1 00:00:00,004 --> 00:00:02,633 I WAS SUPPOSED TO CALL MY DAD BACK TWO HOURS AGO. 2 00:00:02,716 --> 00:00:04,051 YEAH, HE CLICKED ON. 3 00:00:04,134 --> 00:00:05,927 HE SAID CALL HIM WHEN YOU GET A CHANCE. 4 00:00:06,010 --> 00:00:07,262 HE'S AT FLIMBY'S. 5 00:00:07,345 --> 00:00:08,723 WHAT'S FLIMBY'S? 6 00:00:08,806 --> 00:00:10,599 OH, YEAH, THAT'S THE WORD I USE 7 00:00:10,682 --> 00:00:11,933 WHEN I CAN'T REMEMBER 8 00:00:12,016 --> 00:00:13,310 THE REAL THING. 9 00:00:13,393 --> 00:00:14,729 OKAY, HANG UP. 10 00:00:14,812 --> 00:00:16,564 THAT'S IT. COME ON. 11 00:00:16,647 --> 00:00:18,357 NO, THAT'S WHAT THEY WANT ME TO DO. 12 00:00:18,440 --> 00:00:19,859 MY WARRANTY EXPIRES TOMORROW. 13 00:00:19,942 --> 00:00:22,319 IF I DON'T GET THROUGH, THEY'RE NOT GOING TO FIX 14 00:00:22,402 --> 00:00:24,112 MY CRAPPY, BROKEN PHONE FOR FREE. 15 00:00:24,195 --> 00:00:25,280 WE CANNOT LET THEM WIN. 16 00:00:25,363 --> 00:00:26,407 IT'S US VERSUS THEM. 17 00:00:26,490 --> 00:00:28,492 YES! 18 00:00:29,534 --> 00:00:30,911 HEY. 19 00:00:30,994 --> 00:00:34,707 LISTEN, I GOT TO DOUBLE-CHECK FOR TICKETS TONIGHT. 20 00:00:34,790 --> 00:00:36,124 I HAVE ONE. I HAVE ONE. 21 00:00:36,207 --> 00:00:37,459 I NEED TWO. 22 00:00:37,542 --> 00:00:39,127 I'M BRINGING PETE 23 00:00:39,210 --> 00:00:40,587 MY BOYFRIEND. 24 00:00:42,213 --> 00:00:44,550 I HAVE A BOYFRIEND NOW. 25 00:00:44,633 --> 00:00:46,510 TWO IT IS. 26 00:00:46,593 --> 00:00:47,720 ROSS, HOW ABOUT YOU? 27 00:00:47,803 --> 00:00:49,805 UH, YEAH, I, UH… I ALSO NEED TWO. 28 00:00:49,888 --> 00:00:51,265 REALLY? 29 00:00:51,348 --> 00:00:52,600 WHO'S NUMBER TWO? 30 00:00:52,683 --> 00:00:54,184 WHOSE NUMBER TWO? 31 00:00:54,267 --> 00:00:57,228 ONE OF THE MORE DIFFICULT GAMES SEWER WORKERS PLAY. 32 00:00:58,355 --> 00:01:01,233 NO, IT'S JUST THIS PERSON. 33 00:01:01,316 --> 00:01:03,318 LIKE A DATE TYPE OF PERSON? 34 00:01:03,401 --> 00:01:04,653 YEAH, KIND OF. 35 00:01:04,736 --> 00:01:06,154 IT'S THIS WOMAN FROM WORK. 36 00:01:06,237 --> 00:01:07,989 I HOPE THAT WON'T BE TOO WEIRD. 37 00:01:08,072 --> 00:01:09,324 WILL IT, RACH? 38 00:01:09,407 --> 00:01:10,325 NO. 39 00:01:10,408 --> 00:01:11,660 NO, NOT AT ALL. 40 00:01:11,743 --> 00:01:13,871 I WAS ACTUALLY GOING TO BRING SOMEONE MYSELF. 41 00:01:13,954 --> 00:01:16,874 BUT YOU SAID ONE TICKET. 42 00:01:19,001 --> 00:01:22,087 I MEANT ME PLUS ONE. 43 00:01:22,170 --> 00:01:25,298 OKAY, DID YOU GUYS MEAN YOU PLUS ONE? 44 00:01:26,925 --> 00:01:28,343 I'LL SEE YOU TONIGHT. 45 00:01:28,426 --> 00:01:29,344 OKAY. 46 00:01:29,427 --> 00:01:30,679 OKAY, BYE-BYE. 47 00:01:30,762 --> 00:01:32,180 BYE-BYE. 48 00:01:32,263 --> 00:01:33,891 OKAY, I NEED A DATE. 49 00:01:35,767 --> 00:01:38,061 OH, HEY, YOU GUYS ARE FINALLY GOING 50 00:01:38,144 --> 00:01:39,313 TO GET TO MEET KATE. 51 00:01:39,396 --> 00:01:40,980 I BORROWED SOME OF YOUR COLOGNE. 52 00:01:41,063 --> 00:01:42,107 I HOPE SHE LIKES IT. 53 00:01:42,190 --> 00:01:43,651 THIS IS NEVER GOING TO HAPPEN. 54 00:01:43,734 --> 00:01:44,985 SHE'S SEEING SOMEBODY. 55 00:01:45,068 --> 00:01:47,529 YEAH, AND I DON'T HAVE ANY COLOGNE. 56 00:01:47,612 --> 00:01:49,740 GREEN BOTTLE NEXT TO THE SHAVING CREAM. 57 00:01:49,823 --> 00:01:51,950 OH, WORM MEDICINE FOR THE DUCK. 58 00:02:43,835 --> 00:02:44,920 HERE YOU GO. 59 00:02:45,003 --> 00:02:46,254 YOU CAN WEAR THIS. 60 00:02:46,337 --> 00:02:47,672 THANKS. OKAY. 61 00:02:49,674 --> 00:02:52,010 OH, I'M SETTING THE PHONE DOWN. 62 00:02:53,470 --> 00:02:55,263 BUT I'M STILL HERE. 63 00:02:55,346 --> 00:02:57,016 JUST DON'T GO ANYWHERE. 64 00:02:57,099 --> 00:02:58,433 I'M STILL HERE. 65 00:02:58,516 --> 00:03:01,228 DON'T SWITCH OR ANYTHING, 'CAUSE I'M RIGHT HERE. 66 00:03:01,311 --> 00:03:02,604 JUST ONE SEC. 67 00:03:03,647 --> 00:03:04,857 ONE SEC. 68 00:03:04,940 --> 00:03:06,233 ONE SECOND! 69 00:03:06,316 --> 00:03:08,027 WAIT! ONE SECOND! 70 00:03:08,110 --> 00:03:09,361 PHOEBE? 71 00:03:09,444 --> 00:03:10,571 WHAT, MONICA? 72 00:03:10,654 --> 00:03:11,864 I'M SCARED! 73 00:03:11,947 --> 00:03:14,783 HONEY, HONEY, THAT'S A SLEEVE. 74 00:03:14,866 --> 00:03:16,159 OKAY? 75 00:03:16,242 --> 00:03:18,662 AND WE ALSO HAVE A SPEAKERPHONE. 76 00:03:18,745 --> 00:03:20,664 Please stay on the line. 77 00:03:20,747 --> 00:03:22,624 Your call is important to us. 78 00:03:22,707 --> 00:03:24,334 YOU'VE GOT TO HANG UP. WE'RE LATE. 79 00:03:24,417 --> 00:03:26,670 Thank you for your patience. 80 00:03:26,753 --> 00:03:28,005 You're the next caller. 81 00:03:28,088 --> 00:03:30,257 YES! YES! I'M THE NEXT CALLER! 82 00:03:30,340 --> 00:03:33,217 YOU WERE GOING TO HAVE ME HANG UP. 83 00:03:34,260 --> 00:03:35,596 HEY. 84 00:03:35,679 --> 00:03:38,724 CAN YOU TAKE A DUCK AND A CHICK TO THE THEATER? 85 00:03:38,807 --> 00:03:40,768 OF COURSE NOT. NO. 86 00:03:40,851 --> 00:03:44,729 OKAY. I JUST WANTED THEM TO HEAR IT FROM SOMEBODY ELSE. 87 00:03:51,653 --> 00:03:52,738 HEY, RACH. 88 00:03:52,821 --> 00:03:53,906 OH, HI. 89 00:03:53,989 --> 00:03:55,240 HOW ARE YOU? 90 00:03:55,323 --> 00:03:56,617 GOOD. 91 00:03:56,700 --> 00:03:59,369 UM, SO IT LOOKS LIKE WE'RE THE FIRST ONES HERE. 92 00:03:59,452 --> 00:04:00,913 YEAH, LOOKS THAT WAY. 93 00:04:00,996 --> 00:04:02,456 FIRST ONES HERE! WHOO! 94 00:04:02,539 --> 00:04:04,917 YAY! 95 00:04:05,000 --> 00:04:06,794 OH, TOMMY, THIS IS ROSS. 96 00:04:06,877 --> 00:04:08,128 ROSS, TOMMY. 97 00:04:08,211 --> 00:04:09,880 OH, I'M SORRY. 98 00:04:09,963 --> 00:04:11,256 THIS IS CAILIN. 99 00:04:11,339 --> 00:04:12,633 CAILIN… 100 00:04:12,716 --> 00:04:14,467 AND… BREAK. 101 00:04:16,427 --> 00:04:18,179 OKAY. 102 00:04:18,262 --> 00:04:20,891 I THINK I'M GOING TO RUN TO THE LADIES' ROOM. 103 00:04:20,974 --> 00:04:22,267 I'LL JOIN YOU. 104 00:04:22,350 --> 00:04:23,602 I'LL GET OUR SEATS. 105 00:04:23,685 --> 00:04:24,937 OKAY. 106 00:04:25,020 --> 00:04:28,023 SO, UH… WELL, THIS IS… THIS IS AWKWARD. 107 00:04:28,106 --> 00:04:29,524 YEAH? 108 00:04:29,607 --> 00:04:32,319 'CAUSE RACHEL AND I USED TO GO OUT. 109 00:04:32,402 --> 00:04:34,863 OH, I DIDN'T KNOW THAT. 110 00:04:34,946 --> 00:04:36,782 OH. 111 00:04:36,865 --> 00:04:40,119 WELL, THEN THIS IS AWKWARD. 112 00:04:40,202 --> 00:04:42,203 SO WHAT DO YOU…? 113 00:04:42,286 --> 00:04:43,622 I THINK WE'RE HERE. 114 00:04:43,705 --> 00:04:44,957 OH. YEAH. 115 00:04:45,040 --> 00:04:46,291 UH… HUH. 116 00:04:46,374 --> 00:04:47,626 EXCUSE ME. 117 00:04:47,709 --> 00:04:50,796 I'M SORRY. I THINK YOU MAY BE IN OUR SEATS. 118 00:04:50,879 --> 00:04:53,507 UM, NO, I DON'T THINK SO. 119 00:04:53,590 --> 00:04:55,592 COULD WE TAKE A LOOK AT YOUR TICKET? 120 00:04:55,675 --> 00:04:57,594 SURE. 121 00:04:57,677 --> 00:05:01,640 YEAH, YOU SEE, THIS SAYS D-13 AND… 122 00:05:01,723 --> 00:05:04,434 OH, WELL, I THOUGHT THAT WE WERE… 123 00:05:04,517 --> 00:05:05,769 YOU THOUGHT, HUH? 124 00:05:05,852 --> 00:05:08,313 THAT DIDN'T REALLY WORK OUT TOO WELL FOR YOU 125 00:05:08,396 --> 00:05:09,731 IDIOT! 126 00:05:09,814 --> 00:05:11,650 WHAT ARE YOU… A MORON? 127 00:05:11,733 --> 00:05:13,527 IT SAYS D-13, OKAY? 128 00:05:13,610 --> 00:05:15,320 YOU'RE SURROUNDED BY EVEN NUMBERS. 129 00:05:15,403 --> 00:05:16,905 DOES THAT GIVE YOU SOME CLUE? 130 00:05:16,988 --> 00:05:18,448 UH, THE USHER TOLD US… 131 00:05:18,531 --> 00:05:19,783 THE USHER MUST BE RIGHT. 132 00:05:19,866 --> 00:05:22,161 WHAT, WITH ALL THE TRAINING THEY GO THROUGH. 133 00:05:22,244 --> 00:05:24,163 GET OUT! 134 00:05:24,246 --> 00:05:26,330 HERE! 135 00:05:29,042 --> 00:05:30,919 HEY, MAN, YOU WANT THE AISLE? 136 00:05:31,002 --> 00:05:32,336 NO, I'M GOOD. 137 00:05:44,015 --> 00:05:45,934 THERE HE IS. 138 00:05:46,017 --> 00:05:47,936 THERE'S OUR STAR. 139 00:05:48,019 --> 00:05:49,437 SO, SO, WHAT DID YOU THINK? 140 00:05:49,520 --> 00:05:52,566 ALMOST AS GOOD AS THE PLAY WITH THE TWO NAKED GIRLS 141 00:05:52,649 --> 00:05:53,942 ON THE SEE-SAW. 142 00:05:54,025 --> 00:05:55,276 I WASN'T IN THAT. 143 00:05:55,359 --> 00:05:56,528 I KNOW. 144 00:05:56,611 --> 00:05:57,863 OH, HEY, HEY, KATE. 145 00:05:57,946 --> 00:06:00,199 LISTEN, I WANT YOU TO MEET EVERYBODY. 146 00:06:00,282 --> 00:06:01,742 EVERYBODY, THIS IS KATE. 147 00:06:01,825 --> 00:06:03,077 EXCUSE ME, EXCUSE ME. 148 00:06:03,160 --> 00:06:04,078 SWEETHEART. 149 00:06:04,161 --> 00:06:05,162 HI. 150 00:06:06,163 --> 00:06:07,289 COME. 151 00:06:10,667 --> 00:06:12,334 SO THAT'S THE GIRL YOU LIKE. 152 00:06:14,004 --> 00:06:15,923 I'M TELLING YOU 153 00:06:16,006 --> 00:06:18,884 THIS GUY RACHEL IS WITH IS CRAZY, OKAY? 154 00:06:18,967 --> 00:06:21,929 HE VICIOUSLY SCREAMED AT TOTAL STRANGERS. 155 00:06:22,012 --> 00:06:23,680 I THINK HE'S BAD NEWS. 156 00:06:23,763 --> 00:06:25,724 WAIT A MINUTE. WAIT A MINUTE. 157 00:06:25,807 --> 00:06:28,560 YOU DON'T LIKE THE GUY RACHEL'S DATING? 158 00:06:28,643 --> 00:06:29,978 WELL, THAT'S ODD. 159 00:06:31,353 --> 00:06:32,439 OH, HEY, LAUREN. 160 00:06:32,522 --> 00:06:34,608 THIS IS KATE'S UNDERSTUDY, LAUREN. 161 00:06:34,691 --> 00:06:35,609 HI. HI. 162 00:06:35,692 --> 00:06:37,861 GOSH, YOU LOOK SO FAMILIAR. 163 00:06:37,944 --> 00:06:39,320 YEAH. I RAN INTO YOU 164 00:06:39,403 --> 00:06:41,156 IN THE HALLWAY IN YOUR BUILDING. 165 00:06:41,239 --> 00:06:43,450 IT WAS RIGHT AFTER I SLEPT WITH JOEY. 166 00:06:43,533 --> 00:06:45,160 HE DUMPED ME THE NEXT DAY. 167 00:06:46,286 --> 00:06:49,039 SO HOW'D YOU GUYS MEET? 168 00:06:49,122 --> 00:06:50,916 WELL, UH, THE SHORT VERSION IS 169 00:06:50,999 --> 00:06:53,085 I PURSUED HER FOR A COUPLE OF MONTHS 170 00:06:53,168 --> 00:06:54,878 THEN I GAVE HER A CHECK FOR $20,000 171 00:06:54,961 --> 00:06:56,296 AND SHE WAS MINE. 172 00:06:57,881 --> 00:06:59,758 YEAH, AND IN THE LONG VERSION 173 00:06:59,841 --> 00:07:03,011 I DUMP HIM FOR TELLING PEOPLE THE SHORT VERSION. 174 00:07:03,094 --> 00:07:05,347 JOEY, SWEETHEART, YOU WERE FABULOUS. 175 00:07:06,764 --> 00:07:09,559 HEY, YOU GUYS, THIS IS MY AGENT, ESTELLE. 176 00:07:09,642 --> 00:07:11,103 HOW DO YOU DO? 177 00:07:11,186 --> 00:07:12,520 OH, YOU TWO GIRLS 178 00:07:12,603 --> 00:07:14,439 WERE OUTSTANDING. 179 00:07:14,522 --> 00:07:16,524 DO THEY HAVE REPRESENTATION? 180 00:07:17,567 --> 00:07:19,444 NO, THEY WEREN'T IN THE PLAY. 181 00:07:19,527 --> 00:07:20,862 WE'RE NOT ACTORS. 182 00:07:20,945 --> 00:07:22,281 OH, WHAT A SHAME. 183 00:07:22,364 --> 00:07:24,449 BECAUSE WITH HER FACE AND HER CHEST 184 00:07:24,532 --> 00:07:26,910 I COULD REALLY PUT SOMETHING TOGETHER. 185 00:07:28,619 --> 00:07:30,621 COULD I BORROW IT? 186 00:07:32,040 --> 00:07:33,292 HI. 187 00:07:33,375 --> 00:07:34,626 REMEMBER ME? 188 00:07:34,709 --> 00:07:35,961 HI. 189 00:07:36,044 --> 00:07:38,088 YEAH… TOMMY'S IN LINE FOR THE BATHROOM 190 00:07:38,171 --> 00:07:40,090 AND SOMEONE JUST CUT IN FRONT OF HIM. 191 00:07:40,173 --> 00:07:41,549 I THINK HE'S GOING TO SNAP. 192 00:07:41,632 --> 00:07:44,261 ROSS, I'M GOING TO GO. 193 00:07:44,344 --> 00:07:45,595 GO? WHY? 194 00:07:45,678 --> 00:07:47,264 I DON'T KNOW. 195 00:07:47,347 --> 00:07:51,018 COULD BE BECAUSE I DON'T FEEL LIKE STANDING AROUND ALL NIGHT 196 00:07:51,101 --> 00:07:52,393 WAITING FOR SOME GUY 197 00:07:52,476 --> 00:07:54,313 WHO MAY OR MAY NOT SCREAM. 198 00:07:54,396 --> 00:07:57,149 BUT, CAILIN, HE DEFINITELY WILL SCREAM. 199 00:07:57,232 --> 00:07:58,817 GOOD-BYE, ROSS. 200 00:07:58,900 --> 00:08:01,069 UH, UH, ALL RIGHT. 201 00:08:03,988 --> 00:08:05,615 HERE WE GO, PEOPLE. 202 00:08:12,205 --> 00:08:13,874 BOXING DAY. 203 00:08:13,957 --> 00:08:17,169 "THE LUCILLE LORTEL THEATER…" BUDDA, BUDDA, BUDDA… 204 00:08:17,252 --> 00:08:18,795 A-HA. 205 00:08:18,878 --> 00:08:22,257 "JOEY TRIBBIANI GIVES AN UNEVEN PERFORMANCE. 206 00:08:22,340 --> 00:08:25,635 "BUT MR. TRIBBIANI IS NOT THE WORST THING 207 00:08:25,718 --> 00:08:27,262 IN THIS PRODUCTION." 208 00:08:27,345 --> 00:08:29,222 YES! 209 00:08:31,266 --> 00:08:33,894 "KATE MILLER'S AWKWARD AND MANNERED PORTRAYAL 210 00:08:33,977 --> 00:08:35,270 IS LAUGHABLE." 211 00:08:35,353 --> 00:08:36,771 BUDDA, BUDDA, BUDDA… 212 00:08:36,854 --> 00:08:38,065 A-HA… HERE IT IS. 213 00:08:38,148 --> 00:08:39,774 "THE DIRECTION 214 00:08:39,857 --> 00:08:43,027 BY MARSHALL TOWNEND IS…" 215 00:08:49,326 --> 00:08:51,578 THANK YOU, BOYS AND GIRLS. 216 00:08:51,661 --> 00:08:54,081 YOU'VE RUINED MY LIFE. 217 00:08:54,164 --> 00:08:57,334 PLEASE STUFF YOUR TALENTLESS FACES 218 00:08:57,417 --> 00:09:00,044 WITH MY MOTHER'S CRAB CAKES! 219 00:09:01,296 --> 00:09:03,089 EXCUSE ME! 220 00:09:07,677 --> 00:09:10,013 DOES ANYONE MIND IF I SAVE THIS? 221 00:09:14,058 --> 00:09:15,102 HEY. 222 00:09:15,185 --> 00:09:16,436 OH, IS THE PLAY OVER? 223 00:09:16,519 --> 00:09:17,771 YEAH. WHERE WERE YOU? 224 00:09:17,854 --> 00:09:20,190 Thank you for your patience. 225 00:09:20,273 --> 00:09:22,192 You're the next caller. 226 00:09:22,275 --> 00:09:24,527 YOU WERE THE NEXT CALLER FIVE HOURS AGO. 227 00:09:24,610 --> 00:09:25,987 YOU MUST BE GOING CRAZY. 228 00:09:26,070 --> 00:09:28,365 NAH, I KEPT MYSELF BUSY. 229 00:09:36,289 --> 00:09:38,375 OH, OKAY. I PUT YOUR STUFF IN HER ROOM 230 00:09:38,458 --> 00:09:40,043 AND HER STUFF IN YOUR ROOM. 231 00:09:44,630 --> 00:09:48,135 HEY, YOU OKAY? 232 00:09:48,218 --> 00:09:50,470 FABULOUS. 233 00:09:50,553 --> 00:09:53,140 LISTEN, DRAMA CRITICS… THEY'RE NOTHING BUT PEOPLE 234 00:09:53,223 --> 00:09:54,975 WHO COULDN'T MAKE IT AS ACTORS. 235 00:09:55,058 --> 00:09:56,559 YOU KNOW WHAT YOU SHOULD DO? 236 00:09:56,642 --> 00:09:58,228 BECOME A DRAMA CRITIC. 237 00:10:02,899 --> 00:10:04,692 I AM HURT! 238 00:10:07,404 --> 00:10:12,242 A PLAGUE ON BOTH YOUR HOUSES. 239 00:10:13,326 --> 00:10:15,245 BY THE WAY, HE DUMPED ME TONIGHT 240 00:10:15,328 --> 00:10:16,830 AFTER HE READ MY REVIEW. 241 00:10:16,913 --> 00:10:18,998 OH, CLASSY. 242 00:10:19,999 --> 00:10:21,376 YEP. 243 00:10:21,459 --> 00:10:23,586 I SURE KNOW HOW TO PICK 'EM, HUH? 244 00:10:25,171 --> 00:10:27,548 YOU KNOW, I GAVE UP A PART ON A SOAP FOR THIS? 245 00:10:27,631 --> 00:10:28,842 WOW. 246 00:10:28,925 --> 00:10:32,012 YEAH, I GAVE UP A JOB, TOO. 247 00:10:32,095 --> 00:10:33,430 REALLY? WHAT? 248 00:10:33,513 --> 00:10:35,765 DECLAWING CATS. 249 00:10:37,475 --> 00:10:40,520 HEY, TELL YOU WHAT, LET ME WALK YOU HOME. 250 00:10:40,603 --> 00:10:42,230 WE'LL STOP BY EVERY NEWSSTAND 251 00:10:42,313 --> 00:10:44,858 AND BURN EVER COPY OF THEIR TIMES AND THE POST. 252 00:10:44,941 --> 00:10:45,900 WHY THE POST? 253 00:10:45,983 --> 00:10:47,486 YOU DIDN'T SEE THE POST? 254 00:10:47,569 --> 00:10:48,611 NO. YOU? 255 00:10:48,694 --> 00:10:50,613 NO. WHY? 256 00:10:55,826 --> 00:10:58,372 YOU REALLY THINK 257 00:10:58,455 --> 00:11:00,790 THESE NEWSPAPERS ARE JUST JEALOUS OF ME? 258 00:11:00,873 --> 00:11:02,125 ABSOLUTELY. 259 00:11:02,208 --> 00:11:04,336 YOU'RE TALENTED AND YOU'RE GOOD-LOOKING. 260 00:11:04,419 --> 00:11:07,381 YOU'RE SWEET AND CUTE. 261 00:11:07,464 --> 00:11:08,382 I KNOW. 262 00:11:08,465 --> 00:11:10,049 THAT'S WHY THEY TRASHED ME. 263 00:11:17,140 --> 00:11:18,392 WHOA, WAIT A MINUTE. 264 00:11:18,475 --> 00:11:19,476 WHAT? 265 00:11:21,144 --> 00:11:23,146 I DON'T GET YOU. 266 00:11:23,229 --> 00:11:25,399 I MEAN, FIRST YOU HATE ME 267 00:11:25,482 --> 00:11:27,108 THEN YOU SLEEP WITH ME 268 00:11:27,191 --> 00:11:29,819 THEN YOU WANT NOTHING TO DO WITH ME 269 00:11:29,902 --> 00:11:31,570 NOW YOU WANT ME AGAIN? 270 00:11:31,653 --> 00:11:34,408 WHAT? SO YOU NEVER WENT OUT WITH AN ACTRESS BEFORE? 271 00:11:34,491 --> 00:11:38,660 KATE… DO YOU EVEN LIKE ME? 272 00:11:41,164 --> 00:11:42,916 OF COURSE I DO. 273 00:11:42,999 --> 00:11:44,583 SO HOW COME YOU BLEW ME OFF? 274 00:11:44,666 --> 00:11:46,836 YOU KNOW, HOW COME YOU WERE WITH HIM? 275 00:11:46,919 --> 00:11:48,255 I DON'T KNOW. 276 00:11:48,338 --> 00:11:50,757 I JUST… JUST DO THIS. 277 00:11:50,840 --> 00:11:53,093 I ALWAYS HAVE TO PICK 278 00:11:53,176 --> 00:11:57,097 LIKE THE SMARTEST GUY OR THE MOST TALENTED GUY. 279 00:11:57,180 --> 00:12:00,558 WHY CAN'T I JUST PICK SOMEONE LIKE YOU? 280 00:12:02,393 --> 00:12:04,145 THANKS. 281 00:12:05,980 --> 00:12:08,816 YOU KNOW WHAT I MEAN. 282 00:12:10,485 --> 00:12:12,904 I MEAN LIKE THE SWEETEST GUY. 283 00:12:12,987 --> 00:12:15,614 JOEY, YOU'RE JUST SO… 284 00:12:15,697 --> 00:12:18,326 YOU'RE SO… 285 00:12:19,369 --> 00:12:21,245 SO… 286 00:12:29,546 --> 00:12:31,131 OKAY, OKAY. 287 00:12:31,214 --> 00:12:32,882 THERE WE GO. 288 00:12:32,965 --> 00:12:35,176 LET'S GET YOUR FEET UP. 289 00:12:43,142 --> 00:12:45,103 GOOD NIGHT, KATE. 290 00:12:45,186 --> 00:12:47,313 SWEET DREAMS. 291 00:12:52,694 --> 00:12:55,614 I'M GOING TO PUT THIS CAN RIGHT HERE 292 00:12:55,697 --> 00:12:57,699 IN CASE YOU HAVE TO HURL. 293 00:13:05,956 --> 00:13:07,666 Please stay on the line. 294 00:13:07,749 --> 00:13:10,211 Your call is very important to us. 295 00:13:10,294 --> 00:13:12,839 PHEEBS, YOU'VE BEEN UP FOR 24 HOURS. 296 00:13:12,922 --> 00:13:14,966 GO TO SLEEP, HONEY. 297 00:13:15,049 --> 00:13:16,343 THIS ISN'T HEALTHY. 298 00:13:16,426 --> 00:13:17,969 NO. NO, I'M FINE. 299 00:13:18,052 --> 00:13:19,137 AND YOU KNOW WHY? 300 00:13:19,220 --> 00:13:21,805 'CAUSE OF ALL THE RIBOFLAVIN. 301 00:13:23,266 --> 00:13:24,184 HEY. 302 00:13:24,267 --> 00:13:25,352 HEY. 303 00:13:25,435 --> 00:13:26,520 DIDN'T YOU HAVE 304 00:13:26,603 --> 00:13:28,813 THAT OUTFIT ON LAST NIGHT? 305 00:13:28,896 --> 00:13:31,858 YEAH. I STAYED AT KATE'S, BUT NOTHING HAPPENED. 306 00:13:31,941 --> 00:13:32,859 OH. 307 00:13:32,942 --> 00:13:34,611 HEY, PHEEBS, WHERE WERE YOU? 308 00:13:34,694 --> 00:13:36,070 I'M SO, SO SORRY, JOEY. 309 00:13:36,153 --> 00:13:38,532 I AM DEFINITELY GOING TO SEE YOUR PLAY. 310 00:13:38,615 --> 00:13:40,825 I SWEAR, YOUR PLAY IS VERY IMPORTANT TO US. 311 00:13:40,908 --> 00:13:42,494 THANK YOU FOR YOUR PATIENCE. 312 00:13:42,577 --> 00:13:45,455 YOUR PLAY IS THE NEXT PLAY I'M GOING TO SEE. 313 00:13:45,538 --> 00:13:48,667 ANYWAY, HOW'D IT GO WITH KATE? 314 00:13:48,750 --> 00:13:50,210 AW, IT WAS GREAT. YEAH. 315 00:13:50,293 --> 00:13:51,710 I WALKED HER HOME 316 00:13:51,793 --> 00:13:54,631 AND IT WAS AMAZING HOW MUCH WE CONNECTED, YOU KNOW? 317 00:13:54,714 --> 00:13:57,300 THEN SHE PASSED OUT… BUT THEN SHE WOKE UP. 318 00:13:57,383 --> 00:13:59,844 YEAH, AND WE STAYED UP ALL NIGHT TALKING 319 00:13:59,927 --> 00:14:03,348 AND NOW WE'RE LIKE TOTALLY CRAZY ABOUT EACH OTHER. 320 00:14:03,431 --> 00:14:05,433 JOEY, YOU HAD THE NIGHT. 321 00:14:05,516 --> 00:14:06,518 WHAT? 322 00:14:06,601 --> 00:14:08,353 WHEN TWO PEOPLE FINALLY REALIZE 323 00:14:08,436 --> 00:14:11,272 THEIR FEELINGS FOR EACH OTHER AND THEY TALK FOR HOURS 324 00:14:11,355 --> 00:14:13,567 AND THEY LEARN ALL ABOUT THE OTHER PERSON. 325 00:14:13,650 --> 00:14:15,610 YOU… YOU THINK? 326 00:14:15,693 --> 00:14:17,278 DID YOU LEARN ABOUT HER FAMILY? 327 00:14:17,361 --> 00:14:18,738 TWO BROTHERS, ONE DIED. 328 00:14:18,821 --> 00:14:19,739 YES! 329 00:14:19,822 --> 00:14:21,115 OH! 330 00:14:26,162 --> 00:14:28,582 THIS IS FROM THE WOMAN AT THE BAR. 331 00:14:28,665 --> 00:14:29,791 OH, HO, HO, HO. 332 00:14:32,502 --> 00:14:35,463 SORRY. SHE THOUGHT YOU WERE SOMEBODY ELSE. 333 00:14:39,133 --> 00:14:41,052 WHAT TIME IS IT? 334 00:14:41,135 --> 00:14:42,095 1:00. 1:00. 335 00:14:42,178 --> 00:14:43,430 7:15. 336 00:14:43,513 --> 00:14:45,848 WATCH DOESN'T WORK. 337 00:14:45,931 --> 00:14:48,017 TOMMY'S SUPPOSED TO BE HERE SOON. 338 00:14:48,100 --> 00:14:49,519 WE'RE GOING TO LUNCH. 339 00:14:51,895 --> 00:14:55,734 LOOK… LOOK, I WASN'T GOING TO SAY ANYTHING TO YOU 340 00:14:55,817 --> 00:14:57,193 BUT… ALL RIGHT. 341 00:14:57,276 --> 00:14:59,738 I DON'T THINK YOU SHOULD BE SEEING TOMMY ANYMORE. 342 00:14:59,821 --> 00:15:01,740 YOU DON'T? 343 00:15:01,823 --> 00:15:02,990 NO. 344 00:15:03,073 --> 00:15:05,201 THE GUY IS MEAN… I MEAN, REALLY MEAN. 345 00:15:05,284 --> 00:15:07,579 I THINK YOU SHOULD STAY AWAY FROM HIM. 346 00:15:07,662 --> 00:15:12,083 HMM, OR MAYBE… I SHOULD STAY AWAY FROM ALL MEN. 347 00:15:12,166 --> 00:15:14,836 NO. IT'S NOT JUST BECAUSE I'M JEALOUS. 348 00:15:16,337 --> 00:15:17,338 I MEAN, I'M NOT. 349 00:15:17,421 --> 00:15:18,632 I'M NOT JEALOUS. 350 00:15:18,715 --> 00:15:21,134 OKAY, IT'S… LOOK, THE GUY… HE SCREAMED. 351 00:15:21,217 --> 00:15:24,095 HE ACTUALLY SCREAMED AT THIS COUPLE SITTING IN OUR SEATS. 352 00:15:24,178 --> 00:15:26,431 YEAH. AND AT THE END OF THE PLAY, HE… 353 00:15:26,514 --> 00:15:29,350 HE GOT UP, YOU KNOW, AND HE JUST STARTED LIKE… 354 00:15:29,433 --> 00:15:31,977 BANGING HIS HANDS TOGETHER. 355 00:15:33,730 --> 00:15:34,648 OKAY, FINE, FINE. 356 00:15:34,731 --> 00:15:36,107 YOU DON'T WANT TO BELIEVE ME? 357 00:15:36,190 --> 00:15:37,776 NO, THAT'S FINE. 358 00:15:37,859 --> 00:15:39,277 WE'RE KIDDING. 359 00:15:39,360 --> 00:15:40,612 ROSS? 360 00:15:40,695 --> 00:15:42,113 FINE, NO ONE BELIEVES ME. 361 00:15:42,196 --> 00:15:43,323 I'M MR. FUNNY TO YOU. 362 00:15:43,406 --> 00:15:44,324 MR. FUNNY… WHOA! 363 00:15:44,407 --> 00:15:45,325 SORRY, TOM. 364 00:15:45,408 --> 00:15:47,494 WHAT'S IN THE CUP, ROSS? 365 00:15:47,577 --> 00:15:48,911 UM… 366 00:15:48,994 --> 00:15:51,289 WHAT IS IN THE CUP? 367 00:15:51,372 --> 00:15:52,666 OKAY, IT'S COFFEE. 368 00:15:52,749 --> 00:15:53,667 ICED COFFEE? 369 00:15:53,750 --> 00:15:55,126 TELL ME IT'S ICED COFFEE. 370 00:15:55,209 --> 00:15:57,878 IT'S… IT'S HOT. 371 00:15:57,961 --> 00:15:59,213 HOT COFFEE! 372 00:15:59,296 --> 00:16:00,590 YOU IDIOT! 373 00:16:00,673 --> 00:16:02,801 YOU'RE GOING TO SPILL HOT COFFEE ALL OVER ME? 374 00:16:02,884 --> 00:16:04,051 WHAT ARE YOU? 375 00:16:04,134 --> 00:16:06,262 JUST SOME BIG, DUMB, STUPID, DOOFIE IDIOT 376 00:16:06,345 --> 00:16:08,139 WITH A DOOFIE-IDIOT HAIRDO, HUH? 377 00:16:08,222 --> 00:16:09,516 HUH? 378 00:16:09,599 --> 00:16:12,352 DON'T STARE AT ME WITH THAT DOOFIE-IDIOT LOOK! 379 00:16:12,435 --> 00:16:13,853 BIG, RIDICULOUS IDIOT! 380 00:16:13,936 --> 00:16:16,856 GEEZ, I GOT TO GO IN THERE AND TALK TO THOSE PEOPLE! 381 00:16:16,939 --> 00:16:19,651 I'M GOING TO GO IN WITH A HUGE COFFEE STAIN 382 00:16:19,734 --> 00:16:20,985 THAT YOU PUT ON ME? 383 00:16:21,068 --> 00:16:22,111 HEY. 384 00:16:22,194 --> 00:16:23,321 TOMMY. 385 00:16:23,404 --> 00:16:25,448 SAY, WHAT'S YOUR FAVORITE THING 386 00:16:25,531 --> 00:16:26,491 ABOUT SUMMER? 387 00:16:26,574 --> 00:16:27,784 OOH, I DON'T KNOW. 388 00:16:27,867 --> 00:16:30,662 PROBABLY THE SMELL OF FRESHLY CUT GRASS. 389 00:16:30,745 --> 00:16:32,705 AW, THAT'S A GOOD ONE. 390 00:16:35,499 --> 00:16:36,501 HEY, SORRY. 391 00:16:36,584 --> 00:16:38,753 SORRY I'M LATE. SORRY I'M LATE. 392 00:16:38,836 --> 00:16:41,631 MY DUCK AND MY CHICK HAD A FIGHT. 393 00:16:41,714 --> 00:16:44,550 WE HELD THE CURTAIN FOR YOU, BUDDY. LET'S GO. 394 00:16:49,513 --> 00:16:52,850 VIC, WHERE HAVE YOU BEEN, BABY? 395 00:16:56,771 --> 00:16:58,189 WHERE'S KATE? 396 00:16:58,272 --> 00:16:59,858 SHE GOT A JOB IN L.A. 397 00:16:59,941 --> 00:17:01,651 WHAT? 398 00:17:01,734 --> 00:17:04,779 I'VE BEEN WAITING UP 399 00:17:04,862 --> 00:17:06,072 ALL NIGHT FOR YOU. 400 00:17:06,155 --> 00:17:07,532 WHERE HAVE YOU BEEN? 401 00:17:07,615 --> 00:17:10,869 WHERE HAVE YOU BEEN, VIC? 402 00:17:10,952 --> 00:17:12,620 OH, UH… 403 00:17:12,703 --> 00:17:13,705 GO TO THE WINDOW. 404 00:17:13,788 --> 00:17:15,331 I WANT TO RUN DOWN TO THE TRUCK 405 00:17:15,414 --> 00:17:16,749 AND SHOW YOU SOMETHING. 406 00:17:19,084 --> 00:17:21,295 WHAT DO YOU GOT DOWN THERE, VIC? 407 00:17:21,378 --> 00:17:23,589 WHAT DO YOU GOT UNDER THAT TARP? 408 00:17:27,009 --> 00:17:28,553 WHEN IS SHE LEAVING? 409 00:17:28,636 --> 00:17:29,554 TONIGHT. 410 00:17:29,637 --> 00:17:31,472 WHAT ARE YOU DOING? 411 00:17:31,555 --> 00:17:34,475 I'M COMING UP. 412 00:17:37,478 --> 00:17:39,188 HEY, DO YOU MIND IF I USE THE PHONE? 413 00:17:39,271 --> 00:17:40,648 OH, I… 414 00:17:40,731 --> 00:17:44,360 BUT I… AND I HAVE TO WAIT… 415 00:17:44,443 --> 00:17:47,280 WHY DON'T YOU USE OURS ACROSS THE HALL 416 00:17:47,363 --> 00:17:49,574 BECAUSE SHE… HAS PROBLEMS. 417 00:17:49,657 --> 00:17:51,242 THANKS. 418 00:17:51,325 --> 00:17:52,326 WHOA! WHOA! 419 00:17:52,409 --> 00:17:54,871 SORRY, TOMMY. 420 00:17:54,954 --> 00:17:57,874 I ALMOST SPILLED THIS HOT COFFEE ON YOU. 421 00:17:57,957 --> 00:18:00,710 YEAH, BUT YOU DIDN'T. 422 00:18:00,793 --> 00:18:03,880 NO, BUT IT'S… IT'S… IT'S HOT. 423 00:18:07,466 --> 00:18:08,927 ROSS, WOULD YOU JUST STOP IT? 424 00:18:09,010 --> 00:18:10,261 IT'S GETTING REALLY OLD. 425 00:18:10,344 --> 00:18:12,430 I CAN'T BELIEVE NO ONE BELIEVES ME. 426 00:18:12,513 --> 00:18:14,265 I DO. I BELIEVE YOU. 427 00:18:14,348 --> 00:18:15,850 YOU DO, PHEEBS? 428 00:18:15,933 --> 00:18:19,353 YEAH, BUT I ALSO BELIEVED HER WHEN SHE SAID I WAS NEXT. 429 00:18:23,607 --> 00:18:25,944 OOH, HEY. 430 00:18:26,027 --> 00:18:28,112 HEY, THERE, LITTLE FELLOW. 431 00:18:28,195 --> 00:18:30,907 MR. FUZZY MAN, HOW YOU DOING? 432 00:18:30,990 --> 00:18:32,158 OH. 433 00:18:32,241 --> 00:18:33,200 OOH! EWW! 434 00:18:33,283 --> 00:18:34,661 OW! EWW! 435 00:18:34,744 --> 00:18:36,370 GROSS. 436 00:18:36,453 --> 00:18:38,331 IDIOT! 437 00:18:38,414 --> 00:18:40,834 STUPID, LITTLE, FUZZY 438 00:18:40,917 --> 00:18:41,876 YELLOW CREATURE! 439 00:18:41,959 --> 00:18:42,919 DON'T LOOK AT ME… 440 00:18:43,002 --> 00:18:44,211 "I'M SO CUTE. 441 00:18:44,294 --> 00:18:46,297 I'M A LITTLE CHICK," WHO'S DISGUSTING! 442 00:18:46,380 --> 00:18:47,548 GOD, YOU'RE SO STUPID! 443 00:18:47,631 --> 00:18:49,299 HOW ARE YOU NOT YET EXTINCT? 444 00:18:51,052 --> 00:18:52,553 QUACK, QUACK! QUACK, QUACK! 445 00:18:52,636 --> 00:18:54,263 WHAT ARE QUACKING ABOUT? 446 00:18:54,346 --> 00:18:56,223 DUMB DONALD DODO! 447 00:19:00,143 --> 00:19:02,897 STEP AWAY FROM THE DUCK. 448 00:19:05,524 --> 00:19:07,986 OOH, I'M SORRY, LITTLE MR. CHICKADEE. 449 00:19:08,069 --> 00:19:10,320 SORRY WITH DOODY IN MY HAND! 450 00:19:12,281 --> 00:19:15,576 WELL, I GUESS WE'RE NOT GOING OUT ANYMORE. 451 00:19:15,659 --> 00:19:16,660 MAN! 452 00:19:20,247 --> 00:19:21,248 JOEY… 453 00:19:21,331 --> 00:19:22,333 KATE… 454 00:19:22,416 --> 00:19:23,626 I'M SO GLAD I CAUGHT YOU. 455 00:19:23,709 --> 00:19:25,085 I COULDN'T FIND YOU BEFORE. 456 00:19:25,168 --> 00:19:27,463 WHAT'S GOING ON? WHAT'S ALL THIS ABOUT L.A.? 457 00:19:27,546 --> 00:19:29,674 THEY STILL WANT ME FOR GENERAL HOSPITAL. 458 00:19:29,757 --> 00:19:32,677 BUT… WELL, WHAT ABOUT US? 459 00:19:32,760 --> 00:19:36,014 LAST NIGHT WAS WONDERFUL 460 00:19:36,097 --> 00:19:39,225 BUT I-I-I CAN'T STAY HERE JUST FOR YOU. 461 00:19:39,308 --> 00:19:42,228 SO STAY FOR THE MUSEUMS. 462 00:19:42,311 --> 00:19:43,521 I'M SORRY. 463 00:19:43,604 --> 00:19:45,481 JOEY! ON STAGE! 464 00:19:45,564 --> 00:19:47,984 CAN YOU AT LEAST STAY TILL THE END OF THE PLAY? 465 00:19:48,067 --> 00:19:50,110 I MEAN, I'LL GO TO THE AIRPORT WITH YOU. 466 00:19:50,193 --> 00:19:51,362 I WANT TO SAY GOOD-BYE. 467 00:19:51,445 --> 00:19:52,822 WHERE ARE YOU, VIC? 468 00:19:52,905 --> 00:19:54,782 THE FLIGHT'S IN AN HOUR. 469 00:19:54,865 --> 00:19:55,825 I GOT TO GO. 470 00:19:55,908 --> 00:19:56,910 VIC? 471 00:19:56,993 --> 00:19:58,619 VIC…? 472 00:19:58,702 --> 00:20:00,413 VIC? 473 00:20:00,496 --> 00:20:02,790 IN A MINUTE! 474 00:20:04,416 --> 00:20:07,045 SO THIS IS IT, VICTOR? 475 00:20:07,128 --> 00:20:08,546 YEAH. 476 00:20:08,629 --> 00:20:10,547 I GUESS IT IS. 477 00:20:16,345 --> 00:20:20,266 LISTEN, I, UH… I GOT TO SAY GOOD-BYE 478 00:20:20,349 --> 00:20:23,728 AND I GOT TO SAY IT QUICK, 'CAUSE THIS IS KILLING ME. 479 00:20:23,811 --> 00:20:26,898 ONE THING YOU GOT TO KNOW IS THAT… 480 00:20:26,981 --> 00:20:29,025 I WILL NEVER FORGET YOU 481 00:20:29,108 --> 00:20:31,235 BUT YOU GOT THINGS YOU HAVE TO DO NOW 482 00:20:31,318 --> 00:20:33,612 AND… AND SO DO I. 483 00:20:35,656 --> 00:20:41,578 AND SO… I'M GOING TO GET ON THIS SPACESHIP… 484 00:20:49,003 --> 00:20:51,089 …AND I'M GOING TO GO TO BLEARGON 7 485 00:20:51,172 --> 00:20:52,924 IN SEARCH OF ALTERNATIVE FUELS 486 00:20:53,007 --> 00:20:54,968 BUT WHEN I RETURN 487 00:20:55,051 --> 00:20:59,722 200 YEARS FROM NOW, YOU'LL BE LONG GONE. 488 00:21:01,182 --> 00:21:03,851 BUT I WON'T HAVE AGED AT ALL. 489 00:21:03,934 --> 00:21:09,816 SO YOU TELL YOUR GREAT, GREAT GRANDDAUGHTER 490 00:21:09,899 --> 00:21:12,068 TO LOOK ME UP… 491 00:21:13,610 --> 00:21:16,948 BECAUSE, ADRIANNE, BABY 492 00:21:17,031 --> 00:21:20,868 I'M GOING TO WANT TO MEET HER. 493 00:21:29,210 --> 00:21:31,837 SO LONG, VIC. 494 00:21:38,385 --> 00:21:40,013 PHOEBE, IT'S BEEN TWO DAYS. 495 00:21:40,096 --> 00:21:41,555 YEAH, I KNOW. 496 00:21:41,638 --> 00:21:46,226 IT'S A GOOD THING IT'S ONE OF THOSE 801 NUMBERS, RIGHT? 497 00:21:46,309 --> 00:21:49,147 PHOEBE, 800 IS TOLL-FREE. 498 00:21:49,230 --> 00:21:51,482 801 IS UTAH. 499 00:21:51,565 --> 00:21:56,403 NO, NO, NO. IT HAS TO BE 800. 500 00:21:56,486 --> 00:22:00,158 'CAUSE ALL THOSE BIG COMPANIES HAVE 800 NUMBERS, EVERY… 501 00:22:00,241 --> 00:22:02,827 YEAH, EVERY BIG UTAH-BASED COMPANY HAS ONE. 502 00:22:02,910 --> 00:22:04,871 PHOEBE! 503 00:22:04,954 --> 00:22:06,831 SORRY. I'M SO SORRY. 504 00:22:06,914 --> 00:22:08,833 I WILL PAY YOU BACK. 505 00:22:08,916 --> 00:22:11,669 AND YET SHE'S STILL NOT HANGING UP THE PHONE. 506 00:22:11,752 --> 00:22:12,670 HANG IT UP. 507 00:22:12,753 --> 00:22:13,671 HANG UP THE PHONE! 508 00:22:13,754 --> 00:22:15,673 FINE. FINE! 509 00:22:15,756 --> 00:22:19,719 OH… 510 00:22:19,802 --> 00:22:20,803 WHAT? 511 00:22:22,429 --> 00:22:24,431 WELL, I THINK I BROKE IT, 512 00:22:26,976 --> 00:22:29,979 BUT THAT'S ALL RIGHT. HERE'S THE NUMBER WHERE YOU CAN CALL.