO HE'S GOT A DOLL. SO WHAT? 102 00:04:52,797 --> 00:04:54,966 UNLESS YOU'RE AFRAID 103 00:04:55,049 --> 00:04:58,261 HE'S GOING TO GROW UP TO BE… IN SHOW BUSINESS. 104 00:04:58,344 --> 00:05:00,305 THIS WOULDN'T HAVE ANYTHING TO DO WITH THE FACT 105 00:05:00,388 --> 00:05:04,142 THAT HE'S BEING RAISED BY TWO WOMEN, WOULD IT? 106 00:05:04,225 --> 00:05:05,894 YOU KNOW WHAT? IT'S FINE. 107 00:05:05,977 --> 00:05:08,063 IF YOU'RE OKAY WITH THE BARBIE THING 108 00:05:08,146 --> 00:05:09,523 SO AM I. 109 00:05:09,606 --> 00:05:12,108 GIVE DADDY THE BARBIE. GIVE ME THE BARBIE. 110 00:05:12,191 --> 00:05:15,445 OKAY, HOW ABOUT, DON'T YOU WANT TO PLAY WITH A MONSTER TRUCK? 111 00:05:17,322 --> 00:05:18,615 NO? 112 00:05:18,698 --> 00:05:20,200 OKAY, OOH, OOH, HOW ABOUT 113 00:05:20,283 --> 00:05:22,243 A DINOSOLDIER. 114 00:05:27,290 --> 00:05:29,000 ROSS, YOU ARE SO PATHETIC. 115 00:05:29,083 --> 00:05:32,253 WHY CAN'T YOUR SON JUST PLAY WITH HIS DOLL? 116 00:05:38,510 --> 00:05:40,970 I GOT TO GO TO WORK. 117 00:05:41,053 --> 00:05:43,973 HAS ANYBODY SEEN MY LEFT BOOB? 118 00:05:45,891 --> 00:05:47,435 I LOVED THAT MOVIE. 119 00:05:50,647 --> 00:05:52,399 THERE IT IS. 120 00:05:52,482 --> 00:05:53,774 JOEY, WHAT ARE YOU DOING? 121 00:05:53,857 --> 00:05:55,235 I'M SORRY. 122 00:05:55,318 --> 00:05:56,695 IT JUST FELT NICE. 123 00:05:59,863 --> 00:06:01,658 JOE, JOE, ANSWER THE PHONE. 124 00:06:01,741 --> 00:06:03,326 HEY, I ONLY GOT ONE GOOD ARM. 125 00:06:03,409 --> 00:06:04,745 YOU SHOULD BE DOING STUFF FOR ME. 126 00:06:04,828 --> 00:06:06,996 GO GET ME A SWEATER. 127 00:06:07,079 --> 00:06:09,040 JUST DO IT, OKAY? IT'S JANICE. 128 00:06:09,123 --> 00:06:11,292 IF I GET IT, I'LL HAVE TO SEE HER TONIGHT. 129 00:06:12,585 --> 00:06:13,962 OH, THAT'S GREAT. 130 00:06:14,045 --> 00:06:16,172 I'M GOING TO HAVE TO SEE HER TONIGHT. 131 00:06:16,255 --> 00:06:18,634 WHY DON'T YOU WANT TO SEE JANICE? 132 00:06:18,717 --> 00:06:20,801 LAST NIGHT AT DINNER, WHEN THE MEALS CAME 133 00:06:20,884 --> 00:06:23,179 SHE PUT HALF HER CHICKEN PICCATA ON MY PLATE 134 00:06:23,262 --> 00:06:26,015 AND THEN SHE TOOK ALL MY TOMATOES. 135 00:06:27,891 --> 00:06:30,270 AND THAT'S BAD BECAUSE… 136 00:06:30,353 --> 00:06:32,522 YOU HATE CHICKEN PICCATA? 137 00:06:32,605 --> 00:06:34,274 NO. 138 00:06:34,357 --> 00:06:36,067 YOU DIDN'T WANT TO SHARE YOUR TOMATOES. 139 00:06:36,150 --> 00:06:38,861 TOMATOES ARE VERY IMPORTANT TO YOU. 140 00:06:38,944 --> 00:06:40,863 NO, ALL OF A SUDDEN, WE WERE THIS COUPLE. 141 00:06:40,946 --> 00:06:43,325 THIS ALARM STARTED GOING OFF IN MY HEAD… 142 00:06:43,408 --> 00:06:46,035 "RUN FOR YOUR LIFE! GET OUT OF THE BUILDING!" 143 00:06:46,118 --> 00:06:49,372 OH, MEN ARE UNBELIEVABLE. 144 00:06:49,455 --> 00:06:51,291 WHAT IS IT WITH YOU PEOPLE? 145 00:06:51,374 --> 00:06:52,959 THE MINUTE YOU FEEL SOMETHING 146 00:06:53,042 --> 00:06:54,461 YOU HAVE TO RUN AWAY? 147 00:06:54,544 --> 00:06:56,379 I KNOW, THAT… 148 00:06:56,462 --> 00:06:58,923 THAT'S WHY I DON'T WANT TO GO TONIGHT. 149 00:06:59,006 --> 00:07:02,885 I'M AFRAID I'M GOING TO SAY SOMETHING STUPID. 150 00:07:02,968 --> 00:07:04,346 OH, YOU MEAN LIKE THAT GUY THING 151 00:07:04,429 --> 00:07:05,930 WHERE YOU ACT ALL MEAN AND DISTANT 152 00:07:06,013 --> 00:07:08,057 UNTIL YOU GET US TO BREAK UP WITH YOU. 153 00:07:08,140 --> 00:07:09,517 HEY, YOU KNOW ABOUT THAT? 154 00:07:11,185 --> 00:07:12,813 ALL RIGHT, LOOK, WHAT DO I DO? I WANT TO GET PAST THIS. 155 00:07:12,896 --> 00:07:15,774 I DON'T WANT TO BE AFRAID OF THE COMMITMENT THING. 156 00:07:15,857 --> 00:07:16,983 I WANT TO GO THROUGH THE TUNNEL 157 00:07:17,066 --> 00:07:18,359 TO THE OTHER SIDE. 158 00:07:20,236 --> 00:07:21,987 WHERE THERE'S NO FEAR OF COMMITMENT. 159 00:07:23,573 --> 00:07:25,074 SO DO WE HAVE ANY..? 160 00:07:29,954 --> 00:07:31,456 DO WE HAVE ANY THOUGHTS HERE? 161 00:07:31,539 --> 00:07:33,792 I'VE NEVER BEEN THROUGH THE TUNNEL MYSELF 162 00:07:33,875 --> 00:07:35,168 'CAUSE AS I UNDERSTAND IT, YOU'RE NOT ALLOWED 163 00:07:35,251 --> 00:07:36,169 TO GO THROUGH WITH MORE THAN ONE GIRL 164 00:07:36,252 --> 00:07:37,962 IN THE CAR, RIGHT? 165 00:07:40,047 --> 00:07:41,424 BUT IT SEEMS TO ME 166 00:07:41,507 --> 00:07:43,176 IT'S PRETTY MUCH LIKE ANYTHING ELSE, YOU KNOW? 167 00:07:43,259 --> 00:07:44,720 FACE YOUR FEAR. 168 00:07:44,803 --> 00:07:46,179 YOU HAVE A FEAR OF HEIGHTS? 169 00:07:46,262 --> 00:07:48,014 YOU GO TO THE TOP OF THE BUILDING. 170 00:07:48,097 --> 00:07:50,600 YOU'RE AFRAID OF BUGS? 171 00:07:50,683 --> 00:07:51,976 GET A BUG. 172 00:07:53,060 --> 00:07:54,563 RIGHT? 173 00:07:54,646 --> 00:07:56,565 IN THIS CASE, YOU HAVE A FEAR OF COMMITMENT. 174 00:07:56,648 --> 00:07:58,983 SO I SAY YOU GO IN THERE AND YOU BE 175 00:07:59,066 --> 00:08:01,194 THE MOST COMMITTED GUY THERE EVER WAS. 176 00:08:01,277 --> 00:08:03,655 AMAZINGLY, THAT MAKES SENSE. 177 00:08:03,738 --> 00:08:04,989 DO YOU THINK? 178 00:08:05,072 --> 00:08:06,658 OH, YEAH. GO FOR IT, MAN. 179 00:08:06,741 --> 00:08:08,577 JUMP OFF THE HIGH DIVE 180 00:08:08,660 --> 00:08:10,662 STARE DOWN THE BARREL OF THE GUN. 181 00:08:10,745 --> 00:08:12,163 PEE INTO THE WIND. 182 00:08:14,499 --> 00:08:15,917 JOE, I ASSURE YOU, IF I'M STARING DOWN 183 00:08:16,000 --> 00:08:17,960 THE BARREL OF A GUN, I'M GOING TO BE PRETTY MUCH 184 00:08:18,043 --> 00:08:19,128 PEEING EVERY WHICH WAY. 185 00:08:24,801 --> 00:08:27,470 OH, IT'S YOUR AUDITION FROM THIS MORNING! 186 00:08:27,553 --> 00:08:29,514 CAN I USE THE PHONE AGAIN? 187 00:08:29,597 --> 00:08:31,516 SURE, PHEEBS, THAT'S WHAT IT'S THERE FOR… 188 00:08:31,599 --> 00:08:34,226 EMERGENCIES AND PRETEND AGENTS. 189 00:08:35,311 --> 00:08:38,022 COME ON, BABY, COME ON. 190 00:08:38,105 --> 00:08:40,442 HI. I HAVE PHOEBE BUFFAY 191 00:08:40,525 --> 00:08:41,943 RETURNING A PAGE. 192 00:08:42,026 --> 00:08:43,820 WELL, SHE'S IN HER CAR. 193 00:08:43,903 --> 00:08:45,697 I'LL HAVE TO PATCH YOU THROUGH. 194 00:08:45,780 --> 00:08:47,657 VERY NICE TOUCH. 195 00:08:48,950 --> 00:08:50,242 OKAY, GO AHEAD. 196 00:08:52,244 --> 00:08:53,872 TALK TO HER. 197 00:08:53,955 --> 00:08:55,206 HI, ANNIE? 198 00:08:55,289 --> 00:08:56,249 FANTASTIC. 199 00:08:56,332 --> 00:08:57,333 YOU GOT IT! 200 00:09:00,003 --> 00:09:01,254 OH, OKAY. 201 00:09:01,337 --> 00:09:03,423 WILL HE WORK FOR SCALE, YOU ASK ME? 202 00:09:03,506 --> 00:09:04,883 I DON'T KNOW ABOUT THAT. 203 00:09:04,966 --> 00:09:07,761 EXCEPT THAT I DO, AND HE WILL. 204 00:09:07,844 --> 00:09:10,096 GREAT. YOU ARE SUCH A SWEETHEART. 205 00:09:10,179 --> 00:09:12,474 I WOULD LOVE TO HAVE LUNCH WITH YOU. 206 00:09:12,557 --> 00:09:15,685 HOW ABOUT WE HAVE LUNCH NEXT… 207 00:09:15,768 --> 00:09:17,896 WENT THROUGH A TUNNEL. 208 00:09:17,979 --> 00:09:19,648 UNBELIEVABLE. 209 00:09:19,731 --> 00:09:21,942 THANK YOU SO MUCH. 210 00:09:22,025 --> 00:09:23,276 HEY, IT WAS REALLY FUN. 211 00:09:23,359 --> 00:09:26,112 I'VE NEVER TALKED ON A CAR PHONE BEFORE. 212 00:09:26,195 --> 00:09:27,739 YOU WERE SO AMAZING. 213 00:09:27,822 --> 00:09:29,449 COULD YOU DO ME THIS HUGE FAVOR? 214 00:09:29,532 --> 00:09:31,785 THERE'S THIS ONE OTHER AUDITION I REALLY WANT. 215 00:09:31,868 --> 00:09:33,286 ESTELLE COULDN'T GET ME IN. 216 00:09:33,369 --> 00:09:35,997 I DON'T KNOW. IT WAS FUN ONE TIME BUT… 217 00:09:36,080 --> 00:09:37,332 COME ON, PLEASE? 218 00:09:37,415 --> 00:09:39,000 IT WOULD JUST BE THIS ONE MORE. 219 00:09:39,083 --> 00:09:40,293 WELL, ACTUALLY IT'S TWO. 220 00:09:40,376 --> 00:09:41,670 TWO? YEAH. 221 00:09:41,753 --> 00:09:43,379 WELL, REALLY IT'S THREE. 222 00:09:43,462 --> 00:09:45,131 PLEASE? YOU'RE SO GOOD AT IT. 223 00:09:45,214 --> 00:09:48,176 I LOVE YOU. 224 00:09:48,259 --> 00:09:50,303 OKAY, I'LL DO IT. BUT JUST THESE THREE, RIGHT? 225 00:09:50,386 --> 00:09:51,763 NO, IT'S FOUR. 226 00:09:56,059 --> 00:09:58,353 SO HOW COME YOU WANTED TO EAT IN TONIGHT? 227 00:09:58,436 --> 00:10:00,981 BECAUSE I WANTED TO, UH… 228 00:10:01,064 --> 00:10:03,274 GIVE… GIVE YOU THIS. 229 00:10:03,357 --> 00:10:06,986 OH, ARE YOU A PUPPY. 230 00:10:11,449 --> 00:10:14,995 CONTACT PAPER. 231 00:10:15,078 --> 00:10:16,162 YOU NEVER REALLY KNOW WHAT TO SAY 232 00:10:16,245 --> 00:10:17,455 WHEN SOMEONE YOU'RE SLEEPING WITH 233 00:10:17,538 --> 00:10:19,415 GIVES YOU CONTACT PAPER. 234 00:10:19,498 --> 00:10:21,001 WELL, WAIT, THERE'S MORE. 235 00:10:21,084 --> 00:10:23,252 SEE, THE CONTACT PAPER IS TO GO IN… 236 00:10:24,837 --> 00:10:27,465 YOUR BRAND NEW DRAWER. 237 00:10:29,508 --> 00:10:31,928 SEE, THE DRAWER ACTUALLY GOES IN MY DRESSER. 238 00:10:32,011 --> 00:10:35,598 OH, YOU DIDN'T HAVE TO DO THIS. 239 00:10:35,681 --> 00:10:38,309 YES, I DID. 240 00:10:38,392 --> 00:10:39,978 BECAUSE YOU'RE MY GIRLFRIEND. 241 00:10:40,061 --> 00:10:42,688 AND THAT'S WHAT GIRLFRIENDS SHOULD GET. 242 00:10:44,356 --> 00:10:47,568 OH, WELL, I GOT TO BUY A VOWEL… 243 00:10:49,112 --> 00:10:51,948 BECAUSE "O" MY GOD! 244 00:10:53,074 --> 00:10:54,617 WHO WOULD HAVE THOUGHT 245 00:10:54,700 --> 00:10:58,579 THAT SOMEDAY CHANDLER BING WOULD BUY ME A DRAWER? 246 00:10:59,664 --> 00:11:01,791 WELL, NOT ME. 247 00:11:01,874 --> 00:11:03,877 BUT THAT'S WHAT'S HAPPENED. 248 00:11:03,960 --> 00:11:06,420 AND… AND THERE'S MORE. 249 00:11:07,839 --> 00:11:09,758 WE SHOULD TAKE A TRIP. 250 00:11:09,841 --> 00:11:11,342 WE SHOULD? 251 00:11:11,425 --> 00:11:14,554 YEP. WE'RE A COUPLE, AND THAT'S WHAT COUPLES DO. 252 00:11:14,637 --> 00:11:17,515 AND I WANT TO MEET YOUR PARENTS. 253 00:11:17,598 --> 00:11:20,434 WE SHOULD TAKE A TRIP WITH YOUR PARENTS. 254 00:11:23,437 --> 00:11:25,899 I DON'T THINK WE NEED TO 255 00:11:25,982 --> 00:11:29,318 BECAUSE YOU'RE TRIPPING ME OUT RIGHT NOW. 256 00:11:29,401 --> 00:11:30,737 ARE YOU OKAY? 257 00:11:30,820 --> 00:11:32,196 I AM. 258 00:11:32,279 --> 00:11:33,531 I ACTUALLY AM. 259 00:11:33,614 --> 00:11:34,991 I MEAN, THIS IS AMAZING. 260 00:11:35,074 --> 00:11:37,368 MY ENTIRE LIFE, I HAVE FEARED THIS PLACE. 261 00:11:37,451 --> 00:11:38,703 AND NOW THAT I'M HERE 262 00:11:38,786 --> 00:11:41,414 IT'S LIKE, WHAT WAS THE BIG DEAL? 263 00:11:41,497 --> 00:11:43,833 I MEAN, I COULD PROBABLY SAY, "LET'S MOVE IN TOGETHER" 264 00:11:43,916 --> 00:11:45,251 AND I'D BE OKAY. 265 00:11:45,334 --> 00:11:48,128 YOU PROBABLY WANT US TO MOVE IN TOGETHER? 266 00:11:48,211 --> 00:11:50,298 IT DOESN'T SCARE ME. 267 00:11:50,381 --> 00:11:52,216 YEAH, WELL, IT SCARES ME. 268 00:11:52,299 --> 00:11:54,844 I MEAN, I'M NOT EVEN DIVORCED YET, CHANDLER. 269 00:11:54,927 --> 00:11:56,679 YOU JUST INVITED ME OVER FOR PASTA. 270 00:11:56,762 --> 00:11:59,933 ALL OF A SUDDEN YOU'RE TALKING ABOUT MOVING IN TOGETHER. 271 00:12:00,016 --> 00:12:01,309 I WASN'T EVEN THAT HUNGRY. 272 00:12:01,392 --> 00:12:03,269 YOU KNOW WHAT? 273 00:12:03,352 --> 00:12:06,230 IT'S GETTING REALLY LATE AND I SHOULD JUST… 274 00:12:06,313 --> 00:12:07,941 NO, DON'T GO. I'VE SCARED YOU. 275 00:12:08,024 --> 00:12:09,442 I'VE SAID TOO MUCH. 276 00:12:09,525 --> 00:12:11,819 I'M HOPELESS AND AWKWARD AND DESPERATE FOR LOVE. 277 00:12:19,618 --> 00:12:21,454 HEY, JANICE, IT'S ME. 278 00:12:21,537 --> 00:12:24,415 UM… YEAH, I JUST WANTED TO APOLOGIZE IN ADVANCE 279 00:12:24,498 --> 00:12:26,876 FOR HAVING CHASED YOU DOWN THE STREET. 280 00:12:26,959 --> 00:12:28,836 BYE-BYE. 281 00:12:33,841 --> 00:12:37,053 HERE YOU GO, HONEY. THIS WILL HELP. 282 00:12:37,136 --> 00:12:38,638 SO I CATCH UP TO HER 283 00:12:38,721 --> 00:12:40,431 AND SHE SAYS THIS RELATIONSHIP'S GOING TOO FAST 284 00:12:40,514 --> 00:12:41,641 AND WE HAVE TO SLOW DOWN. 285 00:12:41,724 --> 00:12:44,519 EWW, THAT IS NEVER GOOD. 286 00:12:44,602 --> 00:12:46,896 THEN I GOT ALL… 287 00:12:46,979 --> 00:12:49,816 NEEDY AND CLINGY. 288 00:12:49,899 --> 00:12:50,942 OKAY. NOW WAIT A MINUTE. WAIT A MINUTE. WAIT. 289 00:12:51,025 --> 00:12:51,985 MAYBE IT'S NOT SO BAD. 290 00:12:52,068 --> 00:12:53,111 HOW DID YOU LEAVE IT? 291 00:12:53,194 --> 00:12:54,278 SHE SAID SHE'D CALL ME. 292 00:12:54,361 --> 00:12:56,906 OH! OH! 293 00:12:56,989 --> 00:12:58,533 OH, GOD. 294 00:12:58,616 --> 00:13:01,326 WELCOME TO OUR SIDE OF THE TUNNEL. 295 00:13:02,661 --> 00:13:05,331 THIS ICE CREAM TASTES LIKE CRAP BY THE WAY. 296 00:13:05,414 --> 00:13:08,918 YEAH. WELL, THAT'S THAT LOW-CAL, NON-DAIRY SOY MILK JUNK. 297 00:13:09,001 --> 00:13:12,254 WE SAVE THE REAL STUFF FOR THE TRULY TERMINAL CASES. 298 00:13:12,337 --> 00:13:15,215 WHEN YOU START GETTING SCREWED OVER ALL THE TIME 299 00:13:15,298 --> 00:13:16,676 YOU GOTTA SWITCH TO LOW-FAT. 300 00:13:16,759 --> 00:13:18,761 YEAH, YOU DO. 301 00:13:18,844 --> 00:13:21,014 SO, YOU… YOU DON'T THINK I'M TERMINAL? 302 00:13:21,097 --> 00:13:23,474 NO. NOT AT ALL. YOU'RE NOT TERMINAL. 303 00:13:23,557 --> 00:13:25,601 YOU JUST NEED SOME DAMAGE CONTROL. 304 00:13:25,684 --> 00:13:27,603 OKAY. OKAY. SO, SHOULD I CALL HER? 305 00:13:27,686 --> 00:13:29,021 NO! NO! 306 00:13:30,522 --> 00:13:32,150 IT'S A VERY CRITICAL TIME NOW. 307 00:13:32,233 --> 00:13:34,694 IF YOU FEEL YOURSELF REACHING 308 00:13:34,777 --> 00:13:36,946 YOU GO SHOE SHOPPING, GET YOUR BUTT IN A BUBBLE BATH. 309 00:13:37,029 --> 00:13:40,658 IF YOU WANT HER BACK, YOU MUST START ACTING ALOOF. 310 00:13:40,741 --> 00:13:42,911 SHE HAS TO KNOW YOU'RE NOT NEEDY. 311 00:13:42,994 --> 00:13:45,121 RIGHT. SO, WHAT YOU HAVE TO DO IS 312 00:13:45,204 --> 00:13:48,208 YOU HAVE TO ACCIDENTALLY RUN INTO HER ON PURPOSE 313 00:13:48,291 --> 00:13:50,042 AND THEN ACT ALOOF. 314 00:13:51,669 --> 00:13:53,629 SO, I'M NOT GOING TO LOSE HER? 315 00:13:53,712 --> 00:13:55,423 OH, HONEY 316 00:13:55,506 --> 00:13:57,008 YOU'RE NOT A TOTAL LOSER. 317 00:14:00,178 --> 00:14:02,847 I SAID, "SO, I'M NOT GOING TO LOSE HER?" 318 00:14:03,973 --> 00:14:04,973 OH. 319 00:14:10,521 --> 00:14:11,773 GUESS WHO'S HERE. 320 00:14:11,856 --> 00:14:14,943 IT'S THE TOUGHEST GUY IN TOYLAND, BEN. 321 00:14:19,071 --> 00:14:21,824 DROP THE BARBIE. 322 00:14:21,907 --> 00:14:23,451 G.I. JOE? 323 00:14:23,534 --> 00:14:25,619 YOU REALLY THINK HE'S GOING TO FALL FOR THAT? 324 00:14:26,662 --> 00:14:27,622 G.I. JOE? 325 00:14:27,705 --> 00:14:29,081 COOL. CAN I PLAY? 326 00:14:31,500 --> 00:14:33,294 LOOK, BEN, IT'S THE TOY THAT PROTECTS 327 00:14:33,377 --> 00:14:36,214 U.S. OIL INTERESTS OVERSEAS. 328 00:14:36,297 --> 00:14:37,381 GO, JOE! GO, JOE! 329 00:14:39,217 --> 00:14:40,384 HELLO… OH. 330 00:14:40,467 --> 00:14:41,594 PHOEBE, THERE YOU ARE. 331 00:14:41,677 --> 00:14:42,845 NO. IT'S NOT. SORRY. 332 00:14:42,928 --> 00:14:44,305 BUT, PHOEBE, WAIT. WAIT. 333 00:14:44,388 --> 00:14:45,347 PHOEBE. PHOEBE. 334 00:14:45,430 --> 00:14:46,641 OH, JOEY. 335 00:14:46,724 --> 00:14:48,101 OH, OKAY. 336 00:14:48,184 --> 00:14:50,853 SEE, I DIDN'T RECOGNIZE YOU IN THOSE… PANTS. 337 00:14:52,271 --> 00:14:54,565 LISTEN, THAT TV MOVIE I WENT IN FOR… 338 00:14:54,648 --> 00:14:56,358 DID YOU HEAR ANYTHING? I THINK I GOT A SHOT AT IT. 339 00:14:56,441 --> 00:14:58,987 YES. THEY CALLED. YOU DIDN'T GET IT. 340 00:14:59,070 --> 00:15:01,906 OKAY? I MEAN, YOU DIDN'T GET IT. 341 00:15:01,989 --> 00:15:04,200 I'M SORRY. I'M SORRY. 342 00:15:04,283 --> 00:15:06,202 THAT'S OKAY. THESE THINGS HAPPEN. 343 00:15:06,285 --> 00:15:08,204 BUT THEY SHOULDN'T HAPPEN. 344 00:15:08,287 --> 00:15:09,872 YOU KNOW WHAT? 345 00:15:09,955 --> 00:15:13,668 YOU'RE IN A TERRIBLE, TERRIBLE BUSINESS. 346 00:15:13,751 --> 00:15:15,044 OH, GOD, I DON'T WANT TO BE THE PERSON WHO MAKES 347 00:15:15,127 --> 00:15:16,879 YOUR FACE LOOK LIKE THAT. 348 00:15:16,962 --> 00:15:20,549 I'M… I'M OKAY. SEE? 349 00:15:20,632 --> 00:15:23,886 NOW YOU'RE SAD AND CREEPY. 350 00:15:23,969 --> 00:15:26,181 YOU KNOW WHAT? I'M SORRY. I QUIT. OKAY? 351 00:15:26,264 --> 00:15:30,059 NO, NO. YOU CAN'T QUIT. YOU'RE THE BEST AGENT I EVER HAD. 352 00:15:30,142 --> 00:15:31,227 LOOK, PHEEBS 353 00:15:31,310 --> 00:15:32,812 REJECTION IS PART OF BEING AN ACTOR. 354 00:15:32,895 --> 00:15:33,813 YOU CAN'T TAKE IT PERSONAL. 355 00:15:33,896 --> 00:15:35,231 NOT PERSONAL? REALLY? 356 00:15:35,314 --> 00:15:37,066 THEY SAID THEY'D MET AN ITALIAN ACTOR 357 00:15:37,149 --> 00:15:38,526 WITH A WORSE ITALIAN ACCENT. 358 00:15:38,609 --> 00:15:40,611 THEY ACTUALLY SAID THAT? 359 00:15:40,694 --> 00:15:42,322 YEAH. OH, GOD, THERE'S THAT FACE AGAIN. 360 00:15:42,405 --> 00:15:44,782 SEE? I CAN'T DO THIS JOB. 361 00:15:44,865 --> 00:15:47,243 SEE, THIS IS WHY YOU HAVE TO DO THIS JOB. 362 00:15:47,326 --> 00:15:48,661 AGENTS ALWAYS LIE. 363 00:15:48,744 --> 00:15:50,288 YOU KNOW, ESTELLE JUST SAYS STUFF LIKE 364 00:15:50,371 --> 00:15:53,541 "THEY WENT ANOTHER WAY," BUT THIS… I CAN USE THIS. 365 00:15:53,624 --> 00:15:56,878 I CAN-A WORK ON-A YOU ACACENTAY. 366 00:15:56,961 --> 00:15:58,046 YEAH. OKAY. 367 00:15:58,129 --> 00:16:01,049 NO, IF IT HELPS YOU, OKAY, YEAH. 368 00:16:01,132 --> 00:16:03,259 YOU'LL NEVER GET ME, JOE. 369 00:16:17,398 --> 00:16:18,398 NO, THANK YOU. 370 00:16:21,360 --> 00:16:22,445 CHANDLER. 371 00:16:23,487 --> 00:16:25,781 HELLO… JANICE. 372 00:16:28,117 --> 00:16:30,245 WHAT ARE YOU DOING HERE? 373 00:16:30,328 --> 00:16:31,913 OH, JUST A BIT OF SHOPPING. 374 00:16:31,996 --> 00:16:33,497 HOW'VE YOU BEEN? 375 00:16:35,458 --> 00:16:38,336 ARE YOU BEING BRITISH? 376 00:16:38,419 --> 00:16:41,714 NO. NOT ANYMORE. 377 00:16:41,797 --> 00:16:43,132 WHY ARE YOU SHOPPING HERE? 378 00:16:43,215 --> 00:16:45,551 YOU DON'T LIVE IN THIS NEIGHBORHOOD. 379 00:16:45,634 --> 00:16:47,511 WERE YOU HERE WAITING FOR ME? 380 00:16:48,512 --> 00:16:51,849 YA-HUH. 381 00:16:51,932 --> 00:16:52,975 I'M JUST, UH, YOU KNOW, 382 00:16:53,058 --> 00:16:55,602 PICKING UP SOME THINGS FOR A PARTY. 383 00:16:58,272 --> 00:16:59,941 BARLEY? 384 00:17:00,024 --> 00:17:02,151 WHAT KIND OF A PARTY SERVES BARLEY? 385 00:17:02,234 --> 00:17:03,694 WELL, I'M SORRY IF MY FRIENDS 386 00:17:03,777 --> 00:17:05,529 AREN'T AS SOPHISTICATED AS YOURS. 387 00:17:07,031 --> 00:17:08,366 WHERE IS THIS PARTY? 388 00:17:08,449 --> 00:17:09,450 HERE IN CHELSEA. 389 00:17:09,533 --> 00:17:11,411 WHOSE PARTY IS IT? 390 00:17:11,494 --> 00:17:12,954 A WOMAN'S. 391 00:17:13,037 --> 00:17:14,038 WHAT WOMAN? 392 00:17:15,498 --> 00:17:18,459 CHELSEA. 393 00:17:18,542 --> 00:17:20,295 OKAY. YOU KNOW ONE OF TWO THINGS IS HAPPENING HERE. 394 00:17:20,378 --> 00:17:22,422 EITHER YOU'RE SEEING SOMEBODY BEHIND MY BACK 395 00:17:22,505 --> 00:17:24,799 WHICH WOULD MAKE YOU THE BIGGEST JERK ON THE PLANET 396 00:17:24,882 --> 00:17:26,675 OR PRETENDING YOU'RE SEEING SOMEBODY 397 00:17:26,758 --> 00:17:28,510 WHICH JUST MAKES YOU SO PATHETIC 398 00:17:28,593 --> 00:17:30,972 I COULD START CRYING HERE IN THE CEREAL AISLE. 399 00:17:31,055 --> 00:17:35,268 SO, LIKE WHICH OF THESE TWO GUYS DO YOU WANT TO BE? 400 00:17:35,351 --> 00:17:37,561 COULD I BE THAT GUY? 401 00:17:40,356 --> 00:17:42,317 OKAY, SO WE GOT SOME MORE GOOD REJECTIONS… 402 00:17:42,400 --> 00:17:45,027 LOTS OF STUFF TO WORK ON. 403 00:17:45,110 --> 00:17:46,570 OH. OKAY, SHOOT. 404 00:17:46,653 --> 00:17:49,031 OKAY. UM, OH, THE ZOO COMMERCIAL. 405 00:17:49,114 --> 00:17:50,366 I DIDN'T GET IT? 406 00:17:50,449 --> 00:17:51,993 NO. THEY SAID THAT YOU 407 00:17:52,076 --> 00:17:55,121 "WEREN'T BELIEVABLE AS A HUMAN BEING." 408 00:17:55,204 --> 00:17:58,833 SO, YOU CAN WORK ON THAT. 409 00:17:58,916 --> 00:18:01,252 OKAY. UH, WHAT ELSE? 410 00:18:01,335 --> 00:18:03,129 UM, THE OFF-BROADWAY PLAY PEOPLE SAID 411 00:18:03,212 --> 00:18:04,380 THAT YOU WERE PRETTY BUT DUMB. 412 00:18:04,463 --> 00:18:06,674 OH. OH, NO. WAIT. I'M SORRY. 413 00:18:06,757 --> 00:18:08,884 THAT'S "PRETTY DUMB." 414 00:18:08,967 --> 00:18:11,346 LOOK, THAT'S OKAY. NO, NO, NO. REALLY. 415 00:18:11,429 --> 00:18:14,390 LOOK, UM, I REALLY APPRECIATE THIS, PHEEBS 416 00:18:14,473 --> 00:18:16,184 BUT… I THINK I'M GOING 417 00:18:16,267 --> 00:18:18,394 TO HAVE TO GO BACK TO ESTELLE. 418 00:18:18,477 --> 00:18:20,188 OH. DON'T GET ME WRONG. 419 00:18:20,271 --> 00:18:23,107 YOU'RE A BETTER AGENT THAN SHE IS, BUT WITH HER 420 00:18:23,190 --> 00:18:26,277 I DON'T WANT TO BLOW MY PRETTY DUMB BRAINS OUT. 421 00:18:27,528 --> 00:18:29,447 YEAH. I KNOW. I UNDERSTAND. 422 00:18:29,530 --> 00:18:30,823 YOU DO? THANKS. YEAH. 423 00:18:30,906 --> 00:18:32,533 OKAY. SORRY. 424 00:18:36,328 --> 00:18:37,372 WAIT A MINUTE. WHAT? 425 00:18:37,455 --> 00:18:38,706 WAIT A MINUTE. 426 00:18:38,789 --> 00:18:40,500 DID YOU JUST MAKE ALL THAT STUFF UP 427 00:18:40,583 --> 00:18:41,625 TO GET OUT OF BEING MY AGENT? 428 00:18:41,708 --> 00:18:43,919 OOH, YOU CAUGHT ME. 429 00:18:44,002 --> 00:18:45,003 HUH. 430 00:18:46,547 --> 00:18:49,384 I AM SO BUSTED. 431 00:18:49,467 --> 00:18:52,470 THAT'S-A WHAT I SUSPECTED-A. 432 00:18:52,553 --> 00:18:54,638 HUH? 433 00:18:54,721 --> 00:18:57,308 AND THEN I JUST, YOU KNOW… 434 00:18:57,391 --> 00:18:58,851 THREW THE BAG OF BARLEY AT HER 435 00:18:58,934 --> 00:19:01,645 AND RAN OUT OF THE STORE. 436 00:19:01,728 --> 00:19:02,980 OH, MY GOD, CHANDLER. 437 00:19:03,063 --> 00:19:05,566 WE SAID, "BE ALOOF," NOT, "A DOOF." 438 00:19:07,359 --> 00:19:10,154 I'VE ACTUALLY RUINED THIS, HAVEN'T I? 439 00:19:11,572 --> 00:19:13,824 IT'S TIME FOR THE GOOD ICE CREAM, RIGHT? 440 00:19:13,907 --> 00:19:14,825 YEAH, IT IS. 441 00:19:14,908 --> 00:19:15,951 OKAY. 442 00:19:16,034 --> 00:19:18,329 YOU KNOW WHAT? 443 00:19:18,412 --> 00:19:19,788 EVERYTHING'S GOING TO BE OKAY. 444 00:19:22,791 --> 00:19:23,959 HELLO. 445 00:19:24,042 --> 00:19:25,503 HI, JANICE. 446 00:19:25,586 --> 00:19:28,339 CAN YOU HOLD ON FOR A SECOND? 447 00:19:28,422 --> 00:19:29,340 OKAY. 448 00:19:29,423 --> 00:19:31,592 OKAY, WHAT DO I DO? 449 00:19:31,675 --> 00:19:33,719 I DON'T KNOW. THIS IS TOTALLY UNPRECEDENTED. 450 00:19:33,802 --> 00:19:35,221 IF WE EVER DID WHAT YOU DID 451 00:19:35,304 --> 00:19:36,556 A MAN WOULD NEVER CALL. 452 00:19:36,639 --> 00:19:38,015 NO, NO… OKAY, I GOT IT. 453 00:19:38,098 --> 00:19:39,767 PRETEND THAT YOU JUST WOKE UP. 454 00:19:39,850 --> 00:19:41,561 THAT'LL THROW HER OFF. BE SLEEPY. 455 00:19:41,644 --> 00:19:43,354 YES, AND GRUMPY. 456 00:19:43,437 --> 00:19:46,190 STOP NAMING DWARFS. 457 00:19:49,109 --> 00:19:50,528 HELLO, JANICE. 458 00:19:50,611 --> 00:19:53,280 HI. I'M SO GLAD THAT YOU CALLED. 459 00:19:55,491 --> 00:19:57,535 I KNOW I'VE BEEN ACTING REALLY WEIRD… 460 00:19:57,618 --> 00:20:01,080 LATELY, AND… 461 00:20:01,163 --> 00:20:04,082 IT'S JUST BECAUSE I'M CRAZY ABOUT YOU, AND… 462 00:20:05,917 --> 00:20:07,753 I JUST GOT… 463 00:20:07,836 --> 00:20:10,548 STUPID AND SCARED AND… 464 00:20:10,631 --> 00:20:13,133 AND STUPID A COUPLE MORE TIMES. 465 00:20:14,801 --> 00:20:16,845 AND I'M SORRY. 466 00:20:16,928 --> 00:20:18,389 REALLY? 467 00:20:19,890 --> 00:20:21,934 REALLY? 468 00:20:22,017 --> 00:20:22,935 HE'S SO LUCKY. 469 00:20:23,018 --> 00:20:24,645 IF JANICE WERE A GUY 470 00:20:24,728 --> 00:20:26,814 SHE'D BE SLEEPING WITH SOMEBODY ELSE BY NOW. 471 00:20:26,897 --> 00:20:27,856 MM-HMM. 472 00:20:27,939 --> 00:20:30,025 I LOVE YOU TOO. 473 00:20:30,108 --> 00:20:31,943 OH, IT'S SO UNFAIR. 474 00:20:39,743 --> 00:20:42,455 G.I. JOE. G.I. JOE? 475 00:20:42,538 --> 00:20:43,623 I DON'T KNOW WHAT TO TELL YOU GUYS. 476 00:20:43,706 --> 00:20:46,250 THAT'S THE DOLL HE CHOSE. 477 00:20:46,333 --> 00:20:49,086 WHAT'D YOU DO? DIP IT IN SUGAR? 478 00:20:49,169 --> 00:20:51,213 LOOK, G.I. JOE'S IN, BARBIE'S OUT. 479 00:20:51,296 --> 00:20:53,591 AND IF YOU GUYS CAN'T DEAL WITH IT, 480 00:20:53,674 --> 00:20:55,259 THAT'S JUST YOUR TOO BAD. 481 00:20:57,135 --> 00:20:59,388 WHAT ARE YOU BEING SUCH A WEENIE FOR? 482 00:20:59,471 --> 00:21:01,098 SO HE HAS A BARBIE… BIG DEAL. 483 00:21:01,181 --> 00:21:03,475 YOU USED TO DRESS UP LIKE A WOMAN. 484 00:21:09,189 --> 00:21:11,275 WHAT? 485 00:21:11,358 --> 00:21:13,819 THE WAY YOU DRESSED UP IN MOM'S CLOTHES? 486 00:21:13,902 --> 00:21:16,030 WHAT ARE YOU TALKING ABOUT? 487 00:21:16,113 --> 00:21:17,532 THE BIG HAT, THE PEARLS 488 00:21:17,615 --> 00:21:19,241 THE LITTLE PINK HANDBAG? 489 00:21:19,324 --> 00:21:21,869 OKAY. YOU ARE TOTALLY MAKING THIS UP. 490 00:21:21,952 --> 00:21:24,539 HOW CAN YOU NOT REMEMBER? 491 00:21:24,622 --> 00:21:26,290 YOU MADE US CALL YOU "BEA." 492 00:21:32,421 --> 00:21:35,007 OH, GOD. 493 00:21:35,090 --> 00:21:38,760 I HAVE LITERALLY NEVER BEEN THIS HAPPY. 494 00:21:38,843 --> 00:21:41,096 AND WASN'T THERE A LITTLE SONG? 495 00:21:41,179 --> 00:21:43,683 OH, PLEASE, GOD, LET THERE BE A SONG. 496 00:21:43,766 --> 00:21:44,684 THERE WAS NO SONG. 497 00:21:44,767 --> 00:21:45,809 THERE WAS NO SONG. 498 00:21:49,396 --> 00:21:50,439 OKAY, THAT'S ENOUGH. 499 00:21:57,529 --> 00:21:58,905 "WON'T YOU DANCE AROUND WITH ME?" 500 00:22:19,551 --> 00:22:21,136 OH… 501 00:22:27,309 --> 00:22:28,811 ROSS.