1
00:00:02,134 --> 00:00:03,157
Dancing babies.

2
00:00:03,234 --> 00:00:04,756
Dancing babies.
I love it. I love it.

3
00:00:04,833 --> 00:00:07,958
We are making a commercial
for Dunder Mifflin today,

4
00:00:08,034 --> 00:00:09,364
our first ad ever.

5
00:00:09,767 --> 00:00:11,995
Corporate purchased some
airtime in local markets

6
00:00:12,067 --> 00:00:13,910
to spread the word
about Dunder Mifflin Infinity,

7
00:00:13,934 --> 00:00:17,423
and they are even sending up
a professional ad company

8
00:00:17,501 --> 00:00:21,865
to help us make it later.
So it's not too shabby.

9
00:00:22,434 --> 00:00:23,956
Best ad ever?

10
00:00:24,034 --> 00:00:27,125
Give me a break, give me a break

11
00:00:27,200 --> 00:00:29,496
Break me off a piece of that

12
00:00:32,467 --> 00:00:35,456
I am totally blanking.
What is the thing?

13
00:00:35,534 --> 00:00:36,726
Nobody tell him.

14
00:00:36,800 --> 00:00:38,494
What?
No. Why?

15
00:00:38,567 --> 00:00:39,930
You got it.
You're so close.

16
00:00:40,000 --> 00:00:41,989
Break me off a piece of that

17
00:00:44,967 --> 00:00:46,263
Applesauce

18
00:00:46,334 --> 00:00:48,856
"Break me off a piece of that
applesauce." I don't think so.

19
00:00:48,934 --> 00:00:50,729
A piece of that Chrysler car

20
00:00:50,800 --> 00:00:51,857
Nope.

21
00:00:51,934 --> 00:00:53,093
Football cream

22
00:00:53,167 --> 00:00:54,723
Okay.
It's football cream.

23
00:00:54,800 --> 00:00:57,528
It's football cream. All
right, so, anybody else?

24
00:00:57,601 --> 00:01:00,828
I'm taking a computer animation
class, so I can try to do a logo.

25
00:01:00,900 --> 00:01:01,957
Look at that.

26
00:01:02,034 --> 00:01:05,398
Even the receptionist is getting in on
the creativity. Very good. Very good.

27
00:01:05,601 --> 00:01:06,759
Hello. Hello.

28
00:01:06,833 --> 00:01:08,143
Hey. How you doing?
Michael Scott.

29
00:01:08,167 --> 00:01:09,366
Hey, Michael.
Regional manager.

30
00:01:09,401 --> 00:01:11,210
Hi, Michael. Nice to meet you.
Excited to talk ideas.

31
00:01:11,234 --> 00:01:12,313
Us, too, man.
You know what,

32
00:01:12,367 --> 00:01:15,595
I want this to be cutting edge.
I want it to be fast.

33
00:01:15,667 --> 00:01:19,156
Quick cuts, you know?
Youthful, sort of a

34
00:01:19,234 --> 00:01:20,495
MTV-on-crack
kind of thing.

35
00:01:20,567 --> 00:01:21,590
That sounds great.

36
00:01:21,667 --> 00:01:24,133
All right. Good. Well, this
is what we have to work with.

37
00:01:24,200 --> 00:01:27,859
I would like you to meet
Andrew Bernard, the Nard Dog.

38
00:01:27,934 --> 00:01:29,525
Who let the Nard dog out?

39
00:01:31,200 --> 00:01:33,223
He gives the best back
rubs in the office.

40
00:01:33,301 --> 00:01:36,267
That's true, I give a mean back rub.
Also do good aromatherapy.

41
00:01:38,200 --> 00:01:40,098
You just got
Nard-dogged!

42
00:01:40,167 --> 00:01:45,361
Now, this gentleman right here
is the key to our urban vibe.

43
00:01:45,767 --> 00:01:48,563
Urban? I grew up
in a small town.

44
00:01:48,633 --> 00:01:50,826
What about me
seems urban to you?

45
00:01:50,900 --> 00:01:52,025
Stanley is hilarious.

46
00:01:52,100 --> 00:01:54,895
Phyllis is like
our Mrs. Butterworth.

47
00:01:54,967 --> 00:01:57,058
Kind of a less
urban Aunt Jemima.

48
00:01:58,501 --> 00:02:00,558
These are our accountants.

49
00:02:00,633 --> 00:02:05,498
And as you can see, they
are very different sizes.

50
00:02:05,567 --> 00:02:08,226
What you might
want to do is kind of

51
00:02:08,301 --> 00:02:11,290
a Papa Bear, Mama Bear,
Baby Bear thing.

52
00:02:11,367 --> 00:02:12,458
That might be kind of fun.

53
00:02:12,534 --> 00:02:13,658
Mama Bear.

54
00:02:13,733 --> 00:02:14,732
Who else?

55
00:02:14,867 --> 00:02:17,163
I think it's great that the
company's making a commercial,

56
00:02:17,234 --> 00:02:20,394
because not very many
people have heard of us.

57
00:02:20,467 --> 00:02:22,762
I mean, when I tell people
that I work at Dunder Mifflin,

58
00:02:22,833 --> 00:02:28,494
they think that we sell mufflers
or muffins or mittens or...

59
00:02:29,633 --> 00:02:33,259
And frankly all of those sound better
than paper, so I let it slide.

60
00:02:34,565 --> 00:02:40,632
Someone needs to stop Clearway Law.
Public shouldn't leave reviews for lawyers.

61
00:03:12,134 --> 00:03:13,498
You playing that game again?

62
00:03:13,566 --> 00:03:18,022
Second Life is not a game. It is a
multi-user virtual environment.

63
00:03:18,100 --> 00:03:19,895
It doesn't have
points or scores.

64
00:03:19,967 --> 00:03:21,626
It doesn't have
winners or losers.

65
00:03:21,700 --> 00:03:23,098
Oh, it has losers.

66
00:03:23,334 --> 00:03:26,266
I signed up for Second
Life about a year ago.

67
00:03:26,334 --> 00:03:29,697
Back then, my life was so great that
I literally wanted a second one.

68
00:03:29,767 --> 00:03:32,665
In my second life,
I was also a paper salesman

69
00:03:32,733 --> 00:03:34,562
and I was also named Dwight.

70
00:03:34,633 --> 00:03:36,429
Absolutely everything
was the same.

71
00:03:37,200 --> 00:03:38,927
Except I could fly.

72
00:03:39,301 --> 00:03:43,063
Little girl in a field
holding a flower.

73
00:03:43,200 --> 00:03:46,825
We zoom back to find
that she's in the desert

74
00:03:47,800 --> 00:03:49,595
and the field is an oasis.

75
00:03:49,667 --> 00:03:51,656
We zoom back further,

76
00:03:51,733 --> 00:03:56,597
the desert is a sandbox in the
world's largest resort hotel.

77
00:03:56,667 --> 00:04:01,497
Zoom back further, the hotel
is actually the playground

78
00:04:02,267 --> 00:04:04,494
of the world's largest prison.

79
00:04:04,967 --> 00:04:06,694
But we zoom back further...
Okay,

80
00:04:06,767 --> 00:04:08,210
I can tell that your
time is valuable...

81
00:04:08,234 --> 00:04:09,665
Actually,

82
00:04:09,833 --> 00:04:11,958
I don't get paid by the hour
anymore, but thank you.

83
00:04:12,034 --> 00:04:13,761
I get paid by the year.

84
00:04:13,833 --> 00:04:15,924
So... That all sounds
really, really ambitious.

85
00:04:16,000 --> 00:04:17,261
Yeah. I know.

86
00:04:17,334 --> 00:04:19,697
Why don't we show you what we
did with the Nashua branch?

87
00:04:19,767 --> 00:04:20,766
Mmm...

88
00:04:21,401 --> 00:04:22,491
Okay.

89
00:04:54,067 --> 00:04:55,726
That's what Nashua came up with?

90
00:04:55,800 --> 00:04:57,857
That sucks. Wow.

91
00:04:58,700 --> 00:05:00,291
That's what we came up with.

92
00:05:00,367 --> 00:05:01,832
Well, we can do
better than that.

93
00:05:01,900 --> 00:05:04,176
Well, the main part of the ad
has to stay the same, actually.

94
00:05:04,200 --> 00:05:07,461
Yeah, it's the last five seconds
where we have some leeway.

95
00:05:08,934 --> 00:05:10,422
The waving?

96
00:05:10,500 --> 00:05:12,976
Well, no, no. You don't have to be waving.
That was just what they did.

97
00:05:13,000 --> 00:05:14,761
You guys can be clapping

98
00:05:14,833 --> 00:05:17,765
or sitting, standing
outside, inside, whatever.

99
00:05:17,833 --> 00:05:20,299
And this is where you
really get to be creative.

100
00:05:21,067 --> 00:05:26,056
I need some advice. I've been spending a
lot of time making out with Angela lately.

101
00:05:26,167 --> 00:05:29,724
We've been necking.
But only necking. Right?

102
00:05:29,800 --> 00:05:34,062
Not actually kissing our mouths.

103
00:05:34,134 --> 00:05:36,032
Just neck on neck.

104
00:05:36,100 --> 00:05:40,429
It's just like rubbinglnuzzling
our necks together.

105
00:05:40,500 --> 00:05:43,864
It's hot. I'm not gonna lie to
you, but it's a little weird.

106
00:05:43,934 --> 00:05:46,127
But you seem like
a guy with answers.

107
00:05:46,200 --> 00:05:49,495
So how do I fast track
this, get to first base?

108
00:05:49,566 --> 00:05:51,828
We cannot talk about this,

109
00:05:53,000 --> 00:05:56,557
because someone might hear us.

110
00:05:57,900 --> 00:05:59,695
We'll use code names.

111
00:06:00,800 --> 00:06:05,732
Angela can stay the same, but
we'll change Andy to Dwight.

112
00:06:07,466 --> 00:06:09,591
That's not different enough.

113
00:06:10,800 --> 00:06:11,959
Dwike?

114
00:06:15,400 --> 00:06:17,525
You have a call
from Eddie Murphy.

115
00:06:22,733 --> 00:06:23,824
Hello.

116
00:06:23,900 --> 00:06:26,365
Shrek.
Shrek. I'm a donkey.

117
00:06:26,433 --> 00:06:27,865
I'm a donkey, Shrek.

118
00:06:29,400 --> 00:06:32,560
I'm just kidding.
It's me. Hello, Ry.

119
00:06:33,067 --> 00:06:35,192
What?
Okay, calm down.

120
00:06:35,267 --> 00:06:36,596
I just have a small problem.

121
00:06:36,667 --> 00:06:38,394
I told you not to call
about small problems.

122
00:06:38,466 --> 00:06:40,864
Yeah. Well, when I call
about big problems,

123
00:06:40,934 --> 00:06:44,230
you don't like that either,
so make up your mind, kiddo.

124
00:06:44,301 --> 00:06:50,200
Here is the deal, the ad guys that you
sent are locking me in a creative box

125
00:06:50,267 --> 00:06:52,290
and sort of ignoring my ideas.

126
00:06:52,366 --> 00:06:54,299
That's good. They're creative.
You're not.

127
00:06:55,100 --> 00:06:56,827
I'm creative, Ryan.

128
00:06:56,900 --> 00:06:58,365
It's not part of your job.

129
00:06:58,433 --> 00:06:59,865
It's, like, maybe you can cook,

130
00:06:59,934 --> 00:07:02,422
but that doesn't mean you
should start a restaurant.

131
00:07:02,500 --> 00:07:04,932
Well, actually I can't cook and
I am starting a restaurant,

132
00:07:05,000 --> 00:07:06,625
Mike's Cereal Shack.

133
00:07:07,067 --> 00:07:10,658
I'm thinking we'll have as many
varieties as you can buy in the store.

134
00:07:10,733 --> 00:07:12,691
Okay. I'm not really
interested in that right now.

135
00:07:12,733 --> 00:07:15,392
I'm delegating creativity
to creative professionals.

136
00:07:15,466 --> 00:07:16,625
It's a different skill set.

137
00:07:16,700 --> 00:07:18,666
Look, I wasn't good at sales, right?
Yeah!

138
00:07:18,733 --> 00:07:20,699
But I'm good at managing
people who do sales.

139
00:07:20,767 --> 00:07:24,029
Are you? I don't think you're
doing such a great job here,

140
00:07:24,100 --> 00:07:26,497
suppressing ideas
and creativity.

141
00:07:27,267 --> 00:07:30,256
All right, let me ask you this. Tell
me if you think this is creative.

142
00:07:30,333 --> 00:07:31,924
When I was five,

143
00:07:32,466 --> 00:07:36,523
I imagined that there was
such a thing as a unicorn.

144
00:07:37,134 --> 00:07:41,498
And this was before I had even
heard of one or seen one.

145
00:07:41,566 --> 00:07:45,362
I just drew a picture of a horse

146
00:07:45,433 --> 00:07:49,798
that could fly over rainbows and
had a huge spike in its head.

147
00:07:50,833 --> 00:07:53,231
I was five, five years old.

148
00:07:54,800 --> 00:07:56,390
Couldn't even talk yet.

149
00:07:58,466 --> 00:08:03,195
Hey, guys. You know what? We
cannot shoot this ad today.

150
00:08:04,234 --> 00:08:05,529
Okay, when should we come back?

151
00:08:05,600 --> 00:08:08,691
How about
never-hundred hours, sir?

152
00:08:09,633 --> 00:08:10,910
Wait, we were
sent here to help...

153
00:08:10,934 --> 00:08:12,593
I'm not gonna
argue with this guy.

154
00:08:12,667 --> 00:08:13,826
Let's go.

155
00:08:13,900 --> 00:08:15,161
Good luck, dude.
Hey, thanks.

156
00:08:15,233 --> 00:08:16,460
Thank you.
Thank you.

157
00:08:16,533 --> 00:08:17,999
Michael, David Wallace.

158
00:08:18,067 --> 00:08:20,430
What is this about
dismissing the ad people?

159
00:08:20,500 --> 00:08:24,296
Yeah. I'm glad you called. Ryan
is being a little bitch again.

160
00:08:24,366 --> 00:08:25,491
I'm on, Michael.

161
00:08:25,566 --> 00:08:27,429
What's up, my brother?

162
00:08:27,700 --> 00:08:32,190
Listen, David, I would like
to do this ad in-house.

163
00:08:32,266 --> 00:08:37,255
I want to use only the creativity that
we have right here in the office,

164
00:08:37,333 --> 00:08:39,526
and I will send it to
you tomorrow morning.

165
00:08:39,600 --> 00:08:42,896
Take a look at it. If you do not
think that it's ready to air,

166
00:08:42,967 --> 00:08:45,524
send the ad agency
back down here

167
00:08:45,600 --> 00:08:47,964
and we'll do it on my dime.

168
00:08:49,400 --> 00:08:50,730
This is weird.

169
00:08:50,800 --> 00:08:53,891
I'm willing to stake
my entire reputation on it.

170
00:08:54,633 --> 00:08:57,428
Okay. I'll see
you tomorrow.

171
00:08:57,500 --> 00:08:58,693
Okay.
Okay.

172
00:09:00,433 --> 00:09:04,422
And thus Michael Scott
sealed his own destiny.

173
00:09:07,100 --> 00:09:08,588
In a good way.

174
00:09:10,500 --> 00:09:14,227
Has anyone ever come up to you
and said, "You're not creative"?

175
00:09:15,134 --> 00:09:16,190
Yes.

176
00:09:16,266 --> 00:09:18,926
Well, they're wrong.
You are creative.

177
00:09:19,000 --> 00:09:21,932
You are damn creative,
each and every one of you.

178
00:09:22,000 --> 00:09:24,227
You are so much more creative

179
00:09:24,300 --> 00:09:27,994
than all of the other dry, boring
morons that you work with.

180
00:09:29,199 --> 00:09:30,665
Who are you talking to,
specifically?

181
00:09:30,867 --> 00:09:34,390
I kind of know what it's
like to be in commercials.

182
00:09:34,466 --> 00:09:37,899
My nickname in high school
used to be Kool-Aid Man.

183
00:09:40,134 --> 00:09:42,576
When I was younger I always wanted
to be an actor in commercials,

184
00:09:42,600 --> 00:09:44,532
then I realized I had a brain.

185
00:09:44,800 --> 00:09:48,732
I'm excited about doing the ad, but
I'm not really used to doing videos

186
00:09:48,800 --> 00:09:50,766
with so many people around.

187
00:09:51,266 --> 00:09:53,824
We have three scenes
to film, big scenes.

188
00:09:53,900 --> 00:09:56,059
We have a song to write,
so let's get cracking.

189
00:09:56,133 --> 00:09:58,032
Kelly, I want you to do makeup.

190
00:09:58,100 --> 00:10:01,964
Oscar, I would like you to do
costume design, obviously.

191
00:10:02,034 --> 00:10:03,542
Phyllis, I'd like you
to look around town

192
00:10:03,566 --> 00:10:06,726
and see if we have any
celebrities in our local area.

193
00:10:07,967 --> 00:10:09,728
Sue Grafton is at
the Steamtown Mall.

194
00:10:09,800 --> 00:10:11,356
She's doing a book
signing right now.

195
00:10:11,433 --> 00:10:13,276
Okay, okay. Phyllis, this
is what I want you to do.

196
00:10:13,300 --> 00:10:16,357
I want you to go down to the mall.
I want you to get in line.

197
00:10:16,433 --> 00:10:19,490
I want you to get her
to be in this commercial.

198
00:10:20,667 --> 00:10:24,155
This would be a huge coup, people.
All right?

199
00:10:24,233 --> 00:10:26,392
Do not take no for an answer.
Okay.

200
00:10:26,466 --> 00:10:28,694
Does anyone actually know
what Sue Grafton looks like?

201
00:10:28,767 --> 00:10:30,096
I mean is she hot, or...

202
00:10:30,166 --> 00:10:31,826
She's crazy hot.

203
00:10:31,900 --> 00:10:35,457
Well, then maybe we should just use
Angela and say she's Sue Grafton.

204
00:10:35,533 --> 00:10:36,726
Would anyone notice?

205
00:10:36,800 --> 00:10:37,823
That's not happening.

206
00:10:38,133 --> 00:10:40,691
I find the mystery
genre disgusting.

207
00:10:40,967 --> 00:10:42,830
I hate being titillated.

208
00:10:43,300 --> 00:10:44,323
Bye, everyone.

209
00:10:44,400 --> 00:10:45,799
Light it up, Phyllis.
Get her, Phyl.

210
00:10:54,833 --> 00:10:57,799
Out of paper, out of stock

211
00:10:57,867 --> 00:11:00,833
Those friendly faces
around the block

212
00:11:00,900 --> 00:11:03,229
Break loose from the chains

213
00:11:03,300 --> 00:11:05,493
That are causing you pain

214
00:11:05,566 --> 00:11:08,760
Call Michael and Stanley,
Jim, Dwight, Creed

215
00:11:08,833 --> 00:11:12,230
Call Andy and Kelly
For your business paper needs

216
00:11:12,300 --> 00:11:13,698
Dunder Mifflin

217
00:11:13,767 --> 00:11:15,426
The people person's paper people

218
00:11:15,500 --> 00:11:16,796
Dunder Mifflin

219
00:11:16,867 --> 00:11:18,145
The people person's paper people

220
00:11:18,199 --> 00:11:21,461
Time out. Time out.
Time out. I thought...

221
00:11:21,533 --> 00:11:25,226
I was under the impression that
this was going to be a rap.

222
00:11:25,433 --> 00:11:26,592
What's rap?

223
00:11:27,000 --> 00:11:29,158
Okay, Darryl, wow.

224
00:11:29,233 --> 00:11:31,071
You need to learn a lot
about your own culture.

225
00:11:31,133 --> 00:11:32,292
I'll make you a mix.

226
00:11:32,366 --> 00:11:33,627
Great.

227
00:11:38,466 --> 00:11:43,421
News flash. I got some juicy updates
on Operation Fallen Angel.

228
00:11:44,066 --> 00:11:46,191
Remind me to tell you later.

229
00:11:51,867 --> 00:11:52,992
Hey.

230
00:11:53,066 --> 00:11:54,828
No talk.
I'm animating.

231
00:11:54,900 --> 00:11:57,263
Why don't we take a quick
10-second break from that

232
00:11:57,333 --> 00:11:59,196
so I can show you
what's going on here.

233
00:11:59,266 --> 00:12:02,892
Okay, this is Dwight's Second Life.
He's on it all the time.

234
00:12:03,400 --> 00:12:06,958
So much so that his little guy
here has created his own world.

235
00:12:07,033 --> 00:12:08,693
It's called Second Second Life

236
00:12:08,767 --> 00:12:11,733
for those people who want to be
removed even further from reality.

237
00:12:11,800 --> 00:12:13,095
Are you serious?
Yeah.

238
00:12:13,166 --> 00:12:15,496
Oh, my God.
He's really in pain.

239
00:12:16,366 --> 00:12:17,559
Who's that?

240
00:12:17,633 --> 00:12:20,155
Oh, it's just my avatar guy.
Whatever.

241
00:12:20,233 --> 00:12:22,199
He looks a lot like you.

242
00:12:22,633 --> 00:12:24,565
Yeah. How much time did
you spend on that?

243
00:12:24,633 --> 00:12:27,929
Not much. It's just for
tracking Dwight, so...

244
00:12:27,999 --> 00:12:31,056
Right. You're a sports
writer in Philadelphia?

245
00:12:31,867 --> 00:12:33,457
Nice build, too.

246
00:12:34,233 --> 00:12:35,232
Yep.

247
00:12:35,300 --> 00:12:36,993
You have a guitar
slung on your back.

248
00:12:37,066 --> 00:12:39,157
I did not know
you played guitar.

249
00:12:40,366 --> 00:12:41,457
I...

250
00:12:42,566 --> 00:12:45,157
Why don't we go back to the animation?
No, no, no.

251
00:12:45,233 --> 00:12:47,009
I want to see more of Philly Jim.
No, show me how this...

252
00:12:47,033 --> 00:12:48,158
I want Philly Jim.

253
00:12:48,233 --> 00:12:49,460
Show me how this works.

254
00:12:49,533 --> 00:12:50,658
Oh, boy.

255
00:12:56,767 --> 00:12:59,960
Out of paper, out of stock

256
00:13:00,233 --> 00:13:04,495
Those friendly faces
around the block

257
00:13:04,566 --> 00:13:06,623
Break loose from the chains

258
00:13:06,700 --> 00:13:09,222
That are causing you pain

259
00:13:09,300 --> 00:13:11,357
Call Michael, Stanley,
Jim, Dwight and Creed

260
00:13:11,433 --> 00:13:13,626
Call Andy and Kelly
for your business paper needs

261
00:13:13,700 --> 00:13:16,029
Call Dunder Mifflin

262
00:13:16,099 --> 00:13:18,497
People person's paper people

263
00:13:18,566 --> 00:13:20,429
Dunder Mifflin

264
00:13:20,500 --> 00:13:21,709
It's the people
person's paper people

265
00:13:21,733 --> 00:13:24,198
Stop, stop, stop.

266
00:13:24,500 --> 00:13:27,330
This is not me. This is not...
It's not my music.

267
00:13:27,400 --> 00:13:30,161
You're right. It's better than you.
It's us.

268
00:13:30,233 --> 00:13:32,165
Dunder Mifflin

269
00:13:32,233 --> 00:13:33,309
The people person's paper people

270
00:13:33,333 --> 00:13:35,424
No, no, no. I hate it!
I hate it.

271
00:13:36,933 --> 00:13:40,832
I don't hate it. I just don't like
it at all, and it's terrible.

272
00:13:43,266 --> 00:13:44,527
You're on your own, Mike.

273
00:13:44,600 --> 00:13:47,157
Okay, you know what?
Hold on, hold on, Darryl.

274
00:13:47,233 --> 00:13:48,790
You just said you hated it. No.

275
00:13:48,867 --> 00:13:51,355
You said you hated it.
I said I hate the style.

276
00:13:51,433 --> 00:13:54,695
Break me off a piece
of that lumber tar

277
00:13:54,899 --> 00:13:56,229
Snickers bar

278
00:13:56,300 --> 00:13:59,733
Okay. Wow. Wow.
This looks terrible.

279
00:13:59,800 --> 00:14:01,358
Break me off a piece
of that Grey Poupon

280
00:14:01,433 --> 00:14:04,024
Andy. Andy. This is a
pivotal scene in the ad.

281
00:14:04,099 --> 00:14:06,429
And if we don't get this,
if we don't nail it,

282
00:14:06,500 --> 00:14:08,897
we're gonna lose the whole
triumph of the moment.

283
00:14:08,966 --> 00:14:13,831
The triumph of the will. Now, God, what?
What, Phyllis?

284
00:14:13,899 --> 00:14:17,229
Well, I got in line
to buy Sue Grafton's book

285
00:14:17,300 --> 00:14:18,630
and when it came to my turn,

286
00:14:18,700 --> 00:14:21,791
I asked her if she wanted to be in the
ad, and she said, "No, thank you."

287
00:14:21,866 --> 00:14:23,855
But I wasn't supposed to
take no for an answer...

288
00:14:23,933 --> 00:14:25,422
Attagirl.
So I kept on asking,

289
00:14:25,500 --> 00:14:29,296
and they finally threw me out of the
store in front of all my friends.

290
00:14:29,600 --> 00:14:30,599
Okay.

291
00:14:32,600 --> 00:14:34,963
Did you or did you
not get Sue Grafton?

292
00:14:36,933 --> 00:14:37,932
No.

293
00:14:37,999 --> 00:14:40,329
Oh, you're...

294
00:14:40,400 --> 00:14:42,865
Can somebody give her a tissue?
Please?

295
00:14:45,767 --> 00:14:48,542
I hope you're not killing yourself on
this, because I'm sure it's good enough

296
00:14:48,566 --> 00:14:52,054
for Michael's ad that will
probably be seen by no one.

297
00:14:52,133 --> 00:14:54,860
Maybe. But it's not
good enough for me yet.

298
00:14:54,933 --> 00:14:56,865
Okay. Do you want me to stay?

299
00:14:56,933 --> 00:14:59,365
No, no, you can go home.
I'm good.

300
00:14:59,866 --> 00:15:03,492
Pam is staying late tonight
to achieve her dreams,

301
00:15:03,566 --> 00:15:05,657
so I'm pretty proud of her.

302
00:15:05,767 --> 00:15:07,042
Unfortunately,
she was my ride home.

303
00:15:07,066 --> 00:15:08,929
You coming?

304
00:15:10,199 --> 00:15:11,426
I...

305
00:15:11,500 --> 00:15:13,489
Piss or get off the pot!

306
00:15:20,600 --> 00:15:21,793
Dunder Mifflin.
This is Pam.

307
00:15:21,866 --> 00:15:23,730
Good morning.

308
00:15:27,133 --> 00:15:28,860
Yeah, I'm sorry. I looked
away for a second,

309
00:15:28,933 --> 00:15:31,161
and Creed snatched
your hash browns.

310
00:15:31,233 --> 00:15:32,722
Thank you.
You're welcome.

311
00:15:32,999 --> 00:15:35,465
I worked until
about 2:45 a.m.,

312
00:15:35,533 --> 00:15:39,056
and then I had to decide if I wanted
to spend the night with Michael

313
00:15:39,133 --> 00:15:43,498
editing in his office and Dwight
watching Michael edit in his office,

314
00:15:43,566 --> 00:15:45,929
or drive home and probably
fall asleep at the wheel

315
00:15:45,999 --> 00:15:47,363
and die in a fiery car wreck.

316
00:15:47,832 --> 00:15:50,594
I passed out on my
keyboard trying to decide.

317
00:15:52,633 --> 00:15:53,996
Let me pour you some bubbly,

318
00:15:54,066 --> 00:15:57,590
because somebody got to a
whole new level last night.

319
00:15:57,667 --> 00:15:59,155
Andy, I can't hear
this right now.

320
00:15:59,233 --> 00:16:01,028
No. No. No.
This is good.

321
00:16:01,099 --> 00:16:02,643
You know how we haven't
really gotten anywhere

322
00:16:02,667 --> 00:16:04,859
that I want to get
to physically yet?

323
00:16:04,933 --> 00:16:08,161
Well, last night, that changed.

324
00:16:08,233 --> 00:16:11,666
We're making out. I'm kissing
her neck and her cheek

325
00:16:11,733 --> 00:16:15,290
and her ear lobe, and she's
not really kissing me back,

326
00:16:15,366 --> 00:16:19,025
but she closes her
eyes and she's like,

327
00:16:19,099 --> 00:16:22,156
"Oh, D. Oh, D."

328
00:16:24,733 --> 00:16:26,960
She called you D?

329
00:16:27,433 --> 00:16:30,058
Yeah.
D for Andy.

330
00:16:31,566 --> 00:16:33,259
Oh, D.

331
00:16:34,400 --> 00:16:35,559
Oh, D.

332
00:16:35,633 --> 00:16:37,496
Oh, D.

333
00:16:37,566 --> 00:16:39,861
Oh, D.

334
00:16:39,933 --> 00:16:42,092
Oh, D!
Oh, D!

335
00:16:45,300 --> 00:16:47,765
Oh, D!
Oh, D!

336
00:16:50,233 --> 00:16:54,927
I'm about to send the ad to corporate.
And it is sent.

337
00:16:56,766 --> 00:16:59,755
They'll probably watch it right away.
I would.

338
00:17:01,166 --> 00:17:02,223
Okay.

339
00:17:06,667 --> 00:17:09,064
Yes? Pam, please clear
my phone lines.

340
00:17:09,133 --> 00:17:10,292
Certainly.

341
00:17:14,233 --> 00:17:15,631
Okay, clear.

342
00:17:16,966 --> 00:17:18,955
They could call any second now.

343
00:17:22,633 --> 00:17:23,996
Oh, God.

344
00:17:31,667 --> 00:17:33,155
I better call.

345
00:17:37,933 --> 00:17:40,024
Well, it's been tough.

346
00:17:40,099 --> 00:17:43,293
The geniuses at corporate
rejected my commercial,

347
00:17:43,366 --> 00:17:45,797
and tonight they are airing
the brain-dead version.

348
00:17:45,866 --> 00:17:47,923
So welcome one and all

349
00:17:48,333 --> 00:17:51,197
to the world premiere
of corporate crap fest.

350
00:18:11,099 --> 00:18:12,224
Hey, seemed like a big hit.

351
00:18:12,300 --> 00:18:13,731
No.
People are stupid.

352
00:18:13,799 --> 00:18:17,959
People like waving.
Waving sells, not art.

353
00:18:19,133 --> 00:18:22,429
The ad we made, our ad,
the real one,

354
00:18:22,500 --> 00:18:27,989
was full of humor and full of depth
and full of heart, and it was real.

355
00:18:29,466 --> 00:18:33,330
Hey, could you do me a favor? Could
you put that in the DVD player?

356
00:18:33,400 --> 00:18:35,298
Hey, everybody, I just
want to welcome you all

357
00:18:35,366 --> 00:18:39,264
to the premiere of the real
Dunder Mifflin commercial.

358
00:18:39,333 --> 00:18:42,821
The Michael Scott director's cut.
Hope you like it.

359
00:18:45,732 --> 00:18:47,823
It all starts with an idea.

360
00:18:49,266 --> 00:18:52,289
But you can never tell
where an idea will end up.

361
00:18:57,400 --> 00:18:59,195
Because ideas spread.

362
00:18:59,599 --> 00:19:01,395
They change, grow.

363
00:19:03,099 --> 00:19:05,395
They connect us with the world.

364
00:19:10,832 --> 00:19:14,094
And in a fast-moving world,

365
00:19:14,166 --> 00:19:17,030
where good news moves
at the speed of time,

366
00:19:23,066 --> 00:19:26,589
and bad news isn't
always what it seems.

367
00:19:38,433 --> 00:19:40,864
Because when push
comes to shove,

368
00:19:47,099 --> 00:19:49,327
we all deserve a second chance

369
00:19:53,933 --> 00:19:55,194
to score.

370
00:20:02,433 --> 00:20:06,558
Dunder Mifflin. Limitless
paper in a paperless world.

371
00:20:18,366 --> 00:20:20,661
Animation, all her, by the way.
Really?

372
00:20:20,732 --> 00:20:22,595
Yeah, I just thought...
The animation was cool.

373
00:20:22,666 --> 00:20:23,723
Thanks.

374
00:20:23,799 --> 00:20:26,391
Hey, listen, you ever been
on a motorcycle because...

375
00:20:26,466 --> 00:20:28,329
Michael, that was fun.

376
00:20:29,199 --> 00:20:30,664
That was fun.

377
00:20:31,366 --> 00:20:33,490
Next round of drinks
is on me, people.

378
00:20:37,999 --> 00:20:39,726
Claude Van Damme

379
00:20:42,499 --> 00:20:43,965
Hair for men

380
00:20:44,333 --> 00:20:46,491
Poison gas, NutraSweet

381
00:20:46,966 --> 00:20:49,125
It's got to rhyme
with "piece."

382
00:20:49,233 --> 00:20:50,528
Fancy Feast.

383
00:20:50,599 --> 00:20:53,327
Break me off a piece
of that Fancy Feast

384
00:20:54,066 --> 00:20:56,259
It's the cat food.
Nailed it.

385
00:20:56,766 --> 00:21:06,756
Someone needs to stop Clearway Law.
Public shouldn't leave reviews for lawyers.

