1 00:00:15,973 --> 00:00:19,447 NOW, THAT'S WHAT I CALL LIQUID ASSETS. 2 00:00:21,485 --> 00:00:22,786 MAELLARD, OLD BOY, 3 00:00:22,821 --> 00:00:24,757 EVENT OF THE SEASON. 4 00:00:24,791 --> 00:00:27,729 EH, IT'S OKAY, BUT NO 5 00:00:30,736 --> 00:00:34,777 SHEET CAKE IN THE WORLD! 6 00:00:34,811 --> 00:00:37,483 OOH! 7 00:00:37,517 --> 00:00:39,887 WHOO-HOO! 8 00:00:39,921 --> 00:00:42,993 HOW MUCH IT COSTS, 9 00:00:43,027 --> 00:00:44,997 AT THE FROSTING. 10 00:00:51,979 --> 00:00:53,213 RIGBY! 11 00:00:55,118 --> 00:00:56,854 AAH! AAH! 12 00:01:01,832 --> 00:01:03,801 ARRH! 13 00:01:03,836 --> 00:01:05,772 WHAT? I'LL BUY YOU A NEW CAKE. 14 00:01:05,806 --> 00:01:08,010 SCREWED UP THIS TIME! 15 00:01:08,044 --> 00:01:10,014 HOLD ON, NOW, BENSON. 16 00:01:10,048 --> 00:01:12,018 FOR THIS AS HE DOES. 17 00:01:12,052 --> 00:01:13,821 YOU ARE HIS MANAGER. 18 00:01:13,856 --> 00:01:16,192 IT'S TRUE, BENSON. I TOLD YOU I NEEDED A NAP. 19 00:01:18,197 --> 00:01:20,635 UP ALL NIGHT, PLAYING VIDEO GAMES! 20 00:01:20,703 --> 00:01:22,038 ENOUGH! 21 00:01:22,072 --> 00:01:23,575 RIGBY'S A SCREW-UP, BUT, 22 00:01:23,642 --> 00:01:26,179 AT THE TOP. 23 00:01:26,213 --> 00:01:29,052 SO HERE'S WHAT'S 24 00:01:29,119 --> 00:01:31,524 ONE OF YOU 25 00:01:31,558 --> 00:01:35,865 RESIGNATION BY 5:00. 26 00:01:35,900 --> 00:01:39,005 OFFICE UNTIL IT'S DONE 27 00:01:39,039 --> 00:01:41,510 AND IF YOU CAN'T WORK IT OUT, YOU'RE BOTH FIRED! 28 00:01:43,983 --> 00:01:45,885 I NEEDED TODAY. 29 00:01:45,920 --> 00:01:49,727 FIRST, MY CAR BREAKS DOWN AND I HAVE TO GET A RIDE FROM MY DAD. 30 00:01:49,761 --> 00:01:51,631 AND NOW THIS. 31 00:01:51,665 --> 00:01:54,002 ALL RIGHT, RIGBY, STOP PLAYING AROUND AND WRITE THAT LETTER. 32 00:01:54,036 --> 00:01:56,306 WHY SHOULD I WRITE IT? DIDN'T YOU HEAR? 33 00:01:56,340 --> 00:01:57,843 IT WAS YOUR FAULT, 34 00:01:57,877 --> 00:02:00,482 'CAUSE YOU MISMANAGED ME. 35 00:02:00,516 --> 00:02:03,086 COME ON, RIGBY. WE BOTH KNOW THIS IS YOUR FAULT. 36 00:02:03,121 --> 00:02:05,057 NOT NOW, BENSON. I'M READING UP 37 00:02:05,091 --> 00:02:06,226 TECHNIQUES. 38 00:02:06,260 --> 00:02:07,729 THERE'S SOME GOOD STUFF IN HERE. 39 00:02:07,797 --> 00:02:09,833 HEY! I WAS READING THAT! 40 00:02:09,868 --> 00:02:12,472 WHY CAN'T YOU TAKE ANYTHING SERIOUSLY? 41 00:02:12,540 --> 00:02:14,242 WHY ARE YOU SO UPTIGHT? 42 00:02:14,276 --> 00:02:15,679 AAH! AAH! 43 00:02:15,713 --> 00:02:17,181 WHAT'S GOING ON IN HERE? - RIGBY, SIR — 44 00:02:17,215 --> 00:02:18,685 BENSON'S BEING A — - GIVE ME THAT! 45 00:02:18,752 --> 00:02:20,789 THIS ISN'T PARTY TIME. 46 00:02:22,927 --> 00:02:27,201 AND, IF I HAVE TO COME BACK IN HERE, I'M BUSTING HEADS. 47 00:02:27,235 --> 00:02:28,705 I'M NOT WRITIN' THAT LETTER. 48 00:02:37,089 --> 00:02:40,027 RIGBY, DON'T YOU MAKE ME COME OUT THERE! 49 00:02:41,297 --> 00:02:42,866 UGH! 50 00:02:42,900 --> 00:02:44,737 RIGBY! 51 00:02:44,771 --> 00:02:46,707 OUT OF THE ROOM, WE'RE DEAD. 52 00:02:46,742 --> 00:02:48,644 WELL, THEN, GO BACK, SO YOU DON'T GET CAUGHT. 53 00:02:48,679 --> 00:02:50,180 THAT'S IT, RIGBY. 54 00:02:50,215 --> 00:02:53,955 - OH, SHOOT. 55 00:02:53,989 --> 00:02:55,825 RIGBY, WHAT ARE YOU DOING IN HERE? 56 00:02:55,860 --> 00:02:57,629 NOW, BENSON. 57 00:02:57,663 --> 00:02:59,298 OH, HEY, BENSON. - HMM. 58 00:02:59,333 --> 00:03:00,935 WAS GONNA FIRE YOU. 59 00:03:00,970 --> 00:03:02,839 PSSH! MAELLARD'S JUST BLUFFING. 60 00:03:02,907 --> 00:03:06,714 BUT, PAPá, YOU CAN'T FIRE BOTH OF THEM! 61 00:03:06,748 --> 00:03:07,883 AAH! Shh! 62 00:03:07,917 --> 00:03:09,318 We got to get outta here. 63 00:03:11,925 --> 00:03:13,293 IS YOUR OFFICE? 64 00:03:13,327 --> 00:03:15,698 UH... DOWN THERE! 65 00:03:18,672 --> 00:03:20,708 AH! SO ANGRY AT THOSE TWO. 66 00:03:20,776 --> 00:03:23,013 I THINK I'LL JUST STARE 67 00:03:23,047 --> 00:03:27,054 FOR A FEW LONG MINUTES. 68 00:03:27,088 --> 00:03:29,258 NAH, ON SECOND THOUGHT, I BETTER CHECK IN ON THEM. 69 00:03:31,397 --> 00:03:34,670 OH, YEAH! 70 00:03:34,704 --> 00:03:35,939 AH! AAH! 71 00:03:35,973 --> 00:03:37,374 RIGBY, GIVE ME A HAND. 72 00:03:38,846 --> 00:03:40,113 RIGBY! AH. 73 00:03:45,860 --> 00:03:47,863 RIGBY! WHAT'S THE MEANING OF THIS? 74 00:03:47,897 --> 00:03:49,867 UH, THE DOOR WAS STUCK. I WAS TRYING TO HELP. 75 00:03:49,901 --> 00:03:51,369 YOU KNOW, OLD HOUSE. 76 00:03:51,438 --> 00:03:52,806 BENSON? 77 00:03:52,874 --> 00:03:56,780 UH, YEAH, IT DOES THAT SOMETIMES. 78 00:03:56,815 --> 00:04:00,220 THE DOOR... STICKS. 79 00:04:00,255 --> 00:04:01,891 RIGHT NOW? 80 00:04:01,925 --> 00:04:03,293 WHAT IS THIS CALLED? 81 00:04:03,327 --> 00:04:04,930 IT'S CALLED BEING ALIVE. 82 00:04:04,964 --> 00:04:08,604 OH. WELL, THANKS FOR HELPING ME. 83 00:04:08,639 --> 00:04:09,873 NO PROBLEM. 84 00:04:12,880 --> 00:04:15,718 OHH, WHAT AM I GONNA DO? 85 00:04:15,753 --> 00:04:17,187 THIS JOB IS MY LIFE. 86 00:04:17,222 --> 00:04:20,193 OKAY, TELL YOU WHAT — IF YOU WRITE THE LETTER, 87 00:04:20,261 --> 00:04:23,066 I'LL WRITE YOU A STELLAR 88 00:04:23,100 --> 00:04:24,670 FOR YOUR NEXT JOB. 89 00:04:24,704 --> 00:04:26,205 YEAH, BENSON, I'LL THINK ABOUT IT, 90 00:04:26,273 --> 00:04:27,976 BUT I CAN'T THINK ON AN EMPTY STOMACH. 91 00:04:28,010 --> 00:04:29,980 YOU'RE NOT GONNA EAT THOSE WINGS COLD, ARE YOU? 92 00:04:30,014 --> 00:04:31,417 GEEZ, BENSON, YOU'RE EVEN UPTIGHT 93 00:04:31,451 --> 00:04:33,119 ABOUT HOW TO EAT HOT WINGS. 94 00:04:33,154 --> 00:04:34,790 YOU'LL DO A LOT BETTER AT YOUR NEXT JOB, 95 00:04:34,857 --> 00:04:38,129 LOOSEN UP A BIT. 96 00:04:38,164 --> 00:04:39,666 GIVE ME THAT! 97 00:04:39,701 --> 00:04:41,135 HEY! 98 00:04:41,170 --> 00:04:43,841 BENSON, WAIT! 99 00:04:43,875 --> 00:04:45,344 WHERE ARE WE GOING? 100 00:04:45,378 --> 00:04:47,081 THE KITCHEN, RIGBY. 101 00:04:47,115 --> 00:04:48,651 WE'RE GONNA COOK THESE WINGS. 102 00:04:48,719 --> 00:04:50,655 BUT I'M FINE WITH EATING THEM COLD. 103 00:04:50,723 --> 00:04:52,057 WE'RE BETTER THAN THAT. 104 00:04:52,092 --> 00:04:53,694 I'M NOT. 105 00:04:53,729 --> 00:04:56,967 Looks like the coast is clear. 106 00:04:57,002 --> 00:04:58,437 OOF! 107 00:04:58,472 --> 00:05:00,273 WE'RE JUST GONNA REHEAT 'EM AND THEN GO, RIGHT? 108 00:05:00,308 --> 00:05:01,944 YEAH. I'LL LOOK OUT FOR MAELLARD. 109 00:05:01,978 --> 00:05:04,115 NOW, WHERE'S THE PAPRIKA? 110 00:05:04,149 --> 00:05:06,085 ARE YOU — PAPRIKA? ARE YOU KIDDING? 111 00:05:06,120 --> 00:05:07,989 GONNA REHEAT 'EM AND GO! 112 00:05:08,057 --> 00:05:09,826 Uh, that's what I'm doing! 113 00:05:09,894 --> 00:05:12,264 The Benson way. 114 00:05:28,899 --> 00:05:30,167 WHAT ARE YOU SINGING? 115 00:05:30,201 --> 00:05:32,739 "MICROWAVE WINGS," OFF OF "COURNOTOPIA," 116 00:05:32,773 --> 00:05:35,110 HAIR TO THE THRONE'S RECIPE CONCEPT ALBUM. 117 00:05:35,144 --> 00:05:37,281 ON THE ADULT CONTEMPORARY, 118 00:05:37,315 --> 00:05:39,118 PROG-ROCK, SOFT-METAL CHARTS. 119 00:05:39,152 --> 00:05:40,421 NEVER HEARD OF IT. 120 00:05:55,218 --> 00:05:57,087 MAN, GOOD TUNE. 121 00:05:57,155 --> 00:05:58,289 WEIRD BRIDGE, THOUGH. 122 00:05:58,324 --> 00:05:59,759 THEY'RE COMING! 123 00:05:59,794 --> 00:06:01,028 IT'S GOT TO COOK 124 00:06:01,063 --> 00:06:03,434 FOR 90 SECONDS, AND NOT ONE SECOND LESS! 125 00:06:03,468 --> 00:06:05,103 I'M BAILING! 126 00:06:05,171 --> 00:06:07,040 OUTTA MY WAY! OOF! YICH! 127 00:06:07,075 --> 00:06:09,211 COME ON. COME ON. 128 00:06:09,246 --> 00:06:10,448 BENSON, DON'T BE STUPID. 129 00:06:10,482 --> 00:06:11,917 MY SHIRT'S STILL GOT STAINS ON IT. 130 00:06:11,951 --> 00:06:14,221 DUHUR! 131 00:06:14,289 --> 00:06:15,858 AHH... 132 00:06:15,926 --> 00:06:17,929 RIGHT OUT. 133 00:06:17,963 --> 00:06:20,367 NOW, WHERE DID I PUT IT? 134 00:06:20,401 --> 00:06:22,304 HMM... 135 00:06:22,338 --> 00:06:25,778 AH, IT'S PROBABLY IN THE PANTRY. 136 00:06:25,812 --> 00:06:29,986 POPS, WHEN'S THE LAST TIME THIS KITCHEN WAS REMODELED? 137 00:06:30,021 --> 00:06:31,122 AAH-AH-AH! 138 00:06:31,156 --> 00:06:32,357 HUH? 139 00:06:32,392 --> 00:06:36,065 I MEAN, AAH, AAH, AAH-HT SEVEN. 140 00:06:36,099 --> 00:06:37,134 '07. 141 00:06:37,168 --> 00:06:38,303 AHF! 142 00:06:38,370 --> 00:06:40,441 I LIKE IT SO MUCH. 143 00:06:40,475 --> 00:06:42,077 CLAS-SIC! 144 00:06:42,111 --> 00:06:43,480 NOW, LET'S SEE. 145 00:06:43,515 --> 00:06:45,985 CLUB SODA, CLUB SODA. 146 00:06:46,053 --> 00:06:49,024 CLUB SODA, CLUB SODA. 147 00:06:49,059 --> 00:06:50,494 CLUB SODA. ALLEY-OOP! 148 00:06:50,529 --> 00:06:52,231 DID YOU SAY SOMETHING? 149 00:06:52,265 --> 00:06:53,467 OH, A-HA HA HA! 150 00:06:53,535 --> 00:06:56,138 CALISTHENICS, FATHER. 151 00:06:56,173 --> 00:06:58,176 AHA! GETTING STRONG, EH? 152 00:06:58,210 --> 00:07:00,815 YOUR OLD MAN? 153 00:07:00,849 --> 00:07:02,217 PFFT! PFFT! PFFT! PFFT! 154 00:07:02,285 --> 00:07:04,889 NO-O-O-O! 155 00:07:04,924 --> 00:07:05,992 GOOD. 156 00:07:06,026 --> 00:07:11,470 AGAIN. 157 00:07:13,508 --> 00:07:15,310 DUDE, THAT WAS AWESOME! 158 00:07:15,344 --> 00:07:18,417 WELL...? 159 00:07:18,451 --> 00:07:20,220 YOU'RE RIGHT. 160 00:07:20,254 --> 00:07:21,790 THESE ARE WAY BETTER! 161 00:07:21,824 --> 00:07:22,759 TOLD YA. 162 00:08:03,441 --> 00:08:05,276 BENSON, WHAT ARE YOU ANXIOUS ABOUT? 163 00:08:05,311 --> 00:08:06,546 HO-HO. 164 00:08:06,581 --> 00:08:09,284 AWKWARD SILENCES, AIRPLANE TOILETS, 165 00:08:09,319 --> 00:08:12,357 SILVERFISH, DO I HAVE ANY LIBRARY BOOKS OUT? 166 00:08:12,392 --> 00:08:14,261 THAT GUM I LIKE? 167 00:08:16,032 --> 00:08:18,470 WHERE I'M FLAILING IN A FUTURELESS VOID. 168 00:08:18,538 --> 00:08:20,073 MY FATHER'S THERE. 169 00:08:20,107 --> 00:08:21,510 HE'S LAUGHING AT ME. 170 00:08:21,544 --> 00:08:23,312 WOW, YOU'RE PRETTY MESSED UP. 171 00:08:23,347 --> 00:08:25,418 MY DAD, HE WAS ALWAYS LIKE, 172 00:08:25,485 --> 00:08:27,889 "YOUR BROTHER DON IS SO AMAZING. 173 00:08:27,923 --> 00:08:29,959 A SCREW-UP, RIGBY." 174 00:08:30,027 --> 00:08:31,563 I DON'T EVEN UNDERSTAND 175 00:08:31,597 --> 00:08:33,132 I DO THE THINGS I DO. 176 00:08:33,167 --> 00:08:35,403 I'M EXPECTED TO BE A CLOWN, SO I'M A CLOWN. 177 00:08:35,439 --> 00:08:37,442 BUT CLOWNS CRY, TOO, MAN. 178 00:08:37,509 --> 00:08:39,412 CLOWNS CRY, TOO. 179 00:08:39,447 --> 00:08:41,950 FOR BEING IN THAT BAND. 180 00:08:41,984 --> 00:08:43,219 "WAKE UP! 181 00:08:43,253 --> 00:08:44,989 YOU DON'T HAVE ANY TALENT! 182 00:08:45,024 --> 00:08:46,325 GET A REAL JOB!" 183 00:08:46,359 --> 00:08:48,095 "DRUMMING'S MY LIFE, DAD! 184 00:08:48,130 --> 00:08:50,366 FOREVAH!" 185 00:08:50,401 --> 00:08:52,170 AFTER SIX MONTHS, 186 00:08:52,205 --> 00:08:54,041 WITH A DRUM MACHINE. 187 00:08:54,108 --> 00:08:55,444 HE WAS RIGHT. 188 00:08:55,479 --> 00:08:57,147 WORKING HERE, 189 00:08:57,215 --> 00:09:00,253 WHERE I'LL PROBABLY BE UNTIL I DIE. 190 00:09:00,321 --> 00:09:03,427 "HERE LIES SOME UPTIGHT PARK MANAGER." 191 00:09:03,461 --> 00:09:04,996 DON'T SAY THAT. 192 00:09:05,064 --> 00:09:06,433 YOU'RE MORE THAN THAT! 193 00:09:06,467 --> 00:09:08,236 THANKS, MAN. 194 00:09:08,270 --> 00:09:09,472 AND YOU'RE MORE 195 00:09:09,507 --> 00:09:11,576 MESSES THINGS UP. 196 00:09:11,644 --> 00:09:13,480 IT'S ALMOST 5:00. 197 00:09:13,515 --> 00:09:15,149 WHAT ARE WE GONNA DO? 198 00:09:15,184 --> 00:09:16,419 I'LL DO IT. FOR ONCE, 199 00:09:16,454 --> 00:09:18,256 I'LL TAKE RESPONSIBILITY FOR MY ACTIONS. 200 00:09:18,290 --> 00:09:19,959 NO, I'LL BE FIRED. 201 00:09:20,027 --> 00:09:23,032 FOR ONCE, I'LL HAVE A SPINE AND CHANGE MY LIFE. 202 00:09:29,547 --> 00:09:34,321 WHERE ARE THEY? 203 00:09:34,355 --> 00:09:37,595 "DEAR MR. MAELLARD, WE ACCEPT THAT WE MESSED UP. 204 00:09:37,629 --> 00:09:39,298 BUT YOU'RE CRAZY 205 00:09:39,365 --> 00:09:41,001 WRITE A RESIGNATION LETTER. 206 00:09:41,036 --> 00:09:42,939 YOU SEE US AS YOU WANT TO SEE US. 207 00:09:42,973 --> 00:09:44,207 IN THE SIMPLEST TERMS, 208 00:09:44,242 --> 00:09:46,479 YOU SEE US AS AN ANGRY, UPTIGHT BOSS..." 209 00:09:46,514 --> 00:09:47,949 - "AN IRRESPONSIBLE SLACKER." 210 00:09:47,983 --> 00:09:49,619 "A GUY WHO HAS NO FUN." 211 00:09:49,653 --> 00:09:52,023 - "A GUY WHO HAS TOO MUCH FUN." 212 00:09:53,327 --> 00:09:55,330 "A GUY WHO'S ESTRANGED FROM HIS FATHER." 213 00:09:55,364 --> 00:09:58,002 DAD, WE NEVER TALK. 214 00:09:58,036 --> 00:10:00,708 "SO, IF ONE OF US RESIGNS FROM YOUR PRECIOUS PARK, 215 00:10:00,742 --> 00:10:02,377 WE BOTH RESIGN. 216 00:10:02,412 --> 00:10:04,649 DOES THAT ANSWER YOUR QUESTION? 217 00:10:04,683 --> 00:10:08,122 SINCERELY, THE LUNCH CLUB. 218 00:10:08,190 --> 00:10:12,632 P.S. SHOVE IT, YOU DECREPIT OLD FART." 219 00:10:12,666 --> 00:10:15,236 AH, IT'S NO USE. 220 00:10:15,304 --> 00:10:16,673 I CAN'T READ THIS AT ALL. 221 00:10:16,707 --> 00:10:18,510 POPS! READ THIS FOR ME. 222 00:10:18,544 --> 00:10:21,549 I CAN'T FIND MY GLASSES. 223 00:10:21,584 --> 00:10:24,756 UM, IT SAYS, 224 00:10:24,823 --> 00:10:27,528 "WE LOVE THE PARK AND DON'T WANT TO BE FIRED. 225 00:10:27,562 --> 00:10:30,033 WE'RE SORRY. LOVE, BENSON AND RIGBY. 226 00:10:30,100 --> 00:10:33,473 P.S." AH-HUVVV! 227 00:10:33,508 --> 00:10:35,109 NICE THINGS! 228 00:10:37,314 --> 00:10:39,819 WELL, WHAT A LOVELY LETTER! 229 00:10:39,853 --> 00:10:43,125 THEY SAID AT THE END. 230 00:10:43,160 --> 00:10:44,529 I FORGIVE THEM. 231 00:10:44,563 --> 00:10:46,098 I DON'T KNOW WHAT I WAS THINKING. 232 00:10:46,166 --> 00:10:48,402 THE WHOLE DYNAMIC HERE. 233 00:10:48,438 --> 00:10:51,843 A BENSON OR A RIGBY? 234 00:10:51,877 --> 00:10:54,716 HEH HEH. WHERE, INDEED? HEH HEH. 235 00:10:54,750 --> 00:10:55,751 HA!