1
00:00:00,606 --> 00:00:01,981
EW, UNDIES, OH!

2
00:00:04,192 --> 00:00:05,694
ALL RIGHT.

3
00:00:05,777 --> 00:00:07,904
WHOSE ARE THEY?

4
00:00:07,987 --> 00:00:09,072
WHOSE ARE THEY?

5
00:00:09,155 --> 00:00:10,073
NOT MINE.

6
00:00:10,156 --> 00:00:11,074
WELL, THEY'RE JOEY'S.

7
00:00:11,157 --> 00:00:12,200
THEY GOT TO BE JOEY'S.

8
00:00:16,663 --> 00:00:18,040
YEAH, THEY'RE MINE.

9
00:00:18,123 --> 00:00:19,208
SEE, JOEY'S.

10
00:00:19,291 --> 00:00:21,418
THEY'RE J-J-J-J-JOEY'S.

11
00:00:21,501 --> 00:00:23,170
WHY ARE THEY HERE?

12
00:00:23,253 --> 00:00:25,464
I DON'T KNOW, UH…

13
00:00:27,132 --> 00:00:28,634
I'M JOEY.

14
00:00:30,469 --> 00:00:31,637
YEAH, I'M DISGUSTING.

15
00:00:31,720 --> 00:00:33,639
I TAKE MY UNDERWEAR OFF
IN OTHER PEOPLE'S HOMES.

16
00:00:36,057 --> 00:00:37,601
WELL, GET 'EM OUT OF HERE.

17
00:00:37,684 --> 00:00:39,061
WHAT'S WRONG WITH YOU?

18
00:00:39,144 --> 00:00:40,186
YEAH.
YEAH.

19
00:00:42,731 --> 00:00:43,773
TAKE 'EM.

20
00:00:43,856 --> 00:00:45,234
OH, I GOT…

21
00:00:45,317 --> 00:00:46,694
JOEY, YOU CAN TOUCH THEM.

22
00:00:46,777 --> 00:00:48,153
THEY'RE YOUR UNDERWEAR.

23
00:00:52,658 --> 00:00:54,951
CHANDLER, A WORD?

24
00:00:55,034 --> 00:00:56,411
YEAH.

25
00:01:02,751 --> 00:01:03,919
THAT'S IT.

26
00:01:04,002 --> 00:01:05,671
I'M TIRED OF COVERING
FOR YOU TWO.

27
00:01:05,754 --> 00:01:06,755
THIS HAS GOT TO STOP.

28
00:01:06,838 --> 00:01:07,839
UGH!

29
00:01:09,341 --> 00:01:10,384
AND TIGHTY-WHITEYS?

30
00:01:10,467 --> 00:01:11,677
WHAT ARE YOU, EIGHT?

31
00:01:12,843 --> 00:01:14,722
THANK YOU, JOEY.
THANK YOU SO MUCH.

32
00:01:14,805 --> 00:01:16,973
WELL, HEY, NO,
YOU'RE NOT WELCOME, OKAY?

33
00:01:17,056 --> 00:01:18,100
LOOK, I HATE THIS.

34
00:01:18,183 --> 00:01:19,935
YOU GUYS KEEP EMBARRASSING ME.

35
00:01:20,018 --> 00:01:23,021
YESTERDAY, RACHEL FOUND
YOUR RAZOR IN OUR BATHROOM.

36
00:01:23,104 --> 00:01:24,565
I DIDN'T KNOW WHAT TO SAY

37
00:01:24,648 --> 00:01:26,609
SO I SAID IT WAS MINE
AND… AND…

38
00:01:26,692 --> 00:01:29,152
AND THAT I WAS PLAYING
A WOMAN IN A PLAY.

39
00:01:30,696 --> 00:01:34,032
AND, WELL, ONE THING
LED TO ANOTHER AND…

40
00:01:38,537 --> 00:01:39,996
WOW, AND AROUND THE ANKLES.

41
00:01:40,079 --> 00:01:41,582
YOU KNOW, THAT
IS A TOUGH SPOT.

42
00:01:41,665 --> 00:01:42,583
YEAH, IT WAS.

43
00:01:42,666 --> 00:01:44,084
ALL RIGHT, LISTEN,
I CAN'T…

44
00:01:44,167 --> 00:01:46,295
ALL THIS LYING HAS BEEN
HARD ON US, TOO.

45
00:01:46,378 --> 00:01:49,047
OH, YEAH, I BET ALL THE SEX
MAKES IT EASIER.

46
00:01:50,716 --> 00:01:52,509
WELL, YEAH, ACTUALLY.

47
00:01:53,802 --> 00:01:55,387
WE'LL TRY TO BE
MORE CAREFUL, OKAY?

48
00:01:55,470 --> 00:01:56,430
IT'S JUST THAT…

49
00:01:56,513 --> 00:01:57,806
WE DON'T WANT
EVERYONE TO KNOW

50
00:01:57,889 --> 00:01:59,391
BECAUSE THIS IS
GOING REALLY WELL.

51
00:01:59,474 --> 00:02:00,976
AND MAYBE
THE REASON

52
00:02:01,059 --> 00:02:04,062
IT'S GOING REALLY WELL IS…
IS BECAUSE IT'S A SECRET.

53
00:02:04,145 --> 00:02:05,981
I KNOW IT SOUNDS
REALLY WEIRD

54
00:02:06,064 --> 00:02:08,317
BUT WE'RE JUST BOTH
SO BAD AT RELATIONSHIPS.

55
00:02:08,400 --> 00:02:09,609
WE ARE. HELP US.

56
00:02:10,902 --> 00:02:12,195
ALL RIGHT.

57
00:02:12,278 --> 00:02:14,865
BUT YOU DO IT WITH ME ONCE.

58
00:02:18,744 --> 00:02:19,953
JOEY.

59
00:02:20,036 --> 00:02:21,287
DIDN'T THINK SO.

60
00:03:12,923 --> 00:03:13,923
HEY, PHOEBE.

61
00:03:14,006 --> 00:03:14,966
HI, PHEEBS.

62
00:03:15,049 --> 00:03:16,760
WHAT ARE
YOU READING?

63
00:03:16,843 --> 00:03:18,261
WUTHERING HEIGHTS.

64
00:03:18,344 --> 00:03:20,138
I'M TAKING A LITERATURE CLASS
AT THE NEW SCHOOL

65
00:03:20,221 --> 00:03:22,725
AND I HAVE TO FINISH IT
FOR THE FIRST SESSION TOMORROW.

66
00:03:22,808 --> 00:03:25,352
I DIDN'T KNOW YOU WERE
TAKING A CLASS.
THAT'S SO COOL.

67
00:03:25,435 --> 00:03:28,104
YEAH, WELL, I REALLY LIKED
THAT LAMAZE CLASS I TOOK

68
00:03:28,187 --> 00:03:30,190
YOU KNOW, AND I JUST THOUGHT
THIS TIME

69
00:03:30,273 --> 00:03:33,360
I'D GO FOR SOMETHING, YOU KNOW,
A LITTLE MORE INTELLECTUAL

70
00:03:33,443 --> 00:03:35,111
WITH A LESS PAINFUL FINAL EXAM.

71
00:03:35,194 --> 00:03:37,113
HONEY, THAT
SOUNDS LIKE FUN.

72
00:03:37,196 --> 00:03:38,114
YEAH.

73
00:03:38,197 --> 00:03:40,492
OH, YOU SHOULD
COME WITH ME.

74
00:03:40,575 --> 00:03:42,911
OH, YEAH, THEN I'LL HAVE SOMEONE
TO SIT WITH.

75
00:03:42,994 --> 00:03:43,912
OKAY.

76
00:03:43,995 --> 00:03:45,205
YAY! OKAY.

77
00:03:45,288 --> 00:03:46,998
BUT ARE YOU GOING
TO HAVE TIME TO READ IT?

78
00:03:47,081 --> 00:03:48,333
I READ THAT
IN HIGH SCHOOL.

79
00:03:48,416 --> 00:03:50,502
OH, THIS IS GOING TO BE
SO MUCH FUN.

80
00:03:50,585 --> 00:03:52,462
OKAY, SHH. I HAVE TO FINISH.

81
00:03:56,508 --> 00:03:57,676
HI.

82
00:03:57,759 --> 00:03:58,968
HI.

83
00:03:59,051 --> 00:04:00,178
WHAT'S WRONG, BUDDY?

84
00:04:00,261 --> 00:04:02,848
SOMEONE AT WORK ATE MY SANDWICH.

85
00:04:03,890 --> 00:04:06,852
WELL, WHAT DID
THE POLICE SAY?

86
00:04:06,935 --> 00:04:09,772
MY THANKSGIVING LEFTOVER
SANDWICH.

87
00:04:09,855 --> 00:04:12,900
I CAN'T BELIEVE
SOMEONE JUST ATE IT.

88
00:04:12,983 --> 00:04:14,359
ROSS, IT'S JUST
A SANDWICH.

89
00:04:14,442 --> 00:04:15,819
JUST A SANDWICH?

90
00:04:15,902 --> 00:04:18,363
LOOK, I AM 30 YEARS OLD,
OKAY?

91
00:04:18,446 --> 00:04:21,533
I'M GOING BE DIVORCED TWICE,
AND I JUST GOT EVICTED.

92
00:04:21,616 --> 00:04:25,203
THAT SANDWICH WAS THE ONLY
GOOD THING GOING ON IN MY LIFE.

93
00:04:25,286 --> 00:04:28,498
SOMEONE ATE THE ONLY GOOD THING
GOING ON IN MY LIFE.

94
00:04:29,749 --> 00:04:31,543
OKAY, LOOK, I
HAVE ENOUGH STUFF

95
00:04:31,626 --> 00:04:32,878
FOR ONE MORE SANDWICH.

96
00:04:32,961 --> 00:04:35,589
I MEAN, I WAS GOING
TO EAT IT MYSELF, BUT…

97
00:04:35,672 --> 00:04:38,675
MON, TH-THAT WOULD BE
INCREDIBLE.

98
00:04:38,758 --> 00:04:40,218
THANK YOU SO MUCH.

99
00:04:40,301 --> 00:04:43,972
BUT I STILL CAN'T BELIEVE
SOMEONE ATE IT.

100
00:04:45,974 --> 00:04:48,351
I MEAN, LOOK, I LEFT A NOTE
AND EVERYTHING.

101
00:04:48,434 --> 00:04:49,561
"KNOCK KNOCK.

102
00:04:49,644 --> 00:04:50,854
"WHO'S THERE?

103
00:04:50,937 --> 00:04:52,856
"ROSS GELLER'S LUNCH.

104
00:04:52,939 --> 00:04:55,400
"ROSS GELLER'S LUNCH, WHO?

105
00:04:55,483 --> 00:05:00,071
ROSS GELLER'S LUNCH, PLEASE
DON'T TAKE ME, OKAY?"

106
00:05:01,406 --> 00:05:04,033
I'M SURPRISED YOU DIDN'T GO HOME
WEARING YOUR LUNCH.

107
00:05:04,116 --> 00:05:05,702
OKAY, LOOK

108
00:05:05,785 --> 00:05:07,120
YOU WANT TO HOLD ON
TO YOUR FOOD?

109
00:05:07,203 --> 00:05:08,580
YOU'VE GOT TO SCARE PEOPLE OFF.

110
00:05:08,663 --> 00:05:10,248
I LEARNED THAT LIVING
ON THE STREET.

111
00:05:10,331 --> 00:05:11,583
REALLY?

112
00:05:11,666 --> 00:05:14,336
SO, WHAT WOULD YOU SAY, PHEEBS?

113
00:05:14,419 --> 00:05:18,381
STUFF LIKE, UH, "KEEP YOUR MITTS
OFF MY GRUB"?

114
00:05:19,883 --> 00:05:22,302
SAY, ROSS, WHEN YOU PICTURE
PHOEBE LIVING ON THE STREET

115
00:05:22,385 --> 00:05:24,512
IS SHE SURROUNDED
BY THE ENTIRE CAST OF ANNIE?

116
00:05:26,014 --> 00:05:29,059
OKAY, THIS'LL KEEP THEM
AWAY FROM YOUR STUFF.

117
00:05:32,645 --> 00:05:34,272
OH.
WHOA.
JEEZ.

118
00:05:34,355 --> 00:05:36,274
WHOA.

119
00:05:36,357 --> 00:05:38,443
PHOEBE, YOU ARE A BADASS.

120
00:05:38,526 --> 00:05:42,531
SOMEDAY, I'LL TELL YOU ABOUT
THE TIME I STABBED A COP.

121
00:05:42,614 --> 00:05:43,406
PHOEBE?

122
00:05:43,489 --> 00:05:45,283
WHAT? HE STABBED ME FIRST.

123
00:05:49,203 --> 00:05:51,999
SEE, THE BRONTE SISTERS WERE
REALLY REMARKABLE WOMEN

124
00:05:52,082 --> 00:05:53,208
FOR THEIR TIME.

125
00:05:53,291 --> 00:05:54,960
THEY LIVED IN A
PATRIARCHAL SOCIETY…

126
00:05:55,043 --> 00:05:57,462
SORRY I'M LATE,
BUT I LEFT LATE.

127
00:05:57,545 --> 00:06:00,298
OKAY.

128
00:06:00,381 --> 00:06:03,050
PHEEBS, WHAT IS
THE BOOK ABOUT?

129
00:06:03,133 --> 00:06:05,052
YOU SAID YOU READ IT
IN HIGH SCHOOL.

130
00:06:05,135 --> 00:06:06,847
YEAH, BUT I
REMEMBERED
I STARTED IT

131
00:06:06,930 --> 00:06:08,598
BUT THEN THERE WAS
THIS PEP RALLY

132
00:06:08,681 --> 00:06:10,308
AND I WAS ON TOP
OF THE PYRAMID.

133
00:06:10,391 --> 00:06:13,562
ANYWAY, WHAT'S
THIS BOOK ABOUT?

134
00:06:13,645 --> 00:06:15,814
OKAY, IT'S THIS
TRAGIC LOVE STORY

135
00:06:15,897 --> 00:06:17,816
BETWEEN CATHY
AND HEATHCLIFF.

136
00:06:17,899 --> 00:06:21,862
AND IT TAKES PLACE ON
THESE REALLY CREEPY
MOORS IN ENGLAND.

137
00:06:21,945 --> 00:06:24,322
WHICH I THINK REPRESENT
THE WILDNESS

138
00:06:24,405 --> 00:06:26,199
OF HEATHCLIFF'S CHARACTER.

139
00:06:26,282 --> 00:06:27,951
I TOTALLY GET SYMBOLISM.

140
00:06:29,410 --> 00:06:32,664
HOW WOULD YOU CHARACTERIZE
THE THEME OF THIS BOOK?

141
00:06:32,747 --> 00:06:34,749
UH, LET'S SEE…
RACHEL GREEN?

142
00:06:38,586 --> 00:06:41,423
UH, WELL, I WOULD
HAVE TO SAY

143
00:06:41,506 --> 00:06:44,509
THAT IT'S A
TRAGIC LOVE STORY.

144
00:06:44,592 --> 00:06:48,137
WELL, THAT'S SORT
OF A GIVEN, BUT… YES.

145
00:06:48,220 --> 00:06:49,180
ANYONE ELSE?

146
00:06:49,263 --> 00:06:50,390
OH, OH, OH.

147
00:06:50,473 --> 00:06:53,060
SYMBOLISM, AND
THE, UH…

148
00:06:53,143 --> 00:06:55,395
WILDNESS OF THE MOORS

149
00:06:55,478 --> 00:06:59,858
WHICH I THINK IS
MIRRORED IN THE WILDNESS

150
00:06:59,941 --> 00:07:02,861
OF HEATHCLIFF'S CHARACTER.

151
00:07:04,362 --> 00:07:05,697
EXCELLENT.

152
00:07:05,780 --> 00:07:08,366
WHAT RACHEL HAS SHREWDLY
OBSERVED HERE

153
00:07:08,449 --> 00:07:09,701
IS AT THE HEART…

154
00:07:09,784 --> 00:07:11,745
I CAN'T BELIEVE YOU STOLE
MY ANSWER.

155
00:07:11,828 --> 00:07:13,747
I THOUGHT IT WAS
PRETTY OBVIOUS.

156
00:07:13,830 --> 00:07:14,873
HOW WOULD YOU KNOW?

157
00:07:14,956 --> 00:07:16,290
YOU DIDN'T EVEN READ IT.

158
00:07:18,126 --> 00:07:19,461
WHAT DO YOU THINK?

159
00:07:19,544 --> 00:07:21,713
UH, YOU, IN THE BLUE SHIRT.

160
00:07:23,589 --> 00:07:26,676
I THINK THAT YOURS
IS A QUESTION

161
00:07:26,759 --> 00:07:29,387
WITH MANY
POSSIBLE ANSWERS.

162
00:07:29,470 --> 00:07:32,099
WOULD YOU CARE TO VENTURE ONE?

163
00:07:32,182 --> 00:07:36,061
WOULD YOU CARE
TO VENTURE ONE?

164
00:07:36,144 --> 00:07:38,521
ARE YOU JUST REPEATING
WHAT I'M SAYING?

165
00:07:38,604 --> 00:07:41,817
ARE YOU JUST REPEATING
WHAT I'M SAYING?

166
00:07:41,900 --> 00:07:43,151
ALL RIGHT.

167
00:07:43,234 --> 00:07:45,070
LET'S MOVE ON.

168
00:07:45,153 --> 00:07:47,072
OKAY, THEN.

169
00:07:51,117 --> 00:07:54,037
WHY DIDN'T YOU JUST SAY
THAT YOU HADN'T READ THE BOOK?

170
00:07:54,120 --> 00:07:55,497
BECAUSE I DIDN'T
WANT HIM

171
00:07:55,580 --> 00:07:56,665
TO THINK
I WAS STUPID.

172
00:07:56,748 --> 00:07:58,500
I MEAN, THAT WAS
REALLY EMBARRASSING

173
00:07:58,583 --> 00:07:59,709
WHAT HAPPENED
TO YOU.

174
00:08:00,835 --> 00:08:01,920
PHOEBE?

175
00:08:02,003 --> 00:08:03,588
YEAH?

176
00:08:03,671 --> 00:08:07,050
PHOEBE, YOUR NOTE…
AMAZING.

177
00:08:07,133 --> 00:08:09,719
NOT ONLY DID NO ONE
TOUCH MY SANDWICH

178
00:08:09,802 --> 00:08:12,973
BUT PEOPLE AT WORK ARE
ACTUALLY AFRAID OF ME.

179
00:08:13,056 --> 00:08:14,265
A GUY CALLED
ME "MENTAL."

180
00:08:14,348 --> 00:08:17,352
"MENTAL" GELLER. YEAH.

181
00:08:17,435 --> 00:08:20,981
I'VE ALWAYS WANTED
A COOL NICKNAME LIKE THAT.

182
00:08:21,064 --> 00:08:23,525
YEAH, THE BEST YOU GOT
IN HIGH SCHOOL

183
00:08:23,608 --> 00:08:25,152
WAS "WET PANTS GELLER."

184
00:08:25,235 --> 00:08:27,195
IT WAS THE WATER FOUNTAIN,
OKAY?

185
00:08:29,155 --> 00:08:30,656
ANYWAY…

186
00:08:31,783 --> 00:08:33,869
PEOPLE ARE WRITING REPORTS
FOR ME.

187
00:08:33,952 --> 00:08:37,122
UH, PUSHING BACK DEADLINES
TO FIT MY SCHEDULE.

188
00:08:37,205 --> 00:08:39,541
I'M TELLING YOU,
YOU GET TOUGH WITH PEOPLE

189
00:08:39,624 --> 00:08:42,293
AND YOU CAN GET
ANYTHING YOU WANT.

190
00:08:42,376 --> 00:08:45,546
HEY, TRIBBIANI, GIVE ME
THAT COFFEE, NOW.

191
00:08:54,973 --> 00:08:56,558
THIS WAS REALLY FUN.

192
00:08:56,641 --> 00:09:00,353
I'VE BEEN WONDERING
IF YOU WERE EVER
GOING TO ASK ME OUT.

193
00:09:00,436 --> 00:09:03,606
SO YOU, UH, STILL WONDERING?

194
00:09:03,689 --> 00:09:04,691
NO.

195
00:09:04,774 --> 00:09:06,025
WE JUST WENT OUT.

196
00:09:08,569 --> 00:09:10,113
YOU'RE SMART.

197
00:09:10,196 --> 00:09:11,739
I LIKE THAT.

198
00:09:19,122 --> 00:09:21,082
OH, CANDLES.

199
00:09:23,084 --> 00:09:24,711
WHAT IS THAT,
A BLANKET?

200
00:09:24,794 --> 00:09:25,795
A VIDEO CAMERA?

201
00:09:25,878 --> 00:09:26,796
OH, MY GOD!

202
00:09:26,879 --> 00:09:28,840
I CAN'T BELIEVE YOU THOUGHT

203
00:09:28,923 --> 00:09:33,552
YOU WERE GOING TO VIDEOTAPE US
HAVING SEX ON THE FIRST DATE.

204
00:09:39,017 --> 00:09:40,435
HI.

205
00:09:40,518 --> 00:09:45,148
JOEY, IS WHAT SHE
JUST SAID, UM…

206
00:09:45,231 --> 00:09:46,733
OH, MY GOD.

207
00:09:46,816 --> 00:09:49,277
YOU WERE ACTUALLY
GOING TO…

208
00:09:52,322 --> 00:09:54,907
WHAT IS GOING ON HERE?

209
00:09:56,993 --> 00:09:59,495
AND WITH CHANDLER
IN THE NEXT ROOM?

210
00:09:59,578 --> 00:10:00,830
WHAT, ARE YOU SICK?

211
00:10:05,710 --> 00:10:07,628
I'M JOEY.

212
00:10:09,714 --> 00:10:12,424
I MEAN, I'M DISGUSTING.

213
00:10:14,677 --> 00:10:17,347
I MAKE LOW-BUDGET ADULT FILMS.

214
00:10:22,018 --> 00:10:23,936
HUH.

215
00:10:27,481 --> 00:10:28,691
YOU GUYS PROMISED

216
00:10:28,774 --> 00:10:29,818
YOU'D BE MORE CAREFUL.

217
00:10:29,901 --> 00:10:31,319
I MEAN, COME ON,
THE GOOD JOEY NAME

218
00:10:31,402 --> 00:10:33,113
IS BEING DRAGGED
THROUGH THE MUD HERE.

219
00:10:33,196 --> 00:10:35,240
WE'RE SO SORRY.

220
00:10:35,323 --> 00:10:36,449
YEAH.

221
00:10:36,532 --> 00:10:38,076
WELL, I'M TELLING
EVERYONE ABOUT YOU.

222
00:10:38,159 --> 00:10:39,452
IT'S THE ONLY WAY

223
00:10:39,535 --> 00:10:41,370
TO EXPLAIN THE UNDERWEAR,
AND THE VIDEO CAMERA

224
00:10:41,453 --> 00:10:43,039
THAT DOESN'T MAKE ME
LOOK LIKE A PIG.

225
00:10:43,122 --> 00:10:45,959
NO, WAIT. THERE'S GOT
TO BE A BETTER EXPLANATION.

226
00:10:46,042 --> 00:10:47,543
YOU… YOU COULD
TELL THEM

227
00:10:47,626 --> 00:10:49,545
THAT YOU HAD TO MAKE
AN ADULT FILM

228
00:10:49,628 --> 00:10:51,380
FOR YOUR…
ADULT FILM CLASS.

229
00:10:51,463 --> 00:10:52,590
YEAH, I LIKE THAT.

230
00:10:52,673 --> 00:10:54,717
BUT, NO, HOW DOES THAT EXPLAIN

231
00:10:54,800 --> 00:10:57,803
WHY RACHEL FOUND MY UNDERWEAR
AT YOUR PLACE?

232
00:10:58,846 --> 00:11:01,057
I DON'T KNOW.

233
00:11:01,140 --> 00:11:03,601
WELL, GET READY TO COME
OUT OF THE NON-GAY CLOSET.

234
00:11:03,684 --> 00:11:04,853
JUST WAIT, PLEASE…

235
00:11:04,936 --> 00:11:06,771
I PROMISE WE'LL
COME UP WITH SOMETHING.

236
00:11:06,854 --> 00:11:08,523
JUST GIVE US
A LITTLE MORE TIME.

237
00:11:08,606 --> 00:11:10,025
ALL RIGHT.

238
00:11:10,108 --> 00:11:14,279
HEY, BUT IT BETTER MAKE ME
LOOK REALLY, REALLY GOOD.

239
00:11:14,362 --> 00:11:16,865
OH, AND ANOTHER THING.

240
00:11:16,948 --> 00:11:18,825
THE VIDEO CAMERA?

241
00:11:18,908 --> 00:11:20,368
NICE.

242
00:11:27,250 --> 00:11:31,213
UM, ROSS, MAY I HAVE
A WORD WITH YOU?

243
00:11:31,296 --> 00:11:32,755
OH, OF COURSE, DONALD.

244
00:11:32,838 --> 00:11:34,716
WE'VE BEEN GETTING REPORTS

245
00:11:34,799 --> 00:11:37,886
OF SOME VERY ANGRY BEHAVIOR
ON YOUR PART.

246
00:11:37,969 --> 00:11:39,554
WHAT?

247
00:11:39,637 --> 00:11:40,930
THREATENING LETTERS

248
00:11:41,013 --> 00:11:42,724
REFUSAL TO MEET DEADLINES.

249
00:11:42,807 --> 00:11:45,560
APPARENTLY PEOPLE
NOW CALL YOU "MENTAL."

250
00:11:45,643 --> 00:11:47,812
YEAH.

251
00:11:49,814 --> 00:11:52,441
WE WANT YOU TO SPEAK
TO A PSYCHIATRIST.

252
00:11:52,524 --> 00:11:55,111
OH, NO, YOU
DON'T UNDERSTAND.

253
00:11:55,194 --> 00:11:57,113
UH, THIS IS SO SILLY.

254
00:11:57,196 --> 00:12:01,117
UM, THIS IS ALL JUST
BECAUSE OF A SANDWICH.

255
00:12:01,200 --> 00:12:03,786
A SANDWICH?

256
00:12:03,869 --> 00:12:05,205
YOU SEE, MY…

257
00:12:05,288 --> 00:12:08,291
MY SISTER MAKES THESE
AMAZING TURKEY SANDWICHES.

258
00:12:08,374 --> 00:12:11,169
HER SECRET IS, SHE
PUTS AN EXTRA SLICE

259
00:12:11,252 --> 00:12:13,796
OF GRAVY-SOAKED
BREAD IN THE MIDDLE.

260
00:12:13,879 --> 00:12:15,798
I CALL IT THE "MOIST-MAKER."

261
00:12:15,881 --> 00:12:17,842
ANYWAY, I-I PUT
MY SANDWICH

262
00:12:17,925 --> 00:12:20,178
IN THE FRIDGE
OVER HERE, AND…

263
00:12:20,261 --> 00:12:22,389
YOU KNOW WHAT?

264
00:12:22,472 --> 00:12:23,806
I-I-I'M SORRY.

265
00:12:23,889 --> 00:12:26,267
I-I-I BELIEVE I ATE THAT.

266
00:12:29,645 --> 00:12:31,647
YOU ATE MY SANDWICH?

267
00:12:31,730 --> 00:12:32,982
IT WAS A SIMPLE MISTAKE.

268
00:12:33,065 --> 00:12:34,401
IT COULD HAPPEN TO ANYONE.

269
00:12:34,484 --> 00:12:37,695
OH, OH, REALLY?

270
00:12:37,778 --> 00:12:41,699
DID YOU CONFUSE IT WITH
YOUR OWN TURKEY SANDWICH

271
00:12:41,782 --> 00:12:43,285
WITH A MOIST-MAKER?

272
00:12:43,368 --> 00:12:45,203
NO, I…

273
00:12:45,286 --> 00:12:48,497
DO YOU PERHAPS
REMEMBER SEEING

274
00:12:48,580 --> 00:12:50,833
A NOTE ON TOP OF IT?

275
00:12:50,916 --> 00:12:52,835
THERE MAY HAVE BEEN A JOKE

276
00:12:52,918 --> 00:12:55,171
OR… LIMERICK OF SOME KIND…

277
00:12:55,254 --> 00:12:59,342
THAT SAID IT
WAS MY SANDWICH.

278
00:12:59,425 --> 00:13:00,760
NOW, NOW, CALM DOWN.

279
00:13:00,843 --> 00:13:02,387
COME LOOK IN MY OFFICE.

280
00:13:02,470 --> 00:13:05,014
SOME OF IT MAY STILL BE
IN THE TRASH.

281
00:13:06,765 --> 00:13:08,184
WHAT?

282
00:13:08,267 --> 00:13:10,312
WELL, IT WAS QUITE LARGE.

283
00:13:10,395 --> 00:13:12,855
I HAD TO THROW
MOST OF IT AWAY.

284
00:13:12,938 --> 00:13:14,941
YOU, YOU, YOU…

285
00:13:15,024 --> 00:13:18,527
YOU THREW MY SANDWICH AWAY?

286
00:13:18,610 --> 00:13:20,613
MY SANDWICH?

287
00:13:20,696 --> 00:13:24,491
MY SANDWICH?

288
00:13:24,574 --> 00:13:25,534
HI.

289
00:13:25,617 --> 00:13:26,577
HI.

290
00:13:26,660 --> 00:13:27,996
SO, UM WHAT'S
THIS BOOK ABOUT?

291
00:13:28,079 --> 00:13:29,622
YOU DIDN'T READ
THIS ONE EITHER?

292
00:13:29,705 --> 00:13:30,873
WELL, I WAS GOING TO

293
00:13:30,956 --> 00:13:33,293
BUT I ACCIDENTALLY READ
SOMETHING ELSE.

294
00:13:33,376 --> 00:13:34,043
WHAT?

295
00:13:34,126 --> 00:13:35,378
VOGUE.

296
00:13:35,461 --> 00:13:39,174
OKAY, SO TELL ME ABOUT
THIS JANE EYRE WOMAN.

297
00:13:39,257 --> 00:13:40,967
NO, YOU SHOULD HAVE READ
IT YOURSELF.

298
00:13:41,050 --> 00:13:42,218
OH, COME ON, PHOEBE

299
00:13:42,301 --> 00:13:44,053
DON'T BE SUCH
A GOODY-GOODY.

300
00:13:44,136 --> 00:13:46,181
FINE.

301
00:13:46,264 --> 00:13:47,974
OKAY, ALL RIGHT.

302
00:13:48,057 --> 00:13:49,225
SO, JANE EYRE?

303
00:13:49,308 --> 00:13:51,936
FIRST OF ALL,
YOU'D THINK SHE'S A WOMAN

304
00:13:52,019 --> 00:13:52,479
BUT SHE'S NOT.

305
00:13:52,562 --> 00:13:53,979
SHE'S A CYBORG.

306
00:13:56,190 --> 00:13:57,442
A CYBORG?

307
00:13:57,525 --> 00:13:59,068
ISN'T THAT LIKE A ROBOT?

308
00:13:59,151 --> 00:14:03,072
YEAH. THIS BOOK WAS LIGHT YEARS
AHEAD OF ITS TIME.

309
00:14:04,823 --> 00:14:05,783
SORRY, I'M LATE.

310
00:14:05,866 --> 00:14:07,118
LET'S GET STARTED.

311
00:14:07,201 --> 00:14:10,705
SO, WHAT DID EVERYBODY
THINK OF JANE EYRE?

312
00:14:10,788 --> 00:14:13,416
UM, RACHEL AND I WERE
JUST DISCUSSING IT

313
00:14:13,499 --> 00:14:17,170
AND SHE ACTUALLY HAD
SOME VERY INTERESTING INSIGHTS.

314
00:14:17,253 --> 00:14:18,921
WELL, GO AHEAD, RACHEL.

315
00:14:19,004 --> 00:14:21,006
UM, THANK YOU, PHOEBE.

316
00:14:22,467 --> 00:14:24,593
UM, WELL, WHAT
STRUCK ME MOST

317
00:14:24,676 --> 00:14:26,762
WHEN READING
JANE EYRE WAS

318
00:14:26,845 --> 00:14:30,099
UH, HOW THE BOOK WAS
SO AHEAD OF ITS TIME.

319
00:14:30,182 --> 00:14:34,020
IF YOU'RE TALKING ABOUT
FEMINISM, I THINK YOU'RE RIGHT.

320
00:14:34,103 --> 00:14:36,814
YEAH, WELL,
FEMINISM, YES.

321
00:14:36,897 --> 00:14:39,317
BUT ALSO, THE ROBOTS.

322
00:14:44,280 --> 00:14:45,448
HEY.

323
00:14:45,531 --> 00:14:47,534
HEY.

324
00:14:47,617 --> 00:14:51,204
SO, UM, SINCE THAT
VIDEO CAMERA THING
DIDN'T WORK OUT…

325
00:14:51,287 --> 00:14:55,625
UM, I THOUGHT THAT
I WOULD GIVE YOU
JUST A LITTLE PREVIEW.

326
00:14:57,084 --> 00:14:58,627
YOU'RE NAKED
IN THIS PICTURE.

327
00:14:58,710 --> 00:14:59,962
I KNOW.

328
00:15:01,672 --> 00:15:03,424
OH, THAT'S ROSS.

329
00:15:10,473 --> 00:15:12,350
ROSS?

330
00:15:13,684 --> 00:15:16,020
HEY, CHANDLER.

331
00:15:16,103 --> 00:15:17,939
MONICA?

332
00:15:18,022 --> 00:15:19,941
ROSS, ARE YOU OKAY?

333
00:15:20,024 --> 00:15:21,234
I'M FINE.

334
00:15:21,317 --> 00:15:24,487
I SAW A PSYCHIATRIST
AT WORK TODAY.

335
00:15:24,570 --> 00:15:25,905
WHY?

336
00:15:25,988 --> 00:15:28,533
ON ACCOUNT OF MY RAGE.

337
00:15:28,616 --> 00:15:33,455
WHICH, IF I MAY SAY
RIGHT NOW, IS OUT OF CONTROL.

338
00:15:33,538 --> 00:15:35,873
HE GAVE ME A PILL FOR IT.

339
00:15:36,957 --> 00:15:38,000
A PILL?

340
00:15:38,083 --> 00:15:39,127
MM-HMM.

341
00:15:39,210 --> 00:15:40,920
WELL, WHEN
THE PSYCHIATRIST TOLD ME

342
00:15:41,003 --> 00:15:42,880
THAT I HAD TO TAKE
A LEAVE OF ABSENCE

343
00:15:42,963 --> 00:15:44,173
BECAUSE I YELLED AT MY BOSS

344
00:15:44,256 --> 00:15:47,218
I STARTED TO GET
WORKED UP AGAIN.

345
00:15:47,301 --> 00:15:50,472
SO, HE OFFERED ME A TRANQUILIZER

346
00:15:50,555 --> 00:15:52,681
AND I THOUGHT IT
WAS A GOOD IDEA

347
00:15:52,764 --> 00:15:54,058
SO I TOOK IT.

348
00:15:55,976 --> 00:15:57,103
WAIT A MINUTE.

349
00:15:57,186 --> 00:15:59,105
THEY'RE MAKING YOU
TAKE TIME OFF WORK?

350
00:15:59,188 --> 00:16:00,773
AND YOU'RE OKAY WITH THAT?

351
00:16:00,856 --> 00:16:02,233
I DON'T KNOW.

352
00:16:02,316 --> 00:16:05,278
IT'S GOING TO BE WEIRD
NOT HAVING A JOB FOR AWHILE

353
00:16:05,361 --> 00:16:08,822
BUT I… I DEFINITELY DON'T CARE
ABOUT MY SANDWICH.

354
00:16:12,159 --> 00:16:13,953
UH, IT WAS JUST
SO EMBARRASSING

355
00:16:14,036 --> 00:16:17,081
I CAN'T BELIEVE YOU LET ME
GO ON AND ON LIKE THAT.

356
00:16:17,164 --> 00:16:18,666
I'M SORRY.

357
00:16:20,918 --> 00:16:22,378
IT WAS JUST SO FUNNY

358
00:16:22,461 --> 00:16:25,506
WHEN YOU STARTED COMPARING
JANE EYRE TO ROBOCOP.

359
00:16:26,424 --> 00:16:29,051
THAT WAS NOT FUNNY.

360
00:16:29,134 --> 00:16:30,428
WELL, I SNAPPED, OKAY?

361
00:16:30,511 --> 00:16:32,847
YOU WEREN'T TAKING
THE CLASS SERIOUSLY.

362
00:16:32,930 --> 00:16:34,807
PHOEBE, COME ON,
WHAT IS THE BIG DEAL?

363
00:16:34,890 --> 00:16:37,810
I THOUGHT THIS WAS GOING TO BE
SOMETHING WE COULD DO TOGETHER.

364
00:16:37,893 --> 00:16:39,646
YOU KNOW, I THOUGHT
IT WOULD BE FUN.

365
00:16:39,729 --> 00:16:40,855
WELL, YEAH, FUN IS GOOD

366
00:16:40,938 --> 00:16:42,773
BUT, YOU KNOW, I ALSO
WANTED TO LEARN.

367
00:16:42,856 --> 00:16:44,192
YOU KNOW, PEOPLE ARE ALWAYS

368
00:16:44,275 --> 00:16:46,528
TALKING ABOUT WHAT THEY LEARNED
IN HIGH SCHOOL

369
00:16:46,611 --> 00:16:48,154
AND I NEVER WENT
TO HIGH SCHOOL.

370
00:16:48,237 --> 00:16:49,322
OH.

371
00:16:49,405 --> 00:16:53,367
OH, SO YOU REALLY
WANTED TO LEARN?

372
00:16:55,327 --> 00:16:58,456
YEAH, YOU KNOW, PHEEBS,
I JUST WANTED TO HAVE FUN.

373
00:16:58,539 --> 00:17:00,791
YOU KNOW WHO YOU
SHOULD GO WITH?

374
00:17:00,874 --> 00:17:03,168
I KNOW! I KNOW! I KNOW!

375
00:17:04,754 --> 00:17:07,757
MONICA, YOU ASKED
THE QUESTION.

376
00:17:14,221 --> 00:17:16,599
OH, YEAH.

377
00:17:27,234 --> 00:17:29,028
AH, OH MY GOD!
THAT'S MONICA!

378
00:17:29,111 --> 00:17:30,988
OH, NO, NO.

379
00:17:31,071 --> 00:17:32,323
NO, NO, NO, NO.

380
00:17:32,406 --> 00:17:35,743
YOU GET AWAY FROM ME,
YOU SICK, SICK, SICKO.

381
00:17:35,826 --> 00:17:38,037
WHAT'S GOING ON?

382
00:17:38,120 --> 00:17:40,498
JOEY HAS GOT
A SECRET PEEPHOLE.

383
00:17:42,249 --> 00:17:43,710
OH, NO, NO, NO.

384
00:17:43,793 --> 00:17:45,587
YES. HE HAS A NAKED
PICTURE OF MONICA.

385
00:17:45,670 --> 00:17:47,046
HE TAKES NAKED
PICTURES OF US.

386
00:17:47,129 --> 00:17:49,507
THEN HE EATS CHICKEN
AND THEN HE LOOKS AT THEM.

387
00:17:51,175 --> 00:17:53,219
LOOK.

388
00:17:53,302 --> 00:17:54,554
DUDE, THAT'S MY SISTER.

389
00:17:54,637 --> 00:17:55,638
GIVE ME THAT.

390
00:17:55,721 --> 00:17:57,432
ALL RIGHT, WAIT,
JUST WAIT.

391
00:17:57,515 --> 00:17:59,517
EVERYBODY JUST
CALM DOWN, OKAY?

392
00:17:59,600 --> 00:18:02,311
LET'S GIVE OUR FRIEND JOEY
A CHANCE TO EXPLAIN

393
00:18:02,394 --> 00:18:04,063
WHY HE'S SUCH
A BIG PERVERT.

394
00:18:04,146 --> 00:18:07,567
NO, I AM NOT A PERVERT, OKAY?

395
00:18:07,650 --> 00:18:10,737
IT'S JUST, I JUST KIND OF…

396
00:18:10,820 --> 00:18:14,490
OH LOOK, LOOK,
I THINK I CAN EXPLAIN THIS.

397
00:18:14,573 --> 00:18:16,909
THANK YOU.

398
00:18:16,992 --> 00:18:18,703
JOEY'S A SEX ADDICT.

399
00:18:20,371 --> 00:18:22,331
WHAT? NO, I'M NOT.

400
00:18:22,414 --> 00:18:25,876
IT'S OKAY. IT'S GOOD.

401
00:18:25,959 --> 00:18:28,421
IT'S A DISEASE.

402
00:18:28,504 --> 00:18:30,965
NO, NO, I AM NOT
A SEX ADDICT.

403
00:18:31,048 --> 00:18:32,634
YES, YOU ARE.

404
00:18:32,717 --> 00:18:34,343
THAT'S THE ONLY WAY
TO EXPLAIN

405
00:18:34,426 --> 00:18:35,678
ALL THIS STUFF.

406
00:18:35,761 --> 00:18:38,097
NO, IT ISN'T.
NO, IT'S NOT.

407
00:18:38,180 --> 00:18:40,767
BECAUSE YOU COULD ALSO
EXPLAIN IT WITH THE TRUTH.

408
00:18:40,850 --> 00:18:42,351
WELL, WHAT IS
THE TRUTH?

409
00:18:42,434 --> 00:18:43,352
YEAH.

410
00:18:43,435 --> 00:18:45,103
YEAH, WHAT'S
GOING ON?

411
00:18:49,692 --> 00:18:53,362
I SLEPT WITH MONICA.

412
00:18:59,117 --> 00:19:00,745
WELL, LET'S…

413
00:19:00,828 --> 00:19:03,205
LET'S SEE WHAT EVERYBODY
THINKS OF THAT.

414
00:19:05,916 --> 00:19:08,461
OH, NO.

415
00:19:08,544 --> 00:19:10,921
YOU SLEPT WITH MY SISTER?

416
00:19:11,004 --> 00:19:12,799
UH, YES…
BUT IT WAS…

417
00:19:12,882 --> 00:19:15,510
WE JUST DID IT ONCE…
IN LONDON.

418
00:19:15,593 --> 00:19:18,262
THIS IS NOT GOOD
FOR MY RAGE.

419
00:19:21,098 --> 00:19:24,602
MONICA, IS THIS TRUE?

420
00:19:24,685 --> 00:19:26,145
OF COURSE IT'S TRUE.

421
00:19:26,228 --> 00:19:29,607
HOW ELSE WOULD YOU EXPLAIN
ALL THE WEIRD STUFF

422
00:19:29,690 --> 00:19:31,275
THAT'S BEEN GOING ON?

423
00:19:32,317 --> 00:19:33,903
YES, IT'S TRUE.

424
00:19:35,028 --> 00:19:36,155
IF IT ONLY HAPPENED

425
00:19:36,238 --> 00:19:37,657
THAT ONE TIME,
HOW COME WE FOUND

426
00:19:37,740 --> 00:19:39,908
YOUR UNDERWEAR IN OUR APARTMENT
THE OTHER DAY?

427
00:19:39,991 --> 00:19:41,076
UH… OY.

428
00:19:41,159 --> 00:19:42,829
THAT WAS THE UNDERWEAR

429
00:19:42,912 --> 00:19:45,998
I WAS WEARING
THAT NIGHT IN LONDON.

430
00:19:46,081 --> 00:19:47,416
RIGHT, MONICA?

431
00:19:50,753 --> 00:19:52,797
I GUESS I WANTED TO KEEP IT…

432
00:19:54,089 --> 00:19:55,716
AS A SOUVENIR.

433
00:19:57,802 --> 00:20:00,304
MY GOD, MONICA.

434
00:20:00,387 --> 00:20:01,597
ARE YOU SURE, JOE?

435
00:20:01,680 --> 00:20:03,933
ARE YOU SURE YOU'RE NOT
JUST A SEX ADDICT?

436
00:20:04,975 --> 00:20:06,769
NO, AND IF ANYONE'S

437
00:20:06,852 --> 00:20:10,189
A SEX ADDICT HERE,
IT'S MONICA.

438
00:20:10,272 --> 00:20:11,566
YEAH, YEAH.

439
00:20:11,649 --> 00:20:14,235
SHE HAS BEEN TRYING TO GET ME
BACK IN THE SACK

440
00:20:14,318 --> 00:20:15,361
EVER SINCE LONDON.

441
00:20:15,444 --> 00:20:17,196
SO THAT'S WHY
SHE GAVE YOU

442
00:20:17,279 --> 00:20:19,198
A NAKED PICTURE
OF HERSELF.

443
00:20:19,281 --> 00:20:20,699
THAT MAKES SENSE.

444
00:20:22,284 --> 00:20:23,870
AND THE VIDEO CAMERA?

445
00:20:23,953 --> 00:20:25,413
UH, MONICA?

446
00:20:25,496 --> 00:20:30,000
I GUESS I SET UP
THE VIDEO CAMERA

447
00:20:30,083 --> 00:20:33,254
TO TRY AND ENTICE JOEY.

448
00:20:33,337 --> 00:20:36,841
BUT, SADLY,
I COULD NOT
BE ENTICED.

449
00:20:38,383 --> 00:20:39,761
THIS IS UNBELIEVABLE.

450
00:20:39,844 --> 00:20:42,555
I MEAN, YOU REALLY KEPT
JOEY'S UNDERWEAR?

451
00:20:42,638 --> 00:20:43,890
WHY?

452
00:20:43,973 --> 00:20:45,641
WHY WOULD YOU DO THAT?

453
00:20:48,059 --> 00:20:51,939
I'M MONICA.

454
00:20:52,022 --> 00:20:53,982
I'M DISGUSTING.

455
00:20:54,065 --> 00:20:58,069
I STALK GUYS AND KEEP
THEIR UNDERPANTS.

456
00:21:02,032 --> 00:21:04,660
WELL, I THINK
WE'VE ALL LEARNED SOMETHING

457
00:21:04,743 --> 00:21:07,121
ABOUT WHO'S DISGUSTING
AND WHO'S NOT.

458
00:21:07,204 --> 00:21:08,414
HUH?

459
00:21:08,497 --> 00:21:09,582
ALL RIGHT.

460
00:21:09,665 --> 00:21:12,460
I'M GOING TO GET BACK
TO MY BUCKET.

461
00:21:12,543 --> 00:21:14,796
I'M ONLY EATING THE SKIN

462
00:21:14,879 --> 00:21:17,798
SO THE CHICKEN'S UP FOR GRABS.

463
00:21:24,722 --> 00:21:25,848
YOU WERE MAKING

464
00:21:25,931 --> 00:21:28,517
A GOOD POINT
UNTIL YOU
GOT CUT OFF.

465
00:21:28,600 --> 00:21:31,228
I KNOW. WHAT'S UP
WITH THAT GIRL MONICA?

466
00:21:31,311 --> 00:21:33,355
I DON'T KNOW.
I DIDN'T COME
WITH HER.

467
00:21:35,273 --> 00:21:36,233
HEY, EVERYBODY.

468
00:21:36,316 --> 00:21:37,693
EVERYBODY, GUESS WHAT?

469
00:21:37,776 --> 00:21:40,488
I JUST CONVINCED CARL
TO GIVE US A TEST NEXT WEEK.

470
00:21:40,571 --> 00:21:41,864
A TEST?

471
00:21:41,947 --> 00:21:44,783
OH, COME ON, TESTS
MAKE US ALL BETTER LEARNERS.

472
00:21:46,451 --> 00:21:48,537
OH, YEAH! WE SHOULD
HAVE ESSAY QUESTIONS!

