1 00:00:00,233 --> 00:00:01,151 HI. IT'S… 2 00:00:01,234 --> 00:00:02,278 RACHEL… AND… 3 00:00:02,361 --> 00:00:03,654 PHOEBE'S… PLEASE… 4 00:00:03,737 --> 00:00:06,741 LEAVE… 5 00:00:06,824 --> 00:00:08,117 WAIT, I-I JUST SAID, "LEAVE." 6 00:00:08,200 --> 00:00:09,159 YEAH, I KNOW, BECAUSE YOU HAVE 7 00:00:09,242 --> 00:00:11,579 ALL THE GOOD WORDS. 8 00:00:11,662 --> 00:00:13,081 WHAT DO I GET? I GET "IT'S," 9 00:00:13,164 --> 00:00:14,791 "AND"… OH, I'M SORRY, I HAVE "A." 10 00:00:14,874 --> 00:00:16,500 FORGET IT. 11 00:00:16,583 --> 00:00:18,377 PHOEBE, COME ON. THAT'S SILLY. 12 00:00:18,460 --> 00:00:19,545 ALL RIGHT, SO, LET'S SWITCH. 13 00:00:19,628 --> 00:00:22,506 NO, I HAVE ALL THE GOOD WORDS. 14 00:00:22,589 --> 00:00:24,842 OKAY, FINE, FINE. WE CAN SWITCH. 15 00:00:24,925 --> 00:00:26,970 OKAY. OKAY. 16 00:00:27,053 --> 00:00:27,971 HI… 17 00:00:28,054 --> 00:00:28,972 EVERYBODY… 18 00:00:29,055 --> 00:00:30,098 IT'S… RACHEL… 19 00:00:30,181 --> 00:00:31,348 AND… PHOEBE'S… 20 00:00:31,431 --> 00:00:32,349 PLEASE… WAIT. 21 00:00:32,432 --> 00:00:33,726 HOW DID YOU DO THAT? 22 00:00:33,809 --> 00:00:36,062 WHAT? 23 00:00:36,145 --> 00:00:39,690 OH… YOU'RE NO ORDINARY ROOMMATE, ARE YOU? 24 00:00:39,773 --> 00:00:41,109 PH-PHOEBE, COME ON. CAN WE FINISH THIS LATER? 25 00:00:41,192 --> 00:00:43,151 I WANT TO GO RUNNING BEFORE IT GETS DARK. 26 00:00:43,234 --> 00:00:44,904 OH! WHY DON'T YOU COME WITH ME? 27 00:00:44,987 --> 00:00:46,447 REALLY? YEAH. 28 00:00:46,530 --> 00:00:47,698 OH, IT'LL BE FUN. WE'LL RUN IN THE PARK. 29 00:00:47,781 --> 00:00:49,325 IT'LL BE, LIKE, OUR FIRST 30 00:00:49,408 --> 00:00:51,494 YOU KNOW, ROOMMATE-BONDING THING. 31 00:00:51,577 --> 00:00:53,203 OKAY, LET'S GO RUNNING. YEAH… 32 00:00:53,286 --> 00:00:54,664 AND THERE'S REALLY CUTE GUYS. 33 00:00:54,747 --> 00:00:57,291 LET'S RUN TOWARDS THEM! OKAY. 34 00:00:57,374 --> 00:00:59,543 ALL RIGHT, WAIT JUST ONE MORE SECOND. 35 00:00:59,626 --> 00:01:00,920 HI. IT'S PHOEBE AND RACHEL'S. 36 00:01:01,003 --> 00:01:02,672 PLEASE LEAVE A MESSAGE. THANKS. 37 00:01:02,755 --> 00:01:03,673 WELL, NOW, WAIT A MINUTE. 38 00:01:03,756 --> 00:01:05,382 YOU JUST TOOK ALL THE WORDS. 39 00:01:05,465 --> 00:01:08,385 UH-HUH, YOU'VE MET YOUR MATCH, RACHEL GREEN. 40 00:01:48,884 --> 00:01:52,096 SO, I JUST FINISHED THIS FASCINATING BOOK. 41 00:01:52,179 --> 00:01:55,474 BY THE YEAR 2030, THERE'LL BE COMPUTERS 42 00:01:55,557 --> 00:01:57,935 THAT CAN CARRY OUT THE SAME AMOUNT OF FUNCTIONS 43 00:01:58,018 --> 00:02:00,604 AS AN ACTUAL HUMAN BRAIN. 44 00:02:00,687 --> 00:02:02,982 SO, THEORETICALLY, YOU COULD DOWNLOAD 45 00:02:03,065 --> 00:02:06,736 YOUR THOUGHTS AND MEMORIES INTO THIS COMPUTER 46 00:02:06,819 --> 00:02:12,158 AND-AND-AND LIVE FOREVER, AS A MACHINE. 47 00:02:15,286 --> 00:02:19,706 AND I JUST REALIZED I CAN SLEEP WITH MY EYES OPEN. 48 00:02:20,707 --> 00:02:21,625 HEY. 49 00:02:21,708 --> 00:02:23,252 HEY. HEY. 50 00:02:23,335 --> 00:02:25,588 HONEY, THAT'S A GREAT IDEA… NAILING THE BOXES 51 00:02:25,671 --> 00:02:29,008 TO THE FLOOR. 52 00:02:29,091 --> 00:02:30,634 I DIDN'T NAIL THE BOXES TO THE FLOOR. 53 00:02:30,717 --> 00:02:32,553 OH, SO YOU CAN MOVE THEM? 54 00:02:32,636 --> 00:02:35,014 YES. YES, AND WHILE I'M DOING THAT 55 00:02:35,097 --> 00:02:38,184 ROSS HAS A GREAT COMPUTER STORY FOR YOU. 56 00:02:40,393 --> 00:02:42,563 HEY, EVERYBODY. UH, I'D LIKE YOU TO MEET JANINE. 57 00:02:42,646 --> 00:02:44,440 SHE'S-SHE'S GOING TO BE MY NEW ROOMMATE. 58 00:02:44,523 --> 00:02:46,734 HI. 59 00:02:46,817 --> 00:02:48,861 HI. HI. 60 00:02:48,944 --> 00:02:51,780 YEAH, SHE'S GOING TO LIVE WITH ME! 61 00:02:53,490 --> 00:02:55,283 IT'S NICE TO MEET YOU. UH, JANINE… 62 00:02:55,366 --> 00:02:56,493 LECROIX, JANINE LECROIX. 63 00:02:56,576 --> 00:02:57,745 I DIDN'T KNOW THAT. 64 00:02:57,828 --> 00:03:00,831 WH-WHAT A PRETTY LAST NAME. 65 00:03:00,914 --> 00:03:02,625 SO, UH, WH-WHERE ARE YOU FROM? 66 00:03:02,708 --> 00:03:04,835 AUSTRALIA. I JUST MOVED HERE A COUPLE OF WEEKS AGO. 67 00:03:04,918 --> 00:03:06,462 FROM THE LAND DOWN UNDER? YEAH. 68 00:03:06,545 --> 00:03:10,049 I DIDN'T KNOW THAT, EITHER. 69 00:03:10,132 --> 00:03:11,717 SO, UH, WHAT, UH, WHAT DO YOU DO? 70 00:03:11,800 --> 00:03:12,718 I'M A DANCER. 71 00:03:12,801 --> 00:03:14,762 YOU'RE A DANCER? 72 00:03:14,845 --> 00:03:17,848 SHE-SHE'S A DANCER. 73 00:03:17,931 --> 00:03:18,933 WELL, I THINK 74 00:03:19,016 --> 00:03:20,476 I'LL GO AND… UNPACK. 75 00:03:20,559 --> 00:03:22,270 OH, HEY, LET ME. 76 00:03:22,353 --> 00:03:24,437 THANKS. OKAY. 77 00:03:29,651 --> 00:03:30,694 JOEY… 78 00:03:30,777 --> 00:03:32,780 YEAH? 79 00:03:32,863 --> 00:03:34,157 DID YOU EVEN INTERVIEW THIS WOMAN 80 00:03:34,240 --> 00:03:35,741 BEFORE YOU ASKED HER TO MOVE IN? 81 00:03:35,824 --> 00:03:37,534 OF COURSE I DID. 82 00:03:37,617 --> 00:03:39,120 WHAT EXACTLY DID YOU ASK HER? 83 00:03:39,203 --> 00:03:41,080 "WHEN CAN YOU MOVE IN?" 84 00:03:43,540 --> 00:03:47,211 THANK YOU FOR BRINGING HER INTO OUR LIVES. 85 00:03:47,294 --> 00:03:49,213 UNBELIEVABLE. 86 00:03:49,296 --> 00:03:51,381 OH… OH, SO, YOU LIKE HER, TOO, CHANDLER? 87 00:03:51,464 --> 00:03:54,760 HEY, LOOK AT ALL THE BOXES. 88 00:03:54,843 --> 00:03:57,513 OH, I CANNOT WAIT TO ASK HER OUT. 89 00:03:57,596 --> 00:03:59,098 WAIT A MINUTE, JOEY. 90 00:03:59,181 --> 00:04:01,391 JOEY, YOU CAN'T ASK HER OUT. SHE'S YOUR ROOMMATE. 91 00:04:01,474 --> 00:04:03,102 YOU KNOW, IT'S… IT'LL BE WAY TOO COMPLICATED. 92 00:04:03,185 --> 00:04:04,520 YEAH, YEAH, MAN, DON'T DO IT. 93 00:04:04,603 --> 00:04:05,688 I MEAN, IF YOU DATE HER 94 00:04:05,771 --> 00:04:08,191 THEN-THEN-THEN I CAN'T DATE HER. 95 00:04:08,274 --> 00:04:09,900 ALL RIGHT, THINK ABOUT IT. 96 00:04:09,983 --> 00:04:11,777 NOW, REMEMBER WHEN YOU WENT OUT WITH THAT GIRL, DONNA 97 00:04:11,860 --> 00:04:14,071 AND YOU GUYS BROKE UP? REMEMBER HOW HORRIBLE IT WAS 98 00:04:14,154 --> 00:04:16,406 WHEN YOU GUYS BUMPED INTO EACH OTHER AT THE SUPERMARKET? 99 00:04:16,489 --> 00:04:20,828 OH, GOD, YEAH. NOW, IMAGINE YOU LIVE… AT THE SUPERMARKET. 100 00:04:20,911 --> 00:04:23,080 OKAY. 101 00:04:23,163 --> 00:04:24,373 NO, NO. 102 00:04:24,456 --> 00:04:26,334 OH. OH. OH, YOU'RE RIGHT. 103 00:04:26,417 --> 00:04:28,002 I DON'T WANT THAT. I CAN'T DATE HER. 104 00:04:28,085 --> 00:04:29,879 YEAH, AND YOU BETTER WATCH THE FLIRTING, TOO 105 00:04:29,962 --> 00:04:32,756 BECAUSE IN SUCH CLOSE QUARTERS… IT COULD BE TROUBLE. 106 00:04:32,839 --> 00:04:34,300 WELL, THAT'S GOING TO BE TOUGH, MON. I MEAN, 107 00:04:34,383 --> 00:04:37,427 IT'S HARD FOR ME TO BE AROUND AN ATTRACTIVE WOMAN 108 00:04:37,510 --> 00:04:39,596 AND NOT FLIRT. 109 00:04:39,679 --> 00:04:40,973 WELL, YOU'RE AROUND ME ALL THE TIME 110 00:04:41,056 --> 00:04:43,559 AND YOU DON'T FLIRT. 111 00:04:43,642 --> 00:04:46,186 YOU A LITTLE SAD ABOUT THAT, SWEETHEART? 112 00:04:51,691 --> 00:04:52,985 I HAVE TO TIE MY SHOE. YOU GO AHEAD. 113 00:04:53,068 --> 00:04:54,903 I'LL CATCH UP. OKAY. 114 00:04:59,574 --> 00:05:00,993 COME ON! THAT'S NOT RUNNING! 115 00:05:01,076 --> 00:05:02,869 LET'S GO! 116 00:05:08,583 --> 00:05:09,752 YOU GUYS, I'M TELLING YOU 117 00:05:09,835 --> 00:05:11,587 WHEN SHE RUNS, SHE LOOKS LIKE 118 00:05:11,670 --> 00:05:16,592 A CROSS BETWEEN KERMIT THE FROG AND THE SIX MILLION DOLLAR MAN. 119 00:05:16,675 --> 00:05:19,428 MONICA HAD SUCH A CRUSH ON HIM. 120 00:05:20,512 --> 00:05:22,306 YEAH, SHE USED TO KISS HIS POSTER 121 00:05:22,389 --> 00:05:24,474 EVERY NIGHT BEFORE SHE WENT TO BED. 122 00:05:24,557 --> 00:05:26,518 OH, I USED TO DO THAT, TOO. 123 00:05:26,601 --> 00:05:27,728 DID YOU ALSO HAVE HIS ALBUM 124 00:05:27,811 --> 00:05:30,022 IT'S NOT EASY BEING GREEN? 125 00:05:31,731 --> 00:05:34,693 AW, MON… 126 00:05:35,861 --> 00:05:38,072 SO, PHOEBE RUNS WEIRD, HUH? 127 00:05:38,155 --> 00:05:39,531 YEAH, YEAH, AND YOU KNOW WHAT? 128 00:05:39,614 --> 00:05:40,950 AND I KNOW SHE'S GOING TO WANT TO RUN AGAIN. 129 00:05:41,033 --> 00:05:42,576 I JUST DON'T KNOW HOW TO GET OUT OF IT. 130 00:05:42,659 --> 00:05:44,203 I MEAN, I LIVE WITH HER. 131 00:05:44,286 --> 00:05:45,746 WHY DON'T YOU JUST BE STRAIGHT WITH HER? 132 00:05:45,829 --> 00:05:47,455 TELL HER THE TRUTH. 133 00:05:47,538 --> 00:05:48,999 YOU'RE RIGHT. 134 00:05:49,082 --> 00:05:51,252 YOU'RE RIGHT, I SHOULD JUST TELL HER THE TRUTH. 135 00:05:51,335 --> 00:05:52,460 HEY. HEY. 136 00:05:52,543 --> 00:05:53,921 HEY, PHEEBS, MONICA TRIPPED ME. 137 00:05:54,004 --> 00:05:57,674 I DON'T THINK I CAN EVER RUN AGAIN, EVER. 138 00:05:57,757 --> 00:06:00,510 WHY? WHY WOULD YOU DO THAT? 139 00:06:00,593 --> 00:06:03,139 I DON'T KNOW. 140 00:06:03,222 --> 00:06:05,933 RACHEL, I'M-I'M SORRY THAT I HURT YOUR ANKLES. 141 00:06:06,016 --> 00:06:06,976 ANKLE. 142 00:06:07,059 --> 00:06:08,352 WE'LL SEE. 143 00:06:12,605 --> 00:06:15,359 OKAY, I AM OFFICIALLY UNPACKED. 144 00:06:15,442 --> 00:06:16,567 THANKS FOR HELPING ME, MAN. 145 00:06:17,819 --> 00:06:19,530 JOE? 146 00:06:25,576 --> 00:06:28,664 WELL, I GUESS JOEY WENT HOME. 147 00:06:28,747 --> 00:06:30,666 OH, AND LOOK, THERE'S STILL ONE BOX 148 00:06:30,749 --> 00:06:32,667 THAT I HAVE TO UNPACK. 149 00:06:35,795 --> 00:06:36,880 I GOTCHA! 150 00:06:38,924 --> 00:06:39,967 OH, MY GOD! 151 00:06:40,050 --> 00:06:43,053 YOU ALMOST GAVE ME A HEART ATTACK. 152 00:06:43,136 --> 00:06:44,596 BOY, IT WAS SO HARD NOT TO LAUGH 153 00:06:44,679 --> 00:06:46,390 I'LL TELL YOU. 154 00:06:46,473 --> 00:06:47,557 OH, HEY-HEY… 155 00:06:47,640 --> 00:06:48,558 THE PLACE LOOKS GREAT. 156 00:06:48,641 --> 00:06:50,019 YEAH, NOT BAD, RIGHT? 157 00:06:50,102 --> 00:06:51,687 MONICA'S GOING TO BE WORKING LATE. 158 00:06:51,770 --> 00:06:54,398 SO, I'M GOING TO MAKE THIS PLACE SPOTLESS. 159 00:06:54,481 --> 00:06:56,150 YOU KNOW WHAT ELSE I'M GOING TO DO? 160 00:06:56,233 --> 00:06:57,567 I'M GOING TO GO DOWNSTAIRS. 161 00:06:57,650 --> 00:06:59,069 I'M GOING TO GET HER SOME FLOWERS. 162 00:06:59,152 --> 00:07:01,405 NOW, WHO WOULD NOT WANT TO LIVE WITH ME? 163 00:07:01,488 --> 00:07:02,698 I DON'T. 164 00:07:02,781 --> 00:07:04,033 NO, I WANT TO LIVE 165 00:07:04,116 --> 00:07:06,952 WITH THE SUPER-HOT AUSTRALIAN DANCER. 166 00:07:07,035 --> 00:07:08,204 OKAY, NOW, HOW'S THAT GOING NOW? 167 00:07:08,287 --> 00:07:09,913 ARE YOU OKAY WITH THE NOT-FLIRTING THING? 168 00:07:09,996 --> 00:07:12,458 UH, YEAH, BUT… SO FAR, YEAH BUT IT'S TOUGH, YOU KNOW? 169 00:07:12,541 --> 00:07:14,793 I GOT ALL THIS-THIS BUILT-UP FLIRTING ENERGY 170 00:07:14,876 --> 00:07:19,298 AND-AND I DON'T KNOW HOW TO GET RID OF IT. 171 00:07:19,381 --> 00:07:21,425 HOW YOU DOIN'? 172 00:07:26,221 --> 00:07:29,308 OH, MAN. 173 00:07:29,391 --> 00:07:31,268 SORRY, THERE'S JUST MORE ROOM OUT HERE. 174 00:07:31,351 --> 00:07:34,438 OH, NO, NO, NO, IT'S-IT'S, UH… YOU JUST, UH, UH, REMINDED ME 175 00:07:34,521 --> 00:07:37,608 THAT, UH, I HAVE TO DO MY STRETCHES, TOO, YEAH. 176 00:07:43,447 --> 00:07:45,741 WHY DON'T YOU TRY TO… 177 00:07:45,824 --> 00:07:47,826 WHAT'S WRONG? UH, UH, NOTHING. 178 00:07:47,909 --> 00:07:49,828 I JUST, UH… I-I DIDN'T WANT YOU TO TOUCH ME 179 00:07:49,911 --> 00:07:51,288 BECAUSE I'M-I'M ALL SWEATY 180 00:07:51,371 --> 00:07:53,249 FROM THE WORKOUT. 181 00:07:53,332 --> 00:07:54,916 I'M GOING TO HIT THE SHOWER. 182 00:07:58,253 --> 00:07:59,796 OH, MY GOD! 183 00:07:59,879 --> 00:08:01,798 OH, SORRY ABOUT THAT STUFF HANGING IN THERE. 184 00:08:01,881 --> 00:08:05,386 IT'S JUST MY THONGS ARE TOO DELICATE FOR THE DRYER. 185 00:08:05,469 --> 00:08:06,553 OH… 186 00:08:16,355 --> 00:08:17,856 HI! 187 00:08:17,939 --> 00:08:19,275 OH, YEAH, UH-HUH, IT'S ME. 188 00:08:19,358 --> 00:08:21,151 I SAW YOU GRAB YOUR RUNNING SHOES THIS MORNING 189 00:08:21,234 --> 00:08:23,028 AND SNEAK OUT. 190 00:08:23,111 --> 00:08:24,821 YOU LIED SO YOU COULD RUN BY YOURSELF. 191 00:08:24,904 --> 00:08:26,949 NO, PHOEBE, NO, I WAS… NO. YOU KNOW WHAT? 192 00:08:27,032 --> 00:08:29,659 I WAS… I WAS ACTUALLY JUST CHECKING… 193 00:08:29,742 --> 00:08:32,829 TO SEE… IF I COULD RUN AND I CAN. 194 00:08:32,912 --> 00:08:34,957 PLEASE, RACHEL, I AM NOT AN IDIOT. 195 00:08:35,040 --> 00:08:36,082 NO, WAIT, PHOEBE. 196 00:08:48,595 --> 00:08:50,431 WOW… COUPLES WHO LIVE TOGETHER DO START 197 00:08:50,514 --> 00:08:53,350 TO LOOK ALIKE. 198 00:08:53,433 --> 00:08:55,519 SO… MON-DLER… 199 00:08:55,602 --> 00:08:56,811 UH… 200 00:08:58,063 --> 00:09:00,983 WHAT, UH… WH… WHAT YOU DOING? 201 00:09:01,066 --> 00:09:03,402 WHAT DOES IT LOOK LIKE? I AM CLEANING. 202 00:09:03,485 --> 00:09:04,987 DID YOU GET MONICA'S AUTHORIZATION 203 00:09:05,070 --> 00:09:06,863 TO MOVE ALL OF HER STUFF? 204 00:09:06,946 --> 00:09:08,073 "AUTHORIZATION"… I DON'T NEED THAT. 205 00:09:08,156 --> 00:09:09,658 I'M GONNA PUT EVERYTHING BACK. 206 00:09:09,741 --> 00:09:11,994 PUT IT BACK EXACTLY WHERE YOU FOUND IT? 207 00:09:12,077 --> 00:09:15,789 YES, I'M GOING TO PUT IT BACK "EXACTLY" WHERE I FOUND IT. 208 00:09:15,872 --> 00:09:18,083 OKAY, FIRST OF ALL, THAT ATTITUDE IS NOT HELPING. 209 00:09:18,166 --> 00:09:19,960 OKAY, SHE IS NOT GOING TO CARE 210 00:09:20,043 --> 00:09:22,129 IF I PUT HER STUFF BACK IN THE SAME STUPID PLACE. 211 00:09:22,212 --> 00:09:26,675 OH, HELLO? DID YOU JUST MEET MONICA? 212 00:09:26,758 --> 00:09:29,178 SHE'S GOING TO RECOGNIZE THAT I DID A NICE THING 213 00:09:29,261 --> 00:09:31,847 AND-AND APPRECIATE IT. 214 00:09:31,930 --> 00:09:32,931 HUH. YOU KNOW, ACTUALLY 215 00:09:33,014 --> 00:09:34,433 THIS WILL WORK OUT WELL 216 00:09:34,516 --> 00:09:36,602 BECAUSE WHEN YOU HAVE TO MOVE BACK IN WITH JOEY 217 00:09:36,685 --> 00:09:39,896 JOEY'S HOT NEW ROOMMATE CAN COME LIVE WITH ME. 218 00:09:39,979 --> 00:09:41,106 I SEE. I SEE. 219 00:09:41,189 --> 00:09:42,899 Y-Y-YOU'RE TRYING TO FREAK ME OUT. 220 00:09:42,982 --> 00:09:46,278 LOOK, CHANDLER, MONICA IS REALLY WEIRD 221 00:09:46,361 --> 00:09:47,655 ABOUT THIS KIND OF STUFF, ALL RIGHT? 222 00:09:47,738 --> 00:09:49,781 BELIEVE ME, I LIVED WITH HER FOR 16 YEARS. 223 00:09:49,864 --> 00:09:52,660 SHE IS GOING TO FREAK OUT. 224 00:09:52,743 --> 00:09:56,121 OH, MY GOD, SHE'S GOING TO SIT ON YOU. 225 00:09:56,204 --> 00:09:57,289 NO, SHE'S NOT, OKAY? 226 00:09:57,372 --> 00:09:58,457 YOU KNOW, I'LL PROVE IT TO YOU. 227 00:09:58,540 --> 00:10:01,835 I'M GOING TO CALL HER RIGHT NOW. 228 00:10:01,918 --> 00:10:04,421 PHONE'S DONE. 229 00:10:06,005 --> 00:10:06,923 HEY, MON, HOW'S IT GOING? 230 00:10:07,006 --> 00:10:08,509 Terrible. 231 00:10:08,592 --> 00:10:10,052 I TELL YOU, IF-IF-IF I WANT SOMETHING DONE RIGHT 232 00:10:10,135 --> 00:10:11,094 I HAVE TO DO IT MYSELF. 233 00:10:11,177 --> 00:10:14,682 Other people just wreck stuff. 234 00:10:14,765 --> 00:10:17,100 I REALLY THINK I MIGHT KILL SOMEONE TONIGHT. 235 00:10:19,269 --> 00:10:21,313 OH, COME ON, COME ON, IT CAN'T BE THAT BAD. 236 00:10:21,396 --> 00:10:22,481 IT'S WORSE. 237 00:10:22,564 --> 00:10:23,940 THE ONLY THING GETTING ME THROUGH IS 238 00:10:24,023 --> 00:10:25,775 KNOWING I'M GONNA BE SEEING YOU SOON. 239 00:10:25,858 --> 00:10:26,902 I think I might even try to get out of here early. 240 00:10:26,985 --> 00:10:29,154 NO, NO, NO, NO, NO, NO, NO. 241 00:10:29,237 --> 00:10:31,114 NO, IT SOUNDS LIKE THEY REALLY NEED YOU DOWN THERE. 242 00:10:31,197 --> 00:10:32,533 AREN'T YOU JUST HANGING OUT WITH ROSS? 243 00:10:32,616 --> 00:10:34,576 IT'S ALL GOOD. OKAY, BYE-BYE, MON. 244 00:10:36,953 --> 00:10:38,872 SH-SHE'S GOING TO KILL ME. 245 00:10:38,955 --> 00:10:42,042 YOU KNOW, THE PHONE WAS FACING THE OTHER WAY… 246 00:10:42,125 --> 00:10:43,710 AND THAT GOES BACK UP THERE. 247 00:10:48,423 --> 00:10:49,799 YOU KNOW WHAT WE SHOULD DO? WE SHOULD START WITH THE BIG STUFF, 248 00:10:49,882 --> 00:10:51,218 YOU KNOW? THAT'LL BE THE EASIEST. 249 00:10:51,301 --> 00:10:54,012 SO, UH, LET'S START WITH THE COUCH. 250 00:10:55,472 --> 00:11:00,477 I GOT IT. 251 00:11:00,560 --> 00:11:02,062 YEAH, THAT-THAT DOESN'T LOOK RIGHT. 252 00:11:02,145 --> 00:11:03,564 WHAT ARE YOU TALKING ABOUT? 253 00:11:03,647 --> 00:11:05,566 THE COUCH IS PERFECTLY IN LINE WITH THE CARPET 254 00:11:05,649 --> 00:11:07,150 AND THEN I COULD JUST WALK OVER HERE 255 00:11:07,233 --> 00:11:09,569 AND CASUALLY JUST PUT MY FEET RIGHT UP ON… 256 00:11:11,530 --> 00:11:13,449 OKAY, HERE'S WHAT WE DO… WE JUST, UH, 257 00:11:13,532 --> 00:11:15,033 MOVE THE COUCH CLOSER TO THE COFFEE TABLE. 258 00:11:15,116 --> 00:11:16,784 WHOA, YEAH, BUT THEN THE BACK OF THE COUCH 259 00:11:16,867 --> 00:11:19,371 WON'T LINE UP WITH THE BACK OF THE CARPET. 260 00:11:19,454 --> 00:11:21,248 OKAY, WELL, HERE… WE'LL JUST, UH… 261 00:11:21,331 --> 00:11:23,833 WE'LL MOVE THE COFFEE TABLE CLOSER TO THE COUCH. 262 00:11:23,916 --> 00:11:24,834 NO, WHOA! WHOA! 263 00:11:24,917 --> 00:11:26,169 BUT THEN THE COFFEE TABLE 264 00:11:26,252 --> 00:11:29,797 WON'T BE CENTERED IN THE SEATING AREA. 265 00:11:29,880 --> 00:11:31,550 YES, BUT THE COFFEE TABLE DOESN'T HAVE TO… 266 00:11:31,633 --> 00:11:35,429 ROSS! 267 00:11:35,512 --> 00:11:38,724 ALL RIGHT, LOOK, WHAT AM I GOING TO DO? 268 00:11:38,807 --> 00:11:40,976 I'M NOT FLIRTING, BUT STILL, I'M-I'M DRAWING HER TO ME 269 00:11:41,059 --> 00:11:43,228 LIKE-LIKE-LIKE A MOTH TO A FLAME! 270 00:11:48,441 --> 00:11:52,446 WHAT THE HELL'S GOING ON OVER HERE? 271 00:11:52,529 --> 00:11:53,988 MONICA'S GOING TO KILL YOU. 272 00:11:55,490 --> 00:11:56,866 LOOK, I NEED YOUR HELP, OKAY? 273 00:11:56,949 --> 00:12:00,870 I HAVE TO DO SOMETHING TO-TO REPEL THIS WOMAN. 274 00:12:00,953 --> 00:12:02,830 WAIT A MINUTE, WAIT A MINUTE. 275 00:12:02,913 --> 00:12:06,084 YOU GUYS REPEL WOMEN ALL THE TIME! 276 00:12:06,167 --> 00:12:08,211 HEY, I'VE BEEN MARRIED THREE TIMES. 277 00:12:13,425 --> 00:12:14,343 NO, NO, NO, NO, NO! 278 00:12:14,426 --> 00:12:15,719 I'VE SEEN IT HAPPEN. 279 00:12:15,802 --> 00:12:17,845 YOU GET A RAPPORT GOING WITH A WOMAN, 280 00:12:17,928 --> 00:12:20,265 BUT SOMEHOW YOU MANAGE TO KILL IT. 281 00:12:21,474 --> 00:12:24,227 WHAT'S YOUR SECRET? 282 00:12:24,310 --> 00:12:26,896 LOOK, WE DO NOT REPEL WOMEN, OKAY? 283 00:12:26,979 --> 00:12:28,982 THAT IS COMPLETELY UNTRUE. 284 00:12:29,065 --> 00:12:31,777 UH, YES, WE DO, MY MAN. 285 00:12:31,860 --> 00:12:33,028 REMEMBER WHEN WE WERE BACK IN COLLEGE 286 00:12:33,111 --> 00:12:34,488 AND WE WENT TO THAT SPRING DANCE 287 00:12:34,571 --> 00:12:36,365 AND YOU WALKED RIGHT UP TO THAT GIRL YOU LIKED 288 00:12:36,448 --> 00:12:37,783 AND YOU COULD NOT STOP TALKING ABOUT 289 00:12:37,866 --> 00:12:40,494 THE IRISH POTATO FAMINE? 290 00:12:40,577 --> 00:12:42,037 WELL, WHAT ABOUT YOU? 291 00:12:42,120 --> 00:12:44,247 YOU WEREN'T SO, YOU KNOW, HOT IN COLLEGE, EITHER. 292 00:12:44,330 --> 00:12:49,461 AFTER EVERYTHING HE SAID, HE'D GO "BA-DUM-BUMP. CHSSH." 293 00:12:49,544 --> 00:12:50,962 YEAH, MONICA DOESN'T LIKE THAT, EITHER. 294 00:12:51,045 --> 00:12:53,507 MAYBE I SHOULD STOP DOING THAT. 295 00:12:53,590 --> 00:12:55,175 WELL, YOU KNOW WHAT? GIRLS DON'T LIKE IT 296 00:12:55,258 --> 00:12:56,802 WHEN I START TALKING ABOUT SCIENCE. 297 00:12:56,885 --> 00:13:00,138 THAT'S NOT SPECIFIC TO GIRLS. 298 00:13:00,221 --> 00:13:01,264 THIS IS GREAT, THIS IS GREAT! 299 00:13:01,347 --> 00:13:03,099 WHAT-WHAT ELSE, WHAT ELSE? 300 00:13:03,182 --> 00:13:05,268 UH… OH, THEY DON'T LIKE IT WHEN YOU CORRECT THEIR GRAMMAR. 301 00:13:05,351 --> 00:13:09,897 AND THEY DON'T LIKE IT WHEN YOU EXPLAIN WHY YOUR JOKES ARE FUNNY. 302 00:13:09,980 --> 00:13:11,899 YOU KNOW, THEY DON'T LIKE IT WHEN YOU KEEP ASKING THEM 303 00:13:11,982 --> 00:13:14,653 IF THEY LIKE YOU. 304 00:13:14,736 --> 00:13:16,613 MAN, I AM SO LUCKY I HAVE MONICA. 305 00:13:16,696 --> 00:13:18,740 I'M NEVER GOING TO FIND LOVE AGAIN. 306 00:13:22,993 --> 00:13:25,121 HEY. PHOEBE, CAN I TALK TO YOU FOR A SECOND? 307 00:13:25,204 --> 00:13:26,540 SURE. 308 00:13:26,623 --> 00:13:32,713 OKAY, UM, I… ALL RIGHT, PHOEBE, LOOK… 309 00:13:32,796 --> 00:13:35,298 I JUST WANTED TO SAY THAT I'M SORRY, OKAY? 310 00:13:35,381 --> 00:13:38,051 I HANDLED THE SITUATION HORRIBLY 311 00:13:38,134 --> 00:13:41,471 AND-AND I SHOULD NOT HAVE LIED TO YOU. 312 00:13:41,554 --> 00:13:43,724 SO, WHAT SHOULD YOU HAVE DONE? 313 00:13:43,807 --> 00:13:45,809 WELL, I-I SHOULD HAVE TOLD YOU THE TRUTH. 314 00:13:45,892 --> 00:13:46,894 UH-HUH… 315 00:13:46,977 --> 00:13:48,729 WHICH IS? 316 00:13:48,812 --> 00:13:50,480 WELL, YOU KNOW… 317 00:13:50,563 --> 00:13:54,317 THE REASON THAT I DIDN'T WANT TO GO RUNNING WITH YOU IS 318 00:13:54,400 --> 00:13:56,904 BECAUSE, UH, WELL, YOU KNOW, THE WAY THAT YOU RUN 319 00:13:56,987 --> 00:13:58,446 IS JUST A LITTLE… 320 00:14:01,700 --> 00:14:03,368 SO? WELL, IT'S EMBARRASSING. 321 00:14:03,451 --> 00:14:05,579 PEOPLE WERE LOOKING AT US LIKE WE WERE CRAZY. 322 00:14:05,662 --> 00:14:06,747 WHY DO YOU CARE? 323 00:14:06,830 --> 00:14:09,124 BECAUSE THEY'RE PEOPLE. 324 00:14:09,207 --> 00:14:11,877 BUT PEOPLE THAT YOU DON'T KNOW AND WILL NEVER SEE AGAIN. 325 00:14:11,960 --> 00:14:14,421 YES, BUT STILL, THEY ARE PEOPLE… 326 00:14:14,504 --> 00:14:17,173 WITH EYES. 327 00:14:17,256 --> 00:14:19,843 WELL, I DIDN'T GET EMBARRASSED RUNNING NEXT TO MISS… 328 00:14:23,680 --> 00:14:25,181 BUT, OH, OKAY. 329 00:14:25,264 --> 00:14:27,350 NO, NO, I CAN SEE WHY RUNNING WITH ME 330 00:14:27,433 --> 00:14:29,269 WOULD BE EMBARRASSING TO YOU. 331 00:14:29,352 --> 00:14:30,270 YEAH, OKAY. 332 00:14:30,353 --> 00:14:31,271 YOU'RE UPTIGHT. 333 00:14:31,354 --> 00:14:32,355 WH…! 334 00:14:32,438 --> 00:14:33,941 I… LIS… I AM NOT UPTIGHT… 335 00:14:34,024 --> 00:14:35,859 NO… 336 00:14:35,942 --> 00:14:38,069 LISTEN, I AM NOT… 337 00:14:38,152 --> 00:14:41,782 UPTIGHT, MAN. 338 00:14:41,865 --> 00:14:42,825 THAT'S OKAY, RACHEL. 339 00:14:42,908 --> 00:14:43,992 I'M NOT JUDGING YOU. 340 00:14:44,075 --> 00:14:45,661 THAT'S JUST WHO YOU ARE. 341 00:14:45,744 --> 00:14:46,995 ME, I'M MORE FREE, YOU KNOW? 342 00:14:47,078 --> 00:14:49,122 I RUN LIKE I DID WHEN I WAS A KID 343 00:14:49,205 --> 00:14:52,041 BECAUSE IT'S THE ONLY WAY IT'S FUN, YOU KNOW? 344 00:14:52,124 --> 00:14:53,585 I MEAN, DIDN'T YOU EVER RUN SO FAST 345 00:14:53,668 --> 00:14:55,545 YOU THOUGHT YOUR LEGS WERE GOING TO FALL OFF? 346 00:14:55,628 --> 00:14:58,340 YOU KNOW, LIKE WHEN YOU WERE RUNNING TOWARD THE SWINGS 347 00:14:58,423 --> 00:15:01,133 OR-OR RUNNING AWAY FROM SATAN? 348 00:15:04,429 --> 00:15:05,764 THE NEIGHBORS' DOG. 349 00:15:05,847 --> 00:15:07,265 OH. 350 00:15:10,435 --> 00:15:12,145 OKAY, IS THIS LAMP IN THE RIGHT PLACE? 351 00:15:12,228 --> 00:15:17,025 WHO CARES? I REPEL WOMEN. 352 00:15:17,108 --> 00:15:19,319 NO, NO, NO, NO, NO, NO! YOU CAN'T COME IN HERE. 353 00:15:19,402 --> 00:15:21,279 R-R-ROSS IS NAKED! 354 00:15:23,740 --> 00:15:26,409 WHAT? 355 00:15:26,492 --> 00:15:27,995 I COULDN'T SAY THAT I WAS NAKED 356 00:15:28,078 --> 00:15:30,038 BECAUSE SHE'S ALLOWED TO SEE ME NAKED. 357 00:15:30,121 --> 00:15:32,707 WHY DOES ANYONE HAVE TO BE NAKED? 358 00:15:34,751 --> 00:15:37,462 WHY IS ROSS NAKED? 359 00:15:39,338 --> 00:15:44,010 I… I HAD TO… SHOW CHANDLER SOMETHING. 360 00:15:46,262 --> 00:15:48,390 NAKED? 361 00:15:48,473 --> 00:15:49,975 YEAH, I-I, UH… 362 00:15:50,058 --> 00:15:52,519 I GUESS I HAVE A, UH… 363 00:15:52,602 --> 00:15:55,981 A GUY PROBLEM. 364 00:15:56,064 --> 00:15:58,149 IS IT THE SAME THING THAT CHANDLER HAD? 365 00:16:02,278 --> 00:16:03,822 LOOK, UH, JUST-JUST COME BACK LATER. 366 00:16:03,905 --> 00:16:05,032 WE'LL GET EVERYTHING SQUARED AWAY 367 00:16:05,115 --> 00:16:07,075 AND YOU CAN COME BACK LATER. OKAY. 368 00:16:07,158 --> 00:16:09,202 HEY, LISTEN, THERE'S STILL SOME OF CHANDLER'S MEDICINE LEFT 369 00:16:09,285 --> 00:16:12,831 UNDER THE SINK IN THE BATHROOM. BYE. 370 00:16:12,914 --> 00:16:13,914 BYE-BYE. 371 00:16:19,712 --> 00:16:21,131 THANK GOD. 372 00:16:24,467 --> 00:16:25,885 DUDE, WHAT'D YOU HAVE? 373 00:16:27,971 --> 00:16:29,932 LOOK, WE HAVE NO TIME, OKAY? 374 00:16:30,015 --> 00:16:31,892 WE MUST FOCUS. WE GOT TO GET EVERYTHING BACK 375 00:16:31,975 --> 00:16:35,103 INTO ITS ORIGINAL PLACE. THE PHOTO ALBUM. 376 00:16:35,186 --> 00:16:38,857 THERE WERE MILLIONS OF PICTURES OF THE APARTMENT IN THE PHOTO ALBUM. 377 00:16:38,940 --> 00:16:41,860 WE JUST GO THROUGH IT AND MATCH EVERYTHING TO THE PICTURES. 378 00:16:41,943 --> 00:16:42,861 THAT'S PERFECT. 379 00:16:42,944 --> 00:16:44,195 THAT'S BRILLIANT. 380 00:16:47,365 --> 00:16:51,787 SO, REALLY, WHAT'D YOU HAVE? 381 00:16:51,870 --> 00:16:55,123 HEY, JOEY, I GOT SOME BEER FOR YOU. 382 00:16:55,206 --> 00:17:00,295 UH, DON'T-DON'T YOU MEAN, "FOR WHOM"? 383 00:17:00,378 --> 00:17:02,464 SURE. 384 00:17:02,547 --> 00:17:03,757 LISTEN, I WAS GOING TO ORDER SOME PIZZA. 385 00:17:03,840 --> 00:17:05,592 YOU WANT TO SHARE ONE? 386 00:17:05,675 --> 00:17:07,803 PIZZA? HA! IT'S NOT LIKE I'VE NEVER HAD THAT BEFORE. 387 00:17:07,886 --> 00:17:09,387 BA-DUM-BUMP. CHSSH. 388 00:17:12,223 --> 00:17:14,810 IS THERE SOMETHING WRONG? 389 00:17:14,893 --> 00:17:16,770 ALL RIGHT, ALL RIGHT. 390 00:17:16,853 --> 00:17:20,065 LET'S JUST GET THIS OUT IN THE OPEN, OKAY? 391 00:17:20,148 --> 00:17:21,149 YOU'RE HOT. 392 00:17:22,650 --> 00:17:24,736 I'M LOVABLE. 393 00:17:24,819 --> 00:17:27,489 CLEARLY, THERE'S A VIBE GOING ON BETWEEN US 394 00:17:27,572 --> 00:17:29,950 BUT WE'RE ROOMMATES 395 00:17:30,033 --> 00:17:33,703 AND IT'S A HUGE MISTAKE FOR US TO CONTINUE DOWN THIS ROAD. 396 00:17:33,786 --> 00:17:35,664 JOEY… NO, NO, NO, I'M TELLING YOU. 397 00:17:35,747 --> 00:17:37,666 IMAGINE YOURSELF LIVING IN A SUPERMARKET 398 00:17:37,749 --> 00:17:41,210 AND YOU WILL UNDERSTAND. 399 00:17:41,293 --> 00:17:45,173 OKAY, SO THE QUESTION IS, WHAT DO WE DO? 400 00:17:45,256 --> 00:17:47,258 WELL, I DON'T THINK THERE IS ANYTHING TO DO. 401 00:17:47,341 --> 00:17:49,594 I MEAN, I THINK YOU'RE REALLY SWEET 402 00:17:49,677 --> 00:17:52,555 BUT I'M JUST NOT INTERESTED IN YOU LIKE THAT. 403 00:17:57,185 --> 00:18:00,856 OH! NO, I MEAN… 404 00:18:00,939 --> 00:18:02,941 YOU'RE A REALLY NICE GUY 405 00:18:03,024 --> 00:18:05,068 AND I'M HAPPY TO BE YOUR ROOMMATE 406 00:18:05,151 --> 00:18:07,654 AND YOUR FRIEND. I'M JUST… 407 00:18:07,737 --> 00:18:12,617 YOU KNOW, I JUST DON'T FEEL THAT WAY ABOUT YOU. 408 00:18:12,700 --> 00:18:17,330 OH… I SEE WHAT HAPPENED. 409 00:18:17,413 --> 00:18:20,709 IT'S BECAUSE I WAS TRYING TO REPEL YOU, RIGHT? 410 00:18:20,792 --> 00:18:26,381 BELIEVE ME, YOU'D FEEL A LOT DIFFERENT IF I TURNED IT ON. 411 00:18:26,464 --> 00:18:28,841 I DON'T THINK SO. OH, I DO. 412 00:18:31,636 --> 00:18:34,013 HOW YOU DOIN'? 413 00:18:35,640 --> 00:18:37,851 I'M OKAY. 414 00:18:37,934 --> 00:18:42,230 WHAT? 415 00:18:42,313 --> 00:18:44,356 OH, DEAR GOD! 416 00:19:03,084 --> 00:19:04,044 HEY! HEY! 417 00:19:04,127 --> 00:19:05,087 PHEEBS! 418 00:19:05,170 --> 00:19:06,880 OH, HONEY, I'M SO SORRY. 419 00:19:06,963 --> 00:19:08,423 YOU WERE RIGHT… THIS FEELS GREAT! 420 00:19:08,506 --> 00:19:10,383 SEE? AND YOU DON'T CARE IF PEOPLE ARE STARING. 421 00:19:10,466 --> 00:19:12,301 IT'S JUST FOR A SECOND, 'CAUSE THEN YOU'RE GONE! 422 00:19:12,384 --> 00:19:13,428 GONE! 423 00:19:13,511 --> 00:19:14,721 I MEAN, IT'S AMAZING, PHEEBS! 424 00:19:14,804 --> 00:19:17,182 I FEEL SO FREE, AND SO GRACEFUL… 425 00:19:17,265 --> 00:19:18,266 AAH! 426 00:19:21,853 --> 00:19:24,355 HEY! LOOK OUT FOR THE HORSE. 427 00:19:24,438 --> 00:19:25,439 SORRY. 428 00:19:30,736 --> 00:19:33,031 IS IT OKAY FOR ME TO COME IN NOW? 429 00:19:33,114 --> 00:19:35,033 UH-HUH. 430 00:19:40,997 --> 00:19:42,207 WHY IS EVERYTHING DIFFERENT? 431 00:19:42,290 --> 00:19:43,415 BYE. 432 00:19:46,502 --> 00:19:48,130 NO, I DON'T SEE ANYTHING DIFFERENT 433 00:19:48,213 --> 00:19:50,339 OTHER THAN THE FACT THAT THE ROOM GOT SO MUCH BRIGHTER 434 00:19:50,422 --> 00:19:51,632 WHEN YOU CAME INTO IT. 435 00:19:53,384 --> 00:19:56,554 WELL, THE END TABLE IS WRONG AND THE COUCH LOOKS BIZARRE 436 00:19:56,637 --> 00:20:00,558 AND DON'T EVEN GET ME STARTED ON THE REFRIGERATOR MAGNETS. 437 00:20:00,641 --> 00:20:03,145 OKAY, LOOK, DON'T… DON'T BE MAD, OKAY? 438 00:20:03,228 --> 00:20:05,396 BUT AFTER I UNPACKED THE BOXES 439 00:20:05,479 --> 00:20:07,983 I WANTED TO DO SOMETHING NICE FOR YOU 440 00:20:08,066 --> 00:20:10,902 SO I-I-I CLEANED THE APARTMENT. 441 00:20:10,985 --> 00:20:12,737 SO I MOVED EVERYTHING AROUND 442 00:20:12,820 --> 00:20:15,824 AND THEN I-I FORGOT WHERE IT… WHERE IT WENT BACK. 443 00:20:15,907 --> 00:20:19,577 AND I'M SORRY. I'M VERY SORRY, I'M SORRY, I'M SORRY. 444 00:20:19,660 --> 00:20:22,247 THAT'S OKAY. 445 00:20:22,330 --> 00:20:25,292 CHANDLER, ARE YOU AFRAID OF ME OR SOMETHING? 446 00:20:25,375 --> 00:20:28,419 DO YOU WANT ME TO BE AFRAID OF YOU? 447 00:20:28,502 --> 00:20:30,421 OF COURSE NOT. 448 00:20:30,504 --> 00:20:32,340 OH, MY GOSH, CHANDLER, WHAT YOU DID… 449 00:20:32,423 --> 00:20:35,718 IT'S-IT'S SUCH A WONDERFUL THING AND I REALLY APPRECIATE IT. 450 00:20:35,801 --> 00:20:37,345 I KNOW I HAVE THIS WEIRD THING 451 00:20:37,428 --> 00:20:38,930 WHERE I WANT EVERYTHING TO BE IN THE PERFECT PLACE 452 00:20:39,013 --> 00:20:42,934 BUT I WOULD NEVER EXPECT YOU TO WORRY ABOUT THAT. 453 00:20:43,017 --> 00:20:44,853 REALLY? 454 00:20:44,936 --> 00:20:47,105 OF COURSE. 455 00:20:47,188 --> 00:20:49,024 OH, WELL, YOU'RE THE BEST. 456 00:20:49,107 --> 00:20:51,693 YOU COME HERE TO ME. 457 00:20:51,776 --> 00:20:52,944 ALL RIGHT, HOLD ON, OKAY? 458 00:20:53,027 --> 00:20:54,029 FIRST THINGS FIRST. 459 00:20:54,112 --> 00:20:55,530 OKAY, NOW… 460 00:20:55,613 --> 00:20:58,824 DID ROSS SIT ANYWHERE WHILE HE WAS NAKED? 461 00:21:03,996 --> 00:21:05,790 SO IT'S SAID THAT BY THE YEAR 2030 462 00:21:05,873 --> 00:21:07,834 THERE'LL BE COMPUTERS THAT CAN CARRY OUT 463 00:21:07,917 --> 00:21:11,546 THE SAME NUMBER OF FUNCTIONS AS AN ACTUAL HUMAN BRAIN. 464 00:21:11,629 --> 00:21:13,965 SO THEORETICALLY, YOU CAN DOWNLOAD 465 00:21:14,048 --> 00:21:16,259 YOUR THOUGHTS AND YOUR MEMORIES 466 00:21:16,342 --> 00:21:17,927 INTO THIS COMPUTER… 467 00:21:18,010 --> 00:21:20,430 AND LIVE FOREVER AS A MACHINE! 468 00:21:23,266 --> 00:21:26,686 UH, SO, JANINE, YOU-YOU-YOU KNOW WHAT… 469 00:21:26,769 --> 00:21:29,356 YOU KNOW WHAT WE'RE DOING RIGHT NOW? 470 00:21:29,439 --> 00:21:31,857 YOU AND I, WE'RE-WE'RE INTERFACING. 471 00:21:33,567 --> 00:21:36,154 YEAH. I GOT TO GO. 472 00:21:41,492 --> 00:21:43,494 BA-DUM-BUMP. CHSSH.