1
00:00:04,721 --> 00:00:08,841
Now, this is beautiful, no?

2
00:00:08,843 --> 00:00:12,228
Camille Pissarro,
Dean of the Impressionists.

3
00:00:12,230 --> 00:00:14,480
Notice how
he's abandoned precision

4
00:00:14,482 --> 00:00:18,467
in favor of expression,
how alive it all is.

5
00:00:24,608 --> 00:00:26,409
What about this?

6
00:00:26,411 --> 00:00:28,944
Well, that, I'm afraid,
is not for sale.

7
00:00:28,946 --> 00:00:30,696
It's entirely too valuable.

8
00:00:41,542 --> 00:00:43,659
Go, go!

9
00:00:44,795 --> 00:00:46,495
Back! Up against the desk!

10
00:00:46,497 --> 00:00:47,646
What are you doing?
I said move!

11
00:00:47,648 --> 00:00:48,864
60 seconds!

12
00:00:48,866 --> 00:00:51,050
Pick it up! Let's go!
Let's go!

13
00:00:51,052 --> 00:00:52,351
Come on!
Clock is running!

14
00:00:52,353 --> 00:00:55,805
Come on! Move!
Go, go, go!

15
00:00:55,807 --> 00:00:57,005
Take it!

16
00:00:57,007 --> 00:00:59,108
Go! Come on!
Pick up your feet!

17
00:00:59,110 --> 00:01:01,644
No, no, no,
don't you touch that!

18
00:01:01,646 --> 00:01:03,562
Don't be stupid.
Clock is running!

19
00:01:03,564 --> 00:01:04,947
I'm telling you,
that's worth nothing to you.

20
00:01:04,949 --> 00:01:06,649
Take it.
John, no. John, don't!

21
00:01:12,990 --> 00:01:16,459
We're good!
Let's go! Let's go! Let's go!

22
00:01:16,461 --> 00:01:19,795
Somebody help me!

23
00:01:19,797 --> 00:01:22,882
Go, go, go!

24
00:01:32,996 --> 00:01:37,996
== sync, corrected by elderman ==
@elder_man

25
00:01:48,748 --> 00:01:51,350
W-what's all this?

26
00:01:51,352 --> 00:01:53,869
Oh, well,
that's the art squad.

27
00:01:53,871 --> 00:01:56,038
They deal with stolen art
and stuff like that.

28
00:01:56,040 --> 00:01:58,924
Yeah, their offices on the sixth
floor are being remodeled,

29
00:01:58,926 --> 00:02:00,209
so I told them to set up
in the conference room

30
00:02:00,211 --> 00:02:02,878
for the time being.
Huh.

31
00:02:05,632 --> 00:02:08,267
Mrs. Hennigan,
why was your husband

32
00:02:08,269 --> 00:02:10,753
trying to save this painting
in particular?

33
00:02:10,755 --> 00:02:12,003
That's me.

34
00:02:13,356 --> 00:02:16,842
John painted it years ago,
when we first met.

35
00:02:16,844 --> 00:02:19,028
We fell in love
as he was painting it.

36
00:02:20,680 --> 00:02:24,650
It's not worth any money,
but it was worth a lot to us.

37
00:02:26,787 --> 00:02:29,288
To me.

38
00:02:29,290 --> 00:02:31,040
We'll do our best
to get it back for you.

39
00:02:31,042 --> 00:02:32,825
This gang
that did this, uh —

40
00:02:32,827 --> 00:02:35,577
we've been chasing them
for quite a while now.

41
00:02:35,579 --> 00:02:37,579
They're really good
at what they do.

42
00:02:39,082 --> 00:02:42,051
I can't believe he's gone.

43
00:02:42,053 --> 00:02:44,753
Well, he's not gone.

44
00:02:44,755 --> 00:02:47,038
He's alive as long as
you're alive to remember him.

45
00:02:47,040 --> 00:02:49,207
He lives in you.

46
00:02:52,095 --> 00:02:55,848
It's a cliché. I know.
But it's true.

47
00:02:55,850 --> 00:02:58,984
I'm special agent Marcus Pike.
This is agent Searls.

48
00:02:58,986 --> 00:03:02,738
You're Patrick Jane, right?
Abbott's guy.

49
00:03:02,740 --> 00:03:03,989
Well, he's my guy.

50
00:03:03,991 --> 00:03:06,442
Thanks for, uh,
sharing your floor with us.

51
00:03:06,444 --> 00:03:07,943
You people
need some help, huh?

52
00:03:07,945 --> 00:03:10,079
What makes you say that?

53
00:03:10,081 --> 00:03:11,229
His shoulders.

54
00:03:11,831 --> 00:03:12,831
Hey, now, uh —

55
00:03:12,833 --> 00:03:13,916
Hey, now,
I'm just saying,

56
00:03:13,918 --> 00:03:15,367
if you need some help,
I could help you.

57
00:03:15,369 --> 00:03:16,618
I mean,
murder is my business.

58
00:03:16,620 --> 00:03:18,670
Sure.

59
00:03:19,756 --> 00:03:20,956
I've heard good things
about you.

60
00:03:20,958 --> 00:03:22,174
We'd be happy
to have your input.

61
00:03:22,176 --> 00:03:24,393
These guys, they're —

62
00:03:24,395 --> 00:03:26,211
They're really good,

63
00:03:26,213 --> 00:03:28,580
and our cases don't usually
lead to homicide.

64
00:03:28,582 --> 00:03:31,433
But you are going to
catch them, aren't you?

65
00:03:33,920 --> 00:03:37,973
I hate to sound immodest, ma'am,
but, uh, I rarely fail.

66
00:03:37,975 --> 00:03:39,141
Patrick.

67
00:03:39,143 --> 00:03:41,226
Sylvia.

68
00:03:41,228 --> 00:03:42,594
Welcome to
the fishbowl.

69
00:03:42,596 --> 00:03:44,980
You volunteered us
to handle the case?

70
00:03:44,982 --> 00:03:46,899
I decide what cases
we take next.

71
00:03:46,901 --> 00:03:48,600
Well, I was just
being neighborly,

72
00:03:48,602 --> 00:03:50,569
and the art squad
seemed all for it.

73
00:03:50,571 --> 00:03:52,070
Well,
of course they were.

74
00:03:52,072 --> 00:03:54,540
They've been chasing this group
for years, with no luck.

75
00:03:54,542 --> 00:03:56,492
And what do you know
about catching art thieves?

76
00:03:56,494 --> 00:03:58,210
Uh, nothing at all.

77
00:03:59,496 --> 00:04:00,412
That's why it'll be fun.

78
00:04:01,882 --> 00:04:03,632
Okay. We'll take it.

79
00:04:03,634 --> 00:04:06,718
Get a hold of agent Pike
in the art squad.

80
00:04:06,720 --> 00:04:08,220
Get up to speed
on this thing.

81
00:04:08,222 --> 00:04:10,472
Let's show 'em
how it's done.

82
00:04:12,976 --> 00:04:15,260
This is special agent
Marcus Pike

83
00:04:15,262 --> 00:04:16,562
from the art-theft squad.

84
00:04:16,564 --> 00:04:19,598
He's being attached to our team
while we work the case.

85
00:04:19,600 --> 00:04:21,350
Uh, I've asked him
to get you guys up to speed.

86
00:04:21,352 --> 00:04:25,237
Art thieves used to be
about sneaking —

87
00:04:25,239 --> 00:04:26,822
nighttime break-ins.

88
00:04:26,824 --> 00:04:28,974
Not anymore —
the new generation prefers guns.

89
00:04:28,976 --> 00:04:31,944
This guy is the leader.

90
00:04:31,946 --> 00:04:34,279
He does the talking,
runs the show.

91
00:04:34,281 --> 00:04:36,748
But until yesterday morning,
he's never killed anybody.

92
00:04:36,750 --> 00:04:39,484
They've done about six jobs
between Dallas and Phoenix

93
00:04:39,486 --> 00:04:40,836
in the last two years,

94
00:04:40,838 --> 00:04:43,922
taken down about $100 million
worth in art and artifacts.

95
00:04:43,924 --> 00:04:45,490
We're in
the wrong business.

96
00:04:45,492 --> 00:04:48,343
Stolen art can take
a long time to sell,

97
00:04:48,345 --> 00:04:50,328
so our guess is that they're
sitting on a lot of the art,

98
00:04:50,330 --> 00:04:52,347
including the paintings
from yesterday's heist.

99
00:04:52,349 --> 00:04:53,665
If we have
those paintings,

100
00:04:53,667 --> 00:04:55,551
we can nail them
for John Hennigan's murder,

101
00:04:55,553 --> 00:04:57,669
so it's imperative
that we find this art stash.

102
00:04:57,671 --> 00:04:58,770
They've done six jobs.

103
00:04:58,772 --> 00:05:00,272
They must have left us
something to work with.

104
00:05:00,274 --> 00:05:01,607
Well, they've only
slipped up once.

105
00:05:01,609 --> 00:05:03,442
We found a glove a few blocks
from a gallery they robbed

106
00:05:03,444 --> 00:05:05,143
in Phoenix.

107
00:05:05,145 --> 00:05:08,146
We managed to get a partial
print, and we got a hit.

108
00:05:08,148 --> 00:05:11,400
Aaron Pulaski — time
for armed robbery and battery.

109
00:05:11,402 --> 00:05:13,235
He's also the former
middleweight boxing champ

110
00:05:13,237 --> 00:05:14,820
at Folsom prison.

111
00:05:14,822 --> 00:05:16,488
And you can't charge a man
for owning a glove.

112
00:05:16,490 --> 00:05:18,023
Yeah, we brought him
in for questioning,

113
00:05:18,025 --> 00:05:19,374
but he lawyered up quick
and told us zip.

114
00:05:19,376 --> 00:05:20,742
These guys are pros.

115
00:05:20,744 --> 00:05:23,412
If he's a known felon, we should
have his known associates,

116
00:05:23,414 --> 00:05:25,080
hangouts,
stuff like that.

117
00:05:25,082 --> 00:05:26,197
We do,
but nothing's popped.

118
00:05:26,199 --> 00:05:27,299
He doesn't seem to have
a lot of friends.

119
00:05:27,301 --> 00:05:29,468
He hangs out a lot
at a bar on Sixth Street.

120
00:05:29,470 --> 00:05:31,670
We could set a tail
on him.

121
00:05:31,672 --> 00:05:33,555
Eh, could be waiting
for weeks.

122
00:05:33,557 --> 00:05:35,173
Uh, my plan
is a little more elaborate,

123
00:05:35,175 --> 00:05:36,475
but it's much more
entertaining.

124
00:05:36,477 --> 00:05:37,476
Of course it is.

125
00:05:37,478 --> 00:05:38,927
You already
have a plan?

126
00:05:38,929 --> 00:05:42,981
Well, as you know, agent Lisbon,
the key to a good con

127
00:05:42,983 --> 00:05:45,183
is always making the mark
feel that he is in control.

128
00:05:45,185 --> 00:05:46,885
I mean,
you can lead a man anywhere

129
00:05:46,887 --> 00:05:49,688
as long as he thinks
that he is driving.

130
00:05:49,690 --> 00:05:51,056
So, how do we do that?

131
00:05:51,058 --> 00:05:53,275
Well, first, we rope him in
with some flash,

132
00:05:53,277 --> 00:05:55,911
then we steer them towards
a couple of good inside men,

133
00:05:55,913 --> 00:05:56,995
a Face.

134
00:05:56,997 --> 00:05:58,247
We're gonna need some art
for the gaff,

135
00:05:58,249 --> 00:06:00,499
and then a good false
blow-off.

136
00:06:01,501 --> 00:06:03,118
I don't know
what any of that means.

137
00:06:03,120 --> 00:06:04,453
You'll get used to it.

138
00:06:04,455 --> 00:06:07,005
But if you want art,
I got art.

139
00:06:07,007 --> 00:06:09,925
Good.

140
00:06:09,927 --> 00:06:14,079
I always feel a little bit
like Aladdin right here.

141
00:06:18,468 --> 00:06:20,852
Wow.

142
00:06:20,854 --> 00:06:24,606
Okay.
Now we're having fun.

143
00:06:24,608 --> 00:06:26,121
Where does all this stuff
come from?

144
00:06:26,122 --> 00:06:27,245
It's stolen.

145
00:06:27,270 --> 00:06:28,778
What do you mean?

146
00:06:28,779 --> 00:06:31,096
Sometimes we get
just part of a haul,

147
00:06:31,098 --> 00:06:33,065
and we sit on the art so the
crooks don't know have a lead,

148
00:06:33,067 --> 00:06:35,617
and we keep it here while
we investigate the rest of it.

149
00:06:35,619 --> 00:06:37,286
And nobody knows
about it?

150
00:06:37,288 --> 00:06:41,456
Well, we keep a pretty tight
lid, our own secret museum.

151
00:06:41,458 --> 00:06:43,909
Impressive.
You bring dates here?

152
00:06:43,911 --> 00:06:45,210
No.

153
00:06:45,212 --> 00:06:48,313
Just... Once or twice.

154
00:06:48,315 --> 00:06:50,582
Fantastic. Gorgeous.

155
00:06:50,584 --> 00:06:52,617
I love you, agent Pike.
Everything we need.

156
00:06:52,619 --> 00:06:53,585
I'm gonna make you a list.

157
00:06:53,587 --> 00:06:55,504
We should be ready to roll
in about a week.

158
00:06:55,506 --> 00:06:57,806
Well, I — I don't want to
second-guess you, Mr. Jane,

159
00:06:57,808 --> 00:07:00,008
but if you want to use
these paintings as bait,

160
00:07:00,010 --> 00:07:02,144
the guy running this crew
knows a lot about art.

161
00:07:02,146 --> 00:07:03,729
He'll know this stuff
is stolen.

162
00:07:03,731 --> 00:07:06,982
Yes. That's the point.

163
00:07:18,277 --> 00:07:20,946
Good morning.

164
00:07:20,948 --> 00:07:22,147
Good morning.

165
00:07:22,149 --> 00:07:24,482
So, what's the plan
to catch these art thieves?

166
00:07:24,484 --> 00:07:28,486
Well, I am just as curious
as you are.

167
00:07:28,488 --> 00:07:31,356
Jane has been playing this real close
to his chest until he figures it out.

168
00:07:31,358 --> 00:07:34,459
He said he'll be here
to brief us any moment.

169
00:07:34,461 --> 00:07:35,827
You sure about that?

170
00:07:39,298 --> 00:07:40,498
Morning.

171
00:07:40,500 --> 00:07:42,517
Where's Jane?

172
00:07:42,519 --> 00:07:45,020
Still at the party house.
The party house?

173
00:07:45,022 --> 00:07:46,104
Wait till you see it.

174
00:07:46,106 --> 00:07:47,939
Uh, w—
this is his idea.

175
00:07:47,941 --> 00:07:49,775
How are we supposed to know
what to do

176
00:07:49,777 --> 00:07:51,643
if he's not here
to tell us?

177
00:07:51,645 --> 00:07:52,894
He gave me notes.

178
00:07:52,896 --> 00:07:54,229
Ah.

179
00:07:54,231 --> 00:07:56,898
Okay, very well.

180
00:07:56,900 --> 00:07:59,517
Please brief the team,
agent Wylie.

181
00:07:59,519 --> 00:08:01,119
Okay.

182
00:08:01,121 --> 00:08:03,288
Um, uh...

183
00:08:03,290 --> 00:08:05,057
Here we go.

184
00:08:05,059 --> 00:08:08,410
We want the leader of the gang,
the one who shot John Hennigan.

185
00:08:08,412 --> 00:08:12,530
To find him, we need to gain
the trust of Pulaski.

186
00:08:12,532 --> 00:08:15,700
So, we know he likes
to spend time

187
00:08:15,702 --> 00:08:17,502
at the his favorite bar.

188
00:08:17,504 --> 00:08:18,720
That's where we rope him.

189
00:08:18,722 --> 00:08:20,672
We need to plant some bugs
and cameras in the bar.

190
00:08:20,674 --> 00:08:23,558
Why?
So I can monitor it from here.

191
00:08:23,560 --> 00:08:24,726
You're our roper.

192
00:08:24,728 --> 00:08:28,146
Jane said you'd know
about boxing.

193
00:08:28,148 --> 00:08:29,598
Oh.

194
00:08:29,600 --> 00:08:32,818
Well, I never told him,
but, yes, I do.

195
00:08:32,820 --> 00:08:35,771
So does Pulaski.
That's a good place to start.

196
00:08:35,773 --> 00:08:38,907
Uh, I've got some tips for you,
if you, uh...

197
00:08:41,194 --> 00:08:43,728
But you — you probably know
what you're doing.

198
00:08:43,730 --> 00:08:44,946
You're the muscle.

199
00:08:44,948 --> 00:08:47,783
Jane said that you could handle
your own wardrobe.

200
00:08:47,785 --> 00:08:50,085
Yeah, I can do that.

201
00:08:50,087 --> 00:08:52,754
Uh, oh, Jane said
that the two of you

202
00:08:52,756 --> 00:08:54,039
could work out
the choreography.

203
00:08:54,041 --> 00:08:55,791
Oh, yeah.
That's easy.

204
00:08:55,793 --> 00:08:59,010
Lisbon is playing the
inside man — uh, uh, woman —

205
00:08:59,012 --> 00:09:01,880
inside woman, with Jane.

206
00:09:01,882 --> 00:09:03,432
He wants you to wear this.

207
00:09:09,722 --> 00:09:11,056
Yowza.

208
00:09:11,058 --> 00:09:12,641
It's a bit much,
isn't it?

209
00:09:12,643 --> 00:09:15,593
This is for you.

210
00:09:15,595 --> 00:09:18,263
Oh...

211
00:09:18,265 --> 00:09:20,315
You're the Face.

212
00:09:20,317 --> 00:09:24,369
Once Pulaski is at the party,
you lure him into the bedroom.

213
00:09:24,371 --> 00:09:25,987
Uh, Jane's got some ideas.

214
00:09:25,989 --> 00:09:28,039
Uh, yeah. Thanks.

215
00:09:28,041 --> 00:09:29,875
I think I've got it
under control.

216
00:09:29,877 --> 00:09:32,077
Then Jane and Lisbon
take over.

217
00:09:32,079 --> 00:09:33,444
And then what happens?

218
00:09:34,247 --> 00:09:35,664
Uh...

219
00:09:35,666 --> 00:09:38,783
"And then the fun
really starts."

220
00:09:41,971 --> 00:09:44,306
That's a direct quote.

221
00:10:09,749 --> 00:10:11,950
Hey. Lone star.

222
00:10:11,952 --> 00:10:13,668
We ready?

223
00:10:13,670 --> 00:10:15,253
Yeah.
It just started.

224
00:10:23,930 --> 00:10:25,597
Mm!

225
00:10:25,599 --> 00:10:27,182
God, uh —

226
00:10:27,184 --> 00:10:28,550
my man.
Mm?

227
00:10:28,552 --> 00:10:29,935
Hey, let me get
some of those.

228
00:10:31,522 --> 00:10:34,306
That's a nice
opening gambit.

229
00:10:34,308 --> 00:10:36,525
Well, how's that?
You see what he did there?

230
00:10:36,527 --> 00:10:38,643
He asked him
for some napkins. So?

231
00:10:38,645 --> 00:10:40,695
Jane told me
about this.

232
00:10:40,697 --> 00:10:42,864
You want someone to trust you,
you don't give them something.

233
00:10:42,866 --> 00:10:45,367
You get them to give you
something, even something small.

234
00:10:45,369 --> 00:10:46,701
It'll make them think
they've invested in you.

235
00:10:46,703 --> 00:10:48,686
It's all subconscious.

236
00:10:50,791 --> 00:10:54,125
Hey, my man, y'all showing the,
uh, Reynoso fight tomorrow?

237
00:10:54,127 --> 00:10:56,694
Oh, that's what's up.
Okay.

238
00:10:56,696 --> 00:10:58,413
Whoo, baby.

239
00:10:58,415 --> 00:11:01,499
My bookie is gonna be
weeping about that.

240
00:11:01,501 --> 00:11:03,285
Reynoso is going down.

241
00:11:03,287 --> 00:11:05,921
You know, that kid is
a little bit too fast for him.

242
00:11:05,923 --> 00:11:07,505
Don't waste
your money, bro.

243
00:11:07,507 --> 00:11:10,892
Kid's got speed, but he's got
no power and no chin.

244
00:11:11,811 --> 00:11:14,813
You think so, huh?

245
00:11:15,731 --> 00:11:17,399
Yeah.

246
00:11:18,851 --> 00:11:21,269
Look at these two.

247
00:11:21,271 --> 00:11:23,188
There's absolutely
no commitment.

248
00:11:23,190 --> 00:11:24,439
We're getting close.

249
00:11:24,441 --> 00:11:27,108
Now he just needs to move
that arm, and we're all good.

250
00:11:28,277 --> 00:11:31,413
I-it's guarding behavior.
Jane told me to watch for it.

251
00:11:31,415 --> 00:11:33,949
He moves that arm, it means
he's comfortable with Abbott.

252
00:11:33,951 --> 00:11:35,951
Maybe he's not
gonna do it.

253
00:11:35,953 --> 00:11:38,453
No, he's gonna do it.
Watch.

254
00:11:40,172 --> 00:11:41,506
There you go.

255
00:11:41,508 --> 00:11:42,740
Cool.

256
00:11:42,742 --> 00:11:45,710
I'll let Jane know
the mark has been roped.

257
00:11:52,936 --> 00:11:54,636
Okay.
All right.

258
00:11:56,588 --> 00:11:57,889
Mm.

259
00:12:00,694 --> 00:12:02,227
All right, let me finish.
Yeah, all right.

260
00:12:02,229 --> 00:12:04,312
Okay, so —
so, I've got him.

261
00:12:04,314 --> 00:12:06,564
I got him up against
the ropes, and I — bam! —

262
00:12:06,566 --> 00:12:07,899
pop him in the liver.

263
00:12:07,901 --> 00:12:11,152
The sucker folds in half
like a deck chair.

264
00:12:12,823 --> 00:12:14,489
It was perfect.

265
00:12:14,491 --> 00:12:15,790
There's nothing
like a liver shot

266
00:12:15,792 --> 00:12:17,909
to make a grown man
call for his mama.

267
00:12:17,911 --> 00:12:19,327
Ain't that the truth?
Right?

268
00:12:19,329 --> 00:12:20,378
You want another shot?

269
00:12:20,380 --> 00:12:23,131
Hey, line 'em up, man.
Two.

270
00:12:26,753 --> 00:12:29,971
That was perfect.

271
00:12:29,973 --> 00:12:32,390
Absolutely.

272
00:12:35,978 --> 00:12:39,514
Perfect. Oh, man.

273
00:12:42,302 --> 00:12:45,636
That is perfect.

274
00:12:45,638 --> 00:12:48,690
Oh, man.
Look at these guys!

275
00:12:48,692 --> 00:12:51,493
You have
an annoying laugh.

276
00:12:51,495 --> 00:12:54,112
What's that?

277
00:12:54,114 --> 00:12:56,197
A loud, annoying laugh.
You made me miss my shot.

278
00:12:56,199 --> 00:12:58,816
Hey, man, you miss,
you lose. Live with it.

279
00:12:58,818 --> 00:13:00,535
Don't touch the money!

280
00:13:00,537 --> 00:13:01,836
Hey, brother,
take my advice.

281
00:13:01,838 --> 00:13:03,672
Get out of my face
and go back to your game.

282
00:13:03,674 --> 00:13:05,924
I'm not your brother.
And what are you looking at?

283
00:13:06,658 --> 00:13:08,376
Whoa! Hey, hey!

284
00:13:09,962 --> 00:13:12,597
What's wrong with you,
man?

285
00:13:14,016 --> 00:13:15,550
Aw, hell, no!

286
00:13:15,552 --> 00:13:16,885
Oh.

287
00:13:16,887 --> 00:13:19,688
Yeah, you better run.

288
00:13:19,690 --> 00:13:24,225
That dude is crazy!

289
00:13:24,227 --> 00:13:25,560
Yeah,
you got that right.

290
00:13:25,562 --> 00:13:27,845
My laugh
is not annoying.

291
00:13:29,066 --> 00:13:30,982
Well, I guess we have to find
another place to drink.

292
00:13:31,902 --> 00:13:33,902
This yours?

293
00:13:33,904 --> 00:13:35,904
Yeah. Why?
You need a lift?

294
00:13:35,906 --> 00:13:38,656
Yeah.

295
00:13:38,658 --> 00:13:39,958
All right. Come on.

296
00:13:39,960 --> 00:13:41,576
Thanks.

297
00:14:01,431 --> 00:14:03,231
Whew! We're here.

298
00:14:03,233 --> 00:14:05,716
This is
our new drinking place?

299
00:14:05,718 --> 00:14:08,069
Yeah.
It's my boss's house.

300
00:14:08,071 --> 00:14:09,720
Swag.

301
00:14:16,563 --> 00:14:18,229
If you don't mind
me asking,

302
00:14:18,231 --> 00:14:19,531
what line of business
you in?

303
00:14:19,533 --> 00:14:21,232
Whatever needs doing.

304
00:14:23,754 --> 00:14:25,403
Hey!

305
00:14:25,405 --> 00:14:27,172
Dennis, you wicked man.

306
00:14:27,174 --> 00:14:29,290
Where have you been?

307
00:14:29,292 --> 00:14:31,075
And who is
this handsome brute?

308
00:14:31,077 --> 00:14:34,129
Uh, Teresa,
this is my friend Aaron.

309
00:14:34,131 --> 00:14:35,597
Fabulous to meet you,
Aaron.

310
00:14:35,599 --> 00:14:37,348
Any friend of Dennis.
Come on in.

311
00:14:51,566 --> 00:14:57,304
Dennis, you old rascal.
I am so glad you came.

312
00:14:58,957 --> 00:15:00,457
And who do we have here?

313
00:15:00,459 --> 00:15:02,926
Uh, this is
my friend Aaron.

314
00:15:02,928 --> 00:15:04,394
Aaron,
pleasure to meet you.

315
00:15:05,079 --> 00:15:06,079
Pisces?

316
00:15:06,081 --> 00:15:08,031
Uh, no. Sagittarius.

317
00:15:08,033 --> 00:15:10,583
Ah. Close, but no cigar.
I like you anyway.

318
00:15:10,585 --> 00:15:12,669
And you can relax,

319
00:15:12,671 --> 00:15:15,538
make yourself at home,
grab a drink.

320
00:15:15,540 --> 00:15:19,459
Oh, isn't he fabulous?
Such a mean face.

321
00:15:19,461 --> 00:15:21,628
Mm, yeah.
There it is.

322
00:15:21,630 --> 00:15:24,547
Down, girl.

323
00:15:24,549 --> 00:15:25,748
You're doing very well.

324
00:15:25,750 --> 00:15:27,517
Just a little, uh —
a little big.

325
00:15:27,519 --> 00:15:28,518
Big? Really?

326
00:15:28,520 --> 00:15:30,103
Yeah, try a little less
Joan Crawford

327
00:15:30,105 --> 00:15:31,471
and a little more
Barbara Stanwyck.

328
00:15:31,473 --> 00:15:32,889
I don't even know
what that means.

329
00:15:32,891 --> 00:15:35,975
Look, I can't walk, and
you're giving me acting tips?

330
00:15:35,977 --> 00:15:37,644
Just stay upright.
Keep smiling.

331
00:15:37,646 --> 00:15:40,146
I can't breathe
in this dress.

332
00:15:40,148 --> 00:15:42,982
Can you pass the rice,
please?

333
00:15:42,984 --> 00:15:44,367
Where did the house
come from?

334
00:15:44,369 --> 00:15:48,038
Mm, it's a drug forfeiture,
on loan from the D.E.A.

335
00:15:48,040 --> 00:15:51,624
So, what's the story
with Jane and Lisbon?

336
00:15:51,626 --> 00:15:52,775
She was working

337
00:15:52,777 --> 00:15:54,627
for the California Bureau
of Investigation

338
00:15:54,629 --> 00:15:56,663
in Sacramento, and then
his wife and child were —

339
00:15:56,665 --> 00:15:58,631
No, I mean,
are they in a relationship?

340
00:15:58,633 --> 00:16:00,383
A couple?
No, no.

341
00:16:00,385 --> 00:16:02,585
I used to think so,
but they're not.

342
00:16:02,587 --> 00:16:03,837
I don't think.

343
00:16:05,590 --> 00:16:06,973
How's it going?

344
00:16:06,975 --> 00:16:09,625
Going good.
You got a nice right cross.

345
00:16:09,627 --> 00:16:11,294
Thanks.
We just ate.

346
00:16:11,296 --> 00:16:12,356
There's some vindaloo left,
I think, if you want.

347
00:16:12,381 --> 00:16:13,848
No, I'm good.

348
00:16:13,849 --> 00:16:16,799
So, Abbott roped the mark,
got him to the party.

349
00:16:16,801 --> 00:16:18,818
He's met the inside man —
Jane, that is.

350
00:16:18,820 --> 00:16:19,853
Now we're just
waiting on the Face

351
00:16:19,855 --> 00:16:21,521
to lure the mark
to the bedroom.

352
00:16:21,523 --> 00:16:22,939
Has he been talking
like this all night?

353
00:16:22,941 --> 00:16:24,324
Yeah.

354
00:16:24,326 --> 00:16:25,658
Ah, here we go.

355
00:16:31,416 --> 00:16:33,750
Hey, now.

356
00:16:33,752 --> 00:16:36,202
"Hey, now," yourself.

357
00:16:36,204 --> 00:16:38,004
What's your name,
sweetheart?

358
00:16:38,006 --> 00:16:39,756
Kim.

359
00:16:39,758 --> 00:16:41,424
Aaron.

360
00:16:41,426 --> 00:16:45,378
You are smoking hot.

361
00:16:45,380 --> 00:16:47,764
You're like a damn fire hazard
walking around here.

362
00:16:47,766 --> 00:16:49,182
Oh, hush.

363
00:16:49,184 --> 00:16:51,184
No, for real.

364
00:16:54,605 --> 00:16:57,273
The eagle has landed.

365
00:17:03,114 --> 00:17:05,064
We only just met.

366
00:17:05,066 --> 00:17:07,700
Oh, I feel like
we've known each other so long.

367
00:17:09,403 --> 00:17:11,404
Perhaps we hooked up
in a previous life.

368
00:17:11,406 --> 00:17:15,992
Oh... You mean like
you were Napoleon

369
00:17:15,994 --> 00:17:17,660
and I was Josephine?

370
00:17:17,662 --> 00:17:20,163
I was thinking more like
Mickey Rourke and Kim Basinger,

371
00:17:20,165 --> 00:17:21,364
you know
what I'm saying?

372
00:17:21,366 --> 00:17:27,420
You are
a very naughty boy.

373
00:17:58,735 --> 00:18:02,956
Whoa, whoa.
Slow down there, cowboy.

374
00:18:02,958 --> 00:18:05,741
What's the matter, baby?
Come here.

375
00:18:05,743 --> 00:18:08,511
Uh, when I said,
"make yourselves at home,"

376
00:18:08,513 --> 00:18:10,296
uh, that's not exactly
what I meant.

377
00:18:10,298 --> 00:18:12,048
That's — that's my bed.

378
00:18:12,050 --> 00:18:13,249
I'm sorry, man.

379
00:18:13,251 --> 00:18:15,418
You see a chance like this
you take it.

380
00:18:15,420 --> 00:18:18,471
Kim, really?
You have no self-control.

381
00:18:18,473 --> 00:18:19,522
Out.

382
00:18:19,524 --> 00:18:21,641
Sorry, boss.

383
00:18:21,643 --> 00:18:24,760
Anything that moves.

384
00:18:26,264 --> 00:18:28,431
What the hell?

385
00:18:28,433 --> 00:18:29,732
Is that a Van Gogh?

386
00:18:29,734 --> 00:18:33,152
I'd never have pegged you
as an art lover.

387
00:18:33,154 --> 00:18:34,320
It's a fake.

388
00:18:37,625 --> 00:18:38,908
All of it?

389
00:18:38,910 --> 00:18:40,109
Yeah, afraid so.

390
00:18:40,111 --> 00:18:42,879
I couldn't afford them
if they were real.

391
00:18:42,881 --> 00:18:46,583
What is it that you do?
I mean for money?

392
00:18:46,585 --> 00:18:48,451
Software.

393
00:18:48,453 --> 00:18:49,619
Software?
Mm-hmm.

394
00:18:49,621 --> 00:18:51,838
Haven't seen a computer
in your whole house.

395
00:18:53,724 --> 00:18:56,959
Never take your work home
with you.

396
00:18:56,961 --> 00:18:58,344
Key to a happy life.

397
00:18:59,964 --> 00:19:03,433
Let's go downstairs,
have some fun.

398
00:19:07,488 --> 00:19:10,273
Hey. It's Pulaski.

399
00:19:10,275 --> 00:19:12,575
I think
I've found something.

400
00:19:12,577 --> 00:19:15,745
Nope. You're gonna
want to see this yourself.

401
00:19:19,200 --> 00:19:22,752
Thanks for the party.
I had a great time.

402
00:19:22,754 --> 00:19:24,754
You get her home safe.

403
00:19:25,789 --> 00:19:27,990
I can take her home.

404
00:19:27,992 --> 00:19:32,328
Uh...
Maybe in the next life.

405
00:19:32,330 --> 00:19:34,464
Right.

406
00:19:36,267 --> 00:19:38,501
Looks like your ride
ditched you.

407
00:19:40,054 --> 00:19:41,688
Can I call you a car?

408
00:19:41,690 --> 00:19:43,839
No, I'm good.

409
00:19:43,841 --> 00:19:45,308
Thanks for the party.

410
00:19:45,310 --> 00:19:47,009
My pleasure.

411
00:19:57,988 --> 00:20:01,374
Patrick?
Are you up there?

412
00:20:01,376 --> 00:20:04,527
Everybody's gone.

413
00:20:12,903 --> 00:20:17,206
I'm sorry.
The party's over.

414
00:20:17,208 --> 00:20:18,758
Where did you
get this painting?

415
00:20:18,760 --> 00:20:21,227
Uh, my boyfriend will know.
He's on his way up.

416
00:20:21,229 --> 00:20:24,647
All right, fellas,
what's the situation?

417
00:20:24,649 --> 00:20:27,233
Well, Pulaski left a sliding
door open before he left,

418
00:20:27,235 --> 00:20:29,719
and this guy
came through it.

419
00:20:29,721 --> 00:20:32,238
We got a name?
I'm working on it.

420
00:20:34,908 --> 00:20:38,911
Oh, I keep finding strangers
in my bedroom.

421
00:20:38,913 --> 00:20:41,055
Guess it was
a good party.

422
00:20:41,056 --> 00:20:42,036
You all right,
Teresa?

423
00:20:42,037 --> 00:20:43,324
I am
now that you're here.

424
00:20:43,325 --> 00:20:44,725
He wants to know
about the painting.

425
00:20:44,728 --> 00:20:45,869
It's a fake.

426
00:20:45,870 --> 00:20:48,738
Uh, no, it isn't.
It's the real McCoy.

427
00:20:48,740 --> 00:20:50,289
It was stolen
two years ago.

428
00:20:50,291 --> 00:20:52,291
Really?

429
00:20:52,293 --> 00:20:55,545
Yeah. So...

430
00:20:55,547 --> 00:20:57,630
What's the deal?

431
00:20:57,632 --> 00:21:00,016
Uh... I don't know
that we've met.

432
00:21:00,018 --> 00:21:01,467
I'm — I'm Patrick.

433
00:21:02,603 --> 00:21:04,937
And this is Teresa.

434
00:21:04,939 --> 00:21:06,606
Hi.

435
00:21:06,608 --> 00:21:10,360
MacKaye.

436
00:21:10,362 --> 00:21:12,145
Huh.

437
00:21:12,147 --> 00:21:14,530
I'll cross-reference the name
"MacKaye" with the picture.

438
00:21:17,535 --> 00:21:19,786
Edwin MacKaye, a Dallas
resident, business owner.

439
00:21:19,788 --> 00:21:21,154
He owns
some local restaurants,

440
00:21:21,156 --> 00:21:22,872
fast-food joints,
that kind of thing.

441
00:21:22,874 --> 00:21:25,041
Cash business — that's good
for money laundering.

442
00:21:25,043 --> 00:21:25,992
Criminal record?

443
00:21:25,994 --> 00:21:29,779
No. He's clean.
Ex-military.

444
00:21:29,781 --> 00:21:32,582
Oh, and look —
a minor in art history.

445
00:21:32,584 --> 00:21:33,949
Ooh, that's our boy.

446
00:21:33,951 --> 00:21:35,968
If Jane's theory
is right,

447
00:21:35,970 --> 00:21:37,754
then he should be
the leader of the gang,

448
00:21:37,756 --> 00:21:39,972
which means he's the one
that killed Hennigan.

449
00:21:39,974 --> 00:21:42,892
Okay, cut the cute stuff.
You stole these.

450
00:21:42,894 --> 00:21:46,429
It's what you do.
I mean, these are all stolen.

451
00:21:46,431 --> 00:21:48,765
How do you know
so much about it?

452
00:21:48,767 --> 00:21:50,149
Are you a cop?

453
00:21:50,151 --> 00:21:52,602
Oh, don't you get it?

454
00:21:52,604 --> 00:21:54,804
This gentleman's
one of us.

455
00:21:54,806 --> 00:21:57,306
He doesn't look
like one of us.

456
00:21:57,308 --> 00:22:00,359
No. He's a heavy,
a shooter.

457
00:22:00,361 --> 00:22:02,695
I'm direct.

458
00:22:02,697 --> 00:22:04,497
And you're one of those
grifter types, huh?

459
00:22:04,499 --> 00:22:06,416
You, uh, prefer tricks?

460
00:22:07,251 --> 00:22:08,484
You could say that.

461
00:22:08,486 --> 00:22:11,621
Eh. Never saw a trick
that could beat a bullet.

462
00:22:11,623 --> 00:22:14,090
Well, it's always nice to
get tips from the competition.

463
00:22:14,092 --> 00:22:16,843
Oh, I-I don't have
competition.

464
00:22:16,845 --> 00:22:18,828
See,
Texas is my territory.

465
00:22:18,830 --> 00:22:21,163
You've got to go
someplace else.

466
00:22:21,165 --> 00:22:22,998
I hear Miami's hot.

467
00:22:23,000 --> 00:22:27,303
Are you saying this town ain't
big enough for the two of us?

468
00:22:27,305 --> 00:22:30,940
Yeah.

469
00:22:30,942 --> 00:22:32,892
I'm not playing
with you.

470
00:22:32,894 --> 00:22:35,177
Oh, I get it. But I think
you're a businessman.

471
00:22:35,179 --> 00:22:37,346
Now, you can try to
run us out of town,

472
00:22:37,348 --> 00:22:40,700
or maybe you can stop and think
about what brought us to town.

473
00:22:40,702 --> 00:22:42,201
You got a job planned?

474
00:22:42,203 --> 00:22:43,569
A big one.
Mm.

475
00:22:43,571 --> 00:22:44,787
The Vermeer at the DMA?

476
00:22:44,789 --> 00:22:46,622
Lousy escape routes.

477
00:22:46,624 --> 00:22:48,991
Hmm.
The Hirst sculpture?

478
00:22:48,993 --> 00:22:50,243
Too heavy.

479
00:22:52,329 --> 00:22:54,497
Violets.

480
00:22:54,499 --> 00:22:57,333
Give the man a cigar.
He's a sharp one.

481
00:22:57,335 --> 00:23:00,753
Well, I guess you've got
three options.

482
00:23:00,755 --> 00:23:03,172
You can cut me in
on the job,

483
00:23:03,174 --> 00:23:05,808
you can get out of town
tonight,

484
00:23:05,810 --> 00:23:08,043
or I just hurt
the two of you badly.

485
00:23:08,045 --> 00:23:09,061
What do you think?

486
00:23:09,063 --> 00:23:10,429
You know, you should have
been a salesman.

487
00:23:10,431 --> 00:23:11,597
What do you say,
darling?

488
00:23:11,599 --> 00:23:13,399
Are we gonna cut this thug in
on our plan?

489
00:23:13,401 --> 00:23:16,402
It's better than him
hurting us badly.

490
00:23:20,440 --> 00:23:22,742
Welcome to the team.

491
00:24:14,376 --> 00:24:15,675
This is Pike.

492
00:24:15,677 --> 00:24:17,176
Hey. It's Lisbon.

493
00:24:17,178 --> 00:24:19,328
I'm just checking in
before I go to bed.

494
00:24:19,330 --> 00:24:23,082
Okay, well, we, uh —
we shut down the inside cameras,

495
00:24:23,084 --> 00:24:24,517
so you don't have to worry
about any more prying eyes.

496
00:24:24,519 --> 00:24:27,020
And, just so you know, there
is someone outside the house.

497
00:24:27,022 --> 00:24:28,938
We're guessing it's another one
of MacKaye's crew.

498
00:24:28,940 --> 00:24:31,224
Huh. Well, that's gonna
make me sleep better.

499
00:24:31,226 --> 00:24:33,175
No, we've got eyes on him.
Don't worry.

500
00:24:33,177 --> 00:24:36,029
You're safe.
I wouldn't lie to you.

501
00:24:36,031 --> 00:24:37,981
That's a nice
change of pace.

502
00:24:37,983 --> 00:24:40,900
I feel like everything
I've done today is a lie.

503
00:24:40,902 --> 00:24:44,070
Well, you were, uh —
you were real good.

504
00:24:44,072 --> 00:24:46,188
I learned
from the best.

505
00:24:46,190 --> 00:24:51,527
I'm starving, and there's
nothing to eat in this house.

506
00:24:51,529 --> 00:24:52,862
Well, that's a shame.

507
00:24:52,864 --> 00:24:55,197
There's a pretty good diner
just down the street from you —

508
00:24:55,199 --> 00:24:57,199
biscuits and gravy,
if that's your thing.

509
00:24:57,201 --> 00:24:58,701
Not really.

510
00:24:58,703 --> 00:25:00,587
All right, well,
what about pancakes?

511
00:25:00,589 --> 00:25:03,623
I could go
for some pancakes.

512
00:25:03,625 --> 00:25:07,093
They have about six kinds —
chocolate chip, banana,

513
00:25:07,095 --> 00:25:08,194
all that good stuff.

514
00:25:08,196 --> 00:25:10,396
Now you're just
trying to torture me.

515
00:25:10,398 --> 00:25:12,515
Maybe.
Just a little bit.

516
00:25:12,517 --> 00:25:14,100
I could have some
sent over to you.

517
00:25:14,102 --> 00:25:16,986
You said there's a guy
watching the house, remember?

518
00:25:16,988 --> 00:25:18,721
Yeah, you're right.
I won't tease you anymore.

519
00:25:18,723 --> 00:25:20,106
I won't even mention
the waffles.

520
00:25:20,108 --> 00:25:21,908
I'm gonna go downstairs

521
00:25:21,910 --> 00:25:24,444
and see if there's some canapés
left from the party.

522
00:25:24,446 --> 00:25:25,912
All right, well,
I don't know what a canapé is.

523
00:25:25,914 --> 00:25:28,865
But bon appétit.
Good night, Lisbon.

524
00:25:28,867 --> 00:25:30,550
Good night.

525
00:25:38,742 --> 00:25:40,293
Fischer.

526
00:25:40,295 --> 00:25:42,845
Good job on getting Pulaski
to the bedroom.

527
00:25:42,847 --> 00:25:45,632
Candy from a baby.
How did we do?

528
00:25:45,634 --> 00:25:47,133
This guy paid
Jane and Lisbon a visit

529
00:25:47,135 --> 00:25:48,885
after the party was over —
Edwin MacKaye.

530
00:25:48,887 --> 00:25:50,207
Looks like he's the one
who killed Hennigan.

531
00:25:50,232 --> 00:25:51,254
So what's our next move?

532
00:25:51,255 --> 00:25:53,606
Jane's plan's working so far,
so we stick with it.

533
00:25:53,608 --> 00:25:55,274
Yeah. I want you to handle the takedown.
It's gonna be dangerous.

534
00:25:55,276 --> 00:25:57,110
You got it.
All right.

535
00:25:57,112 --> 00:26:00,697
Fischer, I want you
to handle the streets.

536
00:26:00,699 --> 00:26:04,200
Jane gave us a list of things
that he needs.

537
00:26:05,452 --> 00:26:07,153
A marching band?

538
00:26:07,155 --> 00:26:10,073
Yeah. A marching band.

539
00:26:10,075 --> 00:26:12,158
Yes, sir.

540
00:26:18,332 --> 00:26:21,334
Well, you just love
popping up places, don't you?

541
00:26:21,336 --> 00:26:22,669
Let's go.

542
00:26:22,671 --> 00:26:25,621
And good morning
to you, too.

543
00:26:26,890 --> 00:26:29,058
Shotgun.

544
00:26:42,356 --> 00:26:46,526
Manet painted it as
a gift for his brother's wife,

545
00:26:46,528 --> 00:26:49,145
his forbidden love.

546
00:26:49,147 --> 00:26:50,947
He couldn't express
his love to her in words,

547
00:26:50,949 --> 00:26:54,534
so he did it a different way —
with a painting.

548
00:26:54,536 --> 00:26:57,175
It's worth maybe $100 million
if it ever went to auction.

549
00:26:57,176 --> 00:26:57,706
Mm.

550
00:26:57,707 --> 00:26:59,155
You have someone
who wants it?

551
00:26:59,157 --> 00:27:00,590
We've got a customer
lined up.

552
00:27:00,592 --> 00:27:02,158
How much?
$5 million.

553
00:27:02,160 --> 00:27:03,793
50/50 split.

554
00:27:06,213 --> 00:27:07,663
Fair enough.

555
00:27:07,665 --> 00:27:10,183
Now, you've probably
got some, uh,

556
00:27:10,185 --> 00:27:11,934
cute, little plan
to get us in and out,

557
00:27:11,936 --> 00:27:13,636
no fuss, no muss, huh?

558
00:27:13,638 --> 00:27:16,856
Well, I do like to keep
my muss to a minimum.

559
00:27:16,858 --> 00:27:18,841
I don't do cute.

560
00:27:18,843 --> 00:27:21,194
Tricks, cleverness —
it's a waste of time.

561
00:27:21,196 --> 00:27:22,695
You'd be surprised.

562
00:27:22,697 --> 00:27:24,313
Ah, fast and simple.

563
00:27:24,315 --> 00:27:25,948
That's the way
to do things.

564
00:27:25,950 --> 00:27:28,017
And you're the one
behind the wheel.

565
00:27:28,019 --> 00:27:29,351
This is the part
I don't understand.

566
00:27:29,353 --> 00:27:30,987
We're not gonna rob
the museum.

567
00:27:30,989 --> 00:27:32,488
No.
Why not?

568
00:27:32,490 --> 00:27:35,357
I mean, he robs the painting
from the museum,

569
00:27:35,359 --> 00:27:37,693
we catch him red-handed,
case closed, we all go home.

570
00:27:37,695 --> 00:27:39,579
But then we wouldn't
be able to prove

571
00:27:39,581 --> 00:27:41,380
that he murdered
John Hennigan.

572
00:27:41,382 --> 00:27:44,801
Besides, Jane said that MacKaye
doesn't want to rob the museum.

573
00:27:44,803 --> 00:27:46,469
Then why is he at the museum
with Jane?

574
00:27:46,471 --> 00:27:49,055
'Cause he wants to get Jane
and Lisbon out of the house.

575
00:27:49,057 --> 00:27:51,507
That's okay, 'cause we know
what they're gonna do next.

576
00:29:02,379 --> 00:29:05,248
Well, damn.

577
00:29:41,668 --> 00:29:44,086
So, they hid
all the paintings.

578
00:29:44,088 --> 00:29:45,621
Yep.

579
00:29:45,623 --> 00:29:47,156
Thinks he's smart.

580
00:29:47,158 --> 00:29:48,958
Thinks he's pulling one
over on me.

581
00:29:48,960 --> 00:29:51,127
So, what do we do?

582
00:29:51,129 --> 00:29:54,513
We hit them — the old-fashioned
way, hard and fast.

583
00:29:54,515 --> 00:29:56,299
I figure four minutes.

584
00:29:56,301 --> 00:29:58,184
We get in, we open the safe,
we get out.

585
00:29:58,186 --> 00:30:00,169
And what if
this Patrick guy stalls

586
00:30:00,171 --> 00:30:01,938
in giving us
the combinations?

587
00:30:01,940 --> 00:30:05,558
Well, he acts like
he doesn't care about anything,

588
00:30:05,560 --> 00:30:07,894
but I see the way
he looks at his girlfriend.

589
00:30:07,896 --> 00:30:10,313
See, that —
that's the soft spot.

590
00:30:10,315 --> 00:30:12,198
He gives us any trouble,

591
00:30:12,200 --> 00:30:15,517
I shoot the brunette
in the head.

592
00:30:28,182 --> 00:30:30,049
We need to keep
at least one of them alive

593
00:30:30,051 --> 00:30:31,383
until we get
the safe open.

594
00:30:31,385 --> 00:30:34,386
After that, if one of them
gets in the way,

595
00:30:34,388 --> 00:30:36,272
it's open season.

596
00:30:58,078 --> 00:30:59,929
Up, now!

597
00:30:59,931 --> 00:31:02,081
Whoa, sorry.
Didn't hear the doorbell.

598
00:31:02,083 --> 00:31:03,049
No talking.

599
00:31:03,051 --> 00:31:04,350
To the bedroom —
now.

600
00:31:04,352 --> 00:31:07,252
Stay with her.
If I give the word, kill her.

601
00:31:07,254 --> 00:31:08,253
Let's go!

602
00:31:08,255 --> 00:31:11,423
I'll be back in two shakes,
babe.

603
00:31:11,425 --> 00:31:13,092
Move.

604
00:31:13,094 --> 00:31:14,810
Oh, so demanding.

605
00:31:17,197 --> 00:31:18,864
Would you like
a drink?

606
00:31:18,866 --> 00:31:21,450
We have some champagne
right here.

607
00:31:25,405 --> 00:31:27,907
Don't say a word.
Drop the gun now.

608
00:31:38,168 --> 00:31:41,637
Open the safe.

609
00:31:41,639 --> 00:31:43,339
Oh, you know
about the safe.

610
00:31:43,341 --> 00:31:45,891
That's a depressing
development.

611
00:31:49,680 --> 00:31:51,013
Faster!

612
00:31:51,015 --> 00:31:55,818
Yeah, slow and steady
opens the safe.

613
00:32:02,826 --> 00:32:06,946
Voilà.

614
00:32:10,367 --> 00:32:13,202
Here.

615
00:32:22,045 --> 00:32:24,463
Hold on.
What?

616
00:32:25,999 --> 00:32:28,801
I don't like
the look on his face.

617
00:32:35,525 --> 00:32:37,560
Tracking device, yeah?

618
00:32:39,112 --> 00:32:40,563
You think I'm stupid?

619
00:32:40,565 --> 00:32:43,115
Ask me that question again
when you don't have a gun.

620
00:32:47,871 --> 00:32:50,656
Okay.

621
00:32:52,125 --> 00:32:53,909
You stay up here for
a full minute after we're gone.

622
00:32:53,911 --> 00:32:54,994
You understand?

623
00:32:54,996 --> 00:32:56,662
Yep.

624
00:33:01,084 --> 00:33:04,170
One, Mississippi...

625
00:33:07,974 --> 00:33:09,892
Shouldn't have came back,
fellas.

626
00:33:09,894 --> 00:33:12,645
Now, why don't you put the
guns down so we can discuss it?

627
00:33:21,554 --> 00:33:23,072
Bastard.

628
00:33:38,171 --> 00:33:39,622
He's in the back!

629
00:35:06,492 --> 00:35:08,177
Hey!

630
00:35:14,167 --> 00:35:16,168
Okay.

631
00:35:16,170 --> 00:35:19,338
2235 Fritz Street,
off Singleton.

632
00:35:19,340 --> 00:35:21,190
Yes, sir.

633
00:35:37,157 --> 00:35:39,658
Keep the change.
Thanks. Have a nice day.

634
00:36:13,410 --> 00:36:17,112
FBI! Put your hands
on your head!

635
00:36:17,114 --> 00:36:19,915
Do it now!

636
00:36:27,173 --> 00:36:30,209
All right.

637
00:36:30,211 --> 00:36:33,062
Let's be very clear
about something.

638
00:36:33,064 --> 00:36:35,681
We don't need you
to say anything.

639
00:36:35,683 --> 00:36:38,250
We already have the rest
of your crew in custody.

640
00:36:38,252 --> 00:36:41,220
We have FBI witnesses
for armed robbery,

641
00:36:41,222 --> 00:36:44,723
assault, kidnapping.

642
00:36:44,725 --> 00:36:47,893
We have enough stolen art
to start a museum.

643
00:36:47,895 --> 00:36:50,679
And, best of all,

644
00:36:50,681 --> 00:36:53,866
we have the paintings that prove
you killed John Hennigan.

645
00:36:53,868 --> 00:36:56,035
Lawyer.

646
00:36:56,037 --> 00:36:58,821
Lawyer.

647
00:36:58,823 --> 00:37:01,206
Well, um,
that is your right.

648
00:37:01,208 --> 00:37:04,410
Oh, what song was the marching
band playing, by the way?

649
00:37:04,412 --> 00:37:05,994
Hmm?

650
00:37:05,996 --> 00:37:08,113
The marching band that,
uh, blocked off the alleyway.

651
00:37:08,115 --> 00:37:09,415
What song
were they playing?

652
00:37:09,417 --> 00:37:11,166
What are you
talking about?

653
00:37:11,168 --> 00:37:13,552
Well, I requested
"The Yellow Rose of Texas."

654
00:37:13,554 --> 00:37:15,421
Were they playing
"The Yellow Rose of Texas"?

655
00:37:24,647 --> 00:37:27,933
The garbage truck, the marching
band — you did all that?

656
00:37:31,821 --> 00:37:35,441
You steered me
to the cab, huh?

657
00:37:35,443 --> 00:37:37,109
The illusion of control.

658
00:37:37,111 --> 00:37:40,312
It made you feel safe enough to
go where you kept the paintings.

659
00:37:40,314 --> 00:37:43,815
Now, unless you have
any further questions

660
00:37:43,817 --> 00:37:46,535
about how I played you
like a big, old bassoon,

661
00:37:46,537 --> 00:37:49,838
I have someplace...
fabulous to go.

662
00:37:53,293 --> 00:37:56,261
Au revoir.

663
00:38:01,267 --> 00:38:03,668
Yum.

664
00:38:03,670 --> 00:38:04,887
What's this?

665
00:38:04,889 --> 00:38:06,889
It's case-closed pizza.
It's an old tradition.

666
00:38:06,891 --> 00:38:08,557
Thought
I'd bring it back.

667
00:38:08,559 --> 00:38:11,143
Huh. Next time,
it's on me.

668
00:38:11,145 --> 00:38:12,811
Deal.

669
00:38:14,447 --> 00:38:15,647
How is it?

670
00:38:17,534 --> 00:38:19,034
It's all right.

671
00:38:19,036 --> 00:38:21,686
You probably like that
Chicago-style stuff, right?

672
00:38:21,688 --> 00:38:23,572
Pizza's pizza.

673
00:38:23,574 --> 00:38:26,458
Mm. I'm not really
in the mood for pizza.

674
00:38:26,460 --> 00:38:28,160
You know
what sounds good?

675
00:38:28,162 --> 00:38:30,297
Those pancakes
we were talking about before.

676
00:38:30,322 --> 00:38:31,714
Those did sound good.

677
00:38:31,715 --> 00:38:33,549
Do you want to go?
Right now?

678
00:38:33,551 --> 00:38:35,551
Yeah.

679
00:38:35,553 --> 00:38:37,536
Dinner is the best time
for breakfast.

680
00:38:37,538 --> 00:38:39,254
What do you say?

681
00:38:41,391 --> 00:38:44,709
That's really sweet,
but...

682
00:38:44,711 --> 00:38:46,845
Look, if you don't
want to go, just say so.

683
00:38:46,847 --> 00:38:48,680
We're cool. It's good.

684
00:38:48,682 --> 00:38:50,065
But I like you,

685
00:38:50,067 --> 00:38:51,350
and I think you're a hell
of a good-looking woman,

686
00:38:51,352 --> 00:38:53,101
and I'd love
to get to know you better.

687
00:38:55,405 --> 00:38:56,738
Let's do it.

688
00:38:56,740 --> 00:38:57,856
Let's go.

689
00:38:57,858 --> 00:39:00,526
All right.

690
00:39:06,616 --> 00:39:09,117
Excuse me.
I was told to come here.

691
00:39:09,119 --> 00:39:11,253
Oh, yes.
Please, come in.

692
00:39:12,755 --> 00:39:14,906
Is it true you got the man
who killed John?

693
00:39:14,908 --> 00:39:18,377
Yes, I did,
and I also got this.

694
00:39:30,423 --> 00:39:32,858
Don't — don't they need it
for the trial?

695
00:39:32,860 --> 00:39:35,227
Oh, no.
Don't worry about that.

696
00:39:39,265 --> 00:39:42,284
It's true
what you said.

697
00:39:42,286 --> 00:39:43,935
He's, um...

698
00:39:43,937 --> 00:39:46,788
He's still here.

699
00:39:55,415 --> 00:39:57,466
Okay, so,
where are we going?

700
00:39:59,168 --> 00:40:00,785
Ah.

701
00:40:00,787 --> 00:40:03,255
Um... Well — uh, y—

702
00:40:03,257 --> 00:40:06,091
Oh, no, no. You —
you kids go ahead and have fun.

703
00:40:06,093 --> 00:40:08,460
Good night, Jane.

704
00:40:08,462 --> 00:40:10,846
Good night.
Okay.

705
00:40:10,848 --> 00:40:12,898
Have fun.

706
00:40:19,179 --> 00:40:24,179
== sync, corrected by elderman ==
@elder_man