1 00:01:08,580 --> 00:01:11,201 Captioning Provided By: MTV NETWORKS 2 00:01:11,201 --> 00:01:11,339 ARE YA READY, KIDS?AYE, AYE, CAPTAIN. 3 00:01:12,546 --> 00:01:12,684 I CAN'T HEARYOU. 4 00:01:14,339 --> 00:01:14,477 AYE, AYE, CAPTAIN. 5 00:01:21,235 --> 00:01:21,373 ♪ SPONGEBOB SQUAREPANTS 6 00:01:25,166 --> 00:01:25,304 ♪ SPONGEBOB SQUAREPANTS 7 00:01:29,304 --> 00:01:29,442 ♪ SPONGEBOB SQUAREPANTS 8 00:01:33,132 --> 00:01:33,270 ♪ SPONGEBOB SQUAREPANTS 9 00:01:34,373 --> 00:01:34,511 ♪ READY? 10 00:01:35,822 --> 00:01:35,925 ♪ SPONGEBOB SQUAREPANTS 11 00:01:59,891 --> 00:02:00,063 LET'S GO! 12 00:02:05,718 --> 00:02:05,856 HEY, KIDS. 13 00:02:07,511 --> 00:02:10,339 RUSH HOUR TRAFFIC HERE IN ENCINO IS A REAL BRINGDOWN. 14 00:02:13,201 --> 00:02:13,339 SOME MUSIC SHOULD SOOTHE ME JANGLED NERVE. 15 00:02:16,097 --> 00:02:16,235 AT LEAST ME IN-DASH HI-FI STILL WORKS. 16 00:02:19,960 --> 00:02:20,063 OH! 17 00:02:22,201 --> 00:02:22,339 ME ULTRA-RARE "FRAMPTON COMES ALIVE" EIGHT-TRACK, DESTROYED. 18 00:02:26,753 --> 00:02:26,891 AND I'M GONNA MISS THE NEW SPONGEBOB CARTOON IF THIS TRAFFIC DOESN'T MOVE SOON. 19 00:02:37,856 --> 00:02:37,960 WHO'S CALLING? 20 00:02:39,684 --> 00:02:39,822 YES, PATCHY HERE. 21 00:02:41,304 --> 00:02:41,442 START SQUAWKIN'. 22 00:02:43,442 --> 00:02:43,580 HEY, PATCHY. 23 00:02:45,063 --> 00:02:45,166 NEW SPONGEBOB CARTOON'S ABOUT TO START. 24 00:02:46,235 --> 00:02:46,373 WHERE ARE YOU? 25 00:02:48,339 --> 00:02:49,960 STUCK ON THE 101. 26 00:02:49,960 --> 00:02:50,063 BE A DEAR AND RECORD IT FOR ME, WOULD YOU? 27 00:02:51,891 --> 00:02:51,994 OH, I THREW THAT OLD BETAMAX MACHINE IN THE GARBAGE. 28 00:02:55,649 --> 00:02:56,856 YOU WHAT? 29 00:02:56,856 --> 00:02:56,960 OH, CALM DOWN, "BEARDY." 30 00:02:58,960 --> 00:02:59,063 POTTY, YOU KNOW HOW IMPORTANT THIS CARTOON IS TO ME. 31 00:03:06,408 --> 00:03:06,546 DO YOU MIND? 32 00:03:08,925 --> 00:03:09,028 I'M TRYING TO TALK TO MY PARROT! 33 00:03:15,235 --> 00:03:15,373 SORRY, POTTY. 34 00:03:16,477 --> 00:03:16,615 JUST SOME LANDLUBBER. 35 00:03:18,891 --> 00:03:18,994 POTTY? 36 00:03:20,097 --> 00:03:20,201 HELLO, HELLO, HELLO, HELLO? 37 00:03:23,960 --> 00:03:24,063 DROPPED AGAIN. 38 00:03:25,925 --> 00:03:26,028 CURSE THIS TRAFFIC! 39 00:03:31,063 --> 00:03:31,201 OOH! 40 00:03:46,442 --> 00:03:46,580 ARGH, HOME AT LAST. 41 00:03:48,615 --> 00:03:48,753 WHAT THE...? 42 00:03:54,339 --> 00:03:54,477 ENCINO. 43 00:03:57,166 --> 00:03:57,304 IT'S GONE. 44 00:04:00,822 --> 00:04:00,925 NO! 45 00:04:11,028 --> 00:04:11,166 YOU KNOW, KIDS, THIS KIND OF REMINDS PATCHY OF AN OLD STORY, ANOTHER STORY ABOUT A LOST CITY. 46 00:04:20,615 --> 00:04:20,753 WHY DON'T YOU CHECK IT OUT? 47 00:04:24,684 --> 00:04:24,822 ENCINO. 48 00:04:45,753 --> 00:04:45,891 A BEAUTIFUL SPECIMEN, SPONGEBOB. 49 00:04:47,960 --> 00:04:48,097 HURRY, PATRICK, HURRY! 50 00:04:49,339 --> 00:04:49,477 OH. 51 00:04:50,994 --> 00:04:51,132 HOW'S IT LOOK, BUDDY? 52 00:04:52,994 --> 00:04:53,132 READY FOR THE OLD SCRAPBOOK? 53 00:04:54,822 --> 00:04:54,925 MORE LIKE THE SCRAP HEAP. 54 00:04:55,856 --> 00:04:55,960 HM. 55 00:04:57,063 --> 00:04:58,477 THEY NEVER COME OUT RIGHT. 56 00:04:58,477 --> 00:04:58,615 OH, WELL. 57 00:04:59,580 --> 00:04:59,718 LET'S TRY AGAIN. 58 00:05:01,373 --> 00:05:01,511 OK, FRIEND, THIS IS GONNA BE MY MASTERPIECE. 59 00:05:04,063 --> 00:05:04,201 I'M READY, 60 00:05:08,304 --> 00:05:08,442 HI, PATRICK. 61 00:05:11,753 --> 00:05:11,891 I MISSED IT AGAIN. 62 00:05:13,408 --> 00:05:13,546 THIS DARN CAMERA ISN'T FAST ENOUGH. 63 00:05:17,546 --> 00:05:17,684 HOLD ON A SECOND, PATRICK. 64 00:05:19,442 --> 00:05:19,580 IT'S NOT THE POOR CAMERA'S FAULT YOU CAN'T GET A PHOTO. 65 00:05:22,132 --> 00:05:22,270 IT'S NOT? 66 00:05:23,891 --> 00:05:26,442 NO, IT IS THE VERY NATURE OF THE FRAGILE BUBBLE. 67 00:05:26,442 --> 00:05:26,580 IT IS? 68 00:05:27,684 --> 00:05:27,822 YES, IT IS, MY FRIEND. 69 00:05:29,166 --> 00:05:29,304 ALLOW ME TO DEMONSTRATE. 70 00:06:15,891 --> 00:06:15,994 ♪ TRY AGAIN 71 00:06:18,546 --> 00:06:18,684 ♪ TO BLOW A BUBBLE 72 00:06:25,235 --> 00:06:25,373 ♪ TRY TO BLOW A BUBBLE 73 00:06:28,511 --> 00:06:28,649 ♪ ALL DAY 74 00:06:42,684 --> 00:06:42,822 SPONGEBOB? 75 00:06:43,925 --> 00:06:44,028 NOT NOW, PATRICK. 76 00:06:45,546 --> 00:06:45,684 THIS BUBBLE IS GONNA BREAK ALL RECORDS. 77 00:06:48,408 --> 00:06:48,546 WELL, I HOPE IT DOESN'T BREAK UNTIL WE GET A LITTLE CLOSER TO THE GROUND. 78 00:06:51,787 --> 00:06:51,925 HUH? 79 00:06:53,097 --> 00:06:53,235 WHAT HAVE I DONE? 80 00:07:01,787 --> 00:07:01,925 WE'RE NEVER GONNA GET OUT OF HERE. 81 00:07:07,684 --> 00:07:07,822 WHAT HAPPENED? 82 00:07:09,546 --> 00:07:09,684 THAT'S WHAT HAPPENED. 83 00:07:11,304 --> 00:07:11,442 WHOA, WHAT IS IT? 84 00:07:13,822 --> 00:07:13,925 IT LOOKS REALLY OLD. 85 00:07:14,960 --> 00:07:15,097 "ANTIS." 86 00:07:17,373 --> 00:07:17,511 WHAT DO YOU THINK THAT MEANS, PATRICK? 87 00:07:18,753 --> 00:07:18,891 "ANTIS, ANTIS, SQUAREPANTIS." 88 00:07:23,028 --> 00:07:23,166 PROBABLY BELONGED TO YOUR ANCIENT ANCESTORS. 89 00:07:26,373 --> 00:07:26,511 SPONGEBOB "SQUAREPANTIS," YOU MUST WEAR THE ANCIENT CREST OF YOUR ANCESTORS 90 00:07:33,304 --> 00:07:33,442 FOR IT IS YOUR BIRTHRIGHT! 91 00:07:36,063 --> 00:07:36,201 MY BIRTHRIGHT! 92 00:07:39,718 --> 00:07:39,856 LET'S TAKE THIS TO THE BIKINI BOTTOM MUSEUM. 93 00:07:41,649 --> 00:07:41,787 THEY'LL KNOW WHAT IT IS. 94 00:07:46,477 --> 00:07:49,028 UH, BEAUTIFUL DAY FOR STANDING OUTSIDE A MUSEUM DOING NOTHING. 95 00:07:49,994 --> 00:07:50,132 WHATEVER YOU SAY. 96 00:08:01,787 --> 00:08:01,925 HELLO THERE. 97 00:08:02,960 --> 00:08:03,097 WELCOME TO THE MUSEUM. 98 00:08:04,235 --> 00:08:04,373 THAT'LL BE $3. 99 00:08:05,891 --> 00:08:05,994 BUT I THOUGHT IT WAS FREE TUESDAY. 100 00:08:07,891 --> 00:08:07,994 OH, NO, NO, NO. 101 00:08:09,132 --> 00:08:09,270 TODAY'S MONDAY. 102 00:08:11,063 --> 00:08:11,166 OTHERWISE, I WOULDN'T BE WEARING THIS "I HATE MONDAYS" SHIRT. 103 00:08:13,442 --> 00:08:13,580 GOOD POINT. 104 00:08:14,615 --> 00:08:14,753 ENJOY THE ARTIFACTS. 105 00:08:17,132 --> 00:08:17,270 DON'T STAND IN ONE PLACE TOO LONG. 106 00:08:18,822 --> 00:08:18,925 PEOPLE MIGHT MISTAKE YOU FOR ONE. 107 00:08:22,270 --> 00:08:22,408 SPONGEBOB. 108 00:08:27,132 --> 00:08:27,270 WHOO, THAT WAS A CLOSE ONE. 109 00:08:32,166 --> 00:08:32,304 NEPTUNE'S ASCENSION, THE ONLY SURVIVING PAINTING FROM THE GREAT LOST CITY OF ATLANTIS. 110 00:08:38,063 --> 00:08:38,201 THIS IS JUST WHAT THE DOCTOR ORDERED, SQUIDDY. 111 00:08:41,097 --> 00:08:41,235 SPENDING YOUR DAY STUDYING THE ATLANTEAN MASTERS. 112 00:08:44,201 --> 00:08:44,339 AND BEST OF ALL, NO SPONGE... 113 00:08:48,373 --> 00:08:48,511 WOULD YOU WATCH WHERE YOU'RE...? 114 00:08:50,235 --> 00:08:50,373 WHAT IS THAT? 115 00:08:52,097 --> 00:08:52,235 WHAT ARE YOU DOING WITH THE AMULET OF ATLANTIS? 116 00:08:53,580 --> 00:08:53,718 WE WERE JUST... 117 00:08:54,787 --> 00:08:54,925 WERE YOU GOING TO STEAL IT? 118 00:08:56,166 --> 00:08:56,304 NO, SQUIDWARD, WE'D NEVER... 119 00:08:57,856 --> 00:08:57,960 THIS IS A NEW LOW, EVEN FOR YOU TWO. 120 00:09:01,339 --> 00:09:01,477 LUCKY FOR YOU, I WAS HERE TODAY. 121 00:09:04,684 --> 00:09:04,822 STEALING ARTIFACTS COULD LAND YOU IN THE STONY LONES... 122 00:09:10,960 --> 00:09:11,063 YOU BOOBS FOUND THE MISSING HALF OF THE ATLANTEAN AMULET. 123 00:09:15,235 --> 00:09:15,373 WHAT'S AN ATLANTEAN OMELET? 124 00:09:16,960 --> 00:09:17,063 AMULET, NOT OMELET. 125 00:09:18,339 --> 00:09:18,477 IT'S THE KEY TO UNTOLD RICHES. 126 00:09:20,546 --> 00:09:20,684 DID SOMEONE SAY UNTOLD RICHES? 127 00:09:22,097 --> 00:09:22,235 YES, EUGENE. 128 00:09:24,442 --> 00:09:26,753 THE STREETS ARE LINED WITH GOLD, AND THE STREET LAMPS ARE MADE OF DIAMONDS. 129 00:09:27,822 --> 00:09:27,925 DIAMOND LIGHT BULBS? 130 00:09:29,649 --> 00:09:29,787 I WONDER WHAT THEY MAKE THE MONEY OUT OF. 131 00:09:33,235 --> 00:09:33,373 FOR REASONS UNKNOWN, THIS GREAT CITY DISAPPEARED ONE DAY 132 00:09:36,787 --> 00:09:36,925 BUT NO RUINS WERE EVER FOUND. 133 00:09:39,270 --> 00:09:39,408 ALL THE INVENTIONS YOU TAKE FOR GRANTED WERE GIVEN TO US BY THE ATLANTEANS. 134 00:09:43,408 --> 00:09:43,546 THEIR ADVANCES IN ART, FINANCIAL WEALTH, AND WEAPONRY WERE EONS AHEAD OF THEIR TIME. 135 00:09:47,994 --> 00:09:48,132 WHY IS THIS BUBBLE PAINTED ON THE MURAL? 136 00:09:50,132 --> 00:09:50,270 THAT'S JUST THE OLDEST LIVING BUBBLE. 137 00:09:52,856 --> 00:09:52,960 THE OLDEST LIVING BUBBLE, ALIVE? 138 00:09:57,580 --> 00:09:57,718 BEHOLD, PATRICK! 139 00:09:59,304 --> 00:09:59,442 THE OLDEST LIVING BUBBLE. 140 00:10:01,166 --> 00:10:01,304 THIS IS THE MOST BEAUTIFUL BUBBLE I'VE EVER SEEN. 141 00:10:03,753 --> 00:10:03,891 THAT'S JUST A PAINTING, YOU QUARTER-WIT. 142 00:10:05,960 --> 00:10:06,097 QUARTER-WIT, HAH. 143 00:10:07,856 --> 00:10:07,960 THAT'S LESS THAN HALF. 144 00:10:11,166 --> 00:10:11,304 THE REAL BUBBLE LIVES IN ATLANTIS. 145 00:10:13,580 --> 00:10:13,718 SOME DUMB OLD BUBBLE PALES IN COMPARISON TO THE ART. 146 00:10:17,408 --> 00:10:17,546 MONEY. 147 00:10:18,477 --> 00:10:18,615 AND SCIENCE. 148 00:10:19,718 --> 00:10:19,856 DON'T FORGET SCIENCE. 149 00:10:21,028 --> 00:10:21,166 WHAT'S ALL THE HUBBUB, BOYS? 150 00:10:23,132 --> 00:10:23,270 THESE TWO CHOWDER-BRAINS FOUND THE MISSING HALF OF THE AMULET. 151 00:10:26,684 --> 00:10:26,822 THE AMULET OF ATLANTIS? 152 00:10:29,408 --> 00:10:29,546 LEGEND SAYS, WHEN THE TWO HALVES ARE JOINED, THE PATH TO ATLANTIS IS OPENED. 153 00:10:35,201 --> 00:10:35,339 WHAT ARE YOU WAITING ON? 154 00:10:36,580 --> 00:10:36,718 LET'S HITCH THEM TWO DOGGIES UP. 155 00:10:38,580 --> 00:10:38,718 GO ON, SQUIDWARD. 156 00:10:41,132 --> 00:10:41,270 HURRY UP, SQUIDWARD. 157 00:10:42,753 --> 00:10:42,891 THAT MONEY AIN'T GETTIN' ANY YOUNGER. 158 00:10:57,994 --> 00:10:58,132 THE MAGICAL PATH TO ATLANTIS IS A VAN? 159 00:11:02,235 --> 00:11:02,373 NICE HOT ROD FLAMES. 160 00:11:05,028 --> 00:11:05,166 WHAT'S IT DOING? 161 00:11:19,304 --> 00:11:19,442 WELL, POLLY-WOLLY-DING-DANG-DOO. 162 00:11:21,856 --> 00:11:21,960 WOULD YOU LOOK AT THAT? 163 00:11:23,477 --> 00:11:23,615 TAKE A GANDER, Y'ALL. 164 00:11:26,304 --> 00:11:26,442 FABULOUS DECOR. 165 00:11:27,994 --> 00:11:28,132 IT'S QUITE A VESSEL, BUT WHO'S MANNING IT? 166 00:11:29,649 --> 00:11:29,787 Computer voice: GREETINGS. 167 00:11:32,649 --> 00:11:32,787 WELCOME ABOARD THE SEA SHIP ATLANTIS. 168 00:11:35,166 --> 00:11:35,304 THIS IS A NONSTOP TRIP, SO PLEASE, TAKE A SEAT, RELAX, AND WE'LL BE ON OUR WAY. 169 00:11:39,132 --> 00:11:39,270 GOOD. 170 00:11:40,718 --> 00:11:42,787 BET THERE'S SOME LOOSE CHANGE IN HERE. 171 00:11:42,787 --> 00:11:42,925 AH, SO THIS IS WHAT LUXURY FEELS LIKE. 172 00:11:47,028 --> 00:11:48,132 WHAT I WOULDN'T DO FOR A FOOT RUB. 173 00:11:52,304 --> 00:11:52,442 Computer voice: ATTENTION, PASSENGERS. 174 00:11:54,304 --> 00:11:54,442 REGRETFULLY, WE LACK THE FUEL NEEDED FOR FORWARD MOTION. 175 00:11:56,373 --> 00:11:56,511 WHAT? 176 00:12:05,511 --> 00:12:05,649 IS THIS SOME KIND OF JOKE? 177 00:12:07,373 --> 00:12:07,511 WHERE'S THE GAS TANK? 178 00:12:09,822 --> 00:12:09,925 WE ATLANTEANS FIND THE USE OF FOSSIL FUELS TO BE COUNTER-INTUITIVE 179 00:12:13,546 --> 00:12:13,684 AND HAVE DEVELOPED AN ALTERNATIVE SOURCE WE CALL SONG. 180 00:12:16,856 --> 00:12:16,960 HUH? 181 00:12:18,718 --> 00:12:21,960 THE ENGINE OF THIS VESSEL IS FUELED BY SONG. 182 00:12:21,960 --> 00:12:22,097 THE MORE YOU SING OF YOUR DESIRES, THE CLOSER TO ATLANTIS YOU WILL GET. 183 00:12:26,097 --> 00:12:26,235 LET US COMMENCE SINGING. 184 00:12:27,373 --> 00:12:27,511 DOES THAT MAKE ANY SENSE? 185 00:12:28,960 --> 00:12:29,097 NO, BUT I'M GAME FOR SINGING ANY DAY. 186 00:12:40,856 --> 00:12:40,960 WHOOPS, SORRY. 187 00:13:57,511 --> 00:13:57,649 UH, I DON'T KNOW WHAT I LIKE. 188 00:14:02,615 --> 00:14:02,753 Computer voice: WARNING: YOU HAVE RUN OUT OF SONG FUEL. 189 00:14:07,373 --> 00:14:07,511 HEY, LOOK, IT'S ATLANTIS. 190 00:14:09,511 --> 00:14:09,649 PRETTY. 191 00:14:19,891 --> 00:14:19,994 YOU DIMWITS HAVEN'T EVEN BEEN HERE TWO MINUTES 192 00:14:22,615 --> 00:14:22,753 AND YOU'VE ALREADY MESSED UP SOMEONE'S TOPIARY GARDEN. 193 00:14:30,546 --> 00:14:30,684 GO ON, SPONGEBOB. 194 00:14:31,891 --> 00:14:31,994 RING THE BELL. 195 00:14:33,132 --> 00:14:33,270 RING FOR THE KING, HUH? 196 00:14:47,615 --> 00:14:47,753 WELCOME TO ATLANTIS. 197 00:14:50,408 --> 00:14:50,546 I'VE BEEN EXPECTING YOU. 198 00:14:58,684 --> 00:14:58,822 ALLOW ME TO INTRODUCE MYSELF. 199 00:15:01,063 --> 00:15:01,201 I AM THE LORD ROYAL HIGHNESS, BUT MY FRIENDS CALL ME L.R.H. 200 00:15:06,477 --> 00:15:06,615 MY FRIENDS CALL ME SPONGEBOB. 201 00:15:08,304 --> 00:15:08,442 I'M HERE TO SEE THE OLDEST BUBBLE. 202 00:15:10,408 --> 00:15:10,546 YES, OF COURSE. 203 00:15:11,994 --> 00:15:12,132 WHAT A RIP OFF. 204 00:15:13,270 --> 00:15:13,408 THIS STREET AIN'T GOLD. 205 00:15:15,201 --> 00:15:15,339 OH, IF IT'S GOLD YOU WANT, YOU'LL FIND IT IN OUR VAULT. 206 00:15:18,684 --> 00:15:18,822 I'M EUGENE. 207 00:15:19,787 --> 00:15:19,925 I LIKE MONEY. 208 00:15:20,925 --> 00:15:21,028 I CAN SEE THAT. 209 00:15:22,132 --> 00:15:22,270 PLEASURE TO MEET YOU. 210 00:15:24,339 --> 00:15:27,235 COME, I'LL GIVE YOU THE GRAND TOUR OF OUR ATLANTEAN FORTRESS. 211 00:15:27,235 --> 00:15:27,373 I'M SO GLAD YOU'RE ALL HERE. 212 00:15:32,442 --> 00:15:32,580 THEY'RE GONE. 213 00:15:33,787 --> 00:15:33,925 NOW TO GET TO THOSE WEAPONS. 214 00:15:38,373 --> 00:15:38,511 TRAPPED! 215 00:15:39,960 --> 00:15:40,097 OK, WHAT DO I HAVE TO WORK WITH HERE? 216 00:15:42,477 --> 00:15:42,615 WHAT'S THIS? 217 00:15:43,580 --> 00:15:43,718 OWNERS MANUAL? 218 00:15:46,166 --> 00:15:46,304 LOOKS LIKE I'VE FOUND MY ESCAPE ROUTE. 219 00:15:53,442 --> 00:15:53,580 OW. 220 00:15:55,580 --> 00:15:55,718 Lord Royal Highness: FOR CENTURIES, WE ATLANTEANS SPENT 221 00:15:58,891 --> 00:15:58,994 NAY, WASTED OUR TALENTS AND ENERGY 222 00:16:01,960 --> 00:16:02,063 BUILDING THE MOST SOPHISTICATED WEAPONRY TO DEFEND OURSELVES FROM INVADERS 223 00:16:07,822 --> 00:16:07,925 BUT WE ABANDONED THE IDEA OF WARFARE LONG AGO 224 00:16:11,028 --> 00:16:11,166 AND NOW, ALL THESE WEAPONS GATHER DUST BEHIND THIS LOCKED DOOR AS AN EXAMPLE 225 00:16:16,615 --> 00:16:16,753 OF WHAT MUST BE DONE IF ONE WISHES TO LIVE IN HARMONY 226 00:16:20,615 --> 00:16:20,753 WITH ALL CREATURES OF THIS OR ANY WORLD. 227 00:16:24,580 --> 00:16:24,718 , HARMONY, "SHMARMONY." 228 00:16:26,201 --> 00:16:26,339 WHEN DO WE GET TO SEE THE TREASURE? 229 00:16:27,546 --> 00:16:27,684 BUT OF COURSE. 230 00:16:28,960 --> 00:16:29,097 FOLLOW ME. 231 00:16:30,132 --> 00:16:33,132 COMING THROUGH, BOYS. 232 00:16:33,132 --> 00:16:33,270 THESE ATLANTEANS LEAVE A ROOM FULL OF THE MOST ADVANCED WEAPONRY UNGUARDED? 233 00:16:38,546 --> 00:16:38,684 NO WONDER THEY GOT LOST. 234 00:16:43,822 --> 00:16:43,925 OH, MY. 235 00:16:45,580 --> 00:16:45,718 THERE WILL BE NO ONE TO STOP ME THIS TIME. 236 00:17:10,235 --> 00:17:10,373 WELL, BAD NEWS, KIDS. 237 00:17:12,580 --> 00:17:12,718 ENCINO'S STILL LOST. 238 00:17:16,339 --> 00:17:16,477 OOH, BUT AT LEAST I GOT ME RADIO FIXED. 239 00:17:25,684 --> 00:17:25,822 WELL, ENJOY THE REST OF THE SHOW. 240 00:17:30,960 --> 00:17:31,097 Lord Royal Highness: IT IS BOTH AN HONOR AND A PLEASURE TO WELCOME YOU TO ATLANTIS. 241 00:17:35,339 --> 00:17:35,477 WE HAVEN'T HAD VISITORS IN QUITE SOME TIME. 242 00:17:38,304 --> 00:17:38,442 YOU SEE, BEING A LOST CITY HAS CERTAIN DISADVANTAGES. 243 00:17:41,270 --> 00:17:41,408 BUT I DIGRESS. 244 00:17:43,753 --> 00:17:48,684 NOW, IF YOU WILL JUST FOLLOW ME, I'LL SHOW YOU SOME OF OUR GRANDEST ACHIEVEMENTS. 245 00:17:48,684 --> 00:17:48,822 SQUIDWARD, YOU TOLD ME THE STREETS WERE PAVED WITH GOLD. 246 00:17:51,477 --> 00:17:51,615 NOW, THAT STREET LIGHT BETTER BE A 600 CARAT DIAMOND, OR ELSE. 247 00:17:58,304 --> 00:17:58,442 OH, HOLD STILL, SQUIDWARD. 248 00:17:59,718 --> 00:17:59,856 YOU'RE STANDING ON MY NECK. 249 00:18:02,097 --> 00:18:02,235 OOH, WHAT? 250 00:18:05,166 --> 00:18:05,304 ARE YOU ALL RIGHT? 251 00:18:06,442 --> 00:18:06,580 YEAH, BUT I FEEL ODD. 252 00:18:13,063 --> 00:18:13,201 MR. KRABS, ARE YOU OK? 253 00:18:14,477 --> 00:18:14,615 I'D KNOW THAT SMELL ANYWHERE. 254 00:18:19,166 --> 00:18:19,304 ME POCKETS! 255 00:18:20,408 --> 00:18:20,546 THEY BE SMELLIN' LOOT. 256 00:18:26,063 --> 00:18:26,201 HEY. 257 00:18:27,925 --> 00:18:28,028 THOSE POCKETS OF YOURS REALLY HAVE A NOSE FOR TREASURE. 258 00:18:31,442 --> 00:18:31,580 THESE ARE ME HOUND'S-TOOTH PANTS. 259 00:18:33,511 --> 00:18:33,649 WHAT YOU SEE HERE IS A GLIMPSE OF ANCIENT ATLANTEAN HISTORY. 260 00:18:36,856 --> 00:18:36,960 LONG AGO, WE ABANDONED OUR OBSESSION WITH WEALTH 261 00:18:40,097 --> 00:18:40,235 TO FOCUS ON THE PURSUIT OF KNOWLEDGE 262 00:18:42,822 --> 00:18:42,925 SO HELP YOURSELF TO AS MUCH AS YOUR POCKETS CAN CARRY. 263 00:18:45,787 --> 00:18:45,925 AS MUCH AS ME POCKETS CAN CARRY? 264 00:19:09,994 --> 00:19:10,132 CLEAR. 265 00:19:11,166 --> 00:19:12,856 I'M ALL RIGHT, SONNY. 266 00:19:55,304 --> 00:19:55,442 Lord Royal Highness: MR. KRABS. 267 00:19:57,028 --> 00:19:57,166 WE'RE OFF TO SEE THE BUBBLE. 268 00:19:58,615 --> 00:19:58,753 WOULD YOU CARE TO JOIN US? 269 00:20:00,511 --> 00:20:00,649 ARE YOU KIDDING? 270 00:20:01,684 --> 00:20:01,822 I JUST GOT HERE! 271 00:20:04,546 --> 00:20:04,684 Lord Royal Highness: VERY WELL, THEN. 272 00:20:05,580 --> 00:20:05,718 OFF WE GO. 273 00:20:07,339 --> 00:20:07,477 SPONGEBOB, WHEN ARE WE GONNA SEE THE BUBBLE? 274 00:20:09,511 --> 00:20:09,649 PATRICK, SHH. 275 00:20:10,684 --> 00:20:10,822 DON'T DALLY, LADS. 276 00:20:12,339 --> 00:20:12,477 YOU DON'T WANT TO BE LEFT BEHIND, DO YOU? 277 00:20:13,994 --> 00:20:14,132 NO, SIR. 278 00:20:15,270 --> 00:20:15,408 COME ON ALONG, PATRICK. 279 00:20:18,925 --> 00:20:19,028 YOU KNOW, L.R.H., I WAS BORN WITH A HEALTHY SCIENTIFIC CURIOSITY 280 00:20:23,891 --> 00:20:23,994 AND I WAS WONDERING IF I COULD GET A PEEK AT SOME OF YOUR SCIENTIFIC ACHIEVEMENTS. 281 00:20:27,201 --> 00:20:27,339 OF COURSE, MS. CHEEKS. 282 00:20:29,339 --> 00:20:29,477 HERE WE ARE, THE CULMINATION OF ALL OUR TECHNOLOGY. 283 00:20:33,994 --> 00:20:34,132 I GIVE YOU THE ATLANTEAN HALL OF SCIENCE. 284 00:20:41,442 --> 00:20:41,580 HOPPIN' ACORNS! 285 00:20:43,339 --> 00:20:43,477 LOOK AT ALL THIS HIGH-TECH GEAR! 286 00:20:46,132 --> 00:20:46,270 WHAT DOES THIS GIZMO DO? 287 00:20:48,132 --> 00:20:48,270 IT'S A BIO-MASS CONVERTING DEVICE. 288 00:20:50,477 --> 00:20:50,615 IT CAN TAKE ANY HOUSEHOLD OBJECT 289 00:20:53,408 --> 00:20:53,546 THIS COMB, FOR EXAMPLE, AND TURN IT INTO, SAY, ICE CREAM. 290 00:21:00,063 --> 00:21:00,201 WOULD ANYONE LIKE TO TRY? 291 00:21:01,339 --> 00:21:01,477 ME, ME, ME, ME, ME! 292 00:21:04,132 --> 00:21:04,270 GO AHEAD. 293 00:21:05,477 --> 00:21:05,615 YAY! 294 00:21:11,373 --> 00:21:11,511 COMB FLAVORED. 295 00:21:13,270 --> 00:21:13,408 WHAT ELSE CAN IT TURN THINGS INTO? 296 00:21:15,166 --> 00:21:15,304 ACTUALLY, IT CAN ONLY TURN THINGS INTO ICE CREAM. 297 00:21:18,235 --> 00:21:18,373 WE HAVEN'T WORKED THAT BUG OUT YET. 298 00:21:20,960 --> 00:21:21,063 BUT I CAN SHOW YOU THE MOST AMAZING-SLASH-FANTASTIC DEVICE CREATED BY ATLANTEAN HANDS. 299 00:21:27,753 --> 00:21:27,891 BEHOLD, THIS GRAND MACHINE ALLOWS THE USER TO BE BROKEN DOWN TO NANO-STATURE 300 00:21:33,235 --> 00:21:33,373 ENABLING THEM TO BATTLE GERMS HAND TO HAND. 301 00:21:36,856 --> 00:21:36,960 HOW'S IT WORK? 302 00:21:38,442 --> 00:21:40,373 PLEASE HAVE A SEAT, AND I'LL EXPLAIN. 303 00:21:40,373 --> 00:21:40,511 NOW, HERE'S HOW IT WORKS. 304 00:21:41,856 --> 00:21:41,960 HEY, COOL. 305 00:21:45,408 --> 00:21:45,546 WHERE'D SPONGEBOB GO? 306 00:21:47,960 --> 00:21:48,097 RIGHT NOW, HIS MOLECULES ARE BEING BROKEN DOWN INTO DATA 307 00:21:51,580 --> 00:21:51,718 WHICH IS ASSEMBLED INTO THIS COMPUTER, AND IS STORED ON THESE TAPES. 308 00:21:55,925 --> 00:21:56,028 THEN, REASSEMBLED ON A MUCH SMALLER SCALE. 309 00:21:58,339 --> 00:21:58,477 SOMEONE, HELP ME! 310 00:22:00,235 --> 00:22:03,649 AND FINALLY PASSES THROUGH THIS TUBE AND INTO THIS TANK 311 00:22:03,649 --> 00:22:03,787 WHICH CONTAINS EVERY ELEMENT KNOWN TO... 312 00:22:06,063 --> 00:22:06,201 OH, DEAR HEAVENS, IT LOOKS LIKE OUR SCIENTISTS 313 00:22:08,960 --> 00:22:09,097 WERE WORKING ON A VERY AGGRESSIVE CASE OF THE SNIFFLES. 314 00:22:11,994 --> 00:22:12,132 HE COULD BE IN TROUBLE. 315 00:22:13,822 --> 00:22:13,925 DON'T WORRY, SPONGEBOB. 316 00:22:15,097 --> 00:22:15,235 I'M COMING TO HELP YOU. 317 00:22:17,960 --> 00:22:18,063 OK, I'VE SEEN ENOUGH. 318 00:22:19,201 --> 00:22:19,339 LET ME OUT OF THIS THING! 319 00:22:28,097 --> 00:22:28,235 WHAT'S GOING ON HERE? 320 00:22:32,718 --> 00:22:32,856 OH, NO. 321 00:22:37,960 --> 00:22:38,097 SQUIDWARD, DON'T MAKE ANY SUDDEN MOVEMENTS. 322 00:22:49,235 --> 00:22:49,373 HELP! 323 00:22:53,891 --> 00:22:53,994 HELP, SANDY! 324 00:22:56,511 --> 00:22:56,649 SOUNDS LIKE THEM CRITTERS IS IN TROUBLE. 325 00:23:04,339 --> 00:23:04,477 HOLD ON, FELLOWS! 326 00:23:06,580 --> 00:23:09,097 I'LL BE THERE SOON, AS SOON AS I SEND THESE CRITTERS TO THEIR DOOM. 327 00:23:48,615 --> 00:23:48,753 WELL, SHALL WE CONTINUE ON WITH THE REST OF THE TOUR? 328 00:23:53,166 --> 00:23:53,304 Y'ALL HEAD OUT WITHOUT ME. 329 00:23:55,649 --> 00:23:55,787 WELL, THEN, GOOD LUCK. 330 00:23:56,994 --> 00:23:57,132 HAVE FUN. 331 00:23:58,270 --> 00:23:58,408 WE'LL SEE YOU AT DINNER. 332 00:24:00,201 --> 00:24:00,339 YOUR FRIEND SANDY CERTAINLY IS AN EXCITABLE ONE. 333 00:24:03,787 --> 00:24:03,925 QUITE. 334 00:24:05,718 --> 00:24:08,753 SOMEHOW, I KNEW I'D GET STUCK WITH YOU YAHOOS THE LONGEST. 335 00:24:52,097 --> 00:24:52,235 THIS STUFF IS WONDERFUL AND ALL, BUT WHEN ARE WE GONNA SEE SOME REAL ATLANTEAN CULTURE? 336 00:24:57,270 --> 00:24:57,408 GENTLEMEN, WHAT IS ART? 337 00:25:00,235 --> 00:25:00,373 OH, OH, I KNOW, I KNOW! 338 00:25:02,442 --> 00:25:02,580 I THOUGHT YOU'D NEVER ASK. 339 00:25:05,063 --> 00:25:09,235 ART IS THE CONSCIOUS ARRANGEMENT OF ELEMENTS IN A MATTER THAT AFFECTS A SENSE OF BEAUTY. 340 00:25:09,235 --> 00:25:09,373 Lord Royal Highness: NOT EVEN CLOSE. 341 00:25:10,891 --> 00:25:10,994 ART IS WHAT HAPPENS WHEN YOU LEARN TO DREAM. 342 00:25:16,063 --> 00:25:16,201 GO AHEAD. 343 00:25:17,408 --> 00:25:17,546 DREAM A LITTLE. 344 00:25:21,960 --> 00:25:22,063 IT LOOKS LIKE MY FRONT DOOR. 345 00:25:24,718 --> 00:25:24,856 BEHOLD, THE HALL OF ARTS. 346 00:25:29,822 --> 00:25:29,925 INCREDIBLE. 347 00:25:37,684 --> 00:25:37,822 THE CREATIVITY. 348 00:25:40,201 --> 00:25:40,339 THE ARTISTRY. 349 00:25:41,580 --> 00:25:41,718 THIS PAINTING IS SO REALISTIC. 350 00:25:43,994 --> 00:25:44,132 IT LOOKS LIKE YOU COULD STEP STRAIGHT INTO IT. 351 00:25:46,063 --> 00:25:46,201 AND YOU CAN. 352 00:25:51,408 --> 00:25:51,546 WHOA. 353 00:25:52,925 --> 00:25:53,028 THIS PLACE IS AMAZING. 354 00:27:07,201 --> 00:27:07,339 HEY, CAN YOU NOT SING? 355 00:27:08,891 --> 00:27:08,994 I'M TRYING TO MODEL HERE. 356 00:27:10,201 --> 00:27:10,339 NOW, HOLD ON, NANDO. 357 00:27:11,891 --> 00:27:11,994 WHY DON'T YOU TAKE FIVE? 358 00:27:13,546 --> 00:27:13,684 I'M REALLY DIGGING THIS SQUID'S FORM. 359 00:27:17,891 --> 00:27:17,994 LOOKS LIKE I'LL BE HERE INSPIRING THESE ATLANTEAN ART MAKERS WITH MY BEAUTY. 360 00:27:22,718 --> 00:27:22,856 YOU GUYS, GO ON AHEAD. 361 00:27:24,684 --> 00:27:24,822 OK, BYE, SQUIDWARD. 362 00:27:28,580 --> 00:27:28,718 NOW, THIS SECTION OF TOWN IS KNOWN FOR ITS ADVANCES IN THE SCIENCE OF FONDUE CREAM. 363 00:27:33,304 --> 00:27:33,442 EXCUSE ME, SIR. 364 00:27:35,615 --> 00:27:37,546 THIS TOUR'S BEEN GREAT AND ALL, BUT, UH, CAN WE SEE THE BUBBLE NOW? 365 00:27:37,546 --> 00:27:37,684 DO EXCUSE ME. 366 00:27:39,339 --> 00:27:39,477 MOST FOLKS DON'T STAY WITH THE TOUR THIS LONG. 367 00:27:42,304 --> 00:27:42,442 OF COURSE YOU CAN. 368 00:27:43,615 --> 00:27:43,753 BUT FIRST, REMEMBER THIS. 369 00:27:45,373 --> 00:27:45,511 THIS BUBBLE IS OVER ONE MILLION YEARS OLD. 370 00:27:48,649 --> 00:27:48,787 IT WAS BROUGHT HERE WHEN THE FIRST ATLANTEANS COLONIZED THIS PLACE 371 00:27:52,994 --> 00:27:53,132 DEFTLY HAND-CARRIED OVER BILLIONS OF LIGHT YEARS FROM OUR HOME PLANET. 372 00:27:58,856 --> 00:27:58,960 IT IS OUR PEOPLE'S MOST BELOVED AND TREASURED ANCIENT RELIC. 373 00:28:05,787 --> 00:28:05,925 BUT MOST IMPORTANTLY, REMEMBER TO... 374 00:28:09,891 --> 00:28:09,994 HAVE FUN. 375 00:28:14,925 --> 00:28:15,028 THERE IT IS, PATRICK. 376 00:28:16,546 --> 00:28:16,684 THE WORLD'S OLDEST LIVING BUBBLE. 377 00:28:19,925 --> 00:28:20,028 WHOO! 378 00:28:23,822 --> 00:28:23,925 LOOK AT IT, PATRICK. 379 00:28:25,028 --> 00:28:25,166 SO ANCIENT, SO FLOATY. 380 00:28:27,511 --> 00:28:27,649 IT IS THE MOST BEAUTIFUL, WRINKLED-UP, DUSTY OLD BUBBLE I'VE EVER SEEN. 381 00:28:30,718 --> 00:28:30,856 LIKE A DELICATE AIR RAISIN. 382 00:28:35,408 --> 00:28:35,546 NOW, IF YOU'LL EXCUSE ME, I NEED TO MAKE READY FOR TONIGHT'S DINNER 383 00:28:39,684 --> 00:28:39,822 SO I'M JUST GOING TO LEAVE YOU TWO FRIENDLY STRANGERS ALONE 384 00:28:44,408 --> 00:28:44,546 WITH OUR MOST BELOVED ANCIENT AND FRAGILE ATLANTEAN RELIC. 385 00:28:50,063 --> 00:28:50,201 JOIN US IN THE DINING HALL WHEN YOU'VE HAD AN EYEFUL. 386 00:28:53,235 --> 00:28:53,373 THANK YOU, MR. LORD ROYAL HIGHNESS, SIR. 387 00:28:56,097 --> 00:28:56,235 JUST LOOK AT IT, PATRICK. 388 00:28:57,856 --> 00:28:57,960 AH, THE STORIES THIS BUBBLE COULD TELL. 389 00:29:00,373 --> 00:29:00,511 I JUST WISH WE COULD GET A CLOSER LOOK. 390 00:29:02,718 --> 00:29:02,856 OH... 391 00:29:03,856 --> 00:29:04,718 PATRICK, CATCH THE...! 392 00:29:04,718 --> 00:29:04,856 OH, GOLLY! 393 00:29:07,408 --> 00:29:08,339 I DON'T KNOW HOW MUCH LONGER I CAN HOLD THIS! 394 00:29:10,477 --> 00:29:10,615 WHOA! 395 00:29:27,684 --> 00:29:27,822 WHOO, THAT WAS A CLOSE ONE, BUDDY. 396 00:29:30,339 --> 00:29:30,477 YEAH, WE ALMOST POPPED THE MOST PRIZED POSSESSION OF ALL ATLANTIS. 397 00:29:36,166 --> 00:29:38,960 BOY, THAT WOULD'VE BEEN OUR GREATEST BLUNDER, WITHOUT A DOUBT. 398 00:29:38,960 --> 00:29:39,097 WE SHOULD GO BEFORE SOMETHING BAD DOES HAPPEN. 399 00:29:40,960 --> 00:29:41,097 LET'S GET A PICTURE FOR OUR SCRAPBOOKS BEFORE WE LEAVE. 400 00:29:43,477 --> 00:29:43,615 GREAT IDEA, PATRICK. 401 00:29:44,960 --> 00:29:45,063 CHEESE. 402 00:29:48,891 --> 00:29:48,994 PATRICK, DID YOU HEAR SOMETHING? 403 00:29:51,891 --> 00:29:51,994 UH, SORT OF A POPPING SOUND? 404 00:29:54,718 --> 00:29:54,856 MM-HMM. 405 00:30:02,822 --> 00:30:02,925 SO SORRY I'M LATE. 406 00:30:04,132 --> 00:30:04,270 THE TOUR RAN A LITTLE LONG. 407 00:30:06,511 --> 00:30:06,649 SO, HOW ARE YOU ALL ENJOYING OUR BELOVED CITY? 408 00:30:09,270 --> 00:30:09,408 I'M NEVER LEAVING THIS PLACE. 409 00:30:12,339 --> 00:30:12,477 I'VE LEARNED MORE ABOUT PAINTING IN A FEW HOURS HERE 410 00:30:14,753 --> 00:30:14,891 THAN I DID IN FOUR YEARS OF COMMUNITY COLLEGE. 411 00:30:17,373 --> 00:30:17,511 ABSOLUTELY MARVELOUS. 412 00:30:20,477 --> 00:30:20,615 AND, EUGENE, I ASSUME THE HALL OF TREASURE WAS EVERYTHING YOU HOPED FOR? 413 00:30:27,511 --> 00:30:27,649 AND, SANDRA, HOW DID YOU FIND OUR LABORATORIES? 414 00:30:31,408 --> 00:30:31,546 THEY ARE JUST AMAZING. 415 00:30:33,132 --> 00:30:33,270 I USED YOUR INVENTION ROOM TO MAKE THIS. 416 00:30:35,235 --> 00:30:35,373 SPLENDID. 417 00:30:36,511 --> 00:30:36,649 WHAT DOES IT DO? 418 00:30:37,580 --> 00:30:37,718 I'LL SHOW YOU. 419 00:30:44,787 --> 00:30:47,132 NOW I CAN EAT UNDERWATER WITHOUT REMOVING MY HELMET. 420 00:30:47,132 --> 00:30:47,270 THIS IS JUST THE BEGINNING. 421 00:30:49,097 --> 00:30:49,235 I SHOULD HAVE A CURE FOR THE COMMON COLD 422 00:30:51,270 --> 00:30:51,408 UP AND RUNNING BY TOMORROW AFTERNOON WITH YOUR HIGH-TECH LAB. 423 00:30:56,063 --> 00:31:00,925 SPONGEBOB, PATRICK, TELL ME, HOW DID YOU ENJOY OUR RAREST AND MOST PRIZED POSSESSION? 424 00:31:00,925 --> 00:31:01,028 UM, WE HAVE TO GO BACK TO BIKINI BOTTOM NOW. 425 00:31:03,546 --> 00:31:03,684 HUH? 426 00:31:04,477 --> 00:31:04,615 HUH? 427 00:31:07,753 --> 00:31:11,891 COME, ENJOY THE BEST ATLANTEAN CUISINE HAS TO OFFER BEFORE YOU GO. 428 00:31:13,822 --> 00:31:13,925 WHAT IS WRONG WITH YOU TWO MORONS? 429 00:31:15,270 --> 00:31:15,408 WE HAVE TO GO HOME NOW. 430 00:31:17,235 --> 00:31:17,373 WHY WOULD YOU WANT TO LEAVE A PARADISE LIKE ATLANTIS? 431 00:31:19,856 --> 00:31:19,960 BECAUSE, UH, GARY MISSES ME. 432 00:31:26,097 --> 00:31:26,235 WE DESTROYED YOUR MOST PRIZED POSSESSION! 433 00:31:35,649 --> 00:31:35,787 IF THERE'S ONE THING WE ATLANTEANS ENJOY, IT'S A HEALTHY DOSE OF DARK HUMOR. 434 00:31:41,132 --> 00:31:42,132 IT'S NOT A JOKE. 435 00:31:42,132 --> 00:31:42,270 WE BURST THE BUBBLE! 436 00:31:45,580 --> 00:31:45,718 THAT'S NOT THE REAL BUBBLE. 437 00:31:47,442 --> 00:31:47,580 IT'S JUST A PROP FOR THE TOURISTS. 438 00:31:50,891 --> 00:31:50,994 THIS IS THE REAL DEAL. 439 00:31:52,925 --> 00:31:53,028 OOH. 440 00:31:58,477 --> 00:32:00,201 SUMMON THE ATLANTEAN ROYAL GUARD. 441 00:32:11,270 --> 00:32:11,373 SEIZE THESE HOSTILE BUBBLE-POPPERS. 442 00:32:16,546 --> 00:32:16,684 DON'T JUST STAND THERE. 443 00:32:18,132 --> 00:32:18,270 MOVE! 444 00:32:22,511 --> 00:32:22,649 CAN'T YOU GO ANY FASTER, SANDY? 445 00:32:25,132 --> 00:32:25,270 MAYBE, IF Y'ALL WOULD USE YOUR FEET. 446 00:32:28,649 --> 00:32:28,787 NEVER MIND. 447 00:32:30,201 --> 00:32:30,339 JUST KEEP DOING WHAT YOU'RE DOING. 448 00:32:32,477 --> 00:32:32,615 HUH? 449 00:32:40,684 --> 00:32:40,822 COME ON, PATRICK. 450 00:32:46,960 --> 00:32:47,063 THAT TICKLES. 451 00:32:49,408 --> 00:32:49,546 HANG IN THERE, LITTLE BUDDY. 452 00:33:01,028 --> 00:33:01,166 HUH? 453 00:33:03,960 --> 00:33:04,097 DON'T LET THEM GET AWAY. 454 00:33:22,235 --> 00:33:22,373 THIS IS THE END OF PATCHY. 455 00:33:25,649 --> 00:33:25,787 NO WATER, NO FOOD, AND STILL NO ENCINO. 456 00:33:32,787 --> 00:33:32,925 HERE COME THE VULTURES TO PICK ME BONES. 457 00:33:38,339 --> 00:33:38,477 SHIVER ME TIMBERS, IT'S POTTY. 458 00:33:41,580 --> 00:33:41,718 I WONDER WHAT PARROT TASTES LIKE. 459 00:33:44,580 --> 00:33:44,718 COME BACK HERE. 460 00:33:46,408 --> 00:33:46,546 UH-OH, HERE COME THE HALLUCINATIONS. 461 00:34:01,442 --> 00:34:01,580 PATCHY, IT'S ME, SPONGEBOB SQUAREPANTS. 462 00:34:10,649 --> 00:34:10,787 DON'T LOSE HOPE. 463 00:34:12,960 --> 00:34:13,063 EVERYTHING WILL BE ALL RIGHT, WHEN YOU GET TO ENCINO. 464 00:34:16,615 --> 00:34:16,753 BUT ENCINO IS GONE. 465 00:34:20,925 --> 00:34:21,028 IT'S NOT GONE, IF YOU BELIEVE. 466 00:34:27,028 --> 00:34:27,166 BELIEVE... BELIEVE. 467 00:34:37,684 --> 00:34:37,822 WELCOME TO ENCINO. 468 00:34:39,270 --> 00:34:39,408 IT'S BACK. 469 00:34:41,132 --> 00:34:41,270 SPONGEBOB WAS RIGHT. 470 00:34:43,787 --> 00:34:43,925 ALL I HAD TO DO WAS BELIEVE. 471 00:34:49,753 --> 00:34:49,891 ♪ WAS OUT OF SIGHT 472 00:36:04,201 --> 00:36:04,339 OW, OW, OW, OW! 473 00:36:10,132 --> 00:36:10,270 OH... IT WAS ALL A HALLUCINATION. 474 00:36:14,546 --> 00:36:14,684 ENCINO'S STILL GONE. 475 00:36:23,960 --> 00:36:24,097 OOH, A SANDWICH. 476 00:36:26,408 --> 00:36:26,546 POTTY, YOU'RE A LIFE SAVER. 477 00:36:32,891 --> 00:36:32,994 OH! 478 00:36:34,408 --> 00:36:38,339 POTTY, YOU KNOW I DON'T LIKE MAYO! 479 00:36:42,270 --> 00:36:42,408 HERE, YOU WANT SOME? 480 00:36:43,925 --> 00:36:44,028 GO ON. 481 00:36:45,684 --> 00:36:45,822 UH, TAKE IT. 482 00:36:47,960 --> 00:36:48,097 I DON'T LIKE THE MAYONNAISE, YOU KNOW. 483 00:36:51,373 --> 00:36:51,511 ONCE IT GETS UP ABOVE 130, 135, THE MAYONNAISE GETS KIND OF GRODY, YOU KNOW. 484 00:36:59,166 --> 00:36:59,304 COWER TO ME, FOOLS. 485 00:37:01,960 --> 00:37:02,063 I HAVE COMMANDEERED THE MOST POWERFUL WEAPON IN THE ATLANTEAN ARSENAL. 486 00:37:06,822 --> 00:37:06,925 NOW, BOW BEFORE THE NEW KING OF ATLANTIS. 487 00:37:10,477 --> 00:37:10,615 THEN, PREPARE TO TASTE MY WRATH. 488 00:37:14,546 --> 00:37:14,684 HUH? 489 00:37:16,235 --> 00:37:16,373 UH, I MEAN, PREPARE TO TASTE MY WRATH. 490 00:37:21,580 --> 00:37:21,718 YOU... 491 00:37:23,718 --> 00:37:23,856 PREPARE TO TASTE MY WRATH. 492 00:37:28,408 --> 00:37:30,304 Computer voice: LAUNCH SEQUENCE DEPLOYED. 493 00:37:38,201 --> 00:37:38,339 OOH! 494 00:37:43,442 --> 00:37:43,580 PLANKTON'S WRATH TASTES LIKE ICE CREAM. 495 00:37:45,753 --> 00:37:45,891 THANKS, PLANKTON. 496 00:37:48,442 --> 00:37:48,580 ICE CREAM? 497 00:37:49,649 --> 00:37:49,787 IT SHOOTS ICE CREAM? 498 00:37:52,994 --> 00:37:53,132 OVERSIZED ICE CREAM MAKER! 499 00:37:58,339 --> 00:37:58,477 OUCH, OUCH. 500 00:38:00,925 --> 00:38:01,028 LOOK, A TALKING SPECK. 501 00:38:02,960 --> 00:38:03,097 THIS TALKING SPECK WILL MAKE A FANTASTIC REPLACEMENT 502 00:38:06,649 --> 00:38:06,787 FOR OUR RECENTLY DEFLATED NATIONAL TREASURE. 503 00:38:09,546 --> 00:38:09,684 WON'T YOU, LITTLE FELLOW? 504 00:38:11,615 --> 00:38:11,753 I'LL DESTROY ALL OF YOU! 505 00:38:13,649 --> 00:38:13,787 AMAZING. 506 00:38:15,477 --> 00:38:17,511 THIS IS SO MUCH BETTER THAN THAT DUSTY OLD BUBBLE. 507 00:38:17,511 --> 00:38:17,649 YOU HAVEN'T SEEN THE LAST OF ME. 508 00:38:20,822 --> 00:38:20,925 WHEN I GET OUT OF HERE, I'LL HUNT YOU ALL DOWN LIKE A PACK OF... 509 00:38:24,063 --> 00:38:24,201 HEY. 510 00:38:25,097 --> 00:38:25,201 CAN'T YOU READ? 511 00:38:26,304 --> 00:38:26,442 NO FLASH PHOTOGRAPHY. 512 00:38:30,373 --> 00:38:30,511 SO NICE TO MEET YOU ALL. 513 00:38:32,787 --> 00:38:32,925 I HOPE YOU HAVE A SAFE JOURNEY BACK HOME, AND DO COME BACK ANY TIME. 514 00:38:37,718 --> 00:38:37,856 SO LONG. 515 00:38:38,960 --> 00:38:39,063 AND THANKS FOR THE TOUR. 516 00:38:42,960 --> 00:38:43,063 DISPOSE OF THIS, QUICKLY. 517 00:38:44,718 --> 00:38:44,856 WE CAN'T SURVIVE ANY MORE VISITORS LIKE THESE. 518 00:38:47,787 --> 00:38:47,925 SIR, YES, SIR. 519 00:39:00,822 --> 00:39:00,925 I THOUGHT SPONGES WERE SUPPOSED TO MAKE LIFE EASIER. 520 00:40:03,132 --> 00:40:03,270 ♪ GOODBYE, ATLANTIS 521 00:40:18,580 --> 00:40:18,718 ♪ ME, TOO 522 00:40:19,994 --> 00:40:20,132 ♪ GOODBYE, ATLANTIS 523 00:40:35,580 --> 00:40:35,718 STOP SAYING THAT. 524 00:40:38,615 --> 00:40:38,753 ♪ GOODBYE, ATLANTIS 525 00:40:42,339 --> 00:40:42,477 ♪ GOODBYE, ATLANTIS. 526 00:40:51,994 --> 00:40:52,132 PRETTY GOOD STORY, EH, KIDS? 527 00:40:55,684 --> 00:40:55,822 I FOUND ENCINO. 528 00:40:58,097 --> 00:40:58,235 BUT IT'S ALL TINY. 529 00:41:02,339 --> 00:41:02,477 SOMEONE MUST HAVE... . 530 00:41:11,408 --> 00:41:11,546 SORRY, SIR. 531 00:41:13,787 --> 00:41:16,477 OUR SON, NORBLOCK FIVE, WAS MESSING AROUND WITH THE "SHRINKATRON" AGAIN. 532 00:41:16,477 --> 00:41:16,615 NO, NO, NO, NO. 533 00:41:18,408 --> 00:41:18,546 I WANT ENCINO FULL-SIZE AGAIN. 534 00:41:21,787 --> 00:41:21,925 THERE'S NO PLACE LIKE HOME. 535 00:41:23,442 --> 00:41:23,580 THERE'S NO PLACE LIKE HOME. 536 00:41:24,822 --> 00:41:24,925 OK, HAND IT OVER, NORBLOCK FIVE. 537 00:41:31,063 --> 00:41:31,201 WE'LL FIX YOUR TOWN, BEARDY. 538 00:41:32,684 --> 00:41:32,822 BEARDY? 539 00:41:53,304 --> 00:41:53,442 WELL, LOOKS LIKE EVERYTHING'S BACK TO THE RIGHT SIZE, EH, POTTY? 540 00:41:58,649 --> 00:41:58,787 POTTY? 541 00:42:05,201 --> 00:42:05,339 WELL, KIDS, I'M A LITTLE BUSY RIGHT NOW 542 00:42:07,822 --> 00:42:07,925 BUT BE SURE TO COME BACK REAL SOON FOR MORE OF YOUR OLD PAL PATCHY. 543 00:42:13,511 --> 00:42:13,649 AND MORE SPONGEBOB SQUAREPANTS. 544 00:42:15,028 --> 00:42:15,166 POTTY, WILL YOU GET OFF OF ME? 545 00:42:19,684 --> 00:42:27,063 2 F1