1
00:00:04,298 --> 00:00:05,716
FIVE OF HEARTS.

2
00:00:05,799 --> 00:00:08,761
REAL MAGIC DOES EXIST.

3
00:00:08,844 --> 00:00:10,972
WOW, JOEY,
HOW DO YOU DO IT?

4
00:00:11,055 --> 00:00:12,724
I CAN'T TELL YOU THAT. NO.

5
00:00:14,892 --> 00:00:18,062
UH, SOMEBODY'S AT THE DOOR
ON THE CEILING.

6
00:00:18,145 --> 00:00:21,065
NO, THAT'S OUR
UNBELIEVABLY LOUD

7
00:00:21,148 --> 00:00:22,400
UPSTAIRS NEIGHBOR.

8
00:00:22,483 --> 00:00:23,568
HE TOOK UP
THE CARPETS

9
00:00:23,651 --> 00:00:25,236
AND NOW YOU CAN
HEAR EVERYTHING.

10
00:00:25,319 --> 00:00:26,737
WHY DON'T YOU GO UP THERE

11
00:00:26,820 --> 00:00:28,948
AND ASK HIM
TO JUST STEP LIGHTLY, PLEASE?

12
00:00:29,031 --> 00:00:30,408
I HAVE, LIKE,
FIVE TIMES

13
00:00:30,491 --> 00:00:32,118
BUT THE GUY
IS SO CHARMING

14
00:00:32,201 --> 00:00:33,662
THAT I GO UP
THERE TO YELL

15
00:00:33,745 --> 00:00:36,122
AND THEN I END UP
APOLOGIZING TO HIM.

16
00:00:36,205 --> 00:00:38,124
OH, THAT IS SILLY.

17
00:00:38,207 --> 00:00:39,376
I'LL GO UP THERE.

18
00:00:39,459 --> 00:00:41,586
I'LL TELL HIM
TO KEEP IT DOWN.

19
00:00:41,669 --> 00:00:42,587
BE MY GUEST.

20
00:00:42,670 --> 00:00:43,796
GOOD LUCK.

21
00:00:43,879 --> 00:00:45,798
IF YOU REALLY WANT TO KNOW
HOW I DID IT

22
00:00:45,881 --> 00:00:46,924
I'LL SHOW YOU.

23
00:00:47,007 --> 00:00:49,886
WHEN YOU HANDED ME
BACK THE CARD

24
00:00:49,969 --> 00:00:52,722
WHAT YOU DIDN'T SEE WAS
I LOOKED AT IT SO FAST

25
00:00:52,805 --> 00:00:54,890
IT WAS INVISIBLE
TO THE NAKED EYE.

26
00:00:56,392 --> 00:00:58,144
I JUST DID IT.

27
00:00:58,227 --> 00:01:00,813
I JUST DID IT AGAIN.

28
00:01:02,565 --> 00:01:04,859
HERE, I'LL SLOW IT DOWN
SO YOU GUY CAN SEE IT.

29
00:01:04,942 --> 00:01:05,943
READY?

30
00:01:07,236 --> 00:01:09,822
OH!
OH!
OH!

31
00:01:13,743 --> 00:01:15,828
OH, HOW'S IT GOING?

32
00:01:15,911 --> 00:01:18,665
LOOK, I LIVE WITH
MY FRIENDS DOWNSTAIRS

33
00:01:18,748 --> 00:01:22,710
AND WE HEAR
EVERYTHING YOU DO.

34
00:01:27,590 --> 00:01:29,258
OH, THANK YOU!

35
00:02:19,600 --> 00:02:21,645
HI.

36
00:02:21,728 --> 00:02:23,271
ANYBODY GOT A LENGTH
OF ROPE

37
00:02:23,354 --> 00:02:25,815
ABOUT SIX FEET LONG,
LITTLE NOOSE AT THE END?

38
00:02:25,898 --> 00:02:27,150
HONEY, WHAT'S THE MATTER?

39
00:02:27,233 --> 00:02:28,275
I JUST SAW JANICE.

40
00:02:29,485 --> 00:02:31,946
YEAH, SHE WAS
AT ROCKEFELLER CENTER

41
00:02:32,029 --> 00:02:33,864
SKATING WITH HER HUSBAND.

42
00:02:33,947 --> 00:02:35,325
SHE LOOKED SO HAPPY.

43
00:02:35,408 --> 00:02:36,576
ALMOST FEEL BAD

44
00:02:36,659 --> 00:02:39,412
FOR WHIPPING
THAT KID'S PRETZEL AT THEM.

45
00:02:39,495 --> 00:02:41,581
I REMEMBER THE TIME
I SAW KATHERINE

46
00:02:41,664 --> 00:02:42,915
AFTER WE BROKE UP.

47
00:02:42,998 --> 00:02:45,209
SHE WAS JUST WALKING
WITH HER FRIEND DONNA

48
00:02:45,292 --> 00:02:46,835
JUST LAUGHING AND TALKING…

49
00:02:46,918 --> 00:02:47,836
IT KILLED ME.

50
00:02:47,919 --> 00:02:49,255
YES, BUT YOU ENDED UP

51
00:02:49,338 --> 00:02:52,216
HAVING SEX WITH BOTH OF THEM
THAT AFTERNOON.

52
00:02:52,299 --> 00:02:53,926
SORRY.

53
00:02:54,009 --> 00:02:56,429
JUST ANY EXCUSE
TO TELL THAT STORY.

54
00:02:58,472 --> 00:03:00,391
CHANDLER, THERE'S
A PARTY TOMORROW.

55
00:03:00,474 --> 00:03:01,850
YOU'LL FEEL BETTER THEN.

56
00:03:01,933 --> 00:03:03,520
OH, I'M GOING TO BE OKAY.

57
00:03:03,603 --> 00:03:06,022
YOU DON'T HAVE
TO THROW A PARTY FOR ME.

58
00:03:06,105 --> 00:03:07,190
IT'S JOEY'S BIRTHDAY.

59
00:03:07,273 --> 00:03:09,484
WELL, IF ANYBODY
SHOULD HAVE A PARTY

60
00:03:09,567 --> 00:03:10,819
IT SHOULD BE HIM.

61
00:03:10,902 --> 00:03:14,698
OH, YEAH, YEAH.

62
00:03:14,781 --> 00:03:18,576
I CANNOT BELIEVE
SHE'S STILL UP THERE.

63
00:03:25,332 --> 00:03:28,712
OKAY, WELL, HE TOTALLY
SCREWED UP THE PUNCH LINE.

64
00:03:28,795 --> 00:03:30,963
YOU KNOW,
IT'S SUPPOSED TO BE…

65
00:03:38,596 --> 00:03:40,724
HOW'S THAT COFFEE
COMING, DEAR?

66
00:03:40,807 --> 00:03:42,892
YEAH, RIGHT AWAY,
MR. KAPLAN.

67
00:03:42,975 --> 00:03:45,395
I'M NOT SUPPOSED
TO DRINK COFFEE.

68
00:03:45,478 --> 00:03:47,021
IT MAKES ME GASSY.

69
00:03:47,104 --> 00:03:49,023
I KNOW.

70
00:03:49,106 --> 00:03:50,692
I'LL BET
YOU'RE THINKING

71
00:03:50,775 --> 00:03:52,485
WHAT'S AN
INTELLIGENT GIRL

72
00:03:52,568 --> 00:03:54,320
WHO WANTS
TO BE IN FASHION

73
00:03:54,403 --> 00:03:56,155
DOING MAKING
COFFEE, HUH?

74
00:03:56,238 --> 00:03:57,365
HUH?

75
00:03:57,448 --> 00:03:59,116
HA! YOU GOT ME.

76
00:03:59,199 --> 00:04:01,870
DON'T THINK I HAVEN'T NOTICED
YOUR POTENTIAL.

77
00:04:01,953 --> 00:04:03,454
I'VE GOT A PROJECT FOR YOU

78
00:04:03,537 --> 00:04:05,623
THAT'S A LOT MORE RELATED
TO FASHION.

79
00:04:05,706 --> 00:04:06,957
HOW DOES THAT SOUND?

80
00:04:07,040 --> 00:04:08,042
THAT SOUNDS GREAT.

81
00:04:08,125 --> 00:04:09,794
COME ON OVER HERE,
SWEETHEART.

82
00:04:09,877 --> 00:04:12,171
THANK YOU SO MUCH,
MR. KAPLAN.

83
00:04:12,254 --> 00:04:13,631
THANK YOU SO MUCH.

84
00:04:13,714 --> 00:04:16,634
I NEED THESE HANGERS
SEPARATED A.S.A.P.

85
00:04:18,344 --> 00:04:21,514
YOU'RE WELCOME.

86
00:04:23,850 --> 00:04:25,476
OH, GOD, I HATE MY JOB.

87
00:04:25,559 --> 00:04:26,477
I HATE IT.

88
00:04:26,560 --> 00:04:28,271
I KNOW, HONEY. I'M SORRY.

89
00:04:28,354 --> 00:04:29,606
OH, I WANT TO QUIT

90
00:04:29,689 --> 00:04:31,733
BUT THEN I THINK
I SHOULD STICK IT OUT.

91
00:04:31,816 --> 00:04:33,902
THEN I THINK WHY
WOULD SUCH A PERSON

92
00:04:33,985 --> 00:04:35,653
STAY IN SUCH A DEMEANING JOB

93
00:04:35,736 --> 00:04:37,906
JUST BECAUSE IT'S
REMOTELY RELATED

94
00:04:37,989 --> 00:04:40,032
TO THE FIELD
THEY'RE INTERESTED IN.

95
00:04:42,034 --> 00:04:43,745
GEE, I DON'T KNOW, RACH.

96
00:04:43,828 --> 00:04:44,871
ORDER UP.

97
00:04:44,954 --> 00:04:46,831
I GOT A YENTL SOUP,
A JAMES BEANS

98
00:04:46,914 --> 00:04:48,666
AND A HOWDY,
HOLD THE DOODY.

99
00:04:48,749 --> 00:04:50,126
COME ON, I'M SORRY.

100
00:04:50,209 --> 00:04:52,420
I DON'T MIND
PAYING MY DUES, YOU KNOW?

101
00:04:52,503 --> 00:04:55,423
IT'S JUST… HOW MUCH AM
I GOING TO LEARN ABOUT FASHION

102
00:04:55,506 --> 00:04:58,134
BY WALKING MYRA,
THE ARTHRITIC SEAMSTRESS

103
00:04:58,217 --> 00:04:59,343
TO THE BATHROOM?

104
00:05:01,637 --> 00:05:02,806
HI.

105
00:05:02,889 --> 00:05:05,475
IS MY MISERY
AMUSING TO YOU?

106
00:05:05,558 --> 00:05:06,476
I'M SORRY.

107
00:05:06,559 --> 00:05:07,477
I WAS JUST…

108
00:05:07,560 --> 00:05:08,478
IT'S NOT FUNNY.

109
00:05:08,561 --> 00:05:10,772
THIS IS ACTUALLY MY JOB.

110
00:05:10,855 --> 00:05:13,149
OH, BELIEVE ME,
I'VE BEEN THERE.

111
00:05:13,232 --> 00:05:15,276
I HAD TO SORT
MANNEQUIN HEADS

112
00:05:15,359 --> 00:05:16,861
AT THAT MANNEQUINS PLUS.

113
00:05:16,944 --> 00:05:18,362
OH, WELL, THEN

114
00:05:18,445 --> 00:05:20,949
I'M JUST GOING TO GO BACK
TALKING TO MY FRIEND HERE

115
00:05:21,032 --> 00:05:21,950
AND YOU CAN GO BACK
TO ENJOYING

116
00:05:22,033 --> 00:05:24,993
YOUR LITTLE HAMBURGER.

117
00:05:25,076 --> 00:05:26,496
JUST, UH,
ONE OTHER THING?

118
00:05:26,579 --> 00:05:27,580
YES?

119
00:05:27,663 --> 00:05:29,039
I WORK AT
BLOOMINGDALE'S

120
00:05:29,122 --> 00:05:31,459
AND I MIGHT KNOW
OF A JOB POSSIBILITY

121
00:05:31,542 --> 00:05:33,753
IF YOU'RE… IF
YOU'RE INTERESTED.

122
00:05:35,755 --> 00:05:38,089
DO YOU WANT MY PICKLE?

123
00:05:45,305 --> 00:05:46,223
HI, GUYS.

124
00:05:46,306 --> 00:05:47,684
HEY, GUNTHER.
HI.

125
00:05:47,767 --> 00:05:50,353
YOU'RE GOING ON A DATE
WITH THE NOISY GUY UPSTAIRS?

126
00:05:50,436 --> 00:05:53,439
WELL, HE'S VERY CHARMING.

127
00:05:53,522 --> 00:05:54,315
HE'S TOO CHARMING

128
00:05:54,398 --> 00:05:56,275
BUT IF YOU TWO
START GOING OUT

129
00:05:56,358 --> 00:05:57,652
IT'LL MAKE IT HARDER
FOR ME TO HATE HIM.

130
00:05:57,735 --> 00:05:59,654
WELL, YOU'RE JUST
GOING TO HAVE TO TRY.

131
00:05:59,737 --> 00:06:00,780
ALL RIGHT.

132
00:06:00,863 --> 00:06:02,699
JOEY, WHERE ARE
THE JELL-O SHOTS?

133
00:06:02,782 --> 00:06:03,992
I DON'T KNOW.

134
00:06:04,075 --> 00:06:06,368
CHANDLER'S SUPPOSED
TO BE PASSING THEM…

135
00:06:07,912 --> 00:06:09,205
CHANDLER!

136
00:06:09,288 --> 00:06:11,081
HELLO-DEE-LO!

137
00:06:11,164 --> 00:06:13,083
SOMEBODY'S
FEELING BETTER.

138
00:06:13,166 --> 00:06:14,210
YEAH.

139
00:06:14,293 --> 00:06:16,295
STICK OUT YOUR TONGUE.

140
00:06:16,378 --> 00:06:18,589
TAKE OFF YOUR SHIRT!

141
00:06:21,383 --> 00:06:23,135
OH, MY GOD!

142
00:06:23,218 --> 00:06:24,554
HOW MANY DID YOU HAVE?

143
00:06:24,637 --> 00:06:25,930
THESE ARE PURE VODKA.

144
00:06:26,013 --> 00:06:29,475
YEAH, JELL-O JUST LIKE
MOM USED TO MAKE.

145
00:06:29,558 --> 00:06:31,394
THE MOST
UNBELIEVABLE THING

146
00:06:31,477 --> 00:06:32,896
HAPPENED TO ME TODAY.

147
00:06:32,979 --> 00:06:33,897
HI.

148
00:06:33,980 --> 00:06:35,189
HI.

149
00:06:35,272 --> 00:06:37,567
THIS GUY STARTS TALKING
TO ME AT MONICA'S

150
00:06:37,650 --> 00:06:40,152
AND HE WORKS FOR A BUYER
AT BLOOMINGDALE'S.

151
00:06:40,235 --> 00:06:42,989
THERE HAPPENS
TO BE AN OPENING
IN HIS DEPARTMENT

152
00:06:43,072 --> 00:06:45,282
AND HE'S GOING TO
CALL ME THIS WEEKEND

153
00:06:45,365 --> 00:06:47,577
TO SEE IF HE CAN GET
ME AN INTERVIEW.

154
00:06:47,660 --> 00:06:48,578
WOW.

155
00:06:48,661 --> 00:06:49,579
I KNOW.

156
00:06:49,662 --> 00:06:51,372
SO, THIS GUY
IS HELPING YOU

157
00:06:51,455 --> 00:06:52,707
FOR NO APPARENT REASON?

158
00:06:52,790 --> 00:06:53,708
UH-HUH.

159
00:06:53,791 --> 00:06:56,044
AND HE'S A TOTAL STRANGER?

160
00:06:56,127 --> 00:06:57,127
YEAH.

161
00:06:57,210 --> 00:06:59,797
HIS NAME IS, UM,
MARK SOMETHING.

162
00:06:59,880 --> 00:07:01,966
HUH. SOUNDS LIKE
MARK SOMETHING

163
00:07:02,049 --> 00:07:03,676
WANTS TO HAVE SOME SEX.

164
00:07:03,759 --> 00:07:04,844
WHAT?

165
00:07:04,927 --> 00:07:06,596
I'M JUST SAYING, I MEAN

166
00:07:06,679 --> 00:07:09,599
WHY ELSE WOULD HE, YOU KNOW,
SWOOP IN OUT OF NOWHERE

167
00:07:09,682 --> 00:07:10,850
FOR NO REASON?

168
00:07:10,933 --> 00:07:12,769
TO BE NICE.

169
00:07:12,852 --> 00:07:14,520
JOEY, ARE MEN EVER NICE

170
00:07:14,603 --> 00:07:16,856
TO STRANGE WOMEN
FOR NO REASON?

171
00:07:16,939 --> 00:07:18,524
NO. ONLY FOR SEX.

172
00:07:18,607 --> 00:07:21,069
THANK YOU.

173
00:07:21,152 --> 00:07:24,781
SO, DID YOU, UH, TELL MARK
SOMETHING ABOUT ME?

174
00:07:24,864 --> 00:07:27,199
I DIDN'T HAVE TO
BECAUSE I WAS WEARING

175
00:07:27,282 --> 00:07:29,285
MY "I HEART ROSS"
SANDWICH BOARD

176
00:07:29,368 --> 00:07:30,703
AND RINGING MY BELL.

177
00:07:34,206 --> 00:07:36,459
JOEY, HAPPY BIRTHDAY!

178
00:07:36,542 --> 00:07:40,170
HEY-EY-EY-EY!

179
00:07:40,253 --> 00:07:43,549
OKAY, HOW MANY OF THAT
GIRL ARE YOU SEEING?

180
00:07:46,135 --> 00:07:47,511
HOW HAMMERED ARE YOU, HUH?

181
00:07:47,594 --> 00:07:49,179
THESE ARE JOEY'S SISTERS.

182
00:07:49,262 --> 00:07:50,807
HI, JOEY'S SISTERS!

183
00:07:50,890 --> 00:07:53,935
HEY, WHAT ARE WE
DRINKING OVER HERE?

184
00:07:54,018 --> 00:07:56,854
OH, WELL, I HAVE
A VODKA AND CRANBERRY JUICE.

185
00:07:56,937 --> 00:07:58,106
NO KIDDING?

186
00:07:58,189 --> 00:08:00,733
THAT'S THE EXACT
SAME DRINK I MADE MYSELF

187
00:08:00,816 --> 00:08:02,526
RIGHT AFTER I SHOT
MY HUSBAND.

188
00:08:04,236 --> 00:08:05,362
WOW.

189
00:08:05,445 --> 00:08:08,323
OKAY, I DON'T KNOW
HOW TO TALK TO YOU.

190
00:08:09,909 --> 00:08:11,452
WHAT YOU DOING?

191
00:08:11,535 --> 00:08:13,329
OH, I'M TAKING
MY EX-GIRLFRIEND

192
00:08:13,412 --> 00:08:14,831
OFF MY SPEED DIALER.

193
00:08:14,914 --> 00:08:16,124
OHH!
OHH!

194
00:08:16,207 --> 00:08:17,708
NO, IT'S A GOOD THING.

195
00:08:17,791 --> 00:08:20,336
WHY MUST WE DIAL
SO SPEEDILY ANYWAY?

196
00:08:20,419 --> 00:08:22,296
WHY MUST WE RUSH
THROUGH LIFE?

197
00:08:22,379 --> 00:08:24,841
WHY CAN'T WE SAVOR
THE PRECIOUS MOMENTS?

198
00:08:24,924 --> 00:08:28,136
THOSE ARE SOME
HUGE BREASTS YOU HAVE.

199
00:08:28,219 --> 00:08:29,137
HI.

200
00:08:29,220 --> 00:08:30,429
HI.

201
00:08:30,512 --> 00:08:33,141
YEAH, SO, UM, I HEARD
ABOUT THIS MARK GUY

202
00:08:33,224 --> 00:08:34,892
THAT RACHEL MET TODAY.

203
00:08:34,975 --> 00:08:36,185
ISN'T THAT GREAT?

204
00:08:36,268 --> 00:08:37,394
OH, YEAH.

205
00:08:37,477 --> 00:08:39,856
SO, UH, YEAH,
PRETTY, PRETTY…

206
00:08:39,939 --> 00:08:42,191
SOUNDS LIKE
A NICE, GOOD GUY.

207
00:08:42,274 --> 00:08:44,777
OH, HE IS,
AND HE IS SO DREAMY.

208
00:08:44,860 --> 00:08:46,278
WHEN HE LEFT

209
00:08:46,361 --> 00:08:49,448
I ACTUALLY USED THE PHRASE,
"HUMMINA HUMMINA."

210
00:08:51,242 --> 00:08:52,826
THAT'S EXCELLENT.

211
00:08:56,580 --> 00:08:59,291
SO, HE'S JUST
A NICE GUY.

212
00:08:59,374 --> 00:09:01,251
AND THIS MARK
DOESN'T WANT ANYTHING

213
00:09:01,334 --> 00:09:02,879
IN EXCHANGE FOR HELPING YOU?

214
00:09:02,962 --> 00:09:06,174
WELL, I ASSUME I'LL HAVE
TO TAKE SHOWERS WITH HIM

215
00:09:06,257 --> 00:09:08,801
BUT, YOU KNOW,
THAT'S TRUE OF ANY JOB.

216
00:09:12,596 --> 00:09:13,764
UH-OH.

217
00:09:13,847 --> 00:09:15,265
HOW YOU FEELING?

218
00:09:15,348 --> 00:09:18,186
WELL, MY APARTMENT
ISN'T THERE ANYMORE

219
00:09:18,269 --> 00:09:19,812
BECAUSE I DRANK IT.

220
00:09:20,813 --> 00:09:22,190
WHERE'D YOU GET TO?

221
00:09:22,273 --> 00:09:25,526
WE LOST YOU AFTER YOU OPENED UP
ALL THE PRESENTS.

222
00:09:25,609 --> 00:09:27,486
YEAH, I ENDED UP
IN THE STORAGE ROOM

223
00:09:27,569 --> 00:09:30,031
AND NOT ALONE.

224
00:09:30,114 --> 00:09:31,365
WHOO-HOO!

225
00:09:31,448 --> 00:09:33,576
AH, NO "WHOO-HOOING."

226
00:09:33,659 --> 00:09:35,327
NO "WHOO-HOOING."

227
00:09:35,410 --> 00:09:37,413
WHY? WHAT HAPPENED?

228
00:09:37,496 --> 00:09:39,749
UH…

229
00:09:39,832 --> 00:09:42,501
I FOOLED AROUND
WITH JOEY'S SISTER.

230
00:09:43,794 --> 00:09:45,504
WELL, THAT'S NOT THE WORST PART.

231
00:09:45,587 --> 00:09:47,297
WHAT IS THE WORST PART?

232
00:09:47,380 --> 00:09:49,550
I CAN'T REMEMBER WHICH SISTER.

233
00:09:49,633 --> 00:09:52,095
YOU SEE WHAT MEN DO?

234
00:09:52,178 --> 00:09:54,222
DON'T TELL ME
MEN ARE NICE.

235
00:09:54,305 --> 00:09:55,347
THIS IS MEN!

236
00:09:59,351 --> 00:10:00,519
ARE YOU INSANE?

237
00:10:00,602 --> 00:10:03,272
JOEY'S ACTUALLY GOING
TO KILL YOU DEAD.

238
00:10:03,355 --> 00:10:05,608
OKAY. YOU DON'T THINK
I THOUGHT OF THAT?

239
00:10:05,691 --> 00:10:07,818
HOW CAN YOU
NOT KNOW WHICH ONE?

240
00:10:07,901 --> 00:10:09,112
IT'S UNBELIEVABLE.

241
00:10:09,195 --> 00:10:10,529
I MEAN,
WAS IT GINA?

242
00:10:10,612 --> 00:10:11,781
WHICH ONE IS GINA?

243
00:10:11,864 --> 00:10:13,866
THE DARK… BIG HAIR,
AIRPLANE EARRINGS.

244
00:10:13,949 --> 00:10:15,451
THAT'S NOT GINA.
THAT'S DINA.

245
00:10:15,534 --> 00:10:16,744
YOU SEE?

246
00:10:16,827 --> 00:10:19,455
YOU CAN'T TELL WHICH
IS WHICH EITHER. THWA!

247
00:10:19,538 --> 00:10:21,832
BUT WE DIDN'T
FOOL AROUND

248
00:10:21,915 --> 00:10:24,668
WITH ANY OF THEM.
THWA! THWA!

249
00:10:27,004 --> 00:10:29,173
VERONICA. LOOK, IT'S
GOT TO BE VERONICA…

250
00:10:29,256 --> 00:10:30,633
THE GIRL IN THE RED SKIRT.

251
00:10:30,716 --> 00:10:33,135
I DEFINITELY STUCK MY
TONGUE DOWN HER THROAT.

252
00:10:34,220 --> 00:10:35,428
THAT WAS ME.

253
00:10:37,973 --> 00:10:39,433
LOOK, WHEN I'VE
BEEN DRINKING

254
00:10:39,516 --> 00:10:42,103
SOMETIMES I TEND TO GET
A LITTLE OVERLY FRIENDLY

255
00:10:42,186 --> 00:10:43,229
AND I'M, I'M SORRY.

256
00:10:43,312 --> 00:10:44,396
THAT'S OKAY.

257
00:10:44,479 --> 00:10:45,481
THAT'S ALL RIGHT.

258
00:10:45,564 --> 00:10:46,690
THAT'S OKAY.

259
00:10:49,818 --> 00:10:52,445
CAN I TALK TO YOU FOR A SECOND?

260
00:10:53,864 --> 00:10:55,324
HEY, JOEY.

261
00:10:57,284 --> 00:10:59,245
COME ON.

262
00:10:59,328 --> 00:11:02,081
WHY CAN'T WE TALK IN HERE?

263
00:11:02,164 --> 00:11:03,916
W-WITH WITNESSES?

264
00:11:03,999 --> 00:11:06,210
I JUST GOT OFF THE PHONE
WITH MY SISTER.

265
00:11:06,293 --> 00:11:07,419
UH, WHICH, WHICH ONE?

266
00:11:07,502 --> 00:11:08,629
MARY ANGELA.

267
00:11:08,712 --> 00:11:09,922
MARY ANGELA.

268
00:11:10,005 --> 00:11:12,340
WHICH ONE
IS SHE AGAIN?

269
00:11:12,423 --> 00:11:13,843
WHY DON'T YOU
ASK CHANDLER

270
00:11:13,926 --> 00:11:15,011
'CAUSE HE'S
THE ONE

271
00:11:15,094 --> 00:11:16,053
WHO FOOLED AROUND
WITH HER.

272
00:11:16,136 --> 00:11:19,015
YOU SAID
YOU COULD REALLY FALL FOR HER.

273
00:11:19,098 --> 00:11:20,099
NOW, IS THAT TRUE

274
00:11:20,182 --> 00:11:21,851
OR ARE YOU JUST
GETTING OVER JANICE

275
00:11:21,934 --> 00:11:23,018
BY GROPING MY SISTER?

276
00:11:26,021 --> 00:11:28,191
IT'S GOT TO BE THE FIRST ONE.

277
00:11:28,274 --> 00:11:29,608
REALLY?

278
00:11:29,691 --> 00:11:31,193
THAT'S GREAT!

279
00:11:36,740 --> 00:11:39,534
YUP, I'M IN A TREE.

280
00:11:42,204 --> 00:11:43,122
DID HE CALL?

281
00:11:43,205 --> 00:11:44,123
DID MARK CALL?

282
00:11:44,206 --> 00:11:45,124
NO, HONEY, I'M SORRY

283
00:11:45,207 --> 00:11:46,583
BUT THE WEEKEND'S NOT OVER.

284
00:11:50,170 --> 00:11:51,964
OH, MY GOD,
IS THAT PHOEBE?

285
00:11:52,047 --> 00:11:54,383
GUESS THEY'RE BACK
FROM THEIR DATE.

286
00:11:55,384 --> 00:11:59,138
MUSIC.

287
00:11:59,221 --> 00:12:01,181
VERY NICE.

288
00:12:09,022 --> 00:12:10,690
OH, MY GOD.

289
00:12:14,111 --> 00:12:15,154
SO, HOW ARE YOU?

290
00:12:15,237 --> 00:12:16,197
I AM GOOD.

291
00:12:16,280 --> 00:12:18,324
I FINISHED MY BOOK.

292
00:12:18,407 --> 00:12:19,367
WHAT'S IT ABOUT?

293
00:12:19,450 --> 00:12:20,450
I DON'T REMEMBER.

294
00:12:20,533 --> 00:12:21,869
DO YOU WANT TO
TAKE A WALK?

295
00:12:21,952 --> 00:12:23,162
YEAH.

296
00:12:25,664 --> 00:12:27,541
"DEAR MARY ANGELA:

297
00:12:27,624 --> 00:12:29,752
"HI. HOW'S IT GOING?

298
00:12:29,835 --> 00:12:32,338
THIS IS THE HARDEST LETTER
I'VE EVER HAD TO WRITE."

299
00:12:32,421 --> 00:12:35,007
WHAT THE HELL'S
THE MATTER WITH YOU?

300
00:12:35,090 --> 00:12:36,384
HOW DO YOU THINK JOEY'LL REACT

301
00:12:36,467 --> 00:12:38,302
TO BLOWING OFF HIS SISTER
WITH A LETTER?

302
00:12:38,385 --> 00:12:41,055
THAT'S THE PART
WHERE YOU TELL HIM

303
00:12:41,138 --> 00:12:42,390
THAT I MOVED
TO FRANCE.

304
00:12:42,473 --> 00:12:44,683
WHEN ACTUALLY
I'LL BE IN CUBA.

305
00:12:44,766 --> 00:12:47,477
LOOK, LOOK, YOU'VE GOT
TO DO THIS YOURSELF, OKAY?

306
00:12:47,560 --> 00:12:48,812
IN PERSON.

307
00:12:48,895 --> 00:12:50,189
AT LEAST YOU KNOW HER NAME.

308
00:12:50,272 --> 00:12:51,481
YOU JUST GO TO THE HOUSE

309
00:12:51,564 --> 00:12:52,858
AND YOU ASK FOR MARY ANGELA.

310
00:12:52,941 --> 00:12:55,069
WHEN WHICHEVER ONE SHE IS
COMES TO THE DOOR

311
00:12:55,152 --> 00:12:57,529
YOU TAKE HER FOR A WALK,
YOU LET HER DOWN EASY.

312
00:12:57,612 --> 00:13:00,157
OKAY. WHAT IF MARY
ANGELA COMES TO THE DOOR

313
00:13:00,240 --> 00:13:01,825
AND I ASK FOR MARY ANGELA?

314
00:13:02,909 --> 00:13:04,244
WHERE IN CUBA?

315
00:13:16,465 --> 00:13:19,885
JOEY, WH-WH-UH, WH-WH-UH,
W-W-WHAT ARE YOU DOING HERE?

316
00:13:19,968 --> 00:13:22,346
WAITING FOR MY GRANDMA
TO FINISH MY LAUNDRY.

317
00:13:22,429 --> 00:13:23,555
WHAT ABOUT YOU?

318
00:13:23,638 --> 00:13:26,558
I'M, UH, I'M HERE
TO SEE MARY ANGELA.

319
00:13:26,641 --> 00:13:28,560
YOU ARE SO THE MAN.

320
00:13:28,643 --> 00:13:29,645
COME ON.

321
00:13:29,728 --> 00:13:31,397
NOW, LOOK, LISTEN.
LISTEN.

322
00:13:31,480 --> 00:13:32,815
YOU GOT TO BE COOL

323
00:13:32,898 --> 00:13:36,068
'CAUSE MY GRANDMA DOESN'T KNOW
ABOUT YOU TWO YET

324
00:13:36,151 --> 00:13:38,570
AND YOU DO NOT WANT
TO TICK HER OFF.

325
00:13:38,653 --> 00:13:40,406
SHE WAS, LIKE,
THE SIXTH PERSON

326
00:13:40,489 --> 00:13:42,657
TO SPIT ON MUSSOLINI'S
HANGING BODY.

327
00:13:43,992 --> 00:13:46,036
WHERE'S MARY ANGELA?

328
00:13:46,119 --> 00:13:48,330
SHE'S RIGHT IN THERE.

329
00:13:50,749 --> 00:13:52,042
CHANDLER!
HEY, CHANDLER!

330
00:13:52,125 --> 00:13:53,835
HEY!
HEY, CHANDLER!

331
00:13:57,256 --> 00:13:58,466
MARK DIDN'T CALL.

332
00:13:58,549 --> 00:14:01,385
IT'S SUNDAY NIGHT
AND HE DIDN'T CALL.

333
00:14:01,468 --> 00:14:03,595
BUMMER.

334
00:14:03,678 --> 00:14:04,721
YEAH, RIGHT.

335
00:14:04,804 --> 00:14:05,806
LOOK AT YOU.

336
00:14:05,889 --> 00:14:07,391
YOU'RE PRACTICALLY GIDDY.

337
00:14:07,474 --> 00:14:10,894
NO, I'M GENUINELY SORRY
THE MARK THING DIDN'T WORK OUT.

338
00:14:10,977 --> 00:14:13,814
LOOK, RACH,
I WANT ONLY GOOD THINGS FOR YOU.

339
00:14:13,897 --> 00:14:14,940
WAIT A MINUTE.

340
00:14:15,023 --> 00:14:16,900
WHY DON'T YOU
JUST CALL MARK?

341
00:14:19,236 --> 00:14:21,780
WHO SAYS YOU HAVE TO SIT HERE
AND WAIT FOR HIM?

342
00:14:21,863 --> 00:14:23,699
YOU'VE GOT TO MAKE STUFF HAPPEN.

343
00:14:23,782 --> 00:14:27,453
BUT YOU DON'T WANT
TO SEEM TOO PUSHY.

344
00:14:27,536 --> 00:14:29,288
HE GAVE HER HIS HOME NUMBER.

345
00:14:29,371 --> 00:14:32,166
WHA… HE GAVE YOU
HIS HOME NUMBER

346
00:14:32,249 --> 00:14:34,710
AS IN, LIKE,
TO, TO HIS HOME?

347
00:14:34,793 --> 00:14:36,086
AND YOU WON'T MIND IF I CALL

348
00:14:36,169 --> 00:14:38,088
BECAUSE YOU ONLY WANT
GOOD THINGS FOR ME.

349
00:14:38,171 --> 00:14:39,798
THAT'S RIGHT…
GOOD THINGS.

350
00:14:39,881 --> 00:14:41,300
THAT-THAT
IS WHAT I SAID.

351
00:14:44,761 --> 00:14:46,263
HELLO, MARK?

352
00:14:46,346 --> 00:14:48,307
HI, IT'S RACHEL GREEN.

353
00:14:51,726 --> 00:14:54,980
OH, NO,
DON'T YOU APOLOGIZE.

354
00:14:55,063 --> 00:14:56,399
YEAH, I'LL HOLD.

355
00:14:56,482 --> 00:14:57,983
HE LEFT MY NUMBER AT WORK.

356
00:14:58,066 --> 00:14:59,318
HE WAS GOING TO GET IT

357
00:14:59,401 --> 00:15:01,945
BUT HE WAS HELPING HIS NIECE
WITH HER REPORT

358
00:15:02,028 --> 00:15:03,655
ON THE PIONEERS.

359
00:15:03,738 --> 00:15:05,699
THAT IS SO MADE UP.

360
00:15:05,782 --> 00:15:08,327
YEAH. OH, MY GOD,
TOMORROW?

361
00:15:08,410 --> 00:15:09,828
NO, IT'S PERFECT.

362
00:15:09,911 --> 00:15:12,122
OH, GOD,
THANK YOU SO MUCH.

363
00:15:12,205 --> 00:15:14,124
GREAT. BYE.

364
00:15:14,207 --> 00:15:15,667
OH! I GOT THE INTERVIEW.

365
00:15:15,750 --> 00:15:17,627
OH, YAY!
THERE YOU GO.

366
00:15:17,710 --> 00:15:19,755
HE EVEN OFFERED
TO MEET ME FOR LUNCH

367
00:15:19,838 --> 00:15:20,923
AND PREP ME FOR IT.

368
00:15:21,006 --> 00:15:22,299
OH, THAT IS AMAZING!

369
00:15:22,382 --> 00:15:27,346
YEAH. WELL, IF I KNOW MARK…
AND I THINK I DO…

370
00:15:27,429 --> 00:15:28,847
I'D EXPECT NOTHING LESS.

371
00:15:28,930 --> 00:15:29,557
I GOT
TO FIGURE OUT

372
00:15:29,640 --> 00:15:30,724
WHAT I'M GOING TO WEAR.

373
00:15:30,807 --> 00:15:34,186
HIGH COLLAR AND BAGGY PANTS
SAY "I'M A PRO."

374
00:15:34,269 --> 00:15:35,438
YEAH, RIGHT.

375
00:15:35,521 --> 00:15:37,273
OKAY, I'LL SEE
YOU GUYS LATER.

376
00:15:37,356 --> 00:15:38,357
WHOO-HOO!

377
00:15:38,440 --> 00:15:39,858
YOU GO GET 'EM.

378
00:15:39,941 --> 00:15:42,069
WHAT DID I DO
TO YOU?

379
00:15:42,152 --> 00:15:43,904
DID I HURT YOU IN SOME WAY?

380
00:15:43,987 --> 00:15:45,406
WHAT?

381
00:15:45,489 --> 00:15:46,990
"WHY DON'T YOU CALL HIM?"

382
00:15:47,073 --> 00:15:48,242
THANK YOU VERY MUCH.

383
00:15:48,325 --> 00:15:50,578
YOU KNOW,
NOW HE'S GOING TO PREP HER.

384
00:15:50,661 --> 00:15:51,745
YOU KNOW, PREP HER

385
00:15:51,828 --> 00:15:53,038
AS IN WHAT YOU DO

386
00:15:53,121 --> 00:15:55,958
BEFORE YOU SURGICALLY REMOVE
THE BOYFRIEND!

387
00:15:56,041 --> 00:15:57,376
ARE YOU CRAZY?

388
00:15:57,459 --> 00:15:58,461
AM I? AM I?

389
00:15:58,544 --> 00:15:59,669
AM I OUT OF MY MIND?

390
00:15:59,752 --> 00:16:01,087
AM I LO-O-OSING MY SENSES?

391
00:16:02,797 --> 00:16:05,801
THIS DREAMY GUY IS TAKING
MY GIRLFRIEND OUT FOR A MEAL.

392
00:16:05,884 --> 00:16:08,262
ROSS, YOU KNOW, THIS
ISN'T EVEN ABOUT YOU.

393
00:16:08,345 --> 00:16:09,972
THIS IS ABOUT
SOMETHING WONDERFUL

394
00:16:10,055 --> 00:16:11,098
HAPPENING FOR RACHEL.

395
00:16:11,181 --> 00:16:13,016
EVEN IF YOU'RE RIGHT…

396
00:16:13,099 --> 00:16:14,351
WHAT IF HE WANTS
TO SLEEP WITH HER?

397
00:16:14,434 --> 00:16:17,229
DOES THAT MEAN
HE GETS TO?

398
00:16:17,312 --> 00:16:18,564
DON'T YOU TRUST HER?

399
00:16:18,647 --> 00:16:19,940
WELL… YEAH, I…

400
00:16:20,023 --> 00:16:21,484
THEN GET OVER YOURSELF.

401
00:16:21,567 --> 00:16:22,775
GROW UP.

402
00:16:26,821 --> 00:16:29,074
YOU GROW UP.

403
00:16:39,918 --> 00:16:42,838
THIS TIRAMISU
IS, IS, IS EXCELLENT.

404
00:16:42,921 --> 00:16:45,341
DID YOU MAKE IT, MARY ANGELA?

405
00:16:45,424 --> 00:16:46,925
NO, I DID.

406
00:16:47,008 --> 00:16:49,803
WELL, I-I-IT'S YUMMY.

407
00:16:49,886 --> 00:16:51,805
SO, UH

408
00:16:51,888 --> 00:16:54,600
MARY ANGELA…
DO YOU LIKE IT?

409
00:16:54,683 --> 00:16:55,725
OF COURSE.

410
00:16:55,808 --> 00:16:57,143
IT'S HER FAVORITE.

411
00:16:59,104 --> 00:17:04,109
SO, UM… MARY ANGELA,
WHAT'S YOUR SECOND FAVORITE?

412
00:17:04,192 --> 00:17:05,861
MORE OF GRANDMA'S TIRAMISU.

413
00:17:05,944 --> 00:17:08,196
OH, WOULD YOU
JUST PLEASE…?

414
00:17:10,198 --> 00:17:12,618
GIVE ME THE RECIPE
'CAUSE THIS IS GREAT.

415
00:17:12,701 --> 00:17:14,286
IT'S TOPNOTCH.

416
00:17:14,369 --> 00:17:15,621
THAT DIES WITH ME.

417
00:17:15,704 --> 00:17:18,624
SO WILL I.

418
00:17:18,707 --> 00:17:20,584
EXCUSE YOURSELF AND
GO TO THE BATHROOM.

419
00:17:20,667 --> 00:17:22,628
OH, NO, NO, NO,
I WAS JUST SQUINTING.

420
00:17:22,711 --> 00:17:24,171
THAT DOESN'T MEAN ANYTHING.

421
00:17:24,254 --> 00:17:26,005
JUST DO IT.

422
00:17:31,386 --> 00:17:32,804
WILL YOU EXCUSE ME?

423
00:17:32,887 --> 00:17:34,097
I HAVE TO, UM…

424
00:17:45,317 --> 00:17:46,610
HEY…

425
00:17:46,693 --> 00:17:49,238
FINALLY! I THOUGHT
WE'D NEVER BE ALONE.

426
00:17:49,321 --> 00:17:50,822
CAN I JUST TELL
YOU SOMETHING?

427
00:17:50,905 --> 00:17:52,824
I HAVE NOT STOPPED
THINKING ABOUT YOU

428
00:17:52,907 --> 00:17:53,950
SINCE THE PARTY.

429
00:17:55,285 --> 00:17:58,664
LOOK, I MAY HAVE
JUMPED THE GUN HERE.

430
00:17:59,790 --> 00:18:00,832
UH…

431
00:18:01,958 --> 00:18:03,960
I JUST GOT OUT OF A RELATIONSHIP

432
00:18:04,043 --> 00:18:05,671
AND I'M NOT REALLY IN A…

433
00:18:05,754 --> 00:18:07,631
IN A COMMITMENT KIND OF PLACE.

434
00:18:07,714 --> 00:18:08,840
SO? ME NEITHER.

435
00:18:08,923 --> 00:18:10,551
GOD, MARY ANGELA
WAS RIGHT.

436
00:18:10,634 --> 00:18:12,469
YOU DO HAVE
THE SOFTEST LIPS.

437
00:18:14,179 --> 00:18:15,847
YOU'RE NOT MARY ANGELA?

438
00:18:15,930 --> 00:18:18,141
NO! I'M MARY THERESE.

439
00:18:18,224 --> 00:18:19,351
THIS IS SO BAD.

440
00:18:19,434 --> 00:18:21,729
IF, IF YOU'RE
NOT MARY ANGELA

441
00:18:21,812 --> 00:18:23,564
THEN, UH, THEN WHO IS?

442
00:18:23,647 --> 00:18:25,106
I AM.

443
00:18:26,316 --> 00:18:28,736
OH, IT'S SO BAD.

444
00:18:28,819 --> 00:18:29,695
JOEY!

445
00:18:29,778 --> 00:18:32,698
NO JOEY! NO
JOEY! NO JOEY!

446
00:18:32,781 --> 00:18:34,742
WHAT'S GOING ON?

447
00:18:34,825 --> 00:18:36,577
YOU'RE IT.

448
00:18:36,660 --> 00:18:38,078
NOW, RUN AND HIDE.

449
00:18:38,161 --> 00:18:39,246
IT'S NO BIG DEAL.

450
00:18:39,329 --> 00:18:41,206
CHANDLER
WAS JUST KISSING ME

451
00:18:41,289 --> 00:18:43,709
'CAUSE HE THOUGHT
I WAS MARY ANGELA.

452
00:18:43,792 --> 00:18:45,043
WHAT?

453
00:18:45,126 --> 00:18:47,379
HOW COULD YOU THINK
SHE WAS MARY ANGELA?

454
00:18:47,462 --> 00:18:50,632
I WASN'T SURE
WHICH ONE MARY ANGELA WAS.

455
00:18:52,300 --> 00:18:53,469
LOOK, I'M SORRY, OKAY?

456
00:18:53,552 --> 00:18:54,637
I WAS REALLY DRUNK

457
00:18:54,720 --> 00:18:56,722
AND YOU GUYS
ALL LOOK REALLY SIMILAR.

458
00:18:56,805 --> 00:18:57,847
PUNCH HIM, JOEY.

459
00:18:57,930 --> 00:18:58,890
YEAH!

460
00:18:58,973 --> 00:18:59,975
YOU KNOW WHAT?

461
00:19:00,058 --> 00:19:01,310
WE SHOULD
ALL CALM DOWN

462
00:19:01,393 --> 00:19:03,936
BECAUSE YOUR BROTHER'S
NOT GOING TO PUNCH ME.

463
00:19:04,937 --> 00:19:06,690
OH, YEAH?

464
00:19:06,773 --> 00:19:08,942
WELL, THAT'S USUALLY
WHAT I WOULD DO, BUT…

465
00:19:09,025 --> 00:19:10,402
I JUST NEVER
THOUGHT YOU'D BE

466
00:19:10,485 --> 00:19:11,779
ON THE RECEIVING
END OF IT.

467
00:19:11,862 --> 00:19:13,029
HOW COULD YOU DO THIS?

468
00:19:13,112 --> 00:19:15,407
JOEY, IF YOU WANT
TO PUNCH ME, GO AHEAD.

469
00:19:15,490 --> 00:19:16,575
I DESERVE IT

470
00:19:16,658 --> 00:19:18,076
BUT I JUST
WANT YOU TO KNOW

471
00:19:18,159 --> 00:19:21,079
THAT I WOULD NEVER
SOBERLY HURT YOU OR YOUR FAMILY.

472
00:19:21,162 --> 00:19:22,498
YOU'RE MY BEST FRIEND.

473
00:19:22,581 --> 00:19:25,208
I WOULD NEVER DO ANYTHING
LIKE THIS EVER AGAIN.

474
00:19:26,918 --> 00:19:28,086
SO WHAT?

475
00:19:28,169 --> 00:19:29,129
I SAY PUNCH HIM.

476
00:19:29,212 --> 00:19:31,256
YEAH!
PUNCH HIM!

477
00:19:31,339 --> 00:19:35,093
NO, I'M NOT GOING
TO PUNCH CHANDLER.

478
00:19:35,176 --> 00:19:36,178
I'LL DO IT.

479
00:19:36,261 --> 00:19:37,596
NO, YOU WON'T.

480
00:19:37,679 --> 00:19:39,848
LOOK, HE KNOWS HE
DID A TERRIBLE THING

481
00:19:39,931 --> 00:19:40,974
AND I BELIEVE HIM.

482
00:19:41,057 --> 00:19:42,142
HE'S SORRY.

483
00:19:42,225 --> 00:19:44,603
BUT YOU GOT ONE MORE
APOLOGY TO MAKE.

484
00:19:44,686 --> 00:19:46,480
YOU GOT TO APOLOGIZE
TO MARY ANGELA.

485
00:19:46,563 --> 00:19:47,648
OKAY. ABSOLUTELY.

486
00:19:47,731 --> 00:19:48,816
YOU GOT IT.

487
00:19:48,899 --> 00:19:50,066
ALL RIGHT.

488
00:19:59,158 --> 00:20:00,661
COOKIE, NOW YOU
CAN PUNCH HIM.

489
00:20:00,744 --> 00:20:01,994
WHAT?

490
00:20:09,461 --> 00:20:11,296
HEY! WHAT ARE YOU
DOING HERE?

491
00:20:11,379 --> 00:20:14,966
YOU KNOW, THIS BUILDING'S
ON MY PAPER ROUTE, SO, UH…

492
00:20:15,049 --> 00:20:16,719
OH…!
HI.

493
00:20:16,802 --> 00:20:17,803
HOW DID IT GO?

494
00:20:17,886 --> 00:20:18,887
WELL, THE WOMAN

495
00:20:18,970 --> 00:20:20,263
I INTERVIEWED WITH
WAS TOUGH

496
00:20:20,346 --> 00:20:21,724
BUT THANK GOD
MARK COACHED ME

497
00:20:21,807 --> 00:20:24,226
BECAUSE ONCE I STARTED TALKING
ABOUT THE FALL LINE

498
00:20:24,309 --> 00:20:26,186
SHE GOT ALL HAPPY
AND WOULDN'T SHUT UP.

499
00:20:26,269 --> 00:20:27,521
I'M SO PROUD OF YOU.

500
00:20:27,604 --> 00:20:28,731
ME, TOO!

501
00:20:28,814 --> 00:20:31,316
LISTEN, I'M, UH…

502
00:20:31,399 --> 00:20:36,321
I'M SORRY I'VE BEEN SO
CRAZY AND JEALOUS AND…

503
00:20:36,404 --> 00:20:38,448
IT'S JUST I LIKE
YOU A LOT, SO…

504
00:20:38,531 --> 00:20:39,867
I KNOW.

505
00:20:39,950 --> 00:20:41,451
YEAH?
YEAH.

506
00:20:41,534 --> 00:20:44,621
RACHEL. HI.

507
00:20:44,704 --> 00:20:45,664
I JUST TALKED
TO JOANNA

508
00:20:45,747 --> 00:20:46,665
AND SHE LOVES YOU.

509
00:20:46,748 --> 00:20:47,207
YOU'VE GOT IT.

510
00:20:47,290 --> 00:20:48,208
YOU GOT THE JOB.

511
00:20:48,291 --> 00:20:49,376
OH…! I DID?

512
00:20:49,459 --> 00:20:50,502
YES.

513
00:20:50,585 --> 00:20:51,670
OH, MY GOD!

514
00:20:51,753 --> 00:20:52,838
CONGRATU…

515
00:20:53,964 --> 00:20:55,006
WOW.

516
00:20:55,089 --> 00:20:56,591
…LATIONS.

517
00:21:00,011 --> 00:21:02,514
PHOEBE, HOW
WAS YOUR DATE?

518
00:21:02,597 --> 00:21:03,765
OH, WELL, YOU KNOW.

519
00:21:04,766 --> 00:21:07,352
YEAH, I DO KNOW.

520
00:21:07,435 --> 00:21:08,937
UGH. YOU WERE EAVESDROPPING?

521
00:21:09,020 --> 00:21:11,774
EAVESDROPPING? PHEEBS,
THE CEILING TILES

522
00:21:11,857 --> 00:21:13,065
WERE FALLING DOWN.

523
00:21:14,400 --> 00:21:16,278
OH, I'M SORRY…

524
00:21:16,361 --> 00:21:18,280
BUT I REALLY LIKE THIS GUY

525
00:21:18,363 --> 00:21:21,700
AND I THINK
HE REALLY HAPPENS TO LIKE ME.

526
00:21:26,913 --> 00:21:28,624
MAYBE HE'S
JUST JUMPING

527
00:21:28,707 --> 00:21:31,584
ON A POGO STICK
AND REALLY LIKES IT.

528
00:21:35,129 --> 00:21:37,382
MAYBE THE POGO
STICK LIKES IT, TOO.

529
00:21:39,050 --> 00:21:40,260
ALL RIGHT, THAT'S IT.

530
00:21:40,343 --> 00:21:42,011
HE CANNOT DO THIS TO PHOEBE.

531
00:21:42,094 --> 00:21:45,390
THIS GUY'S GOING TO GET
THE BUTT-KICKING OF A LIFETIME.

532
00:21:45,473 --> 00:21:46,850
BUT… IS HE A BIG GUY?

533
00:21:46,933 --> 00:21:48,101
UH, WE'LL ALL GO UP.

534
00:21:48,184 --> 00:21:49,269
COME ON.

535
00:21:49,352 --> 00:21:51,146
THANKS, YOU GUYS.

536
00:21:51,229 --> 00:21:52,230
THANK YOU.

537
00:21:52,313 --> 00:21:55,901
GOD… I HOPE
THEY KICK HIS ASS.

538
00:21:55,984 --> 00:21:57,527
HONEY, I'M SORRY.

539
00:21:57,610 --> 00:21:58,987
IF IT'S ANY
CONSOLATION

540
00:21:59,070 --> 00:22:01,656
HE DID SOUND LIKE
HE WAS HAVING MORE FUN WITH YOU.