1 00:00:01,892 --> 00:00:04,478 AUNT SYLVIA PASSED AWAY. 2 00:00:06,146 --> 00:00:07,064 YES! 3 00:00:07,147 --> 00:00:09,232 YES! YEAH! YEAH! YEAH! 4 00:00:11,234 --> 00:00:14,697 WE WERE ALL PRETTY SHAKEN UP ABOUT IT. 5 00:00:14,780 --> 00:00:16,240 AM I MISSING SOMETHING? 6 00:00:16,323 --> 00:00:19,243 I ALWAYS THOUGHT DEATH WAS SUPPOSED TO BE SAD IN A WAY. 7 00:00:19,326 --> 00:00:22,246 WELL, AUNT SYLVIA WAS… 8 00:00:22,329 --> 00:00:23,914 WELL, NOT A NICE PERSON. 9 00:00:23,997 --> 00:00:27,417 SHE WAS A CRUEL, CRANKY, OLD BITCH. 10 00:00:28,794 --> 00:00:30,504 AND I'M SORRY SHE DIED. 11 00:00:30,587 --> 00:00:33,131 DID DAD SAY I GET THE DOLLHOUSE? 12 00:00:33,214 --> 00:00:35,008 YOU GET THE DOLLHOUSE. 13 00:00:35,091 --> 00:00:36,844 I GET THE DOLLHOUSE! 14 00:00:38,553 --> 00:00:40,514 WELL, A HOUSE FOR DOLLS. 15 00:00:40,597 --> 00:00:41,849 THAT IS SO COOL. 16 00:00:41,932 --> 00:00:45,060 WHEN I WAS A KID, I HAD A BARREL. 17 00:00:45,143 --> 00:00:48,355 UH, PHEEBS, YOU HAD A BARREL FOR A DOLLHOUSE? 18 00:00:48,438 --> 00:00:52,317 NO, JUST A BARREL. 19 00:00:52,400 --> 00:00:53,193 YOU KNOW WHAT? 20 00:00:53,276 --> 00:00:53,943 YOU CAN PLAY WITH MY DOLLHOUSE. 21 00:00:54,026 --> 00:00:55,320 REALLY? REALLY? 22 00:00:55,403 --> 00:00:56,363 ANY TIME YOU WANT. 23 00:00:56,446 --> 00:00:57,364 WHEN I WAS YOUNGER 24 00:00:57,447 --> 00:00:58,866 ALL I WANTED TO DO WAS PLAY 25 00:00:58,949 --> 00:01:00,033 WITH THIS DOLLHOUSE. 26 00:01:00,116 --> 00:01:01,368 BUT NO. 27 00:01:01,451 --> 00:01:03,621 IT WAS TO BE LOOKED AT BUT NEVER PLAYED WITH. 28 00:01:03,704 --> 00:01:06,289 MY GRANDMOTHER USED TO SAY THE SAME THING TO ME. 29 00:01:58,466 --> 00:01:59,384 HEY, SOPHIE. 30 00:01:59,467 --> 00:02:00,385 HEY, RACH. 31 00:02:00,468 --> 00:02:01,929 THANKS FOR LUNCH, CHANDLER. 32 00:02:02,012 --> 00:02:04,222 YOU DIDN'T HAVE TO WALK ME BACK UP HERE. 33 00:02:04,305 --> 00:02:05,557 OH, THAT'S OKAY. 34 00:02:05,640 --> 00:02:08,393 NO PROBLEM. 35 00:02:08,476 --> 00:02:09,895 UM, HONEY, YOU DO REALIZE 36 00:02:09,978 --> 00:02:12,189 WE DON'T KEEP THE WOMEN'S LINGERIE 37 00:02:12,272 --> 00:02:13,607 HERE IN THE OFFICE. 38 00:02:15,149 --> 00:02:18,111 YES, I REALIZE THAT. 39 00:02:18,194 --> 00:02:19,112 SUMMER CATALOGUE? 40 00:02:19,195 --> 00:02:21,573 THAT'S THE STUFF. 41 00:02:21,656 --> 00:02:24,493 RACHEL, I NEED THE VERSACE INVOICE. 42 00:02:24,576 --> 00:02:25,369 HELLO. 43 00:02:25,452 --> 00:02:26,662 YOU DON'T WORK FOR ME. 44 00:02:26,745 --> 00:02:29,247 JOANNA, THIS IS MY FRIEND, CHANDLER BING. 45 00:02:29,330 --> 00:02:30,248 JOANNA. 46 00:02:30,331 --> 00:02:31,249 BING. 47 00:02:31,332 --> 00:02:32,584 THAT'S A GREAT NAME. 48 00:02:32,667 --> 00:02:35,420 THANKS. IT'S GAELIC FOR "THY TURKEY'S DONE." 49 00:02:38,590 --> 00:02:40,300 I'M GOING TO GO. NICE MEETING YOU. 50 00:02:40,383 --> 00:02:41,426 YOU, TOO. 51 00:02:41,509 --> 00:02:43,261 BYE, CHANDLER. 52 00:02:43,344 --> 00:02:47,016 SO, UH, WHAT'S WRONG WITH HIM? 53 00:02:47,099 --> 00:02:48,017 OH, NOTHING. 54 00:02:48,100 --> 00:02:49,643 HE'S JUST GOOFY LIKE THAT. 55 00:02:49,726 --> 00:02:51,854 I ACTUALLY HARDLY NOTICE IT ANYMORE. 56 00:02:51,937 --> 00:02:53,522 OH, NO, NO, NO. 57 00:02:53,605 --> 00:02:55,399 I MEAN, IS HE… 58 00:02:55,482 --> 00:02:57,401 MARRIED OR INVOLVED WITH ANYONE? 59 00:02:57,484 --> 00:02:58,402 NO, NO. 60 00:02:58,485 --> 00:03:00,696 HE'S NOT MARRIED OR INVOLVED. 61 00:03:00,779 --> 00:03:01,697 WITH ANYONE. 62 00:03:01,780 --> 00:03:04,241 WELL, RACHEL… 63 00:03:04,324 --> 00:03:05,743 ACTUALLY, YOU KNOW WHAT? 64 00:03:05,826 --> 00:03:06,952 FORGET IT. 65 00:03:07,035 --> 00:03:09,371 I'LL ASK HIM FOR YOU IF YOU WANT ME TO. 66 00:03:09,454 --> 00:03:10,581 WOULD YOU? 67 00:03:10,664 --> 00:03:12,374 OR IS IT JUST TOO SAD AND DESPERATE… 68 00:03:12,457 --> 00:03:14,543 YOU KNOW, SOMETHING THAT SOPHIE WOULD DO? 69 00:03:14,626 --> 00:03:15,627 I AM HERE. 70 00:03:15,710 --> 00:03:17,087 I KNOW THAT. 71 00:03:19,631 --> 00:03:20,632 LOOK AT IT. 72 00:03:20,715 --> 00:03:23,635 OH, WALLPAPER'S A LITTLE FADED. 73 00:03:23,718 --> 00:03:24,845 THAT'S OKAY. 74 00:03:24,928 --> 00:03:27,264 CARPET'S A LITTLE LOOSE. 75 00:03:27,347 --> 00:03:28,974 HARDWOOD FLOORS! 76 00:03:30,642 --> 00:03:31,560 HEY. 77 00:03:31,643 --> 00:03:32,561 HELLO. 78 00:03:32,644 --> 00:03:33,604 OH! 79 00:03:33,687 --> 00:03:36,899 OH, MONICA, IT'S SO BEAUTIFUL! 80 00:03:36,982 --> 00:03:39,401 I KNOW! 81 00:03:39,484 --> 00:03:41,570 SO I'M HERE, READY TO PLAY. 82 00:03:41,653 --> 00:03:42,863 OKAY. 83 00:03:42,946 --> 00:03:45,908 I BROUGHT A BUNCH OF STUFF FOR THE HOUSE. 84 00:03:45,991 --> 00:03:47,241 SO CHECK IT OUT. 85 00:03:50,495 --> 00:03:51,413 WHAT'S THIS? 86 00:03:51,496 --> 00:03:52,581 THAT'S A DOG. 87 00:03:52,664 --> 00:03:54,499 EVERY HOUSE SHOULD HAVE A DOG. 88 00:03:54,582 --> 00:03:56,919 NOT ONE THAT CAN PEE ON THE ROOF. 89 00:03:57,002 --> 00:04:00,255 WELL, MAYBE IT'S SO BIG 90 00:04:00,338 --> 00:04:03,675 BECAUSE THE HOUSE WAS BUILT ON RADIOACTIVE WASTE. 91 00:04:05,844 --> 00:04:09,014 AND IS THIS IN CASE THE HOUSE SNEEZES? 92 00:04:11,016 --> 00:04:12,601 NO, NO. 93 00:04:12,684 --> 00:04:15,062 THAT'S THE GHOST FOR THE ATTIC. 94 00:04:15,145 --> 00:04:17,230 I DON'T WANT A GHOST. 95 00:04:17,313 --> 00:04:19,273 WELL, NOBODY WANTS A GHOST. 96 00:04:21,109 --> 00:04:22,611 BUT YOU'VE GOT ONE. 97 00:04:22,694 --> 00:04:25,114 BECAUSE THE HOUSE IS SITTING ON 98 00:04:25,197 --> 00:04:27,699 AN ANCIENT INDIAN BURIAL GROUND. 99 00:04:27,782 --> 00:04:29,409 WAIT A MINUTE. 100 00:04:29,492 --> 00:04:32,537 THE HOUSE WAS BUILT ON RADIOACTIVE WASTE 101 00:04:32,620 --> 00:04:35,373 AND AN ANCIENT INDIAN BURIAL GROUND? 102 00:04:35,456 --> 00:04:37,334 THAT WOULD NEVER HAPPEN. 103 00:04:37,417 --> 00:04:41,379 OKAY, OBVIOUSLY YOU DON'T KNOW MUCH ABOUT THE U.S. GOVERNMENT. 104 00:04:43,381 --> 00:04:44,549 HEY. 105 00:04:44,632 --> 00:04:46,051 HEY. 106 00:04:46,134 --> 00:04:48,053 I NEED TO TALK TO YOU. 107 00:04:48,136 --> 00:04:49,513 SURE. WHAT'S UP? 108 00:04:49,596 --> 00:04:50,555 OH, SORRY. 109 00:04:50,638 --> 00:04:52,141 I MEANT CHANDLER. 110 00:04:52,224 --> 00:04:55,185 I-I KNOW. 111 00:04:56,770 --> 00:04:59,898 WELL, IF SOMETHING COMES UP… 112 00:05:02,150 --> 00:05:03,902 WELL, I'M GLAD YOU GUYS 113 00:05:03,985 --> 00:05:06,864 HAVE PASSED THAT LITTLE AWKWARD PHASE. 114 00:05:06,947 --> 00:05:08,740 OKAY, MY BOSS, JOANNA. 115 00:05:08,823 --> 00:05:13,453 WHEN YOU LEFT, SHE STARTED ASKING QUESTIONS ABOUT YOU. 116 00:05:13,536 --> 00:05:15,997 OH, LIKED WHAT SHE SAW, HUH? 117 00:05:17,415 --> 00:05:19,835 DUG MY ACTION, DID SHE? 118 00:05:19,918 --> 00:05:23,671 CHECKIN' OUT THE CHAN-CHAN MAN! 119 00:05:26,925 --> 00:05:30,679 THAT WAS… SURREAL. 120 00:05:30,762 --> 00:05:32,056 OKAY, WHAT DO YOU THINK? 121 00:05:32,139 --> 00:05:33,348 YOU INTERESTED AT ALL? 122 00:05:33,431 --> 00:05:36,852 YEAH, SHE SEEMED COOL, ATTRACTIVE. 123 00:05:36,935 --> 00:05:38,020 I'LL DO IT. 124 00:05:38,103 --> 00:05:39,396 OH, THANK YOU, CHANDLER. 125 00:05:39,479 --> 00:05:40,397 THIS IS SO GREAT. 126 00:05:40,480 --> 00:05:41,773 SHE'S GOING TO LOVE ME. 127 00:05:41,856 --> 00:05:43,067 HEY, DINOSAUR ATTACK. 128 00:05:43,150 --> 00:05:45,027 QUICK, EVERYBODY INTO THE HOUSE. 129 00:05:45,110 --> 00:05:46,028 AHH! 130 00:05:46,111 --> 00:05:47,362 RUFF! RUFF! 131 00:05:47,445 --> 00:05:49,865 ALL RIGHT, PHOEBE, YOU KNOW WHAT? THAT'S IT. 132 00:05:49,948 --> 00:05:50,866 THAT'S IT. 133 00:05:50,949 --> 00:05:53,035 NO DINOSAURS, NO GHOSTS 134 00:05:53,118 --> 00:05:54,369 NO GIANT DOGS, OKAY? 135 00:05:54,452 --> 00:05:56,163 THEY'RE NOT THE RIGHT SIZE 136 00:05:56,246 --> 00:05:58,707 THEY'RE NOT VICTORIAN, AND THEY JUST DON'T GO. 137 00:05:58,790 --> 00:06:00,876 OKAY. 138 00:06:00,959 --> 00:06:02,878 FINE. 139 00:06:02,961 --> 00:06:04,379 COME, DINOSAUR. 140 00:06:04,462 --> 00:06:08,050 WE'RE NOT WELCOME IN THE HOUSE OF NO IMAGINATION. 141 00:06:08,133 --> 00:06:11,720 PHEEBS, WHILE WE'RE HOVERING AROUND THE SUBJECT 142 00:06:11,803 --> 00:06:14,305 I JUST HAVE TO SAY THAT DINOSAURS 143 00:06:14,388 --> 00:06:16,016 THEY DON'T GO "RUFF." 144 00:06:16,099 --> 00:06:18,685 THE LITTLE ONES DO. 145 00:06:26,776 --> 00:06:28,028 HEY, KATE. 146 00:06:28,111 --> 00:06:29,404 MORNING. 147 00:06:29,487 --> 00:06:31,907 I WENT TO THAT RESTAURANT YOU TOLD ME ABOUT… 148 00:06:31,990 --> 00:06:32,950 HEY, LOVELY. 149 00:06:33,033 --> 00:06:35,911 COME TALK TO ME FOR A MINUTE. 150 00:06:35,994 --> 00:06:37,037 THEN I ATE THE FOOD. 151 00:06:37,120 --> 00:06:38,913 IT WAS GOOD. I HAD THE FISH. 152 00:06:40,957 --> 00:06:42,542 HI. 153 00:06:42,625 --> 00:06:44,544 I'M LAUREN, KATE'S UNDERSTUDY. 154 00:06:44,627 --> 00:06:46,671 OH, HEY. JOEY TRIBBIANI. 155 00:06:46,754 --> 00:06:47,672 I KNOW. 156 00:06:47,755 --> 00:06:49,424 I'M A BIG FAN OF YOURS. 157 00:06:49,507 --> 00:06:52,094 WHAT? 158 00:06:52,177 --> 00:06:54,345 I USED TO SCHEDULE MY CLASSES 159 00:06:54,428 --> 00:06:56,974 SO I COULD WATCH DR. DRAKE RAMORAY 160 00:06:57,057 --> 00:06:58,683 ON DAYS OF OUR LIVES. 161 00:06:58,766 --> 00:06:59,684 GET OUT OF HERE. 162 00:06:59,767 --> 00:07:00,685 REALLY? 163 00:07:00,768 --> 00:07:01,686 ABSOLUTELY. 164 00:07:01,769 --> 00:07:02,938 OH, BUT THEN THEY WENT 165 00:07:03,021 --> 00:07:05,065 AND DROPPED YOU DOWN THAT ELEVATOR SHAFT. 166 00:07:05,148 --> 00:07:06,983 THEY GAVE ME THE SHAFT, ALL RIGHT. 167 00:07:09,069 --> 00:07:10,862 YOU'RE SO FUNNY. 168 00:07:10,945 --> 00:07:12,823 WHAT ARE YOU DOING AFTER REHEARSAL? 169 00:07:12,906 --> 00:07:15,117 DO YOU WANT TO GET A DRINK OR SOMETHING? 170 00:07:15,200 --> 00:07:18,078 WELL, UH… 171 00:07:20,914 --> 00:07:22,124 YEAH. YEAH, SURE. 172 00:07:22,207 --> 00:07:23,792 A DRINK SOUNDS GREAT. 173 00:07:23,875 --> 00:07:24,835 COOL. 174 00:07:24,918 --> 00:07:25,836 I'LL SEE YOU THEN. 175 00:07:25,919 --> 00:07:27,087 ALL RIGHT. 176 00:07:30,257 --> 00:07:32,342 ALL RIGHT, IT'S TIME TO ACT 177 00:07:32,425 --> 00:07:35,053 MY TALKING PROPS. 178 00:07:39,640 --> 00:07:40,558 HEY. 179 00:07:40,641 --> 00:07:41,852 HEY. 180 00:07:41,935 --> 00:07:43,728 LOOK, EVERYBODY. LOOK AT MY NEW DOLLHOUSE. 181 00:07:43,811 --> 00:07:45,772 WOW! 182 00:07:47,274 --> 00:07:49,359 OH! 183 00:07:49,442 --> 00:07:50,735 LOOK, LOOK. 184 00:07:54,114 --> 00:07:55,365 HEY, WHAT'S THIS? 185 00:07:55,448 --> 00:07:57,951 OH, OKAY, IT'S A SLIDE INSTEAD OF STAIRS. 186 00:07:58,034 --> 00:07:58,994 LOOK. 187 00:07:59,077 --> 00:08:00,996 OH! 188 00:08:01,079 --> 00:08:02,914 VERY INTERESTING, PHOEBE. 189 00:08:04,457 --> 00:08:05,834 WHAT'S THIS? 190 00:08:05,917 --> 00:08:07,711 THE LICORICE ROOM. 191 00:08:07,794 --> 00:08:10,964 YOU CAN EAT ALL THE FURNITURE. 192 00:08:11,047 --> 00:08:12,341 AND WHEN GUESTS COME OVER 193 00:08:12,424 --> 00:08:15,135 THEY CAN STAY ON THE TOOTSIE ROLL-A-WAY BED. 194 00:08:16,386 --> 00:08:19,013 THIS IS THE COOLEST HOUSE EVER. 195 00:08:20,598 --> 00:08:22,059 HEY, DOES ANYONE WANT TO JOIN ME 196 00:08:22,142 --> 00:08:23,101 IN THE AROMA ROOM? 197 00:08:23,184 --> 00:08:24,186 ALL RIGHT. 198 00:08:24,269 --> 00:08:25,312 I WOULD. 199 00:08:25,395 --> 00:08:26,521 HEY, GUYS 200 00:08:26,604 --> 00:08:29,816 GUYS, DID YOU SEE MY NEW CHINA CABINET? 201 00:08:29,899 --> 00:08:31,318 UH-HUH. UH-HUH. 202 00:08:32,986 --> 00:08:34,196 WATCH. WATCH. 203 00:08:34,279 --> 00:08:35,697 OOH! OOH! 204 00:08:35,780 --> 00:08:37,490 AND, AND… 205 00:08:37,573 --> 00:08:40,869 AH! AH! 206 00:08:40,952 --> 00:08:45,040 HEY, MY FATHER'S HOUSE DOES THAT. 207 00:08:45,123 --> 00:08:46,666 OKAY, HOW DID IT GO? 208 00:08:46,749 --> 00:08:48,252 TELL ME EVERYTHING. 209 00:08:48,335 --> 00:08:50,420 WELL, THE MOVIE WAS GREAT. 210 00:08:50,503 --> 00:08:52,089 THE DINNER WAS GREAT. 211 00:08:52,172 --> 00:08:54,883 AND THERE'S NOTHING LIKE A COOL, CRISP NEW YORK EVENING. 212 00:08:54,966 --> 00:08:57,302 OF COURSE, I DIDN'T GET TO ENJOY ANY OF THAT 213 00:08:57,385 --> 00:08:59,471 BECAUSE JOANNA'S SUCH A BIG, DULL DUD. 214 00:09:01,139 --> 00:09:03,558 CHANDLER IS FANTASTIC! 215 00:09:03,641 --> 00:09:04,768 WHAT? 216 00:09:04,851 --> 00:09:06,770 OH, GOD, WE JUST CLICKED. 217 00:09:06,853 --> 00:09:09,314 HE CAME BY TO PICK ME UP, I OPENED THE DOOR 218 00:09:09,397 --> 00:09:11,233 AND IT WAS JUST LIKE, "CLICK." 219 00:09:11,316 --> 00:09:12,276 DID HE TELL YOU? 220 00:09:12,359 --> 00:09:14,069 AND HE'S GOT SUCH A GOOD HEART. 221 00:09:14,152 --> 00:09:15,862 DOESN'T HE HAVE A GOOD HEART? 222 00:09:15,945 --> 00:09:16,863 AND HE'S SO SWEET. 223 00:09:16,946 --> 00:09:18,365 HE SAID HE WAS GOING TO CALL 224 00:09:18,448 --> 00:09:19,908 SO PUT HIM STRAIGHT THROUGH. 225 00:09:19,991 --> 00:09:21,368 ISN'T THIS GREAT? 226 00:09:21,451 --> 00:09:23,161 DON'T SPOIL IT. 227 00:09:24,954 --> 00:09:26,248 COME ON, BABY, DON'T GO. 228 00:09:26,331 --> 00:09:27,249 PLEASE. 229 00:09:27,332 --> 00:09:29,334 WHAT DO YOU SAY? 230 00:09:30,668 --> 00:09:31,586 HELLO? 231 00:09:31,669 --> 00:09:32,921 OH, IT'S YOU. 232 00:09:33,004 --> 00:09:35,924 JUST ONE SEC. 233 00:09:36,007 --> 00:09:38,593 I AM GOING TO TAKE THIS CALL. 234 00:09:38,676 --> 00:09:42,889 WHEN I CONTINUE, I HOPE THAT THERE WILL APPEAR ON STAGE 235 00:09:42,972 --> 00:09:44,599 THIS MAGICAL THING 236 00:09:44,682 --> 00:09:46,768 THAT IN THE THEATER WE CALL 237 00:09:46,851 --> 00:09:50,938 COMMITTING TO THE MOMENT! 238 00:09:53,358 --> 00:09:57,612 THE GUY'S LIKE A CARTOON. 239 00:09:57,695 --> 00:09:59,781 WHAT DO YOU SEE IN HIM, ANYWAY? 240 00:09:59,864 --> 00:10:01,450 HE HAPPENS TO BE BRILLIANT. 241 00:10:01,533 --> 00:10:03,034 WHICH IS MORE THAN I CAN SAY 242 00:10:03,117 --> 00:10:06,288 FOR THAT SWEATER YOU'RE DATING. 243 00:10:06,371 --> 00:10:08,623 HEY, I'M NOT INTERESTED IN HER SWEATER. 244 00:10:08,706 --> 00:10:11,625 IT'S WHAT'S UNDERNEATH HER SWEATER THAT COUNTS. 245 00:10:14,670 --> 00:10:18,675 AND BESIDES, SINCE WHEN DO YOU CARE WHO I'M GOING OUT WITH? 246 00:10:18,758 --> 00:10:20,218 I DON'T CARE. 247 00:10:20,301 --> 00:10:21,803 WHY? DO YOU WANT ME TO CARE? 248 00:10:21,886 --> 00:10:24,473 DO YOU WANT ME TO WANT YOU TO CARE? 249 00:10:24,556 --> 00:10:26,599 DO YOU? 250 00:10:27,600 --> 00:10:28,810 WHAT? 251 00:10:28,893 --> 00:10:30,687 OKAY, I'M AFRAID TO SAY THIS 252 00:10:30,770 --> 00:10:33,481 BUT LET'S PICK IT UP WHERE WE LEFT OFF. 253 00:10:40,321 --> 00:10:42,073 COME ON, BABY, DON'T GO. 254 00:10:42,156 --> 00:10:43,408 PLEASE? 255 00:10:43,491 --> 00:10:44,868 WHAT DO YOU SAY? 256 00:10:44,951 --> 00:10:47,161 I'VE GOT NO REASON TO STAY. 257 00:10:49,663 --> 00:10:51,416 STOP! 258 00:10:51,499 --> 00:10:52,417 STOP IT! 259 00:10:52,500 --> 00:10:54,502 YOU MUST STOP! 260 00:10:56,712 --> 00:10:58,923 YOU ARE BAD ACTORS. 261 00:10:59,006 --> 00:11:01,843 THIS IS A TERRIBLE PLAY. 262 00:11:01,926 --> 00:11:05,346 I'LL SEE YOU IN THE MORNING. 263 00:11:07,265 --> 00:11:10,727 I CAN'T BELIEVE WE GO ON IN A WEEK. 264 00:11:10,810 --> 00:11:13,855 HEY, IT'S GOING TO BE ALL RIGHT. 265 00:11:13,938 --> 00:11:15,524 SO SINCE WE'RE GETTING OFF EARLY 266 00:11:15,607 --> 00:11:17,400 DO YOU WANT TO GO AND PAINT MUGS? 267 00:11:19,527 --> 00:11:20,904 WHAT? 268 00:11:20,987 --> 00:11:24,533 YOU KNOW, AT THE PLACE I TOLD YOU ABOUT LAST NIGHT? 269 00:11:24,616 --> 00:11:27,369 OH, YEAH. WITH THE MUG PAINTING. 270 00:11:27,452 --> 00:11:28,370 YEAH. 271 00:11:28,453 --> 00:11:30,372 I WAS SO LISTENING TO THAT. 272 00:11:30,455 --> 00:11:32,040 BUT YOU KNOW WHAT? 273 00:11:32,123 --> 00:11:35,419 I THINK I KIND OF NEED TO WORK ON MY STUFF TONIGHT. 274 00:11:35,502 --> 00:11:36,461 OH, OKAY. 275 00:11:36,544 --> 00:11:37,712 I'LL SEE YOU TOMORROW. 276 00:11:37,795 --> 00:11:40,381 OKAY. 277 00:11:42,467 --> 00:11:43,718 OKAY. 278 00:11:43,801 --> 00:11:45,470 GOOD NIGHT. 279 00:11:50,141 --> 00:11:52,561 UH… ARE YOU OKAY? 280 00:11:52,644 --> 00:11:55,063 YEAH, I GUESS. 281 00:11:55,146 --> 00:11:58,400 WHAT ARE WE GOING TO DO ABOUT THE SCENE, HUH? 282 00:11:58,483 --> 00:12:00,444 I DON'T KNOW. 283 00:12:00,527 --> 00:12:02,153 WELL, UM… 284 00:12:03,988 --> 00:12:06,241 MAYBE IF IT HAD MORE HEAT. 285 00:12:06,324 --> 00:12:07,909 HOW DO YOU MEAN? 286 00:12:07,992 --> 00:12:09,286 WELL… 287 00:12:09,369 --> 00:12:13,582 ADRIENNE'S LOOKING FOR A REASON TO STAY, RIGHT? 288 00:12:13,665 --> 00:12:15,417 VICTOR CAN'T JUST KISS HER. 289 00:12:15,500 --> 00:12:16,667 HE'S GOT TO… 290 00:12:16,750 --> 00:12:19,170 HE'S GOT TO REALLY GIVE HER A REASON. 291 00:12:19,253 --> 00:12:22,215 MAYBE HE COULD SLIP HER THE TONGUE. 292 00:12:27,637 --> 00:12:29,306 OR MAYBE… 293 00:12:29,389 --> 00:12:32,392 MAYBE HE COULD GRAB HER AND… 294 00:12:32,475 --> 00:12:33,977 AND LIFT HER UP. 295 00:12:34,060 --> 00:12:35,395 YEAH, AND THEN ADRIENNE 296 00:12:35,478 --> 00:12:37,772 MAYBE SHE COULD WRAP HER LEGS AROUND HIS WAIST. 297 00:12:37,855 --> 00:12:41,192 AND THEN SHE COULD RIP OFF HIS SHIRT AND KISS HIS CHEST 298 00:12:41,275 --> 00:12:42,235 AND HIS STOMACH. 299 00:12:42,318 --> 00:12:44,070 AND THEN HE CAN USE HIS TEETH… 300 00:12:44,153 --> 00:12:46,573 HIS TEETH TO UNDO HER DRESS AND… AND… 301 00:12:46,656 --> 00:12:47,740 BITE HER. 302 00:12:47,823 --> 00:12:50,243 AND THEN RIGHT WHEN THE SCENE ENDS 303 00:12:50,326 --> 00:12:55,956 HE COULD TAKE HER WITH THIS RAW, ANIMAL… 304 00:12:59,335 --> 00:13:01,421 SOMETHING LIKE THAT? 305 00:13:01,504 --> 00:13:04,424 YEAH, THAT'S PRETTY MUCH WHAT I HAD IN MIND. 306 00:13:04,507 --> 00:13:05,799 YEAH. 307 00:13:12,098 --> 00:13:13,016 HEY. 308 00:13:13,099 --> 00:13:14,225 WHAT'S UP? 309 00:13:20,440 --> 00:13:21,358 HI. 310 00:13:21,441 --> 00:13:22,567 HEY. 311 00:13:26,613 --> 00:13:29,824 IT'S A LITTLE EARLY TO BE DRINKING. 312 00:13:29,907 --> 00:13:31,075 NO, NO. 313 00:13:31,158 --> 00:13:34,245 THINGS, UH, FINALLY HAPPENED WITH KATE. 314 00:13:34,328 --> 00:13:35,830 OH, YOU'RE KIDDING. 315 00:13:35,913 --> 00:13:36,956 THAT'S GREAT. 316 00:13:37,039 --> 00:13:38,833 OH, IT WAS SO AMAZING. 317 00:13:38,916 --> 00:13:41,002 AFTER THE… LOVEMAKING… 318 00:13:41,085 --> 00:13:42,170 OH, MY. 319 00:13:42,253 --> 00:13:43,505 I JUST… 320 00:13:43,588 --> 00:13:46,966 I JUST WATCHED HER SLEEP FOR, LIKE, HOURS 321 00:13:47,049 --> 00:13:50,261 JUST BREATHING IN AND BREATHING OUT. 322 00:13:51,596 --> 00:13:53,348 AND THEN I KNEW SHE WAS DREAMING 323 00:13:53,431 --> 00:13:55,767 'CAUSE HER EYES KEPT GOING LIKE THIS… 324 00:14:01,564 --> 00:14:03,733 JOANNE'S GOT IT ALL WRONG, OKAY? 325 00:14:03,816 --> 00:14:05,860 ALL I SAID WAS, "THIS WAS FUN. 326 00:14:05,943 --> 00:14:07,862 "LET'S DO IT AGAIN SOMETIME. 327 00:14:07,945 --> 00:14:09,406 I'LL GIVE YOU A CALL." 328 00:14:09,489 --> 00:14:10,907 OH, GEE 329 00:14:10,990 --> 00:14:14,202 I WONDER WHY SHE THINKS YOU WERE GOING TO CALL HER. 330 00:14:14,285 --> 00:14:16,871 THAT'S WHAT YOU SAY AT THE END OF A DATE. 331 00:14:16,954 --> 00:14:17,955 YOU CAN'T JUST SAY 332 00:14:18,038 --> 00:14:19,874 "NICE TO MEET YOU. GOOD NIGHT"? 333 00:14:19,957 --> 00:14:21,751 TO HER FACE? 334 00:14:23,586 --> 00:14:25,129 IT'S THE END OF THE DATE. 335 00:14:25,212 --> 00:14:28,049 SHE'S WAITING FOR ME TO SAY I'LL CALL HER 336 00:14:28,132 --> 00:14:29,426 AND IT JUST COMES OUT. 337 00:14:29,509 --> 00:14:30,635 I CAN'T HELP IT. 338 00:14:30,718 --> 00:14:33,304 IT'S A COMPULSION. 339 00:14:33,387 --> 00:14:34,264 COME ON, RACH 340 00:14:34,347 --> 00:14:35,724 WHEN A GUY SAYS HE'S GOING TO CALL 341 00:14:35,807 --> 00:14:38,226 IT DOESN'T MEAN HE'S GOING TO CALL. 342 00:14:38,309 --> 00:14:39,603 THIS NEVER HAPPENED 343 00:14:39,686 --> 00:14:40,729 TO YOU? 344 00:14:40,812 --> 00:14:42,689 WELL, THEY ALWAYS CALLED. 345 00:14:42,772 --> 00:14:44,565 BITE ME. 346 00:14:51,071 --> 00:14:52,323 DID HE CALL? 347 00:14:52,406 --> 00:14:53,450 NO. SORRY. 348 00:14:53,533 --> 00:14:54,618 WHY? WHY? 349 00:14:54,701 --> 00:14:55,868 HE SAID HE'D CALL. 350 00:14:55,951 --> 00:14:57,370 WHY HASN'T HE CALLED? 351 00:14:57,453 --> 00:14:58,829 MAYBE HE'S INTIMIDATED 352 00:14:58,912 --> 00:15:01,625 BY REALLY SMART, STRONG, SUCCESSFUL WOMEN. 353 00:15:01,708 --> 00:15:03,959 SOPHIE, PLEASE CLIMB OUT OF MY BUTT. 354 00:15:06,253 --> 00:15:08,005 WHY HASN'T HE CALLED, RACHEL? 355 00:15:08,088 --> 00:15:09,132 OKAY, OKAY. 356 00:15:09,215 --> 00:15:10,508 UM, WELL, UH… 357 00:15:10,591 --> 00:15:15,805 MAYBE HE FEELS AWKWARD BECAUSE YOU ARE MY BOSS. 358 00:15:15,888 --> 00:15:18,057 WHY SHOULD HE FEEL AWKWARD? 359 00:15:18,140 --> 00:15:19,517 YOU'RE THE ONLY ONE WHO SHOULD FEEL AWKWARD 360 00:15:19,600 --> 00:15:20,851 AND YOU DIDN'T TELL HIM NOT TO CALL ME, DID YOU? 361 00:15:20,934 --> 00:15:21,770 NO, I… 362 00:15:21,853 --> 00:15:22,937 BECAUSE IF YOU FEEL UNCOMFORTABLE 363 00:15:23,020 --> 00:15:23,896 WITH YOUR FRIEND DATING SOMEONE YOU WORK FOR 364 00:15:23,979 --> 00:15:26,816 THERE ARE ALWAYS WAYS TO FIX THAT. 365 00:15:29,943 --> 00:15:32,447 CALL HER. CALL HER NOW. 366 00:15:32,530 --> 00:15:36,117 MULTIPLE… SO MANY PAPER CUTS. 367 00:15:36,200 --> 00:15:37,994 "WHY HASN'T HE CALLED, RACHEL? 368 00:15:38,077 --> 00:15:39,663 "WHY? I DON'T UNDERSTAND. 369 00:15:39,746 --> 00:15:41,289 "HE SAID HE'D CALL. WHY? 370 00:15:41,372 --> 00:15:43,667 I'M TELLING YOU, SHE'S FLIPPED OUT. 371 00:15:43,750 --> 00:15:44,875 SHE'S GONE CRAZY. 372 00:15:44,958 --> 00:15:47,295 OH. WELL, GIVE ME THE PHONE THEN. 373 00:15:47,378 --> 00:15:48,797 THIS ISN'T FUNNY. 374 00:15:48,880 --> 00:15:50,965 SHE THINKS IT'S MY FAULT THAT YOU HAVEN'T CALLED HER. 375 00:15:51,048 --> 00:15:52,467 YOU HAVE TO CALL HER. 376 00:15:52,550 --> 00:15:55,178 YOU CAN'T CALL SOMEBODY AFTER THIS LONG JUST TO SAY 377 00:15:55,261 --> 00:15:57,722 "IN CASE YOU DIDN'T NOTICE, I DON'T LIKE YOU." 378 00:15:57,805 --> 00:15:58,848 WELL, THEN 379 00:15:58,931 --> 00:16:00,809 YOU'LL HAVE TO TAKE HER OUT AGAIN. 380 00:16:00,892 --> 00:16:02,352 NO, SHE'S REALLY DULL 381 00:16:02,435 --> 00:16:05,396 AND SHE GETS THIS GROSS MASCARA GOOP THING 382 00:16:05,479 --> 00:16:09,567 IN THE CORNER OF HER EYE. 383 00:16:09,650 --> 00:16:10,735 I DON'T CARE. 384 00:16:10,818 --> 00:16:12,278 YOU'RE GOING TO HAVE TO TAKE HER OUT AGAIN 385 00:16:12,361 --> 00:16:13,780 AND END IT IN A WAY 386 00:16:13,863 --> 00:16:15,657 THAT SHE KNOWS IT'S ACTUALLY ENDED. 387 00:16:15,740 --> 00:16:17,241 AND I DON'T CARE HOW HARD IT IS FOR YOU. 388 00:16:17,324 --> 00:16:20,578 DO NOT TELL HER THAT YOU WILL CALL HER AGAIN. 389 00:16:20,661 --> 00:16:22,913 FINE, BUT IT'S JUST A LUNCH DATE. 390 00:16:22,996 --> 00:16:24,374 AND FROM NOW ON, I GET MY OWN DATES. 391 00:16:24,457 --> 00:16:26,751 I DON'T WANT YOU SETTING ME UP WITH ANYBODY EVER AGAIN. 392 00:16:26,834 --> 00:16:29,295 THAT'S FINE. 393 00:16:29,378 --> 00:16:30,338 THAT'S JUST A LOT OF BIG TALK, YOU KNOW. 394 00:16:30,421 --> 00:16:31,589 I KNOW. 395 00:16:34,801 --> 00:16:35,802 MON? 396 00:16:35,885 --> 00:16:37,219 IN THE SHOWER! 397 00:16:49,899 --> 00:16:52,359 OH! FIRE! THERE'S A FIRE! FIRE! 398 00:17:22,598 --> 00:17:23,516 HEY. 399 00:17:23,599 --> 00:17:24,642 HI. 400 00:17:24,725 --> 00:17:27,061 SO, I, UH… 401 00:17:27,144 --> 00:17:28,438 I TALKED TO LAUREN 402 00:17:28,521 --> 00:17:31,232 AND I KIND OF TOLD HER HOW THINGS WERE WITH US. 403 00:17:31,315 --> 00:17:33,568 DID YOU, UH, DID YOU TALK TO MARSHALL? 404 00:17:33,651 --> 00:17:35,737 ABOUT WHAT? 405 00:17:35,820 --> 00:17:39,407 YOU KNOW, ABOUT WHAT HAPPENED WITH US. 406 00:17:39,490 --> 00:17:41,242 NO. 407 00:17:41,325 --> 00:17:44,995 AND THERE'S REALLY NO REASON WHY HE SHOULD FIND OUT 408 00:17:45,078 --> 00:17:48,666 SO, UH, LET'S NOT MAKE A BIG DEAL OF IT, OKAY? 409 00:17:50,167 --> 00:17:52,253 WHAT ARE YOU TALKING ABOUT? 410 00:17:52,336 --> 00:17:54,171 IT WAS A BIG DEAL. 411 00:17:55,172 --> 00:17:56,549 HEY, COME ON 412 00:17:56,632 --> 00:17:58,635 YOU CAN'T TELL ME LAST NIGHT DIDN'T MEAN SOMETHING TO YOU. 413 00:17:58,718 --> 00:17:59,969 I WAS THERE. 414 00:18:00,052 --> 00:18:02,931 YOU'RE NOT THAT GOOD AN ACTRESS. 415 00:18:03,014 --> 00:18:07,268 LOOK, UM, I WAS JUST CAUGHT UP IN THE MOMENT. 416 00:18:07,351 --> 00:18:10,730 THAT'S ALL IT WAS. 417 00:18:10,813 --> 00:18:12,649 JOEY, I'M SORRY YOU FEEL BAD, BUT… 418 00:18:12,732 --> 00:18:14,609 HAVEN'T YOU EVER SLEPT WITH A WOMAN 419 00:18:14,692 --> 00:18:17,111 WHERE IT MEANT MORE TO HER THAN IT DID TO YOU? 420 00:18:17,194 --> 00:18:18,988 NO. 421 00:18:20,573 --> 00:18:21,741 HI, KATE. 422 00:18:21,824 --> 00:18:23,242 HI, LAUREN. 423 00:18:24,702 --> 00:18:26,120 HI, LAUREN. 424 00:18:26,203 --> 00:18:28,080 HI, PIG. 425 00:18:32,292 --> 00:18:33,043 SORRY I, UH… 426 00:18:33,126 --> 00:18:34,420 I SCARED YOU IN THERE. 427 00:18:34,503 --> 00:18:36,255 OH, THAT'S OKAY. 428 00:18:36,338 --> 00:18:37,507 BY THE WAY 429 00:18:37,590 --> 00:18:41,594 I WAS JUST CHECKING THE SHOWER MASSAGER. 430 00:18:41,677 --> 00:18:43,972 YEAH. SHH… 431 00:18:44,055 --> 00:18:45,306 HEY. 432 00:18:45,389 --> 00:18:47,976 WE TRIED TO REACH YOU AT WORK. 433 00:18:48,059 --> 00:18:50,144 THERE'S… BEEN A FIRE. 434 00:18:50,227 --> 00:18:51,312 WHAT? 435 00:18:51,395 --> 00:18:53,355 OH, MY… OH, MY GOD! 436 00:18:54,941 --> 00:18:56,192 WHAT HAPPENED? 437 00:18:56,275 --> 00:18:59,821 WELL, WE BELIEVE IT ORIGINATED HERE… 438 00:18:59,904 --> 00:19:02,991 IN THE AROMA ROOM. 439 00:19:03,074 --> 00:19:05,284 DID EVERYONE GET OUT OKAY? 440 00:19:05,367 --> 00:19:09,079 WELL, THE GIRAFFE'S OKAY AND SO IS THE PIRATE. 441 00:19:09,162 --> 00:19:10,414 WHAT IS THIS? 442 00:19:10,497 --> 00:19:12,625 NO, PHOEBE, DON'T LOOK. 443 00:19:12,708 --> 00:19:15,377 YOU DON'T WANT TO SEE WHAT'S UNDER THERE. 444 00:19:16,837 --> 00:19:18,547 THE FOSTER PUPPETS! 445 00:19:23,010 --> 00:19:23,970 IT'S NOT A BIG DEAL. 446 00:19:24,053 --> 00:19:26,806 IT'S RIGHT HERE, AND IT'S ALL THE TIME. 447 00:19:29,725 --> 00:19:32,895 WELL, THANKS AGAIN FOR LUNCH. 448 00:19:34,438 --> 00:19:37,358 YES, THIS… THIS WAS PLEASANT. 449 00:19:37,441 --> 00:19:39,193 IT WAS, WASN'T IT? 450 00:19:39,276 --> 00:19:41,821 THE FOOD THERE WAS GREAT. 451 00:19:41,904 --> 00:19:43,238 WASN'T IT? 452 00:19:45,658 --> 00:19:48,244 SO TAKE CARE. 453 00:19:48,327 --> 00:19:49,328 YOU, TOO. 454 00:19:50,913 --> 00:19:51,789 WELL, THIS WAS GREAT. 455 00:19:51,872 --> 00:19:52,707 I'LL GIVE YOU A CALL. 456 00:19:52,790 --> 00:19:54,000 WE SHOULD DO IT AGAIN SOMETIME. 457 00:19:54,083 --> 00:19:55,835 GREAT. I'M LOOKING FORWARD TO IT. 458 00:19:55,918 --> 00:19:57,587 RACHEL, ANY MESSAGES? 459 00:19:57,670 --> 00:19:59,088 SOPHIE'S DESK. 460 00:20:01,465 --> 00:20:03,133 CHANDLER… 461 00:20:03,216 --> 00:20:04,928 ARE YOU GOING TO CALL HER? 462 00:20:05,011 --> 00:20:05,929 NO. 463 00:20:06,012 --> 00:20:06,930 CHANDLER… 464 00:20:07,013 --> 00:20:08,014 I'M SORRY, OKAY? 465 00:20:08,097 --> 00:20:09,599 I'M WEAK AND PATHETIC AND SORRY. 466 00:20:09,682 --> 00:20:11,350 OKAY, YOU ARE GOING TO TELL HER. 467 00:20:11,433 --> 00:20:13,061 YOU ARE GOING TO TELL HER NOW. 468 00:20:13,144 --> 00:20:15,521 I'M NOT GOING TO CALL YOU. 469 00:20:17,690 --> 00:20:18,942 WHAT? 470 00:20:19,025 --> 00:20:20,276 I'M SORRY. 471 00:20:20,359 --> 00:20:22,236 I'M… I'M… I'M SORRY 472 00:20:22,319 --> 00:20:26,240 THAT I SAID I WAS GOING TO WHEN I'M NOT. 473 00:20:26,323 --> 00:20:29,285 LOOK, THIS HAS NOTHING TO DO WITH YOU. 474 00:20:29,368 --> 00:20:31,913 AND THIS ISN'T RACHEL'S FAULT. 475 00:20:31,996 --> 00:20:33,497 IT'S ME. 476 00:20:33,580 --> 00:20:37,376 I HAVE SERIOUS, SERIOUS PROBLEMS WHEN IT COMES TO WOMEN. 477 00:20:37,459 --> 00:20:40,964 I HAVE ISSUES WITH COMMITMENT, INTIMACY… 478 00:20:41,047 --> 00:20:42,715 MASCARA GOOP. 479 00:20:45,634 --> 00:20:46,886 AND I'M REALLY SORRY. 480 00:20:46,969 --> 00:20:48,471 IT'S JUST THAT THIS IS NOT… 481 00:20:48,554 --> 00:20:50,305 THIS ISN'T GOING TO WORK OUT. 482 00:20:52,516 --> 00:20:56,353 WELL, THIS ISN'T HOW I WAS HOPING THIS WOULD END 483 00:20:56,436 --> 00:21:00,190 BUT I GUESS I HAVE TO APPRECIATE YOUR HONESTY. 484 00:21:00,273 --> 00:21:02,860 YEAH. OKAY. 485 00:21:02,943 --> 00:21:05,529 SO… 486 00:21:07,198 --> 00:21:08,116 THIS WAS GREAT. 487 00:21:08,199 --> 00:21:09,617 I'LL GIVE YOU A CALL. 488 00:21:09,700 --> 00:21:11,284 WE SHOULD DO IT AGAIN SOMETIME. 489 00:21:17,583 --> 00:21:19,543 SO, ANYWAY, BETH, WHAT I'M SAYING IS 490 00:21:19,626 --> 00:21:22,588 I SHOULD HAVE CONSIDERED YOUR FEELINGS 491 00:21:22,671 --> 00:21:25,758 BEFORE I WENT HOME WITH YOU THAT NIGHT. 492 00:21:25,841 --> 00:21:27,051 I'VE, UH… 493 00:21:27,134 --> 00:21:29,595 I'VE RECENTLY LEARNED WHAT IT'S LIKE 494 00:21:29,678 --> 00:21:31,597 TO BE ON YOUR SIDE OF IT 495 00:21:31,680 --> 00:21:32,765 AND I'M SORRY. 496 00:21:32,848 --> 00:21:35,726 SO, DO YOU THINK YOU CAN FORGIVE ME? 497 00:21:35,809 --> 00:21:36,811 GREAT. 498 00:21:36,894 --> 00:21:37,979 THANKS. 499 00:21:38,062 --> 00:21:39,147 OKAY. 500 00:21:39,230 --> 00:21:40,480 BYE. 501 00:21:42,108 --> 00:21:43,776 WHEW. 502 00:21:48,239 --> 00:21:49,782 HELLO. JENNIFER? 503 00:21:49,865 --> 00:21:51,742 OH, HI, MRS. LORIO. 504 00:21:51,825 --> 00:21:53,619 IS JENNIFER THERE? 505 00:21:53,702 --> 00:21:55,746 AH, SHE'S NOT HOME, HUH? 506 00:21:55,829 --> 00:21:57,581 WELL, UH, ACTUALLY 507 00:21:57,664 --> 00:22:01,168 I KIND OF NEED TO TALK TO YOU, TOO.