1
00:00:01,200 --> 00:00:02,702
THAT I JUST HATE.

2
00:00:02,785 --> 00:00:04,954
YOU KNOW, A MASSAGE CLIENT
GAVE ME THREE TICKETS

3
00:00:05,037 --> 00:00:07,789
TO THE HELMUT PELTZ EXHIBIT
AT THE MORGAN-CHASE MUSEUM.

4
00:00:07,872 --> 00:00:10,752
NOW YOU'RE THINKING
YOU'VE GOT TO SLEEP WITH HIM.

5
00:00:10,835 --> 00:00:13,713
NO. NO, IT'S JUST THAT
HE GAVE ME THREE TICKETS

6
00:00:13,796 --> 00:00:15,548
AND THERE ARE SIX OF US.

7
00:00:15,631 --> 00:00:18,134
I'LL GIVE UP
MY TICKET.
ME, TOO.

8
00:00:18,217 --> 00:00:20,261
OKAY. THAT'S SO GENEROUS.

9
00:00:20,344 --> 00:00:23,431
AND I THINK ROSS
IS GENEROUS, TOO.

10
00:00:23,514 --> 00:00:25,849
GREAT. OKAY,
THEN IT'S JUST US GIRLS.

11
00:00:25,932 --> 00:00:28,770
GREAT.
GREAT.

12
00:00:28,853 --> 00:00:31,355
SO WHAT-WHAT IS
THE EXHIBIT?

13
00:00:31,438 --> 00:00:34,484
IT'S MOSTLY JUST PHOTOGRAPHS
OF, UM, LESBIAN LOVE SCENES

14
00:00:34,567 --> 00:00:38,278
INTERSPERSED WITH VIDEO GAMES
AND FREE SANDWICHES.

15
00:00:41,866 --> 00:00:43,784
OH, MAN…

16
00:00:46,911 --> 00:00:47,913
HEY.

17
00:00:47,996 --> 00:00:48,998
HI THERE.
HEY.

18
00:00:49,081 --> 00:00:50,500
HEY, ROSS, LISTEN…

19
00:00:50,583 --> 00:00:51,834
CHANDLER GOT YOU OUT OF GOING

20
00:00:51,917 --> 00:00:54,044
TO THE LESBIAN/SANDWICH MUSEUM
THIS WEEKEND.

21
00:00:55,962 --> 00:00:58,800
THANKS, BUT I HAVE PLANS.

22
00:00:58,883 --> 00:01:01,344
UH, ELIZABETH AND I
ARE GOING OUT OF TOWN.

23
00:01:01,427 --> 00:01:03,304
OH, THAT'S GREAT…
THINK ABOUT ALL THE MONEY

24
00:01:03,387 --> 00:01:04,847
THAT YOU'RE GOING TO MAKE.

25
00:01:04,930 --> 00:01:06,557
WHY? WHAT?

26
00:01:06,640 --> 00:01:09,852
WELL, HER FATHER PAYS YOU
FOR BABY-SITTING, RIGHT?

27
00:01:09,935 --> 00:01:13,439
NO. THAT'S FUNNY, BUT MAYBE
IT'S TIME TO MOVE ON

28
00:01:13,522 --> 00:01:17,109
YOU KNOW, LET IT GO, STOP IT.

29
00:01:17,192 --> 00:01:19,737
BESIDES, RACHEL'S GOING OUT
WITH ELIZABETH'S FATHER

30
00:01:19,820 --> 00:01:22,406
SO, UH, HE'S MUCH
OLDER THAN SHE IS.

31
00:01:22,489 --> 00:01:28,120
LOOKS LIKE I'M NOT THE ONLY ONE
INTERESTED IN FOSSILS, HUH?

32
00:01:28,203 --> 00:01:30,122
ROSS, ALL THAT DOES
IS REMIND US

33
00:01:30,205 --> 00:01:32,207
THAT YOU ARE INTERESTED
IN FOSSILS.

34
00:01:33,793 --> 00:01:36,337
OKAY, OKAY.
UH, WELL, UH

35
00:01:36,420 --> 00:01:41,425
RACHEL'S GOING TO NEED TO
YELLSWEET NOTHING'S
IN HIS EAR, HUH?

36
00:01:43,552 --> 00:01:44,554
ROSS…

37
00:01:44,637 --> 00:01:46,430
OH, COME ON,
YOU GUYS

38
00:01:46,513 --> 00:01:48,182
THAT'S FUNNY, YOU KNOW,
'CAUSE HE'S GOING TO…

39
00:01:48,265 --> 00:01:50,434
HE'S GOT, LIKE, A HEARING AID,
YOU KNOW, 'CAUSE…

40
00:01:50,517 --> 00:01:51,977
OH…

41
00:01:52,060 --> 00:01:53,729
'CAUSE HE'S ALL OLD, YOU KNOW?

42
00:02:03,697 --> 00:02:06,325
'KAY, LOOK, ROSS…

43
00:02:06,408 --> 00:02:07,827
JUST SO YOU KNOW,

44
00:02:07,910 --> 00:02:09,286
SINCE LIZZIE LIKES
YOU SO MUCH

45
00:02:09,369 --> 00:02:10,621
I'VE DECIDED TO
ACCEPT THE FACT

46
00:02:10,704 --> 00:02:12,164
THAT YOU'RE GOING
OUT WITH HER.

47
00:02:12,247 --> 00:02:14,250
REALLY? THAT…
OKAY, THAT'S GREAT.

48
00:02:14,333 --> 00:02:16,502
YEAH. BUT THEN I
CHANGED MY MIND.

49
00:02:16,585 --> 00:02:18,045
I'M FUNNY LIKE THAT.

50
00:02:18,128 --> 00:02:20,339
SO I'VE TOLD LIZZIE

51
00:02:20,422 --> 00:02:21,841
AND NOW I'M TELLING YOU…

52
00:02:21,924 --> 00:02:23,885
I DON'T WANT YOU SEEING
MY DAUGHTER ANYMORE.

53
00:02:23,968 --> 00:02:26,970
ALL RIGHT, LOOK,
I-I REALIZE IT UPSETS YOU…

54
00:02:27,053 --> 00:02:28,347
YES, IT DOES.

55
00:02:30,307 --> 00:02:33,143
BUT… ELIZABETH AND I
ARE BOTH ADULTS

56
00:02:33,226 --> 00:02:37,648
AND SO I DON'T THINK
THERE'S REALLY ANYTHING
YOU CAN DO ABOUT IT.

57
00:02:37,731 --> 00:02:39,442
I'LL CALL THE UNIVERSITY
AND TELL THEM ABOUT
YOUR RELATIONSHIP

58
00:02:39,525 --> 00:02:40,693
AND HAVE YOU FIRED.

59
00:02:40,776 --> 00:02:42,820
OH! A MAN WITH A PLAN.

60
00:03:25,153 --> 00:03:26,196
THIS IS SO EXCITING.

61
00:03:26,279 --> 00:03:27,865
YOU GET YOUR PICTURE
BACK UP THERE

62
00:03:27,948 --> 00:03:28,950
ON THE WALL OF FAME.

63
00:03:29,033 --> 00:03:30,242
I KNOW.

64
00:03:30,325 --> 00:03:31,702
IT WAS SO COOL
WHEN I WAS UP THERE BEFORE.

65
00:03:31,785 --> 00:03:32,829
ME AND JIM BELUSHI
WOULD BE

66
00:03:32,912 --> 00:03:34,037
CRACKING UP
ABOUT SOMETHING.

67
00:03:34,120 --> 00:03:36,039
THEN I GET FIRED

68
00:03:36,122 --> 00:03:37,708
OFF DAYS OF OUR LIVES

69
00:03:37,791 --> 00:03:39,376
AND HE TAKES ME DOWN.

70
00:03:39,459 --> 00:03:41,545
NOW HE'S JUST
LAUGHING AT ME.

71
00:03:41,628 --> 00:03:44,715
LOOK AT HIM, THAT
SMUG BELUSHI BASTARD.

72
00:03:44,798 --> 00:03:48,761
OH, OKAY, MAYBE WHEN
THEY PUT YOUR PICTURE BACK UP

73
00:03:48,844 --> 00:03:51,889
THEY COULD PUT YOU
NEXT TO MATT LAUER.

74
00:03:51,972 --> 00:03:53,766
LOOK AT HIM JUST
SMILING AT ME.

75
00:03:56,727 --> 00:03:59,814
YEAH, I KNOW,
WE'D BE GREAT TOGETHER.

76
00:03:59,897 --> 00:04:01,398
OH… PSST.

77
00:04:01,481 --> 00:04:04,401
HEY. SO, I'M BACK.

78
00:04:04,484 --> 00:04:06,486
WHO ARE YOU?

79
00:04:08,280 --> 00:04:09,699
JOEY TRIBBIANI.

80
00:04:09,782 --> 00:04:12,075
FROM THE WALL?

81
00:04:12,158 --> 00:04:16,539
OKAY, MAYBE THIS WILL
JOG YOUR MEMORY, HUH?

82
00:04:16,622 --> 00:04:18,666
HUH?

83
00:04:18,749 --> 00:04:21,544
OKAY, ANYWAY, I'M READY
TO GO BACK UP ON THE WALL.

84
00:04:21,627 --> 00:04:23,295
I'M THE STAR
OF A NEW TV SHOW.

85
00:04:24,504 --> 00:04:26,382
SHOW ME IN THE TV BOOK.

86
00:04:26,465 --> 00:04:28,551
WELL, IT'S NOT
ON TV YET.

87
00:04:28,634 --> 00:04:30,887
WELL, THEN IT'S
NOT ON THE WALL YET.

88
00:04:30,970 --> 00:04:36,893
OKAY, FINE.
I WILL BRING YOU A TAPE, HUH?

89
00:04:36,976 --> 00:04:38,435
SO, NOW, DO YOU HAVE

90
00:04:38,518 --> 00:04:41,146
ANY OF MATT LAUER'S CLOTHES
HERE, MAYBE?

91
00:04:41,229 --> 00:04:43,231
JUST ONES THAT HAVEN'T
BEEN CLEANED YET?

92
00:04:50,948 --> 00:04:51,866
I LOVE MUSEUMS.

93
00:04:51,949 --> 00:04:53,283
SOAKING UP ALL THE CULTURE.

94
00:04:53,366 --> 00:04:54,493
YEAH.

95
00:04:54,576 --> 00:04:55,828
WHERE DO YOU WANT
TO START?

96
00:04:55,911 --> 00:04:57,496
OH, THE GIFT SHOP!

97
00:04:57,579 --> 00:04:58,539
YEAH!

98
00:04:58,622 --> 00:04:59,790
HEY, AND THEN LUNCH.

99
00:04:59,873 --> 00:05:00,875
OH, WAIT. YES

100
00:05:00,958 --> 00:05:02,376
BUT I CAN'T EAT TOO MUCH.

101
00:05:02,459 --> 00:05:03,753
PAUL'S TAKING ME OUT
TO DINNER TONIGHT.

102
00:05:03,836 --> 00:05:05,379
HE SAID HE HAS
A BIG SURPRISE PLANNED.

103
00:05:05,462 --> 00:05:08,215
OH, WOW. DO YOU THINK
MAYBE HE'S GOING

104
00:05:08,298 --> 00:05:09,800
TO TELL YOU HE'S GAY?

105
00:05:09,883 --> 00:05:12,386
WHAT? NO. WHY?

106
00:05:12,469 --> 00:05:13,804
NO REASON.

107
00:05:13,887 --> 00:05:16,891
THAT WOULD JUST BE
A REALLY BIG SURPRISE, RIGHT?

108
00:05:16,974 --> 00:05:18,475
YOU CAN PUT THE
AISLE OVER HERE

109
00:05:18,558 --> 00:05:20,519
AND HAVE THE WEDDING
CEREMONY RIGHT OVER HERE.

110
00:05:20,602 --> 00:05:22,438
I DIDN'T KNOW
YOU COULD GET
MARRIED HERE.

111
00:05:22,521 --> 00:05:24,523
THIS WOULD BE
A BEAUTIFUL PLACE
TO GET MARRIED.

112
00:05:24,606 --> 00:05:26,233
BUT I WOULDN'T PUT
THE AISLE THERE

113
00:05:26,316 --> 00:05:28,235
AND I WOULD NEVER
HAVE THE CEREMONY THERE.

114
00:05:28,318 --> 00:05:31,238
YOU'D HAVE THE CEREMONY UNDER
THIS BIG BEAUTIFUL ARCH.

115
00:05:31,321 --> 00:05:32,239
MAY I HELP YOU?

116
00:05:32,322 --> 00:05:33,282
OH, SORRY.

117
00:05:33,365 --> 00:05:34,491
DIDN'T MEAN
TO INTERRUPT.

118
00:05:34,574 --> 00:05:36,077
IT'S JUST SUCH
A BEAUTIFUL SPACE.

119
00:05:36,160 --> 00:05:37,745
DO YOU DO A LOT
OF WEDDINGS HERE?

120
00:05:37,828 --> 00:05:39,496
YES, WE'RE VERY POPULAR.

121
00:05:39,579 --> 00:05:42,959
THERE'S A TWO-YEAR
WAITING LIST. SORRY.

122
00:05:43,042 --> 00:05:44,251
MONICA, YOU SHOULD

123
00:05:44,334 --> 00:05:45,753
TOTALLY PUT YOUR NAME DOWN
FOR THIS PLACE.

124
00:05:45,836 --> 00:05:47,421
WHAT? ARE YOU CRAZY?

125
00:05:47,504 --> 00:05:49,506
I'M NOT GETTING MARRIED.

126
00:05:49,589 --> 00:05:51,092
I'M NOT EVEN ENGAGED.

127
00:05:51,175 --> 00:05:52,509
BUT THERE'S A TWO-YEAR WAIT

128
00:05:52,592 --> 00:05:54,720
AND THEN WHAT IF
YOU GET ENGAGED
IN TWO YEARS

129
00:05:54,803 --> 00:05:57,056
AND THEN YOU'VE GOT
TO WAIT ANOTHER TWO
YEARS FOR THIS PLACE?

130
00:05:57,139 --> 00:05:58,599
THAT'S FOUR YEARS.

131
00:05:58,682 --> 00:06:00,476
CHANDLER'S NOT GOING
TO WAIT THAT LONG.

132
00:06:00,559 --> 00:06:02,645
HE'S GOING TO FIND
SOMEBODY ELSE, YOU KNOW?

133
00:06:02,728 --> 00:06:03,646
SOMEONE WHO DID PUT

134
00:06:03,729 --> 00:06:05,397
THEIR NAME
ON THE LIST.

135
00:06:05,480 --> 00:06:07,524
AND IT CAN'T HURT
TO PUT YOUR NAME DOWN.

136
00:06:07,607 --> 00:06:09,110
IF IN TWO YEARS
YOU'RE NOT ENGAGED

137
00:06:09,193 --> 00:06:10,778
YOU JUST DON'T USE IT.

138
00:06:10,861 --> 00:06:15,074
WELL, I GUESS THERE IS NO HARM
IN PUTTING MY NAME DOWN.

139
00:06:15,157 --> 00:06:16,575
I'M GOING
TO DO IT, TOO.

140
00:06:16,658 --> 00:06:18,494
ME, TOO.

141
00:06:18,577 --> 00:06:20,161
REALLY? WHO WOULD
YOU MARRY?

142
00:06:20,244 --> 00:06:21,705
I DON'T KNOW.

143
00:06:21,788 --> 00:06:23,040
I DON'T HAVE ANYONE
RIGHT NOW, YOU KNOW?

144
00:06:23,123 --> 00:06:24,165
OH, PHEEBS.

145
00:06:24,248 --> 00:06:25,876
DON'T FEEL TOO SORRY FOR ME.

146
00:06:25,959 --> 00:06:27,627
AT LEAST MY BOYFRIEND ISN'T GAY.

147
00:06:29,379 --> 00:06:31,172
PHOEBE, THAT'S NOT…

148
00:06:31,255 --> 00:06:33,466
DON'T EVEN GET ME
STARTED ON YOURS.

149
00:06:35,301 --> 00:06:36,428
HEY.

150
00:06:36,511 --> 00:06:38,179
SO, DID YOU WATCH
THE TAPE OF MY SHOW?

151
00:06:38,262 --> 00:06:39,556
I DID.

152
00:06:39,639 --> 00:06:41,684
ALL RIGHT. LET'S GET ME
BACK UP THERE.

153
00:06:41,767 --> 00:06:43,602
NO, YOU DON'T GO UP
ON THE WALL.

154
00:06:43,685 --> 00:06:44,645
WHAT?

155
00:06:44,728 --> 00:06:46,480
BUT YOU SAW THE SHOW.

156
00:06:46,563 --> 00:06:49,233
YES. IT WAS VERY OFFENSIVE
TO MY PEOPLE.

157
00:06:51,401 --> 00:06:52,945
DRY CLEANERS?

158
00:06:54,780 --> 00:06:58,659
RUSSIANS. IT SHOWED THEM
AS TERRORISTS AND VILLAINS.

159
00:06:58,742 --> 00:06:59,743
OKAY, OKAY, LOOK

160
00:06:59,826 --> 00:07:01,328
YOU GOT HARRISON FORD
UP THERE.

161
00:07:01,411 --> 00:07:02,663
THAT'S RIGHT.

162
00:07:02,746 --> 00:07:04,748
MR. FORD IS
A VERY GOOD CUSTOMER.

163
00:07:04,831 --> 00:07:06,167
HE BRINGS US A LOT OF CLOTHES.

164
00:07:06,250 --> 00:07:07,209
YOU BRING US NOTHING.

165
00:07:07,292 --> 00:07:09,045
OKAY, WELL, THAT MAY BE TRUE

166
00:07:09,128 --> 00:07:12,381
BUT IN AIR FORCE ONE, OKAY,
THE RUSSIANS WERE TERRORISTS

167
00:07:12,464 --> 00:07:15,051
AND EVIL, AND PLUS HE KILLS
A BUNCH OF THEM.

168
00:07:15,134 --> 00:07:16,969
THAT'S OFFENSIVE TO RUSSIANS.

169
00:07:17,052 --> 00:07:18,261
I'VE NEVER SEEN IT.

170
00:07:18,344 --> 00:07:20,139
OH, YOU SHOULD. IT'S GREAT.

171
00:07:25,936 --> 00:07:28,480
THIS PLACE IS REALLY BEAUTIFUL.

172
00:07:28,563 --> 00:07:31,150
YEAH, I'VE BEEN COMING HERE
SINCE I WAS A KID.

173
00:07:31,233 --> 00:07:32,943
THIS USED TO BE MY GRANDMA'S.

174
00:07:33,026 --> 00:07:36,530
WOW. THE ONLY THING I GOT
FROM MY GRANDMOTHER
WAS HER EYES.

175
00:07:36,613 --> 00:07:39,992
I MEAN, NOT HER ACTUAL
EYEBALLS

176
00:07:40,075 --> 00:07:42,703
BUT PEOPLE SAY
THAT MY EYES…

177
00:07:42,786 --> 00:07:43,746
DO YOU WANT TO MAKE OUT?

178
00:07:43,829 --> 00:07:45,580
SURE.

179
00:07:47,166 --> 00:07:50,044
MM.

180
00:07:50,127 --> 00:07:51,921
ARE YOU OKAY?
WHAT'S WRONG?

181
00:07:52,004 --> 00:07:55,424
UH, I WAS JUST THINKING
ABOUT YOUR FATHER.

182
00:07:55,507 --> 00:07:58,094
WELL, WHATEVER
WORKS FOR YOU.

183
00:07:58,177 --> 00:08:02,723
NO, NO. UH…

184
00:08:02,806 --> 00:08:05,475
HE JUST REALLY
FREAKED ME OUT BEFORE.

185
00:08:05,558 --> 00:08:08,437
OH. WELL, SO WE HAVE
TO HIDE OUR RELATIONSHIP

186
00:08:08,520 --> 00:08:11,273
FROM ONE MORE PERSON,
BIG DEAL.

187
00:08:11,356 --> 00:08:13,525
BESIDES, WE'VE HAD
FUN HIDING IT.

188
00:08:13,608 --> 00:08:15,568
YEAH.

189
00:08:16,736 --> 00:08:19,115
MM.

190
00:08:19,198 --> 00:08:21,867
HEY, UM, YOU BROUGHT
PROTECTION, RIGHT?

191
00:08:21,950 --> 00:08:24,536
WHY? ARE THERE, LIKE,
BEARS OR SOMETHING?

192
00:08:24,619 --> 00:08:26,789
NO.

193
00:08:26,872 --> 00:08:28,665
OH. OH!

194
00:08:28,748 --> 00:08:30,292
OH, PROTECTION.

195
00:08:30,375 --> 00:08:33,087
NO, YEAH.
NO, THAT-THAT I FORGOT.

196
00:08:33,170 --> 00:08:35,464
I'LL JUST RUN TO
THE STORE AND GET SOME.

197
00:08:35,547 --> 00:08:37,007
NO, HEY, HEY,
I'M THE GUY.

198
00:08:37,090 --> 00:08:38,092
I'LL GET IT.

199
00:08:38,175 --> 00:08:39,509
DO YOU KNOW WHERE
THE STORE IS?

200
00:08:39,592 --> 00:08:41,262
NO.

201
00:08:41,345 --> 00:08:42,805
DO YOU WANT TO RIDE
AROUND TOWN

202
00:08:42,888 --> 00:08:44,556
ON MY LITTLE PINK BICYCLE?

203
00:08:44,639 --> 00:08:45,891
A LITTLE BIT.

204
00:08:48,268 --> 00:08:50,062
I'LL BE BACK
IN TEN MINUTES.
OKAY.

205
00:08:50,145 --> 00:08:51,354
WHY DON'T YOU GET
IN THE HOT TUB

206
00:08:51,437 --> 00:08:52,856
AND I'LL MEET YOU THERE?

207
00:08:52,939 --> 00:08:54,358
OKAY.

208
00:09:08,454 --> 00:09:11,125
OH, MY GOD,
WHAT A GREAT SURPRISE.

209
00:09:11,208 --> 00:09:12,918
THIS IS SUCH
A BEAUTIFUL HOUSE.

210
00:09:13,001 --> 00:09:15,212
THANK YOU. IT USED
TO BE MY MOTHER'S.

211
00:09:15,295 --> 00:09:16,504
THIS IS THE KITCHEN.

212
00:09:22,594 --> 00:09:24,763
You've reached Monica
and Chandler's.

213
00:09:24,846 --> 00:09:27,891
If you're listening
to this message,
we're probably screening.

214
00:09:27,974 --> 00:09:31,520
YEAH, WE ARE.

215
00:09:31,603 --> 00:09:34,481
Hi. This is Hildy
from the Morgan-Chase museum.

216
00:09:34,564 --> 00:09:36,358
I'm calling for Monica Geller.

217
00:09:36,441 --> 00:09:37,943
I want to let her know
that there was a cancellation

218
00:09:38,026 --> 00:09:39,945
and if she's still interested

219
00:09:40,028 --> 00:09:42,614
in having the Bing-Geller
wedding in our facility

220
00:09:42,697 --> 00:09:44,366
it is available…

221
00:09:44,449 --> 00:09:46,952
THIS IS CHANDLER BING!
THIS IS CHANDLER BING!

222
00:09:48,328 --> 00:09:51,039
YES, THE GROOM.
NO, NOT THE GROOM!

223
00:09:57,337 --> 00:09:59,923
SO SECLUDED
UP HERE.
I KNOW.

224
00:10:00,006 --> 00:10:02,509
THAT'S WHY I LIKE IT HERE.

225
00:10:02,592 --> 00:10:04,220
MM-HMM. I FEEL
LIKE WE'RE

226
00:10:04,303 --> 00:10:05,804
THE ONLY TWO PEOPLE
IN THE WORLD.

227
00:10:05,887 --> 00:10:07,973
WHOOPS.

228
00:10:08,056 --> 00:10:09,433
SORRY.

229
00:10:14,146 --> 00:10:15,898
WHAT'S THE MATTER, HONEY?

230
00:10:15,981 --> 00:10:17,316
DID YOU SEE A LITTLE MOUSE?

231
00:10:17,399 --> 00:10:18,483
NO, NO. BIG BEAR.

232
00:10:18,566 --> 00:10:19,651
BIG BEAR OUTSIDE.

233
00:10:19,734 --> 00:10:21,611
I THOUGHT I HEARD A BEAR.

234
00:10:21,694 --> 00:10:23,030
WOULD YOU GO
CHECK ON THAT?

235
00:10:23,113 --> 00:10:24,031
HONEY, WE DON'T HAVE

236
00:10:24,114 --> 00:10:25,949
ANY BEARS HERE.

237
00:10:26,032 --> 00:10:27,284
WELL, OKAY.

238
00:10:27,367 --> 00:10:29,745
W-WOULD YOU GET
ME A DIET COKE?

239
00:10:29,828 --> 00:10:31,372
OKAY.

240
00:10:31,455 --> 00:10:33,707
BE RIGHT BACK.
OKAY.

241
00:10:33,790 --> 00:10:34,790
OKAY.

242
00:10:37,502 --> 00:10:39,671
WHAT ARE YOU DOING HERE?

243
00:10:39,754 --> 00:10:41,548
WHAT ARE YOU DOING HERE?
I CAME WITH PAUL.

244
00:10:41,631 --> 00:10:43,466
YEAH, I RECOGNIZE
THE ANKLES.

245
00:10:43,549 --> 00:10:44,801
GET OUT. GET OUT.

246
00:10:46,678 --> 00:10:48,847
HERE YOU GO, HONEY.

247
00:10:48,930 --> 00:10:50,849
OH, THANK YOU.

248
00:10:50,932 --> 00:10:51,850
DIET COKE.

249
00:10:51,933 --> 00:10:53,727
OH… ICE.

250
00:10:53,810 --> 00:10:56,229
I NEED ICE.

251
00:10:58,064 --> 00:10:59,233
OKAY.

252
00:10:59,316 --> 00:11:00,943
THANK YOU.
BE RIGHT BACK.

253
00:11:01,026 --> 00:11:02,026
OKAY.

254
00:11:03,236 --> 00:11:05,030
YOU AND YOUR ICE.

255
00:11:05,113 --> 00:11:07,490
OH! GET OUT!

256
00:11:07,573 --> 00:11:09,368
GET OUT, GO. COME ON.

257
00:11:09,451 --> 00:11:11,287
QUICK.

258
00:11:11,370 --> 00:11:13,163
NO, NOT IN THERE.
NOT IN THERE.

259
00:11:13,246 --> 00:11:14,497
HE'S IN THERE.

260
00:11:14,580 --> 00:11:16,792
DID YOU REALLY
HEAR A BEAR?

261
00:11:16,875 --> 00:11:17,875
GO!

262
00:11:21,296 --> 00:11:22,922
HERE YOU GO, HONEY.

263
00:11:23,965 --> 00:11:24,883
OH!

264
00:11:24,966 --> 00:11:26,802
ONE DIET COKE
WITH ICE.

265
00:11:26,885 --> 00:11:28,595
OH, THANK YOU.

266
00:11:28,678 --> 00:11:33,850
I AM… SO HAPPY
THAT YOU'RE HERE.

267
00:11:33,933 --> 00:11:34,851
HERE I AM!

268
00:11:34,934 --> 00:11:36,145
ELIZABETH!

269
00:11:36,228 --> 00:11:38,104
OH, LOOK!
ELIZABETH'S HERE!

270
00:11:39,856 --> 00:11:42,443
WHO ARE YOU
TALKING TO?

271
00:11:42,526 --> 00:11:45,779
YOU GUYS?

272
00:11:45,862 --> 00:11:47,781
HOW DID YOU KNOW
WE WERE HERE?

273
00:11:47,864 --> 00:11:49,450
UM…

274
00:11:49,533 --> 00:11:52,077
WELL, SHE OBVIOUSLY
SAW THE TIRE TRACKS

275
00:11:52,160 --> 00:11:54,955
THAT WERE LEADING UP
TO THE CLOSED GARAGE.

276
00:11:55,038 --> 00:11:57,416
OBVIOUSLY.

277
00:11:57,499 --> 00:11:59,167
ELIZABETH…

278
00:12:00,210 --> 00:12:01,878
WHAT ARE YOU DOING HERE?

279
00:12:07,426 --> 00:12:09,094
DID-DID-DID YOU
COME UP HERE

280
00:12:09,177 --> 00:12:11,680
TO WORK ON THAT TERM
PAPER OR SOMETHING?

281
00:12:11,763 --> 00:12:13,265
YEAH, YEAH.

282
00:12:13,348 --> 00:12:14,683
WELL, WHY DON'T
YOU, YOU KNOW

283
00:12:14,766 --> 00:12:16,477
GO IN THAT ROOM AND
DO YOUR HOMEWORK?

284
00:12:16,560 --> 00:12:18,854
OH, I WOULDN'T DO IT
IN THERE, UM

285
00:12:18,937 --> 00:12:20,522
THAT'S MY DAD'S BEDROOM.

286
00:12:22,566 --> 00:12:26,527
THAT'S YOUR…
THAT'S YOUR
DAD'S BEDROOM.

287
00:12:26,610 --> 00:12:28,905
THAT'S YOUR
DAD'S BEDROOM!

288
00:12:30,156 --> 00:12:31,367
HO-HO!

289
00:12:31,450 --> 00:12:33,076
WHY ARE YOU YELLING,
RACHEL?

290
00:12:33,159 --> 00:12:35,454
THAT DIET COKE, I THINK…
JUST STRAIGHT TO MY HEAD.

291
00:12:35,537 --> 00:12:37,497
WHOO!

292
00:12:41,960 --> 00:12:43,795
HI, HONEY.

293
00:12:43,878 --> 00:12:44,963
SEE YA LATER.

294
00:12:46,214 --> 00:12:47,132
WHAT, I-I BOUGHT
GROCERIES.

295
00:12:47,215 --> 00:12:48,675
I WAS GOING TO MAKE YOU DINNER.

296
00:12:48,758 --> 00:12:50,093
WELL, NEXT TIME, ASK.

297
00:12:53,679 --> 00:12:55,848
OR, AT LEAST,
WAIT FOR ME TO ASK.

298
00:13:06,276 --> 00:13:08,653
Hi, this is Hildy
from the Morgan-Chase Museum.

299
00:13:08,736 --> 00:13:10,447
I'm calling for Monica Geller.

300
00:13:10,530 --> 00:13:12,032
OH, NO.

301
00:13:12,115 --> 00:13:14,284
I want to let her know
that there was a cancellation

302
00:13:14,367 --> 00:13:15,576
and if she's still interested

303
00:13:15,659 --> 00:13:16,995
in having
the Bing-Geller wedding

304
00:13:17,078 --> 00:13:18,872
in our facility…

305
00:13:18,955 --> 00:13:20,207
OH, PLEASE.

306
00:13:20,290 --> 00:13:21,333
OH, PLEASE,
HE DIDN'T HEAR IT.

307
00:13:21,416 --> 00:13:22,667
HE DIDN'T HEAR IT!

308
00:13:22,750 --> 00:13:24,794
This is Chandler Bing!
This is Chandler Bing!

309
00:13:26,588 --> 00:13:29,299
NO!

310
00:13:31,884 --> 00:13:32,844
CAN I HELP YOU?

311
00:13:32,927 --> 00:13:34,179
UH… YEAH. WHERE'S THE GUY

312
00:13:34,262 --> 00:13:36,515
WHO DECIDES WHOSE PICTURES
GO UP ON THE WALL?

313
00:13:36,598 --> 00:13:38,308
HE'S NOT HERE RIGHT NOW.

314
00:13:38,391 --> 00:13:40,185
OH, YOU'RE KIDDING ME.

315
00:13:40,268 --> 00:13:42,354
ALL RIGHT, MAKE SURE YOU
TELL HIM THAT JOEY TRIBBIANI

316
00:13:42,437 --> 00:13:45,774
STOPPED BY TO DROP OFF
ALL THESE CLOTHES. I'M AN ACTOR.

317
00:13:45,857 --> 00:13:47,484
I'M TRYING TO GET MY PICTURE
UP THERE ON THE WALL.

318
00:13:47,567 --> 00:13:49,652
YOU KNOW, THERE ARE TWO PEOPLE

319
00:13:49,735 --> 00:13:52,155
WHO COULD GET YOUR PICTURE
UP THERE.

320
00:13:52,238 --> 00:13:54,157
OH, REALLY?

321
00:13:54,240 --> 00:13:58,495
WELL, MAYBE YOU AND I
GO OUT FOR DRINKS.

322
00:13:58,578 --> 00:14:00,664
YOU'RE THE OTHER ONE,
RIGHT?

323
00:14:04,083 --> 00:14:06,503
SO, LIZZIE, ARE YOU
PLANNING ON STAYING THE NIGHT?

324
00:14:06,586 --> 00:14:08,130
OH, NO, NO.

325
00:14:08,213 --> 00:14:10,006
BELIEVE ME, I'M LEAVING
AS SOON AS POSSIBLE.

326
00:14:10,089 --> 00:14:12,008
GOOD. GOOD.

327
00:14:12,091 --> 00:14:14,177
NOT THAT WE DON'T
WANT YOU TO STAY.

328
00:14:14,260 --> 00:14:15,804
OBVIOUSLY, YOU'RE WELCOME.

329
00:14:15,887 --> 00:14:17,973
HOW MUCH MORE HOMEWORK
DO YOU HAVE?

330
00:14:18,056 --> 00:14:19,849
UH, I JUST HAVE ONE PROBLEM LEFT

331
00:14:19,932 --> 00:14:21,726
THAT I DO NOT KNOW HOW TO SOLVE.

332
00:14:21,809 --> 00:14:24,229
UH, RACHEL,
MAYBE YOU WANT TO COME UPSTAIRS

333
00:14:24,312 --> 00:14:25,814
AND HELP ME FIGURE IT OUT?

334
00:14:25,897 --> 00:14:27,483
REALLY?

335
00:14:27,566 --> 00:14:29,151
OKAY.

336
00:14:29,234 --> 00:14:31,612
OKAY, I-I'LL
GO UPSTAIRS…

337
00:14:31,695 --> 00:14:35,532
IF-IF YOU… GET ME
SOMETHING FROM THE CAR.

338
00:14:35,615 --> 00:14:38,285
WHAT DO YOU NEED
FROM THE CAR?

339
00:14:38,368 --> 00:14:40,119
SURPRISE ME.

340
00:14:43,206 --> 00:14:45,542
SO, YOU'RE GOING TO BE
IN THE CAR

341
00:14:45,625 --> 00:14:47,002
I WILL BE UPSTAIRS

342
00:14:47,085 --> 00:14:49,254
AND THAT'S WHERE EVERYBODY'S
GOING TO BE!

343
00:15:13,069 --> 00:15:14,112
JUST RELAX, JUST RELAX.

344
00:15:14,195 --> 00:15:15,405
PAUL, YOU'RE DOING GREAT.

345
00:15:15,488 --> 00:15:17,240
SHE LIKES YOU.

346
00:15:17,323 --> 00:15:18,992
SHE…

347
00:15:19,075 --> 00:15:20,410
I THINK SHE LIKES YOU.

348
00:15:20,493 --> 00:15:21,828
SHE LIKES YOU.

349
00:15:21,911 --> 00:15:22,829
YOU KNOW WHY?

350
00:15:22,912 --> 00:15:23,872
BECAUSE YOU'RE A…

351
00:15:23,955 --> 00:15:25,998
NEAT GUY.

352
00:15:28,627 --> 00:15:30,253
YOU ARE THE MAN.

353
00:15:30,336 --> 00:15:32,672
YOU ARE THE MAN!

354
00:15:36,509 --> 00:15:37,510
STILL GOT IT.

355
00:15:39,387 --> 00:15:41,598
STILL SEXY.

356
00:15:41,681 --> 00:15:44,184
YOU'RE JUST A LOVE MACHINE.

357
00:16:00,533 --> 00:16:01,951
SHOW TIME.

358
00:16:08,750 --> 00:16:10,419
PHOEBE…
YEAH?

359
00:16:10,502 --> 00:16:11,712
HAVE YOU SEEN
CHANDLER?

360
00:16:11,795 --> 00:16:13,046
NO, WHY?

361
00:16:13,129 --> 00:16:14,464
THE WOMAN FROM
THE MUSEUM CALLED

362
00:16:14,547 --> 00:16:15,882
AND SAID THAT THERE
WAS A CANCELLATION

363
00:16:15,965 --> 00:16:17,342
AND THAT WE COULD
MOVE UP OUR WEDDING

364
00:16:17,425 --> 00:16:18,510
AND CHANDLER HEARD.

365
00:16:18,593 --> 00:16:20,178
I KNOW.

366
00:16:20,261 --> 00:16:21,638
HOW BAD IS THIS?

367
00:16:21,721 --> 00:16:23,973
WELL, WITH A REGULAR GUY,
IT'S BAD.

368
00:16:24,056 --> 00:16:25,934
WITH CHANDLER…
OH, DEAR GOD!

369
00:16:26,017 --> 00:16:27,436
I KNOW, I KNOW.

370
00:16:27,519 --> 00:16:28,853
AND HE TOTALLY
FREAKED OUT

371
00:16:28,936 --> 00:16:30,272
AND I CAN'T FIND
HIM ANYWHERE.

372
00:16:30,355 --> 00:16:31,690
WHAT ARE YOU
GOING TO DO?

373
00:16:31,773 --> 00:16:33,108
I'M NEVER GOING
TO LISTEN TO YOU AGAIN

374
00:16:33,191 --> 00:16:34,610
THAT'S FOR SURE.

375
00:16:34,693 --> 00:16:36,027
AND WHAT HARM CAN IT DO

376
00:16:36,110 --> 00:16:37,446
IF YOU JUST PUT YOUR NAME DOWN?

377
00:16:37,529 --> 00:16:39,239
RACHEL SAID THAT.

378
00:16:39,322 --> 00:16:40,406
WELL, RACHEL'S NOT HERE!

379
00:16:48,080 --> 00:16:49,666
OH, HERE IT IS!

380
00:16:49,749 --> 00:16:52,752
OOH, JOEY, WHY DID YOU SIGN IT
"SON OF A BITCH"?

381
00:16:55,296 --> 00:16:56,423
I DIDN'T DO THAT.

382
00:16:56,506 --> 00:16:58,049
WHO WOULD'VE DONE THAT?

383
00:16:58,132 --> 00:16:59,301
SON OF A BITCH!

384
00:16:59,384 --> 00:17:01,720
OKAY, MAYBE ASK THIS GUY.

385
00:17:01,803 --> 00:17:02,804
YOU…

386
00:17:02,887 --> 00:17:04,222
GET OUT OF MY SHOP!

387
00:17:04,305 --> 00:17:05,390
WHAT DID HE DO?

388
00:17:05,473 --> 00:17:06,516
HE WENT OUT WITH MY WIFE!

389
00:17:06,599 --> 00:17:07,517
JOEY!

390
00:17:07,600 --> 00:17:10,228
WHOA, WHOA, WHOA, WHOA!

391
00:17:10,311 --> 00:17:12,147
HEY, I DID NOT GO OUT
WITH YOUR WIFE, OKAY?

392
00:17:12,230 --> 00:17:14,065
I WENT OUT WITH HER.

393
00:17:14,148 --> 00:17:15,233
THAT'S MY WIFE!

394
00:17:16,693 --> 00:17:19,195
GET OUT!

395
00:17:20,780 --> 00:17:21,698
WELL, WE SHOULD GO.

396
00:17:21,781 --> 00:17:22,781
YEAH.

397
00:17:25,243 --> 00:17:26,243
ROSS?

398
00:17:28,747 --> 00:17:30,915
ROSS?

399
00:17:30,998 --> 00:17:32,458
ELIZABETH.

400
00:17:35,587 --> 00:17:36,921
OKAY… OKAY…

401
00:17:37,004 --> 00:17:39,966
I'M GOING TO GO
OUT THIS WINDOW.

402
00:17:40,049 --> 00:17:41,384
I'LL MEET YOU AT
THE FRONT DOOR.

403
00:17:41,467 --> 00:17:42,927
TELL THEM YOU'RE
GOING HOME, OKAY?

404
00:17:43,010 --> 00:17:43,928
OKAY.

405
00:17:44,011 --> 00:17:45,013
WAIT, WAIT, WAIT!

406
00:17:45,096 --> 00:17:46,097
NO, DON'T GO
IN THERE!

407
00:17:46,180 --> 00:17:47,557
DON'T GO
IN THERE!

408
00:17:47,640 --> 00:17:49,309
I NEED
ANOTHER SODA.

409
00:17:49,392 --> 00:17:51,269
ROSS!

410
00:17:52,645 --> 00:17:54,147
OH, MY GOD! ROSS!

411
00:17:54,230 --> 00:17:56,941
WHAT IN HEAVEN'S NAME
ARE YOU DOING HERE?

412
00:17:59,527 --> 00:18:01,446
AND THAT IS WHY

413
00:18:01,529 --> 00:18:03,489
WE CANNOT SEE EACH
OTHER ANYMORE.

414
00:18:06,242 --> 00:18:07,703
ROSS…

415
00:18:07,786 --> 00:18:09,496
YOU AND I ARE GOING TO HAVE
TO HAVE A LITTLE TALK.

416
00:18:09,579 --> 00:18:11,039
DADDY, UH…
YOU'RE NEXT!

417
00:18:11,122 --> 00:18:13,207
OKAY. I DIDN'T KNOW HE WAS HERE.

418
00:18:16,544 --> 00:18:18,463
LET ME JUST SEE
IF I GOT THIS STRAIGHT.

419
00:18:18,546 --> 00:18:20,632
I TELL YOU TO STAY AWAY
FROM MY DAUGHTER

420
00:18:20,715 --> 00:18:22,258
OR I'LL HAVE YOU FIRED.

421
00:18:23,885 --> 00:18:26,095
"TAKE MY DAUGHTER,
COME UP TO MY COUNTRY HOUSE

422
00:18:26,178 --> 00:18:27,764
AND RUIN MY WEEKEND
WITH RACHEL."

423
00:18:27,847 --> 00:18:29,098
OKAY, PLEASE, PLEASE, PAUL.

424
00:18:29,181 --> 00:18:30,350
JUST LET ME EXPLAIN…

425
00:18:30,433 --> 00:18:31,476
NO, LET ME EXPLAIN!

426
00:18:31,559 --> 00:18:33,478
FIRED!

427
00:18:33,561 --> 00:18:35,522
OKAY, FINE, FINE.

428
00:18:35,605 --> 00:18:37,273
HAVE ME FIRED.

429
00:18:38,983 --> 00:18:41,069
BUT, UH, I WANT
YOU TO KNOW

430
00:18:41,152 --> 00:18:44,573
THAT YOU AND I ARE NOT
ALL THAT DIFFERENT.

431
00:18:44,656 --> 00:18:46,575
I MEAN…

432
00:18:46,658 --> 00:18:49,243
I, TOO, AM A NEAT GUY.

433
00:18:58,753 --> 00:19:01,130
WHAT?

434
00:19:01,213 --> 00:19:03,132
AND I, TOO

435
00:19:03,215 --> 00:19:06,678
AM JUST A
LOVE MACHINE.

436
00:19:26,238 --> 00:19:27,490
ROSS…

437
00:19:30,075 --> 00:19:31,327
LET ME SHOW YOU
WHERE THE GUEST ROOM IS.

438
00:19:43,965 --> 00:19:45,341
I'M SO SORRY.

439
00:19:45,424 --> 00:19:47,051
PLEASE STOP
FREAKING OUT.

440
00:19:48,093 --> 00:19:49,094
I'M NOT FREAKING OUT.

441
00:19:51,764 --> 00:19:53,349
WHY WOULD I BE FREAKING OUT?

442
00:19:53,432 --> 00:19:55,644
A WOMAN NAMED HILDY CALLED
TO SAY WE WERE GETTING MARRIED

443
00:19:55,727 --> 00:19:56,645
BUT THAT HAPPENS EVERY DAY.

444
00:19:56,728 --> 00:19:58,229
WAH-AHHH-AHHH!

445
00:20:01,065 --> 00:20:03,610
HONEY, WE WERE
AT THIS BEAUTIFUL PLACE

446
00:20:03,693 --> 00:20:06,070
AND I JUST PUT OUR NAMES DOWN
FOR FUN.

447
00:20:06,153 --> 00:20:07,530
I MEAN, WHAT'S THE HARM
IN THAT?

448
00:20:07,613 --> 00:20:08,781
RIGHT HERE.

449
00:20:11,826 --> 00:20:14,245
CHANDLER, PLEASE DON'T THINK
I WAS TRYING TO PRESSURE YOU.

450
00:20:14,328 --> 00:20:15,246
PHOEBE AND RACHEL
JUST THOUGHT THAT…

451
00:20:15,329 --> 00:20:16,915
PHOEBE AND RACHEL…

452
00:20:16,998 --> 00:20:19,626
SO THE PEOPLE THAT KNEW
ABOUT OUR WEDDING BEFORE ME

453
00:20:19,709 --> 00:20:21,544
WERE YOU, PHOEBE AND RACHEL

454
00:20:21,627 --> 00:20:23,212
HILDY, AND APPARENTLY
SOME BAND

455
00:20:23,295 --> 00:20:25,006
CALLED THE STARLIGHT
MAGIC SEVEN

456
00:20:25,089 --> 00:20:26,674
WHO ARE AVAILABLE,
BY THE WAY.

457
00:20:29,510 --> 00:20:31,137
IT WAS A MISTAKE.

458
00:20:31,220 --> 00:20:33,014
PLEASE DON'T TAKE THIS
TO MEAN ANYTHING

459
00:20:33,097 --> 00:20:35,058
BECAUSE IT DOESN'T.

460
00:20:37,685 --> 00:20:38,686
OKAY.

461
00:20:39,812 --> 00:20:41,230
REALLY?

462
00:20:41,313 --> 00:20:43,650
YES, IF IT REALLY
DOESN'T MEAN ANYTHING

463
00:20:43,733 --> 00:20:45,360
BECAUSE YOU KNOW THAT
I'M JUST NOT READY…

464
00:20:45,443 --> 00:20:48,864
I KNOW.
I KNOW.

465
00:20:48,947 --> 00:20:49,865
OKAY.

466
00:20:49,948 --> 00:20:51,491
ALL RIGHT.

467
00:20:51,574 --> 00:20:54,953
NOW I'M GOING TO GO TELL JOEY
THAT YOU'RE BACK.

468
00:20:55,036 --> 00:20:57,705
HE WAS REALLY WORRIED
ABOUT YOU.

469
00:21:03,086 --> 00:21:04,587
HEY, DID SHE BUY IT?

470
00:21:04,670 --> 00:21:05,964
TOTALLY.

471
00:21:06,047 --> 00:21:07,674
SO DID HILDY SHOW YOU THE PLACE?

472
00:21:07,757 --> 00:21:10,343
YEAH, IT'S BEAUTIFUL.

473
00:21:10,426 --> 00:21:13,680
I CAN'T BELIEVE YOU'RE GOING
TO ASK MONICA TO MARRY YOU.

474
00:21:13,763 --> 00:21:15,056
I KNOW.

475
00:21:26,233 --> 00:21:27,360
HEY, GUNTHER.

476
00:21:27,443 --> 00:21:28,945
TAKE THESE CAPPUCCINOS
TO TABLE ELEVEN

477
00:21:29,028 --> 00:21:30,989
AND THAT GUY OVER THERE
WANTS SOME BISCOTTI.

478
00:21:31,072 --> 00:21:32,866
OH, UH, WELL, I JUST,
ACTUALLY, CAME IN

479
00:21:32,949 --> 00:21:35,159
FOR A CUP OF
COFFEE TO GO.

480
00:21:35,242 --> 00:21:38,496
DO YOU STILL WORK HERE?

481
00:21:39,831 --> 00:21:43,334
NO, NO, I QUIT A LONG TIME AGO.

482
00:21:43,417 --> 00:21:45,754
DID I FORGET TO TELL YOU THAT?
I'M SORRY.

483
00:21:45,837 --> 00:21:48,172
NO, THAT'S COOL.
I WAS GOING TO FIRE YOU ANYWAY.

484
00:21:48,255 --> 00:21:50,257
GREAT!

