1
00:00:49,098 --> 00:00:50,147
Hi, boss.

2
00:00:50,149 --> 00:00:52,232
Driver sustained
heavy lacerations

3
00:00:52,234 --> 00:00:53,767
and head trauma,
but believe it or not,

4
00:00:53,769 --> 00:00:54,885
they're saying he'll live.

5
00:00:54,887 --> 00:00:55,886
Lucky.

6
00:00:55,888 --> 00:00:59,389
Victim's Sharon Warwick, 23.

7
00:00:59,391 --> 00:01:01,742
She went off of a balcony,
room 914.

8
00:01:01,744 --> 00:01:03,393
Rigsby's up there right now
with the forensics team.

9
00:01:03,395 --> 00:01:06,280
Now off the bruise on the cheek
and the ripped vest,

10
00:01:06,282 --> 00:01:08,198
we're thinking it's murder.

11
00:01:08,200 --> 00:01:09,283
Catering staff?

12
00:01:09,285 --> 00:01:10,617
Actually, she was
a cast member.

13
00:01:10,619 --> 00:01:12,002
Show's called "Torch".

14
00:01:12,004 --> 00:01:14,237
It's a story about intersecting
lives and loves

15
00:01:14,239 --> 00:01:16,507
in a New York night club
in the 1950s.

16
00:01:16,509 --> 00:01:18,292
The event tonight
was a fund-raiser for the show.

17
00:01:18,294 --> 00:01:21,595
Multiple witnesses say
the time of death is 8:01 p.m.,

18
00:01:21,597 --> 00:01:23,263
right when the performance
was set to begin.

19
00:01:23,265 --> 00:01:24,431
Well, what was she doing
up there?

20
00:01:24,433 --> 00:01:25,716
We don't know yet.

21
00:01:25,718 --> 00:01:27,250
She was I.D.'d
by Warren Dodge, the producer.

22
00:01:27,252 --> 00:01:28,552
He's in there
with the director.

23
00:01:28,554 --> 00:01:29,520
All right.

24
00:01:34,442 --> 00:01:35,692
Poor Sharon.

25
00:01:35,694 --> 00:01:37,861
Tragedy. Absolute tragedy.

26
00:01:37,863 --> 00:01:40,430
But you know what?
We're gonna regroup,

27
00:01:40,432 --> 00:01:42,199
and we'll move forward
from this, Bran,

28
00:01:42,201 --> 00:01:43,450
better and stronger.
You'll see.

29
00:01:43,452 --> 00:01:45,035
Warren, our star
is in a cab blotto,

30
00:01:45,037 --> 00:01:46,203
our second lead is dead.

31
00:01:46,205 --> 00:01:48,205
How do you propose
we do better and stronger?

32
00:01:48,207 --> 00:01:49,323
Bran, listen—
uh, Mr. Dodge?

33
00:01:49,325 --> 00:01:50,491
Yes?
I'm Agent Lisbon.

34
00:01:50,493 --> 00:01:52,609
I need to ask you
some questions.

35
00:01:52,611 --> 00:01:54,328
Of course. Of course.
Can you give me just one minute?

36
00:01:54,330 --> 00:01:57,447
Bran, we are going
to get "Torch" to Broadway.

37
00:01:57,449 --> 00:01:58,832
We are, all right?

38
00:01:58,834 --> 00:02:00,300
I'll take care
of the investors.

39
00:02:00,302 --> 00:02:02,219
Hanover is solid,
that's 50% of our money.

40
00:02:02,221 --> 00:02:04,671
It's only the other investors we
have to worry about, all right?

41
00:02:04,673 --> 00:02:05,722
Your job is to keep calm

42
00:02:05,724 --> 00:02:06,757
and reassure
the cast and crew, all right?

43
00:02:06,759 --> 00:02:07,758
Mr. Dodge.

44
00:02:07,760 --> 00:02:08,675
Yes?
And you are?

45
00:02:08,677 --> 00:02:10,293
Uh, Bran McTavish,
the director.

46
00:02:10,295 --> 00:02:12,629
Did either of you actually
see Sharon Warwick fall?

47
00:02:12,631 --> 00:02:13,981
I was inside.
The show was starting.

48
00:02:13,983 --> 00:02:15,015
And I arrived

49
00:02:15,017 --> 00:02:16,066
right after it happened.

50
00:02:16,068 --> 00:02:17,017
Do you have any idea

51
00:02:17,019 --> 00:02:18,468
what she was doing
up in room 914?

52
00:02:18,470 --> 00:02:21,188
Well, we were using that area as
a dressing room for this event.

53
00:02:21,190 --> 00:02:22,856
She was supposed to be
down in the ballroom.

54
00:02:22,858 --> 00:02:23,941
She was third cue.

55
00:02:23,943 --> 00:02:25,308
Third cue?
Yeah.

56
00:02:25,310 --> 00:02:26,693
We had, uh, actors
scattered about

57
00:02:26,695 --> 00:02:28,579
dressed as hotel guests,
workers, caterers.

58
00:02:28,581 --> 00:02:30,497
It was Bran's idea
to start the show.

59
00:02:30,499 --> 00:02:31,615
Yeah, a guest breaks out
into song,

60
00:02:31,617 --> 00:02:33,450
then the bellboy,
then the waitress.

61
00:02:33,452 --> 00:02:34,451
That was Sharon.

62
00:02:34,453 --> 00:02:36,370
She was supposed to be
in the ballroom.

63
00:02:36,372 --> 00:02:37,621
You've both
been really helpful.

64
00:02:37,623 --> 00:02:39,540
If you wouldn't mind
going up to the room

65
00:02:39,542 --> 00:02:41,157
while we start
the investigation,

66
00:02:41,159 --> 00:02:42,092
I'd be grateful.

67
00:02:42,094 --> 00:02:45,712
Anything we can do.

68
00:02:52,304 --> 00:02:53,387
Hey, Lisbon.

69
00:02:53,389 --> 00:02:54,805
Where the hell are you?

70
00:02:54,807 --> 00:02:57,173
Don't tell me
you're at the hospital.

71
00:02:57,175 --> 00:02:58,625
I'm not at the hospital.

72
00:02:58,627 --> 00:02:59,610
We caught a case.

73
00:02:59,612 --> 00:03:01,028
You're needed
at the crime scene.

74
00:03:01,030 --> 00:03:02,195
I'll be there soon.

75
00:03:02,197 --> 00:03:04,448
You're at the hospital,
aren't you?

76
00:03:04,450 --> 00:03:05,782
You told me to tell you

77
00:03:05,784 --> 00:03:06,733
I'm not at the hospital.

78
00:03:06,735 --> 00:03:08,018
What do you want?
Make up your mind.

79
00:03:08,020 --> 00:03:09,319
Get out of there.

80
00:03:09,321 --> 00:03:11,371
If Jason Lennon wakes up,

81
00:03:11,373 --> 00:03:12,656
and if he talks,

82
00:03:12,658 --> 00:03:14,825
and if he knows
Red John's identity,

83
00:03:14,827 --> 00:03:16,577
Agent Kirkland
and Homeland Security

84
00:03:16,579 --> 00:03:18,762
are perfectly capable
of handling it.

85
00:03:18,764 --> 00:03:20,831
I disagree.

86
00:03:20,833 --> 00:03:22,249
You're playing with fire.

87
00:03:22,251 --> 00:03:24,585
There are worse things
to play with.

88
00:03:24,587 --> 00:03:25,752
Oh, gotta go.

89
00:03:29,373 --> 00:03:30,540
How did you get in?

90
00:03:30,542 --> 00:03:32,309
This wing
is closed to visitors.

91
00:03:32,311 --> 00:03:35,012
My Aunt Daphne's in room 10.

92
00:03:35,014 --> 00:03:38,348
Kidney failure.
Poor dear. Drinks like a fish.

93
00:03:38,350 --> 00:03:39,900
You must be broken up about it.

94
00:03:39,902 --> 00:03:43,020
Look at you. You're a mess.

95
00:03:43,022 --> 00:03:45,055
We both know why you're here.

96
00:03:45,057 --> 00:03:49,026
Although I find your need to
talk to Lennon now interesting.

97
00:03:49,028 --> 00:03:52,079
You did stand by
while Lorelei Martins shot him.

98
00:03:52,081 --> 00:03:53,664
How's he doing?

99
00:03:53,666 --> 00:03:56,416
He'll live to talk to us.

100
00:03:56,418 --> 00:04:00,721
And I'll let you know if he has
anything interesting to say.

101
00:04:00,723 --> 00:04:02,456
You're always good
to talk to you, Patrick.

102
00:04:02,458 --> 00:04:03,507
But I think you should go now,

103
00:04:03,509 --> 00:04:05,575
before we start
disturbing the patients.

104
00:04:05,577 --> 00:04:07,461
Hmm.
This way, sir.

105
00:04:07,463 --> 00:04:09,179
Yeah. I'm going.
That's my arm.

106
00:04:09,181 --> 00:04:11,848
You have two of your own.
Thank you.

107
00:04:11,850 --> 00:04:13,416
How did you get in here?

108
00:04:13,418 --> 00:04:15,636
Who let you in?

109
00:04:15,638 --> 00:04:17,688
Well, if I told you that,
I wouldn't be able to get in

110
00:04:17,690 --> 00:04:19,690
when I come back, would I?

111
00:04:21,614 --> 00:04:25,614
== sync, corrected by elderman ==
Resync for WEB-DL by lost0ne

112
00:04:25,645 --> 00:04:29,645
5x18
Behind the Red Curtain

113
00:04:34,998 --> 00:04:36,298
Uh, did anybody have access

114
00:04:36,300 --> 00:04:37,399
to the suite besides Sharon?

115
00:04:37,401 --> 00:04:39,701
This served as a sort of
communal dressing area

116
00:04:39,703 --> 00:04:42,454
for this event,
so, everybody, really.

117
00:04:42,456 --> 00:04:45,624
The whole cast plus myself,
Dodge, and, uh, Sylvia.

118
00:04:45,626 --> 00:04:47,009
Hey, um, have you
spoken to Hanover?

119
00:04:47,011 --> 00:04:49,177
I wanna make sure he hears
about this from us first.

120
00:04:49,179 --> 00:04:50,829
Uh, Sylvia, you worry
about the other investors.

121
00:04:50,831 --> 00:04:52,047
Let me deal
with Hanover, all right?

122
00:04:52,049 --> 00:04:54,016
Um, this is Sylvia Clare,
our publicist.

123
00:04:54,018 --> 00:04:57,102
Sylvia, uh, Agent Lisbon
is with the CBI.

124
00:04:57,104 --> 00:04:58,053
Who's Hanover?

125
00:04:58,055 --> 00:05:00,505
Our patron.
Our main investor.

126
00:05:00,507 --> 00:05:02,441
Oh, Jane, there you are.

127
00:05:02,443 --> 00:05:03,081
This is the—

128
00:05:03,106 --> 00:05:05,511
No need. I just caught up
in the elevator.

129
00:05:05,846 --> 00:05:09,531
Uh, Dodge, McTavish,
and Clare,

130
00:05:09,533 --> 00:05:12,200
producer, director, publicist.

131
00:05:12,202 --> 00:05:15,404
Was Sharon having any trouble
with the, uh, cast or crew?

132
00:05:15,406 --> 00:05:16,571
No, no. Not at all.

133
00:05:16,573 --> 00:05:18,740
We're a very happy family
here at "Torch."

134
00:05:18,742 --> 00:05:21,376
Yes, of course. That's exactly
what a good publicist

135
00:05:21,378 --> 00:05:23,194
should say, isn't it?

136
00:05:23,196 --> 00:05:26,798
Uh, where were you when
the victim fell, Ms. Clare?

137
00:05:26,800 --> 00:05:28,967
Oh, I was in the ballroom.

138
00:05:28,969 --> 00:05:31,002
Mr. Dodge, uh,
what made you want

139
00:05:31,004 --> 00:05:32,971
to cast Sharon Warwick
as the second lead?

140
00:05:32,973 --> 00:05:36,174
According to this, she doesn't
have much theater experience.

141
00:05:36,176 --> 00:05:37,375
Her paragraph's very short.

142
00:05:37,377 --> 00:05:40,395
Well, uh, Sharon came
out here from New York,

143
00:05:40,397 --> 00:05:42,647
and she just knocked
Bran out with her audition.

144
00:05:42,649 --> 00:05:44,266
And, uh, I trust his judgment.

145
00:05:44,268 --> 00:05:46,435
She's a natural dancer,
big voice,

146
00:05:46,437 --> 00:05:48,052
quick learner,
and she was hungry.

147
00:05:48,054 --> 00:05:49,187
That's all you need.

148
00:05:49,189 --> 00:05:50,572
Well, what was in it for her?

149
00:05:50,574 --> 00:05:52,991
I mean, it's a revival
in the sticks.

150
00:05:52,993 --> 00:05:56,078
She was already
a well-known singer in New York.

151
00:05:56,080 --> 00:05:59,114
She wanted to be a part
of something special.

152
00:05:59,116 --> 00:06:01,700
Exactly. I mean, we're starting
out here in Sacramento,

153
00:06:01,702 --> 00:06:04,119
but "Torch" will be
on Broadway in six months.

154
00:06:04,121 --> 00:06:06,922
And a Tony contender in nine.

155
00:06:06,924 --> 00:06:09,424
Did the cast have
much contact with the locals?

156
00:06:09,426 --> 00:06:12,127
Uh, I don't know. I don't—
I don't think so.

157
00:06:12,129 --> 00:06:13,628
Oh, I wouldn't think
they'd have the time.

158
00:06:13,630 --> 00:06:15,430
They would have been right
into rehearsals straightaway.

159
00:06:15,432 --> 00:06:17,432
Yeah. That's right.
So, yeah.

160
00:06:17,434 --> 00:06:18,934
So you think like me.

161
00:06:18,936 --> 00:06:21,520
The killer is connected
to your musical.

162
00:06:21,522 --> 00:06:22,771
Any guesses?

163
00:06:25,090 --> 00:06:27,392
No? Okay. Thanks.

164
00:06:29,261 --> 00:06:30,695
I'm sorry. Who is that?

165
00:06:30,697 --> 00:06:33,899
He's a consultant.

166
00:06:33,901 --> 00:06:35,283
Thank you for your time.

167
00:06:39,872 --> 00:06:41,490
The suspect pool is huge.

168
00:06:41,492 --> 00:06:42,824
It's gonna be a nightmare.

169
00:06:42,826 --> 00:06:44,910
Why start on such
a pessimistic foot?

170
00:06:44,912 --> 00:06:46,495
Why are you so glum?

171
00:06:46,497 --> 00:06:48,213
I call you up, and you're
creeping around Lennon,

172
00:06:48,215 --> 00:06:49,414
getting into
Kirkland's business.

173
00:06:49,416 --> 00:06:51,166
Of course I'm glum.

174
00:06:51,168 --> 00:06:53,284
Oh, that.
Yeah. That.

175
00:06:53,286 --> 00:06:56,120
We look bad enough after
the whole Lorelei Martins mess.

176
00:06:56,122 --> 00:06:58,173
Lennon is a direct link
to Red John.

177
00:06:58,175 --> 00:06:59,591
I need to talk to him.

178
00:06:59,593 --> 00:07:03,645
You need to try and start
following the rules for a while.

179
00:07:03,647 --> 00:07:05,180
And if you must
break the rules,

180
00:07:05,182 --> 00:07:06,464
break them on your own time.

181
00:07:06,466 --> 00:07:09,234
When am I not on my own time?

182
00:07:25,035 --> 00:07:26,952
It's so good to see you.

183
00:07:26,954 --> 00:07:28,319
- Hi.
- How was L.A.?

184
00:07:28,321 --> 00:07:30,372
I learned a lot
of really great stuff,

185
00:07:30,374 --> 00:07:32,123
but I don't know
how anybody lives there.

186
00:07:32,125 --> 00:07:33,592
I'm really happy to be home.

187
00:07:33,594 --> 00:07:35,093
Well, welcome back
to the grindstone.

188
00:07:35,095 --> 00:07:36,127
Yeah. What's with
the music?

189
00:07:36,129 --> 00:07:37,495
Our victim's a singer.

190
00:07:37,497 --> 00:07:39,130
She was pushed
out of a window.

191
00:07:39,132 --> 00:07:40,382
It's kind of catchy, huh?

192
00:07:40,384 --> 00:07:41,683
It was an Internet hit.

193
00:07:41,685 --> 00:07:43,635
She comes out here to star
in a musical and gets killed.

194
00:07:43,637 --> 00:07:45,303
Van Pelt! Welcome back.

195
00:07:45,305 --> 00:07:47,355
Thanks, boss.
It's good to be back.

196
00:07:47,357 --> 00:07:48,890
It's good to see you.

197
00:07:48,892 --> 00:07:50,141
How we doing so far?

198
00:07:50,143 --> 00:07:52,394
Good. Found out that Warwick
was actually a local.

199
00:07:52,396 --> 00:07:54,145
Really? The people
from the theater company

200
00:07:54,147 --> 00:07:55,647
seemed to think
she was from New York.

201
00:07:55,649 --> 00:07:57,032
No, I spoke to a Polly Datch.

202
00:07:57,034 --> 00:07:59,568
Said she was Warwick's foster
mother here in Sacramento.

203
00:07:59,570 --> 00:08:00,869
She's on her way to CBI.

204
00:08:00,871 --> 00:08:02,737
What about Warwick's timeline
the night of the murder?

205
00:08:02,739 --> 00:08:04,539
I've spoken to about
half the cast so far.

206
00:08:04,541 --> 00:08:06,408
Bad news is they were leaving
the door to that room unlocked

207
00:08:06,410 --> 00:08:07,576
for ease of access.

208
00:08:07,578 --> 00:08:09,327
So anyone could have been
in there when she died?

209
00:08:09,329 --> 00:08:11,730
Yeah. The good news is we got
a whole lot of video

210
00:08:11,732 --> 00:08:13,181
and photos to work off.

211
00:08:13,183 --> 00:08:16,001
So the cast left the room
at around a quarter of 8:00

212
00:08:16,003 --> 00:08:18,369
to get into position.
Warwick was with them.

213
00:08:18,371 --> 00:08:21,389
She leaves the ballroom
at 7:52.

214
00:08:21,391 --> 00:08:23,508
At 8:04, she hits the limo.

215
00:08:23,510 --> 00:08:25,594
Was anyone else
from production missing

216
00:08:25,596 --> 00:08:27,012
during that period?
I can't tell just yet.

217
00:08:27,014 --> 00:08:28,096
I'll keep digging.

218
00:08:28,098 --> 00:08:29,814
Did anybody leave
in a hurry after she fell?

219
00:08:29,816 --> 00:08:32,017
Yeah, one.
Deandra Sunderland, the star.

220
00:08:32,019 --> 00:08:33,602
Now the rumor among the cast

221
00:08:33,604 --> 00:08:34,886
is that she's got
a drinking problem,

222
00:08:34,888 --> 00:08:36,404
so they think she's probably
getting sauced

223
00:08:36,406 --> 00:08:38,222
in one of the, uh, hotel bars.

224
00:08:38,224 --> 00:08:40,492
A fading diva with a drinking
problem? That's unusual.

225
00:08:40,494 --> 00:08:42,695
- Yeah. Check this out.
- This is her leaving.

226
00:08:43,329 --> 00:08:45,580
Well, when was that?

227
00:08:45,582 --> 00:08:47,115
About half-hour
after the murder.

228
00:08:47,117 --> 00:08:49,400
Uh, what about the surveillance
footage from the hotel?

229
00:08:49,402 --> 00:08:50,952
Cameras in the lobby
and all the elevators.

230
00:08:50,954 --> 00:08:51,903
It's being sent over.

231
00:08:51,905 --> 00:08:53,622
What about the investor—
Hanover?

232
00:08:53,624 --> 00:08:54,789
Do you have anything on him?

233
00:08:54,791 --> 00:08:56,741
Yeah, the cast had a lot
to say about him, too.

234
00:08:56,743 --> 00:08:58,960
Apparently he can buy Delaware.
We also found his arrival

235
00:08:58,962 --> 00:09:01,713
in the party footage
the publicist sent over.

236
00:09:01,715 --> 00:09:03,181
I looked him up
on the Internet.

237
00:09:03,183 --> 00:09:05,500
He's a currency trader,
and he likes the arts.

238
00:09:05,502 --> 00:09:08,470
Hey, boss, Polly Datch,
victim's foster mom—

239
00:09:08,472 --> 00:09:10,755
wants to talk to you.
All right.

240
00:09:22,785 --> 00:09:25,987
Uh, Mrs. Datch?
I'm Agent Lisbon.

241
00:09:25,989 --> 00:09:29,958
Uh, you were
Sharon Warwick's foster parent?

242
00:09:29,960 --> 00:09:32,110
Yes, ma'am.
Uh, for how long?

243
00:09:32,112 --> 00:09:35,714
Sharon came to live with me
when she was 12.

244
00:09:35,716 --> 00:09:38,550
Never knew
her biological parents.

245
00:09:38,552 --> 00:09:40,118
I stay close
with most of my kids,

246
00:09:40,120 --> 00:09:42,003
but Sharon was special.

247
00:09:43,756 --> 00:09:46,925
That's the man you need to find—

248
00:09:46,927 --> 00:09:48,393
Billy Racine.

249
00:09:48,395 --> 00:09:49,678
Who is he?

250
00:09:49,680 --> 00:09:51,813
No-good thug, that's who.

251
00:09:51,815 --> 00:09:53,181
Is he an ex-boyfriend?

252
00:09:53,183 --> 00:09:56,017
He was her one bad choice.

253
00:09:56,019 --> 00:09:57,936
Had she been
in contact with Racine

254
00:09:57,938 --> 00:09:59,604
since you came back to town?

255
00:09:59,606 --> 00:10:01,072
I'm sure of it.

256
00:10:01,074 --> 00:10:03,692
And I think he assaulted her
a week ago.

257
00:10:03,694 --> 00:10:05,276
You think?

258
00:10:05,278 --> 00:10:08,446
I don't really know because
she wouldn't talk about it.

259
00:10:08,448 --> 00:10:10,982
She bursted off,
called it a botched mugging.

260
00:10:10,984 --> 00:10:12,367
But I'm certain it was him.

261
00:10:12,369 --> 00:10:14,502
Why else wouldn't she
report it?

262
00:10:14,504 --> 00:10:17,205
Had he been violent
with her in the past?

263
00:10:17,207 --> 00:10:19,507
Sharon said no, but...

264
00:10:19,509 --> 00:10:22,510
I know Billy Racine
is a violent man.

265
00:10:26,882 --> 00:10:28,883
Uh-huh.

266
00:10:28,885 --> 00:10:30,051
Sure.

267
00:10:30,053 --> 00:10:32,887
Of course, Mr. Hanover.
Thank you for your time.

268
00:10:32,889 --> 00:10:34,272
Finally found Hanover?

269
00:10:34,274 --> 00:10:35,690
Yeah. He didn't see
the crash either,

270
00:10:35,692 --> 00:10:37,475
but he said he'd be
happy to talk to us

271
00:10:37,477 --> 00:10:38,643
when he gets back in town.

272
00:10:38,645 --> 00:10:39,561
Back in town?

273
00:10:39,563 --> 00:10:41,029
He had to fly
to an art opening.

274
00:10:41,031 --> 00:10:42,364
A piece he just had to have.

275
00:10:42,366 --> 00:10:43,514
Rich people.

276
00:10:43,516 --> 00:10:44,482
What'd you get?

277
00:10:44,484 --> 00:10:45,850
Lisbon got this
from the foster mom.

278
00:10:45,852 --> 00:10:49,654
Name's Billy Racine.
Ex-boyfriend.

279
00:10:49,656 --> 00:10:51,289
Foster mother thinks
he could have done it.

280
00:10:51,291 --> 00:10:52,290
Guy's had a life.

281
00:10:52,292 --> 00:10:54,325
Multiple assaults, extortion.

282
00:10:54,327 --> 00:10:58,362
Hmm. That name
sounds familiar.

283
00:10:59,633 --> 00:11:01,082
"Racine. William."

284
00:11:01,084 --> 00:11:02,667
He's on the list of people
who purchased tickets

285
00:11:02,669 --> 00:11:05,970
to the show's fund-raiser.

286
00:11:05,972 --> 00:11:07,255
What was he doing there?

287
00:11:07,257 --> 00:11:09,891
I'll see if I can
track him down.

288
00:11:16,899 --> 00:11:18,183
Thanks.

289
00:11:18,185 --> 00:11:20,384
What were you doing
at the fund-raiser for "Torch"

290
00:11:20,386 --> 00:11:22,487
two nights ago?

291
00:11:22,489 --> 00:11:24,489
Supporting the arts.

292
00:11:24,491 --> 00:11:26,408
You don't look like
the type, Mr. Racine.

293
00:11:26,410 --> 00:11:28,359
Did you have any contact with
Sharon Warwick that evening?

294
00:11:28,361 --> 00:11:29,744
If I did, what's it matter?

295
00:11:29,746 --> 00:11:31,279
You two had quite
the tempestuous relationship

296
00:11:31,281 --> 00:11:32,914
before she moved to New York.

297
00:11:32,916 --> 00:11:36,067
Shouting matches. You even
put your fist through a wall.

298
00:11:36,069 --> 00:11:37,735
Did you pick up
where you left off

299
00:11:37,737 --> 00:11:39,170
when she came back
a month ago?

300
00:11:39,172 --> 00:11:41,539
Don't even try
to pin this on me.

301
00:11:41,541 --> 00:11:43,088
I know what's happened,
and I didn't kill her.

302
00:11:43,113 --> 00:11:44,343
Why should I believe you?

303
00:11:44,344 --> 00:11:46,911
Because I would never
put my hands on that girl.

304
00:11:46,913 --> 00:11:47,929
I loved her.

305
00:11:47,931 --> 00:11:49,848
I think you loved her
maybe too much.

306
00:11:51,100 --> 00:11:52,133
She rejected you,

307
00:11:52,135 --> 00:11:53,184
you didn't take "no"
for an answer,

308
00:11:53,186 --> 00:11:54,803
you stalked her
to the fund-raiser.

309
00:11:54,805 --> 00:11:56,438
And when she
rejected you again,

310
00:11:56,440 --> 00:11:58,606
your hands
got the better of you.

311
00:12:00,476 --> 00:12:02,110
I went there to protect her.

312
00:12:02,112 --> 00:12:03,394
Protect her from what?

313
00:12:03,396 --> 00:12:05,230
She got mugged last week.

314
00:12:05,232 --> 00:12:06,231
Said she fought 'em off

315
00:12:06,233 --> 00:12:07,899
and scratched one of them up
pretty good,

316
00:12:07,901 --> 00:12:09,117
but I could see she was shook.

317
00:12:09,119 --> 00:12:10,318
What does that have to do
with the fund-raiser?

318
00:12:10,320 --> 00:12:14,489
Sharon thought someone
from the show set it up.

319
00:12:14,491 --> 00:12:17,108
So when I heard
they were doing that party...

320
00:12:17,110 --> 00:12:19,577
You went to find
her attackers?

321
00:12:19,579 --> 00:12:22,464
I was gonna tune
some people up.

322
00:12:22,466 --> 00:12:26,084
But Sharon said "be easy."
Said she'd handle it.

323
00:12:26,086 --> 00:12:28,052
Did she say who she suspected?

324
00:12:28,054 --> 00:12:29,787
She wouldn't say.

325
00:12:29,789 --> 00:12:31,723
She was scared I was gonna do
something bad to 'em.

326
00:12:31,725 --> 00:12:33,124
And she was right.

327
00:12:33,126 --> 00:12:35,367
So you're telling me everything
was good between you two?

328
00:12:36,345 --> 00:12:40,348
You've been talking to
that old foster lady, huh?

329
00:12:40,350 --> 00:12:42,433
She never liked me.

330
00:12:42,435 --> 00:12:44,486
You can't believe
what she says.

331
00:13:02,289 --> 00:13:04,038
Okay. One second.
One second.

332
00:13:04,040 --> 00:13:05,840
Uh, that's your cue, Deandra.

333
00:13:09,261 --> 00:13:12,547
Tell me again—why am I helping
you audition replacements?

334
00:13:12,549 --> 00:13:16,100
Uh, well, because our investor
performance was rescheduled,

335
00:13:16,102 --> 00:13:17,552
and, uh, we have to be ready.

336
00:13:17,554 --> 00:13:19,837
So if we could try it
one more time,

337
00:13:19,839 --> 00:13:21,505
that would be wonderful.

338
00:13:21,507 --> 00:13:26,060
I-I don't think you really
need me for this, Bran, okay?

339
00:13:26,062 --> 00:13:28,446
I'll be in my dressing room.

340
00:13:30,633 --> 00:13:32,350
No problem!

341
00:13:32,352 --> 00:13:35,453
Okay, um...

342
00:13:35,455 --> 00:13:36,371
Mandy, Bridget, Howard,

343
00:13:36,373 --> 00:13:38,323
uh, from where we left off.

344
00:13:38,325 --> 00:13:39,657
One, two, three.

345
00:13:53,390 --> 00:13:55,873
Sorry. Sorry. Wait.

346
00:13:55,875 --> 00:13:57,475
This is a closed rehearsal.

347
00:13:57,477 --> 00:13:59,043
Yeah. We're investigating
a murder.

348
00:13:59,045 --> 00:14:01,896
Well, you won't
find any clues here.

349
00:14:01,898 --> 00:14:05,900
Actually, we could learn a lot
from watching a rehearsal.

350
00:14:05,902 --> 00:14:07,268
Oh, really?

351
00:14:07,270 --> 00:14:10,905
Yes. The way a person sings
says a great deal about them.

352
00:14:10,907 --> 00:14:14,025
For instance, Bridget, you have
a very sweet tone.

353
00:14:14,027 --> 00:14:15,243
Thank you.

354
00:14:15,245 --> 00:14:19,080
Yes, with nice shades
of pent-up anger and envy.

355
00:14:19,082 --> 00:14:21,082
You hated Sharon on principle,

356
00:14:21,084 --> 00:14:22,700
yet you may come
to replace her.

357
00:14:22,702 --> 00:14:26,570
So obviously, you had very good
motive to want to kill her.

358
00:14:26,572 --> 00:14:29,624
But I don't think you have
the stomach or the strength

359
00:14:29,626 --> 00:14:31,392
to push someone off a balcony.

360
00:14:31,394 --> 00:14:33,845
You, Mandy, on the other hand,

361
00:14:33,847 --> 00:14:35,630
are perfectly capable
of murder.

362
00:14:35,632 --> 00:14:37,015
You have
a very strong instrument.

363
00:14:37,017 --> 00:14:38,182
You could play Sharon's part.

364
00:14:38,184 --> 00:14:40,134
But are you hungry enough
to kill?

365
00:14:40,136 --> 00:14:42,637
Do you have
that kind of passion?

366
00:14:42,639 --> 00:14:45,473
I don't know. Hmm?

367
00:14:45,475 --> 00:14:47,942
Oh, don't even look at me.
Thank you.

368
00:14:47,944 --> 00:14:48,926
Oh, please. Pitchy.

369
00:14:48,928 --> 00:14:52,930
Very...
♪ pitchy

370
00:14:54,433 --> 00:14:56,067
You done?

371
00:14:56,069 --> 00:14:58,953
Yes. Well, that leaves you,
Mr. McTavish.

372
00:14:58,955 --> 00:15:02,874
Vain. Controlling.
Neurotic. Egotistical.

373
00:15:02,876 --> 00:15:04,742
Sleeping with, uh,

374
00:15:04,744 --> 00:15:08,162
at least two of your actors.

375
00:15:10,115 --> 00:15:11,966
Are you a killer?

376
00:15:11,968 --> 00:15:14,952
You know, I never did
catch your name.

377
00:15:14,954 --> 00:15:17,889
Mm. Damn.

378
00:15:17,891 --> 00:15:19,424
I was sure it was you.

379
00:15:19,426 --> 00:15:20,758
Never mind. Name's Jane.

380
00:15:20,760 --> 00:15:22,727
Nice to meet you all.
Break a leg.

381
00:15:29,518 --> 00:15:31,653
Uh...

382
00:15:31,655 --> 00:15:36,100
Well, I thought
you sounded... great.

383
00:15:48,458 --> 00:15:49,892
He's upsetting the performers.

384
00:15:49,894 --> 00:15:51,060
I know. I know.
He's gonna throw their performances off.

385
00:15:51,062 --> 00:15:52,127
Bran, I'll take care of it.
All right.

386
00:15:52,129 --> 00:15:54,296
All right?

387
00:16:00,687 --> 00:16:02,688
Mr. Jane.

388
00:16:02,690 --> 00:16:05,491
Please. Your presence
isn't good for morale.

389
00:16:05,493 --> 00:16:07,243
Everyone seems
to be handling it okay.

390
00:16:07,245 --> 00:16:09,995
You've asked your questions.
Is it necessary that you remain?

391
00:16:09,997 --> 00:16:12,865
We'll stay out of your way.
You'll hardly know we're here.

392
00:16:12,867 --> 00:16:14,817
Pardon me. Okay,
so I've gotten confirmations

393
00:16:14,819 --> 00:16:16,419
from all
of our bigger investors.

394
00:16:16,421 --> 00:16:17,986
They will all be
at the rescheduled preview.

395
00:16:17,988 --> 00:16:19,205
Excellent.
And, uh, Hanover?

396
00:16:19,207 --> 00:16:20,623
Still need to double confirm.

397
00:16:20,625 --> 00:16:22,007
Good. Good.

398
00:16:22,009 --> 00:16:23,042
Busy, busy.

399
00:16:23,044 --> 00:16:24,960
Indeed.

400
00:16:24,962 --> 00:16:27,296
Ah.

401
00:16:27,298 --> 00:16:28,798
If you'll excuse me,
I have to take this.

402
00:16:28,800 --> 00:16:30,216
Sure.

403
00:16:43,063 --> 00:16:45,314
Um...
Excuse me.

404
00:16:45,316 --> 00:16:47,400
Sorry to bother you.

405
00:16:47,402 --> 00:16:51,070
Uh, I was wondering if you knew
what jazz hands were?

406
00:16:51,072 --> 00:16:55,040
Sure. It's the use of big
hand movements in choreography.

407
00:16:55,042 --> 00:16:56,041
Why do you ask?

408
00:16:56,043 --> 00:16:57,543
Oh, I just overheard
the director

409
00:16:57,545 --> 00:16:58,911
ranting about jazz hands,

410
00:16:58,913 --> 00:17:01,797
so I was curious to know
what got him so worked up.

411
00:17:01,799 --> 00:17:03,582
Ranting how?

412
00:17:03,584 --> 00:17:06,051
Well apparently, he hate,
hate, hates jazz hands.

413
00:17:06,053 --> 00:17:07,920
And if he sees one
jazzy little hand,

414
00:17:07,922 --> 00:17:09,722
that dancer
is out of the show.

415
00:17:09,724 --> 00:17:13,008
Oh. Good to know.
Thanks.

416
00:17:13,010 --> 00:17:14,927
No worries. Uh, you might
wanna pass that on

417
00:17:14,929 --> 00:17:17,096
to the girl that
comes up after you.

418
00:17:17,098 --> 00:17:18,481
Break a leg.

419
00:17:24,354 --> 00:17:25,654
Okay, Maggie, you're up.

420
00:17:25,656 --> 00:17:27,656
So what exactly
are we looking for

421
00:17:27,658 --> 00:17:28,724
with these auditions?

422
00:17:28,726 --> 00:17:30,776
We'll know when we see it.

423
00:17:30,778 --> 00:17:32,745
You like musicals?

424
00:17:32,747 --> 00:17:34,363
Oh, what's not to like?

425
00:18:09,783 --> 00:18:13,819
Wow. They're so good.
How many more are there?

426
00:18:13,821 --> 00:18:15,621
I'm not sure.

427
00:18:15,623 --> 00:18:19,542
A troublemaker should reveal
herself very shortly.

428
00:18:49,289 --> 00:18:52,608
No! No! No, no, no,
no, no, no, no.

429
00:18:52,610 --> 00:18:53,692
What are you doing, Bridget?

430
00:18:53,694 --> 00:18:55,361
Suddenly we were in
a cabaret bar in Idaho.

431
00:18:55,363 --> 00:18:57,746
I thought you wanted
bigger hand movement.

432
00:18:57,748 --> 00:18:59,164
What gave you that idea?

433
00:18:59,166 --> 00:19:02,918
Uh, I'm sorry, but this, uh,
might indirectly be my doing.

434
00:19:03,988 --> 00:19:06,422
I told the first dancer
that the director

435
00:19:06,424 --> 00:19:10,960
would fire anyone
that added big hand movements.

436
00:19:10,962 --> 00:19:12,378
What?

437
00:19:12,380 --> 00:19:14,847
And she, along with everyone
else who auditioned,

438
00:19:14,849 --> 00:19:17,666
made sure that the dancer
that came after them

439
00:19:17,668 --> 00:19:19,385
didn't use the jazz hands

440
00:19:19,387 --> 00:19:21,303
so that they didn't
lose their job...

441
00:19:21,305 --> 00:19:22,955
until Bridget.

442
00:19:22,957 --> 00:19:24,957
Mandy came before me.

443
00:19:24,959 --> 00:19:26,675
You can't be serious.

444
00:19:26,677 --> 00:19:29,728
Only a scheming
and conniving person

445
00:19:29,730 --> 00:19:33,816
would so callously try
to get a fellow cast mate fired.

446
00:19:33,818 --> 00:19:36,702
There's no telling how far
someone like you will go.

447
00:19:36,704 --> 00:19:39,572
Is he telling
the truth, Mandy?

448
00:19:39,574 --> 00:19:40,873
What does it matter?

449
00:19:40,875 --> 00:19:42,357
At least the hands
distract away

450
00:19:42,359 --> 00:19:45,494
from the dreadful
syncopation problem you have.

451
00:19:45,496 --> 00:19:46,745
You wanted me to fail?

452
00:19:46,747 --> 00:19:47,713
That's not hard.

453
00:19:47,715 --> 00:19:48,747
You bitch.

454
00:19:48,749 --> 00:19:49,715
Oh!

455
00:19:49,717 --> 00:19:50,966
Uh, Rigsby?

456
00:19:50,968 --> 00:19:53,719
Okay.
I'm sorry. What did you just call me?

457
00:19:53,721 --> 00:19:54,970
Oh, I'm sorry...
Get your hands off me!

458
00:19:54,972 --> 00:19:57,006
You mind stepping in
and handling this?

459
00:19:59,427 --> 00:20:00,759
Ladies, ladies,
ladies...

460
00:20:00,761 --> 00:20:02,561
I have an errand to run.

461
00:20:06,517 --> 00:20:08,717
Hey. Hey. Hey.
Okay, let's...

462
00:20:11,355 --> 00:20:12,387
Help!

463
00:20:12,389 --> 00:20:14,556
Aah!
Okay.

464
00:20:14,558 --> 00:20:18,226
I know you're only talking to me
to get information out of me,

465
00:20:18,228 --> 00:20:21,030
but it's been nice.

466
00:20:21,032 --> 00:20:22,531
You make me smile.

467
00:20:22,533 --> 00:20:25,901
Well, what's worth
more than a smile?

468
00:20:25,903 --> 00:20:27,836
True enough.

469
00:20:31,124 --> 00:20:33,542
Mr. Lennon
is pretty much stable.

470
00:20:33,544 --> 00:20:35,844
His blood volume is up,

471
00:20:35,846 --> 00:20:37,630
and the doctors could
bring him out of the coma

472
00:20:37,632 --> 00:20:38,797
as early as tomorrow.

473
00:20:38,799 --> 00:20:40,599
Thank you.
That's very good to know.

474
00:20:40,601 --> 00:20:44,053
What is all this about?

475
00:20:44,055 --> 00:20:46,805
And why are the federal guys
so weird and creepy?

476
00:20:46,807 --> 00:20:49,925
They are? How are they
weird and creepy?

477
00:20:49,927 --> 00:20:51,977
Like they're not
what they seem.

478
00:20:51,979 --> 00:20:54,647
Like one day they might
pull their faces off,

479
00:20:54,649 --> 00:20:57,149
and there'd be alien lizards
underneath, you know?

480
00:20:57,151 --> 00:21:00,369
I know. Not impossible,
but very unlikely.

481
00:21:00,371 --> 00:21:04,039
I know.
They just have that vibe.

482
00:21:04,041 --> 00:21:06,859
I understand.

483
00:21:06,861 --> 00:21:09,545
Will you call me when they bring
Mr. Lennon out of his coma?

484
00:21:09,547 --> 00:21:10,713
Sure.

485
00:21:10,715 --> 00:21:17,670
Thank you.
I appreciate that.

486
00:21:17,672 --> 00:21:20,322
Interesting set
of scratch marks.

487
00:21:20,324 --> 00:21:22,624
What happened?

488
00:21:22,626 --> 00:21:24,309
Cat.

489
00:21:24,311 --> 00:21:25,627
Hm.

490
00:21:25,629 --> 00:21:28,514
Sharon Warwick fought back
against one of her attackers

491
00:21:28,516 --> 00:21:29,481
when she was mugged.

492
00:21:29,483 --> 00:21:30,933
Know anything about that?

493
00:21:33,570 --> 00:21:36,138
You know they found
D.N.A. samples

494
00:21:36,140 --> 00:21:38,991
under Sharon's nails
after the murder?

495
00:21:38,993 --> 00:21:40,275
It's amazing
how a little D.N.A.

496
00:21:40,277 --> 00:21:41,860
can tie two people together.

497
00:21:41,862 --> 00:21:44,613
Okay. The mugging,
that was me.

498
00:21:44,615 --> 00:21:46,365
I just wanted
to scare her a little bit.

499
00:21:46,367 --> 00:21:47,649
I didn't kill her.

500
00:21:47,651 --> 00:21:50,419
Who was your accomplice?

501
00:21:50,421 --> 00:21:52,087
A guy named Joey.

502
00:21:52,089 --> 00:21:53,839
He's my partner
in salsa class.

503
00:21:53,841 --> 00:21:55,874
And why did you want
to scare her?

504
00:21:55,876 --> 00:21:57,159
Because she was just some girl

505
00:21:57,161 --> 00:21:58,827
with an okay voice
and no resume,

506
00:21:58,829 --> 00:22:01,096
and there she was
headlining with Deandra.

507
00:22:01,098 --> 00:22:02,214
And that made you mad?

508
00:22:02,216 --> 00:22:04,499
Second lead should have
been me, not Sharon.

509
00:22:04,501 --> 00:22:05,601
So when she showed up
for the fund-raiser,

510
00:22:05,603 --> 00:22:07,686
ready to launch
a star-making turn,

511
00:22:07,688 --> 00:22:09,555
you snapped and you
pushed her off that balcony.

512
00:22:09,557 --> 00:22:11,673
I told you I didn't kill her.

513
00:22:11,675 --> 00:22:13,859
Well, you've already admitted
to organizing an assault.

514
00:22:13,861 --> 00:22:15,010
Why is it so crazy to think

515
00:22:15,012 --> 00:22:16,695
that you didn't decide
to finish the job?

516
00:22:16,697 --> 00:22:18,447
Because I didn't
want her dead.

517
00:22:18,449 --> 00:22:21,066
I just wanted her to leave.

518
00:22:23,686 --> 00:22:25,037
If you're looking
for suspects,

519
00:22:25,039 --> 00:22:27,122
you might wanna check out
the star of the show.

520
00:22:27,124 --> 00:22:28,857
Deandra Sunderland?

521
00:22:28,859 --> 00:22:31,410
The queen of mean.

522
00:22:31,412 --> 00:22:34,246
What makes you think Sunderland
could have killed Warwick?

523
00:22:34,248 --> 00:22:38,300
Because the director wanted to
replace Deandra with Sharon.

524
00:22:38,302 --> 00:22:40,252
Everybody knew it.

525
00:22:40,254 --> 00:22:43,255
I mean she's too old to be
playing the ingenue, right?

526
00:22:43,257 --> 00:22:45,390
Did you see Sunderland
the night of the murder?

527
00:22:46,309 --> 00:22:47,893
No.

528
00:22:47,895 --> 00:22:50,679
She was nowhere to be found
when the overture began.

529
00:22:50,681 --> 00:22:52,481
What about after the accident?

530
00:22:52,483 --> 00:22:53,432
Mnh-mnh.

531
00:22:53,434 --> 00:22:55,818
Not until rehearsal
the next morning.

532
00:23:43,068 --> 00:23:45,204
Yes, Mr. Hanover. Excellent.

533
00:23:46,036 --> 00:23:49,404
Yeah. Yes.
No, that sounds good.

534
00:23:49,406 --> 00:23:52,991
Uh, okay.
Sounds good. Sure.

535
00:23:52,993 --> 00:23:54,743
We'll see you very soon.
Thanks.

536
00:23:54,745 --> 00:23:57,412
Sorry. Um, how long
you gonna keep Mandy?

537
00:23:57,414 --> 00:24:01,216
A while. That's what we do
when people break the law.

538
00:24:01,218 --> 00:24:02,835
Okay, look, agent, I'm a pro.

539
00:24:02,837 --> 00:24:03,952
I can spin this tragedy.

540
00:24:03,954 --> 00:24:05,337
It can even add
an air of fascination

541
00:24:05,339 --> 00:24:06,338
to the production.

542
00:24:06,340 --> 00:24:08,173
But if you arrest the cast

543
00:24:08,175 --> 00:24:09,842
right before a performance
for the investors,

544
00:24:09,844 --> 00:24:12,311
that makes my job
rather difficult.

545
00:24:12,313 --> 00:24:16,348
You see, I need my investors
to stay... invested.

546
00:24:16,350 --> 00:24:17,599
Well, brace yourself,

547
00:24:17,601 --> 00:24:20,686
because now I need to talk
to Deandra Sunderland.

548
00:24:22,823 --> 00:24:25,407
This is a nightmare.

549
00:24:45,813 --> 00:24:48,814
Miss Sunderland.

550
00:24:48,816 --> 00:24:51,250
My apologies for interrupting.

551
00:24:51,252 --> 00:24:52,434
We need to talk.

552
00:24:52,436 --> 00:24:55,554
I'm rehearsing here.
I asked not to be disturbed.

553
00:24:55,556 --> 00:24:57,556
This is important.

554
00:24:57,558 --> 00:24:59,007
Where were you
when Sharon Warwick

555
00:24:59,009 --> 00:25:00,893
fell off the balcony?

556
00:25:03,479 --> 00:25:05,030
I was in the ballroom.

557
00:25:05,032 --> 00:25:08,150
All of our evidence
points to the contrary.

558
00:25:08,152 --> 00:25:09,401
Everybody involved
in the production

559
00:25:09,403 --> 00:25:11,236
seems to think
you were off drinking.

560
00:25:11,238 --> 00:25:14,856
I think you might have been
with Sharon.

561
00:25:15,992 --> 00:25:17,993
I think you found out that
McTavish was planning

562
00:25:17,995 --> 00:25:21,029
on replacing you with her,
and you got mad.

563
00:25:21,031 --> 00:25:24,750
He wanted Sharon
to replace me?

564
00:25:24,752 --> 00:25:27,302
She was studying film
of all of your performances

565
00:25:27,304 --> 00:25:29,371
and memorizing your lines.

566
00:25:33,076 --> 00:25:35,944
You don't understand.

567
00:25:35,946 --> 00:25:38,413
She would if you told her
the truth.

568
00:25:43,770 --> 00:25:45,771
You sing beautifully.

569
00:25:47,073 --> 00:25:49,691
How long have you been
out there?

570
00:25:49,693 --> 00:25:52,361
Long enough.

571
00:25:52,363 --> 00:25:55,998
You know, I kept wondering
what brought Sharon Warwick

572
00:25:56,000 --> 00:25:57,232
back to Sacramento.

573
00:25:57,234 --> 00:25:59,284
She left Sacramento
because she wanted something,

574
00:25:59,286 --> 00:26:01,954
and now she's back.

575
00:26:01,956 --> 00:26:04,206
It's obviously connected
to "Torch,"

576
00:26:04,208 --> 00:26:06,241
but it couldn't be acclaim
she was looking for,

577
00:26:06,243 --> 00:26:08,910
'cause she got that
in New York City.

578
00:26:11,014 --> 00:26:13,465
And then I heard you sing,
and it came to me.

579
00:26:16,386 --> 00:26:20,088
What is it that every
foster child is looking for?

580
00:26:20,090 --> 00:26:23,091
Lisbon, I'd like you to meet
Sharon Warwick's mother.

581
00:26:41,145 --> 00:26:43,246
I was, uh...

582
00:26:43,248 --> 00:26:46,682
Very young when I had Sharon.

583
00:26:48,585 --> 00:26:53,089
Her father was my director,
and he was married.

584
00:26:56,193 --> 00:27:00,379
The hardest thing I ever did
in my life was giving her away.

585
00:27:00,381 --> 00:27:03,082
When did she learn
she was your daughter?

586
00:27:04,418 --> 00:27:05,918
She came to my dressing room

587
00:27:05,920 --> 00:27:08,254
after the first day
of rehearsals.

588
00:27:08,256 --> 00:27:10,406
Must have been a shock.

589
00:27:10,408 --> 00:27:15,261
I felt so happy seeing
the person that she had become.

590
00:27:15,263 --> 00:27:18,881
So talented, so...

591
00:27:18,883 --> 00:27:20,683
full of life.

592
00:27:20,685 --> 00:27:23,552
Why did you keep it a secret?

593
00:27:26,723 --> 00:27:29,942
Guilt. Shame.

594
00:27:29,944 --> 00:27:31,911
Something else.

595
00:27:32,763 --> 00:27:35,397
You're hiding something else.

596
00:27:37,401 --> 00:27:40,235
You're quite a clever policeman,
aren't you?

597
00:27:42,956 --> 00:27:45,074
I have multiple sclerosis.

598
00:27:47,210 --> 00:27:49,278
Diagnosed six months ago.

599
00:27:49,280 --> 00:27:52,131
Hmm. I'm sorry.

600
00:27:53,800 --> 00:27:56,686
Symptoms of the disease
is what made people think

601
00:27:56,688 --> 00:27:58,087
you were drinking.

602
00:27:58,089 --> 00:28:01,474
Well, I've been sober
for 14 years.

603
00:28:01,476 --> 00:28:04,426
Haven't touched a drop.

604
00:28:05,696 --> 00:28:10,232
I heard the whispers
behind my back.

605
00:28:10,234 --> 00:28:13,469
I thought
it might be better to quit.

606
00:28:13,471 --> 00:28:16,839
Sharon was so mad.

607
00:28:16,841 --> 00:28:20,242
Already protective towards me.

608
00:28:20,244 --> 00:28:22,661
She told me to be strong.

609
00:28:22,663 --> 00:28:23,879
And you had an attack

610
00:28:23,881 --> 00:28:26,632
right before the first
performance, didn't you?

611
00:28:26,634 --> 00:28:28,801
You didn't have
your medication.

612
00:28:28,803 --> 00:28:30,619
Yes.

613
00:28:30,621 --> 00:28:33,756
Sharon said she'd go up
to the suite and get it for you.

614
00:28:37,061 --> 00:28:40,629
She was
an incredible young woman.

615
00:28:40,631 --> 00:28:43,532
That's why I can't quit
the show.

616
00:28:43,534 --> 00:28:45,167
I have to go on with it—

617
00:28:45,169 --> 00:28:48,320
to honor my child.

618
00:28:53,193 --> 00:28:54,777
Morning.

619
00:28:54,779 --> 00:28:56,746
Morning.
Morning.

620
00:28:56,748 --> 00:28:57,830
We've been through
all the photos, videos,

621
00:28:57,832 --> 00:28:59,198
and security footage.

622
00:28:59,200 --> 00:29:01,534
Cross-indexed every guest,
hotel worker,

623
00:29:01,536 --> 00:29:03,335
attendee, and person
connected to the play.

624
00:29:03,337 --> 00:29:05,671
All their movements are
accounted for, except for him.

625
00:29:05,673 --> 00:29:08,424
Berndt Hanover, the investor?

626
00:29:08,426 --> 00:29:10,709
He, uh, here he is
before the murder,

627
00:29:10,711 --> 00:29:12,011
getting into the elevator.

628
00:29:12,013 --> 00:29:14,964
He goes to the floor
Sharon Warwick was killed on

629
00:29:14,966 --> 00:29:18,050
and gets off, and that's
the last time we see him.

630
00:29:18,052 --> 00:29:20,302
What do you mean?
How can that be?

631
00:29:20,304 --> 00:29:21,554
I don't know. He never gets
back on the elevator,

632
00:29:21,556 --> 00:29:23,773
and he's never seen
leaving the building.

633
00:29:23,775 --> 00:29:26,842
Okay, but how? Why?
How does he leave the building

634
00:29:26,844 --> 00:29:28,778
without being seen?

635
00:29:28,780 --> 00:29:30,813
If he waited until the hallway
was empty,

636
00:29:30,815 --> 00:29:33,365
he could've taken the stairs
down to the first floor.

637
00:29:33,367 --> 00:29:36,318
Yeah, but how does he avoid
being seen after that?

638
00:29:36,320 --> 00:29:38,654
It—it's not like he's a guy
who doesn't stand out.

639
00:29:38,656 --> 00:29:41,657
True.

640
00:29:43,744 --> 00:29:45,161
This is the room
the murder took place.

641
00:29:45,163 --> 00:29:48,080
That's the balcony. Doorway
out here to the corridor.

642
00:29:48,082 --> 00:29:51,200
Past the stairs,
down to the elevators.

643
00:29:51,202 --> 00:29:56,672
This, if I recall, was a window
out to a fire escape.

644
00:29:56,674 --> 00:29:58,090
Could he have gone down
a fire escape?

645
00:29:58,092 --> 00:29:59,925
He's a big man.
I don't think he's that agile.

646
00:29:59,927 --> 00:30:01,177
Then what?

647
00:30:01,179 --> 00:30:04,313
Hmm. Yes, it's a puzzle.

648
00:30:05,766 --> 00:30:07,650
Why do you look so happy?

649
00:30:07,652 --> 00:30:10,569
You have a way to solve
the puzzle?

650
00:30:10,571 --> 00:30:12,104
Naturally.

651
00:30:14,991 --> 00:30:17,193
Meet me at the theater.

652
00:30:22,365 --> 00:30:24,500
This is good work.

653
00:30:24,502 --> 00:30:28,370
Keep me informed
of your progress.

654
00:30:38,265 --> 00:30:41,300
Why are you lurking
out there, Mr. Jane?

655
00:30:45,889 --> 00:30:47,439
I need a favor.

656
00:30:47,441 --> 00:30:51,060
Is this the type of favor
where...

657
00:30:51,062 --> 00:30:53,395
You would then owe me a favor?

658
00:30:53,397 --> 00:30:55,064
Actually, you already
owe me a favor,

659
00:30:55,066 --> 00:30:58,033
but I'll spot you another
if that pleases you.

660
00:31:00,954 --> 00:31:02,655
What do you need?

661
00:31:02,657 --> 00:31:05,457
I need you.

662
00:31:05,459 --> 00:31:07,626
Okay, 15 minutes to curtain,
people.

663
00:31:07,628 --> 00:31:09,078
Let's pick it up, pick it up.

664
00:31:12,283 --> 00:31:15,885
Um, hey, Deandra, uh,
don't forget to wait

665
00:31:15,887 --> 00:31:18,387
three bars
in the first intro, okay?

666
00:31:18,389 --> 00:31:19,955
Darling, I've been doing this
since before you learned

667
00:31:19,957 --> 00:31:22,174
to wipe your own nose.

668
00:31:22,176 --> 00:31:24,459
Worry about your own business.

669
00:31:26,296 --> 00:31:29,315
Never direct. Never direct.

670
00:31:30,650 --> 00:31:32,985
Ladies and gentlemen, if you
will kindly enter the theater

671
00:31:32,987 --> 00:31:35,321
and take your seats, please.

672
00:31:41,695 --> 00:31:44,113
Hey, Lisbon,
you at the theater yet?

673
00:31:44,115 --> 00:31:45,831
Jane, where are you?

674
00:31:45,833 --> 00:31:48,150
Uh, on my way.
Almost there.

675
00:31:48,152 --> 00:31:50,536
You head backstage.
We'll see you in a minute.

676
00:31:50,538 --> 00:31:52,504
We? Who's we?
Uh...

677
00:31:52,506 --> 00:31:54,623
I'll see you very soon, Lisbon.
Bye.

678
00:31:54,625 --> 00:31:57,293
I don't know about this.

679
00:31:57,295 --> 00:31:59,345
Oh, trust me.
You'll have fun.

680
00:31:59,347 --> 00:32:02,431
"Trust me.
You'll have fun."

681
00:32:02,433 --> 00:32:06,168
Was there ever
a more suspicious phase?

682
00:32:06,170 --> 00:32:08,687
J.J., you have to live
a little.

683
00:32:08,689 --> 00:32:11,473
You spend your days
chasing paper clip thieves.

684
00:32:11,475 --> 00:32:14,676
When do you ever get the chance
to nail a killer?

685
00:32:14,678 --> 00:32:15,894
No, it's true.

686
00:32:15,896 --> 00:32:18,847
I'm happy to help.

687
00:32:18,849 --> 00:32:22,517
It's the performance aspect

688
00:32:22,519 --> 00:32:25,687
that concerns me.

689
00:32:25,689 --> 00:32:27,873
What performance aspect?

690
00:32:27,875 --> 00:32:29,325
You go into a room.

691
00:32:29,327 --> 00:32:31,160
If someone says anything
to you,

692
00:32:31,162 --> 00:32:36,198
you say, "Ha ha ha",
or perhaps...

693
00:32:36,200 --> 00:32:38,884
Ha ha ha.

694
00:32:38,886 --> 00:32:40,702
Perhaps.

695
00:32:40,704 --> 00:32:43,922
Good enough.

696
00:32:47,377 --> 00:32:48,844
Would an accent help?

697
00:32:48,846 --> 00:32:51,180
Eh...

698
00:32:51,182 --> 00:32:53,882
Keep it simple.

699
00:32:53,884 --> 00:32:55,818
As you know,
this, uh, show

700
00:32:55,820 --> 00:32:58,787
has faced a great deal
of hardship and tragedy

701
00:32:58,789 --> 00:33:00,406
the past few days.

702
00:33:00,408 --> 00:33:04,559
But I can tell you that it has
only made us stronger.

703
00:33:07,497 --> 00:33:10,282
Evening, Lisbon, you having fun yet?

704
00:33:10,284 --> 00:33:11,700
There you are. Where have
you been and what's your plan?

705
00:33:11,702 --> 00:33:14,069
I will tell you in one minute.

706
00:33:14,071 --> 00:33:16,538
Oh, good evening,
and what an evening it is.

707
00:33:16,540 --> 00:33:17,706
Lisbon, you remember
Mr. Dodge?

708
00:33:17,708 --> 00:33:19,008
Of course.

709
00:33:19,010 --> 00:33:21,243
Agents, what are you doing here?

710
00:33:21,245 --> 00:33:22,411
Ah, I've gotta tell you,
Mr. Dodge,

711
00:33:22,413 --> 00:33:24,546
after watching
all those rehearsals,

712
00:33:24,548 --> 00:33:26,465
we couldn't just stay away,
could we?

713
00:33:26,467 --> 00:33:28,217
Okay, uh, Warren, you're
supposed to go say something.

714
00:33:28,219 --> 00:33:29,518
Yes, I know. I'm ready.

715
00:33:29,520 --> 00:33:33,222
Finally, let me
introduce our esteemed producer,

716
00:33:33,224 --> 00:33:34,306
Warren Dodge, to tell you...

717
00:33:34,308 --> 00:33:36,358
Who is that?

718
00:33:36,360 --> 00:33:37,643
Hmm?

719
00:33:37,645 --> 00:33:41,086
Oh, my goodness.
It's Berndt Hanover.

720
00:33:41,111 --> 00:33:42,790
Mr. Hanover.
Hi.

721
00:33:43,320 --> 00:33:45,117
What a wonderful surprise.

722
00:33:50,884 --> 00:33:52,184
Mr. Hanover, such an honor.

723
00:33:52,186 --> 00:33:53,986
I'm—I'm Sylvia Clare.
We spoke on the phone.

724
00:33:53,988 --> 00:33:55,154
Your trip was a good one,
I hope?

725
00:33:55,156 --> 00:33:58,473
Yes, it was very good.
Thank you, Ms. Clare.

726
00:33:58,475 --> 00:33:59,575
Sure.
Excuse me.

727
00:33:59,577 --> 00:34:00,576
What's going on?

728
00:34:02,296 --> 00:34:05,631
Warren? Why don't you come out
and talk to the lovely people?

729
00:34:05,633 --> 00:34:08,033
Ms. Clare, I have come
to address

730
00:34:08,035 --> 00:34:09,835
my fellow investors.

731
00:34:09,837 --> 00:34:12,004
Why don't I go and speak
to them now?

732
00:34:12,006 --> 00:34:13,038
What?

733
00:34:13,040 --> 00:34:15,174
Oh, terrific.
That is a great idea.

734
00:34:15,176 --> 00:34:16,959
Isn't it, Warren?
Who are you, huh?

735
00:34:16,961 --> 00:34:18,711
W-w-w-whoa. Wait.
What are you doing?

736
00:34:18,713 --> 00:34:20,596
He's not Berndt Hanover.
He's a fraud!

737
00:34:20,598 --> 00:34:22,848
Warren!
What is going on?

738
00:34:22,850 --> 00:34:23,932
I don't know what game
he's playing,

739
00:34:23,934 --> 00:34:25,217
but he's not Hanover.

740
00:34:25,219 --> 00:34:26,552
Well, what are you saying?
Then who is he?

741
00:34:26,554 --> 00:34:28,670
His name is J.J. LaRoche.

742
00:34:28,672 --> 00:34:30,689
Mr. Dodge is correct.
It isn't Berndt Hanover.

743
00:34:30,691 --> 00:34:33,859
Okay, I'm totally confused.

744
00:34:33,861 --> 00:34:35,861
Ah, we faked it—the hat,
the glasses,

745
00:34:35,863 --> 00:34:37,146
the cane, the coat.

746
00:34:37,148 --> 00:34:39,565
Et voila. Berndt Hanover.

747
00:34:39,567 --> 00:34:40,733
Why?

748
00:34:40,735 --> 00:34:42,851
A test. You all believe
it was him,

749
00:34:42,853 --> 00:34:45,237
and it was easy to make you
believe it.

750
00:34:45,239 --> 00:34:48,991
For about ten seconds,
until he said that I wasn't.

751
00:34:48,993 --> 00:34:51,727
And then nobody believed it
anymore,

752
00:34:51,729 --> 00:34:53,812
just like I don't believe
anymore

753
00:34:53,814 --> 00:34:55,848
that Berndt Hanover exists.

754
00:34:55,850 --> 00:34:57,716
What?
Well, that's ridiculous.

755
00:34:57,718 --> 00:35:00,052
Is it?
Of course Berndt Hanover exists.

756
00:35:00,054 --> 00:35:02,704
Then produce him.
You're a producer. Where is he?

757
00:35:02,706 --> 00:35:06,583
Well... I just can't magically
make him appear.

758
00:35:06,608 --> 00:35:07,143
Call him.

759
00:35:07,144 --> 00:35:09,812
Mr. Jane, I don't have
his phone number on me.

760
00:35:09,814 --> 00:35:11,263
Hard to believe.

761
00:35:11,265 --> 00:35:13,182
You know, uh,
it's at my office,

762
00:35:13,184 --> 00:35:15,620
and I will call him there,
uh, when I'm—

763
00:35:15,645 --> 00:35:17,188
I have it. I'll call him.
That's lucky.

764
00:35:17,189 --> 00:35:19,904
I'm calling him.
Good idea.

765
00:35:19,907 --> 00:35:22,324
It's ringing.
Excellent.

766
00:35:22,326 --> 00:35:26,078
He might not answer.
He's a—he's a very busy man.

767
00:35:26,080 --> 00:35:27,946
Of course.

768
00:35:32,520 --> 00:35:34,703
Excuse me.

769
00:35:34,705 --> 00:35:37,773
Your coat is playing
the "Fifth Symphony."

770
00:35:39,927 --> 00:35:41,743
Gonna answer that,
Mr. Dodge?

771
00:35:43,764 --> 00:35:45,547
Or should we call you
mister...

772
00:35:45,549 --> 00:35:48,083
Hanover?

773
00:35:49,752 --> 00:35:52,104
Hello? Sorry. Mr. Dodge

774
00:35:52,106 --> 00:35:54,473
can't come to the phone
right now, Sylvia.

775
00:35:54,475 --> 00:35:57,359
He's a little busy
getting arrested.

776
00:35:57,361 --> 00:35:59,945
Hanover didn't come down
in the elevator,

777
00:35:59,947 --> 00:36:02,981
because Hanover
never even existed.

778
00:36:02,983 --> 00:36:05,818
Dodge was playing the part
from the beginning.

779
00:36:05,820 --> 00:36:08,620
He took off his disguise,
eluded the cameras

780
00:36:08,622 --> 00:36:10,438
by coming down a fire escape.

781
00:36:10,440 --> 00:36:12,574
Lisbon, he's all yours.

782
00:36:13,609 --> 00:36:15,577
You're under arrest.

783
00:36:18,414 --> 00:36:21,216
Tell me that wasn't fun.

784
00:36:21,218 --> 00:36:25,921
I cannot tell you that,
but we are even, yes?

785
00:36:25,923 --> 00:36:27,422
Yes.

786
00:36:30,810 --> 00:36:34,763
I wanted the show to work.
I was willing to do anything.

787
00:36:34,765 --> 00:36:36,298
Even kill?

788
00:36:36,300 --> 00:36:37,900
W...

789
00:36:37,902 --> 00:36:40,802
She surprised me.

790
00:36:40,804 --> 00:36:43,471
When I was changing
out of the Hanover costume,

791
00:36:43,473 --> 00:36:45,490
nobody was supposed to be
in the room at that time.

792
00:36:45,492 --> 00:36:46,825
Nobody.

793
00:36:46,827 --> 00:36:49,477
I told her that I put every
penny I had into the show

794
00:36:49,479 --> 00:36:53,749
and that Hanover was necessary
to give our investors

795
00:36:53,751 --> 00:36:55,117
a confidence and peace of mind

796
00:36:55,119 --> 00:36:56,785
and that once I had the money
I needed,

797
00:36:56,787 --> 00:36:59,204
I would make Hanover disappear

798
00:36:59,206 --> 00:37:02,674
and that everything
would work out in the end.

799
00:37:02,676 --> 00:37:05,010
But she said no.

800
00:37:06,830 --> 00:37:09,097
She wouldn't be
any part of it...

801
00:37:10,167 --> 00:37:12,601
That she was going to
tell Sunderland,

802
00:37:12,603 --> 00:37:15,554
which of course meant
that everyone would find out

803
00:37:15,556 --> 00:37:19,474
and... that would have ruined
everything.

804
00:37:26,849 --> 00:37:30,652
Yeah. I didn't mean
for this to happen.

805
00:37:30,654 --> 00:37:32,204
So what happened next?

806
00:37:32,206 --> 00:37:36,408
Uh, I left by the fire escape.
No one saw me.

807
00:37:36,410 --> 00:37:38,827
And then I went and got
in my car around the corner,

808
00:37:38,829 --> 00:37:42,581
and I drove up and introduced
myself to the police.

809
00:37:47,036 --> 00:37:49,671
This was gonna be the hit show
that put me back on top.

810
00:37:49,673 --> 00:37:52,707
Everyone would have benefited.

811
00:37:52,709 --> 00:37:58,430
If only she hadn't
walked through that door.

812
00:38:12,579 --> 00:38:17,699
I, um, I didn't have
nearly enough time with her.

813
00:38:17,701 --> 00:38:21,503
And I so loved the person
that she was and respected her.

814
00:38:24,040 --> 00:38:26,574
Thank you for giving her
justice.

815
00:38:26,576 --> 00:38:28,176
It means a lot.

816
00:38:29,213 --> 00:38:31,079
I'm sorry.

817
00:38:31,081 --> 00:38:33,298
Embarrassing.
Uh, I have to take this.

818
00:38:33,300 --> 00:38:34,749
Excuse me.
Of course.

819
00:38:34,751 --> 00:38:37,602
Hello?
Patrick, it's Sheila from the hospital.

820
00:38:37,604 --> 00:38:39,754
They're bringing him
out of the coma.

821
00:38:39,756 --> 00:38:40,889
When?

822
00:38:40,891 --> 00:38:43,358
You need to get over here.

823
00:38:43,360 --> 00:38:46,561
Okay. Um... s— I...

824
00:38:46,563 --> 00:38:49,147
He's conscious,
but keep an eye on him.

825
00:38:49,149 --> 00:38:50,482
Hit that button,
and we'll be right in.

826
00:38:50,484 --> 00:38:52,901
Okay, thank you, nurse.
Mm-hmm.

827
00:39:01,729 --> 00:39:04,629
You are one tough S.O.B.,
Jason Lennon.

828
00:39:04,631 --> 00:39:07,165
You really are.

829
00:39:07,167 --> 00:39:10,052
Where am I?

830
00:39:11,804 --> 00:39:13,638
What happened?

831
00:39:13,640 --> 00:39:17,309
You're in Sacramento.
You got shot.

832
00:39:17,311 --> 00:39:18,760
Do you remember that?

833
00:39:18,762 --> 00:39:22,597
Yes, I do.

834
00:39:22,599 --> 00:39:23,732
Lorelei Martins.

835
00:39:23,734 --> 00:39:26,985
Correct. Very good.
Good. Your mind is clear.

836
00:39:26,987 --> 00:39:29,571
Now listen, I have a question
for you, Jason.

837
00:39:31,108 --> 00:39:32,640
Look at me.

838
00:39:32,642 --> 00:39:34,476
Look close.

839
00:39:34,478 --> 00:39:36,912
You recognize me?

840
00:39:36,914 --> 00:39:38,146
You ever seen me before?

841
00:39:39,666 --> 00:39:40,999
No.

842
00:39:41,001 --> 00:39:43,151
Are you sure?
It's important.

843
00:39:43,153 --> 00:39:46,955
Yes.

844
00:39:46,957 --> 00:39:49,341
I'm sure.

845
00:39:49,343 --> 00:39:52,844
That's good to know.
Thanks.

846
00:39:54,130 --> 00:39:56,298
Who are you?

847
00:39:56,300 --> 00:39:58,050
I'm a friend.

848
00:40:14,984 --> 00:40:16,818
Let's face facts, Jason.

849
00:40:16,820 --> 00:40:20,288
If you recover and live,

850
00:40:20,290 --> 00:40:22,741
you'll spend life in prison
for murder—

851
00:40:22,743 --> 00:40:25,494
the plaything of monsters.

852
00:40:31,700 --> 00:40:35,870
I just hope that if I'm
ever in your shoes,

853
00:40:35,872 --> 00:40:39,758
I have a friend close enough
to do this for me.

854
00:40:39,760 --> 00:40:42,210
Wait.

855
00:40:42,212 --> 00:40:45,213
Don't be scared.

856
00:40:45,215 --> 00:40:47,983
This'll be quick.

857
00:40:47,985 --> 00:40:50,102
Very little pain.

858
00:41:00,164 --> 00:41:02,030
It's okay.
It's all right.

859
00:41:03,951 --> 00:41:06,334
It's okay.
I'm here for you.

860
00:41:06,336 --> 00:41:08,453
I won't leave you.

861
00:41:22,251 --> 00:41:24,102
Help! Nurse!

862
00:41:24,104 --> 00:41:25,220
Nurse!

863
00:41:25,222 --> 00:41:26,721
He's in V-fib.

864
00:41:26,723 --> 00:41:28,190
Get that crash cart over here.

865
00:41:43,939 --> 00:41:46,291
What happened?

866
00:41:46,293 --> 00:41:48,743
Patrick, I'm sorry.

867
00:41:48,745 --> 00:41:50,328
His heart gave out.

868
00:41:52,883 --> 00:41:54,499
Never said a word.

869
00:42:06,641 --> 00:42:11,641
== sync, corrected by elderman ==
Resync for WEB-DL by lost0ne