1 00:00:03,339 --> 00:00:04,922 SPONGEBOB SQUAREPANTS! 2 00:00:07,297 --> 00:00:09,172 - all: SPONGEBOB SQUAREPANTS! - READY? 3 00:00:09,214 --> 00:00:11,214 SPONGEBOB SQUAREPANTS! 4 00:00:11,255 --> 00:00:13,130 SPONGEBOB SQUAREPANTS! 5 00:00:13,172 --> 00:00:14,838 SPONGEBOB SQUAREPANTS! 6 00:00:14,880 --> 00:00:16,130 SPONGEBOB 7 00:00:16,172 --> 00:00:18,505 SQUAREPANTS! 8 00:00:41,380 --> 00:00:43,588 - WHAT THE— 9 00:00:43,630 --> 00:00:47,588 SPONGEBOB, DO YOU MIND? 10 00:00:52,838 --> 00:00:54,880 AAH! 11 00:00:54,922 --> 00:00:57,880 - OH, HEY, SQUIDWARD. WHAT YOU DOING? 12 00:00:57,922 --> 00:01:00,755 WHAT AM I DOING? 13 00:01:00,797 --> 00:01:02,671 WHAT ARE YOU DOING? 14 00:01:02,713 --> 00:01:04,880 - I AM SHARPENING MY TRUSTY SPATULA. 15 00:01:04,922 --> 00:01:06,505 SPEAKING OF WHICH, ARE YOU GONNA STICK AROUND 16 00:01:06,546 --> 00:01:08,172 FOR MORNING FRY COOK CALISTHENICS? 17 00:01:08,214 --> 00:01:12,339 - CALI-WHAT? 18 00:01:12,380 --> 00:01:15,838 OH! NYUH! 19 00:01:21,089 --> 00:01:23,838 - WALKING TO WORK, HUH, SQUIDWARD? - GO AWAY. 20 00:01:23,880 --> 00:01:25,130 - CAN I WALK WITH YOU? - NO. 21 00:01:25,172 --> 00:01:26,172 - PLEASE? - NO. 22 00:01:26,214 --> 00:01:27,255 - PLEASE? - NO. 23 00:01:27,297 --> 00:01:28,297 - PLEASE? - NO. 24 00:01:28,339 --> 00:01:29,588 - PLEASE? - NO. 25 00:01:29,630 --> 00:01:30,630 - PLEASE? - NO. 26 00:01:30,671 --> 00:01:31,630 - PLEASE? - NO. 27 00:01:31,671 --> 00:01:32,671 - PLEASE? - NO. 28 00:01:32,713 --> 00:01:37,005 - PLEASE? - I... SAID... NO! 29 00:01:37,047 --> 00:01:39,797 I WILL NOT WALK TO WORK WITH Y— 30 00:01:39,838 --> 00:01:42,005 OKAY. MAYBE TOMORROW THEN. 31 00:01:44,421 --> 00:01:47,339 - I'LL HAVE TWO KRABBY PATTIES. 32 00:01:47,380 --> 00:01:49,922 - OKAY, AND WOULD YOU LIKE CHEESE ON— 33 00:01:53,380 --> 00:01:54,922 - DO YOU NEED A BREAK OR SOMETHING? 34 00:01:54,963 --> 00:01:56,339 HUH? OH, NO! 35 00:01:56,380 --> 00:01:59,005 NO! THAT WAS NOT ME. 36 00:01:59,047 --> 00:02:03,797 I SWEAR. 37 00:02:03,838 --> 00:02:06,297 NO, WAIT, REALLY! [sputters, sighs] 38 00:02:06,339 --> 00:02:08,214 SPONGEBOB! 39 00:02:08,255 --> 00:02:11,089 IT'S EMPTY! SEE, EMPTY! 40 00:02:11,130 --> 00:02:13,421 - WOW, SQUIDWARD, HOW'D YOU KNOW THAT? 41 00:02:13,463 --> 00:02:15,255 WELL, LET'S SEE. 42 00:02:15,297 --> 00:02:18,005 MAYBE 'CAUSE I HAVE A BRAIN. 43 00:02:18,047 --> 00:02:21,130 - OH. SQUIDWARD, THE GRILL IS ON. 44 00:02:21,172 --> 00:02:23,005 OH, REALLY? 45 00:02:23,047 --> 00:02:26,005 AND DO YOU THINK I DON'T KNOW THAT THIS GRILL IS— 46 00:02:29,421 --> 00:02:30,922 I GOTTA DO SOMETHING! 47 00:02:32,255 --> 00:02:34,255 - OKAY, SQUIDWARD, THIS SHOULD HELP. 48 00:02:34,297 --> 00:02:36,755 - WHAT THE—AAH! OOH-OOH-AAH! 49 00:02:36,797 --> 00:02:39,047 - DON'T WORRY, SQUIDWARD. I'LL CATCH YOU. 50 00:02:41,838 --> 00:02:45,214 AAH! 51 00:02:45,255 --> 00:02:48,713 UH, I CAN FIX THIS. 52 00:02:55,755 --> 00:02:58,297 - THIS TIME I GOT YOU. 53 00:03:05,671 --> 00:03:09,838 - ME SODA MACHINE. 54 00:03:09,880 --> 00:03:12,505 - SQUIDWARD, CAN YOU HEAR ME? HOW MANY FINGERS AM I— 55 00:03:12,546 --> 00:03:15,214 - NO! 56 00:03:19,005 --> 00:03:20,172 - SQUIDWARD? WHAT'S— 57 00:03:26,214 --> 00:03:29,713 - WELL, YOU REALLY SENT HIM OVER THE EDGE THIS TIME, BOY. 58 00:03:29,755 --> 00:03:31,297 - TECHNICALLY, I DROVE HIM UP THE WALL. 59 00:03:35,797 --> 00:03:39,380 - OH, SPONGEBOB, I'VE GOT A PRESENT FOR YOU. 60 00:03:39,421 --> 00:03:43,214 - PRESENT. P-PRESENT? FOR ME? 61 00:03:43,255 --> 00:03:44,630 NO, NO, CALM DOWN. 62 00:03:44,671 --> 00:03:47,630 I SHOULD HAVE GIVEN THIS TO YOU A LONG TIME AGO. 63 00:03:47,671 --> 00:03:50,421 WOW, SQUIDWARD. 64 00:03:50,463 --> 00:03:54,005 MY VERY OWN "RESTRAINING ORDER." 65 00:03:54,047 --> 00:03:55,671 UH, WHAT IS THAT? 66 00:03:55,713 --> 00:03:58,297 - PERHAPS MY LAWYERS SHOULD EXPLAIN. 67 00:03:58,339 --> 00:04:02,047 - WE ARE THE LAW OFFICES OF HARRY, COMBOVER, AND BALD— 68 00:04:02,089 --> 00:04:04,380 SPECIALIZING IN RESTRAINING ORDER-ALOGICAL LAW, 69 00:04:04,421 --> 00:04:06,339 AND HERE TO TELL ONE MR. SQUAREPANTS 70 00:04:06,380 --> 00:04:09,005 YOU'VE BEEN SERVED! 71 00:04:09,047 --> 00:04:11,255 - SERVED? I DON'T UNDERSTAND. 72 00:04:11,297 --> 00:04:12,797 SQUIDWARD, WHAT ARE THESE GUYS— 73 00:04:12,838 --> 00:04:16,297 - PER PARAGRAPH THREE OF THE RESTRAINING ORDER, 74 00:04:16,339 --> 00:04:18,713 YOU MAY NO LONGER SPEAK TO OUR CLIENT. 75 00:04:18,755 --> 00:04:22,546 LIKEWISE, YOU MAY NOT COME WITHIN 15 FEET OF MR. SQUIDWARD 76 00:04:22,588 --> 00:04:23,797 AT ANY TIME. 77 00:04:23,838 --> 00:04:25,797 ANY INFRACTIONS OF THESE STATUTES 78 00:04:25,838 --> 00:04:29,047 WILL RESULT IN SERIOUS JAIL TIME. 79 00:04:29,089 --> 00:04:32,255 - CAN YOU MAKE KRABBY PATTIES FOR LOYAL KRUSTY KRAB PATRONS 80 00:04:32,297 --> 00:04:34,505 DURING "SERIOUS JAIL TIME"? 81 00:04:34,546 --> 00:04:37,922 - HUH? 82 00:04:37,963 --> 00:04:40,463 AND 83 00:04:40,505 --> 00:04:42,671 - NO. 84 00:04:42,713 --> 00:04:44,255 NO! I DON'T WANT TO GO! 85 00:04:44,297 --> 00:04:46,630 - WELL, THEN FOLLOW THE GUIDELINES WE'VE EXPLAINED, 86 00:04:46,671 --> 00:04:48,546 AND YOU WON'T HAVE TO. 87 00:04:48,588 --> 00:04:51,047 - UH, SIRS, IF I CAN'T SPEAK TO 88 00:04:51,089 --> 00:04:53,172 OR GET WITHIN 15 FEET OF SQUIDWARD, 89 00:04:53,214 --> 00:04:55,380 HOW WILL WE GET ANYTHING DONE AROUND HERE? 90 00:04:55,421 --> 00:04:58,255 THAT'S NOT OUR PROBLEM. 91 00:05:01,130 --> 00:05:03,797 HMM. 92 00:05:09,546 --> 00:05:10,922 THERE WE GO. 93 00:05:10,963 --> 00:05:13,380 THREE KRABBY PATTIES, TWO LARGE KELPY KOLAS, 94 00:05:13,421 --> 00:05:15,588 AND THREE FRIES, READY TO BE SERVED. 95 00:05:20,797 --> 00:05:24,963 - HUH? 96 00:05:26,797 --> 00:05:28,880 - LET'S— OOF! 97 00:05:28,922 --> 00:05:30,463 - OOPS! 98 00:05:30,505 --> 00:05:32,047 SORRY ABOUT THAT, MR. KRABS. 99 00:05:32,089 --> 00:05:34,546 IT'S JUST SO HARD TO GET THIS FOOD TO SQUIDWARD 100 00:05:34,588 --> 00:05:36,339 WITHOUT VIOLATING THIS RESTRAINING ORDER. 101 00:05:36,380 --> 00:05:37,963 LET ME SEE THAT. 102 00:05:40,297 --> 00:05:42,172 THANK YOU. 103 00:05:42,214 --> 00:05:45,713 LOOK, BOY, I DON'T KNOW WHAT IN CORAL CAVERNS A RESTRAINING ORDER IS. 104 00:05:45,755 --> 00:05:48,922 BUT I DO KNOW WHATEVER'S GOING ON HERE CLEARLY AIN'T WORKING! 105 00:05:48,963 --> 00:05:51,463 NOW, I WANT THIS SHIP SAILING SMOOTHLY—ON THE DOUBLE! 106 00:05:51,505 --> 00:05:52,838 OR I'LL BE FORCED TO REMOVE 107 00:05:52,880 --> 00:05:55,588 MORE GOLD STARS FROM YOUR EMPLOYEE PERFORMANCE CHART. 108 00:05:55,630 --> 00:05:58,130 THINK, SPONGEBOB, THINK! 109 00:05:58,172 --> 00:06:01,255 OH, I GOT IT! 110 00:06:13,255 --> 00:06:15,880 - OH, IF I IGNORE IT, MAYBE IT WILL GO AWAY. 111 00:06:15,922 --> 00:06:18,922 - I THOUGHT NOT. 112 00:06:18,963 --> 00:06:22,255 OKAY, PATRICK, WHAT? WHAT? WHAT! 113 00:06:22,297 --> 00:06:27,172 NOTICE ANYTHING... 114 00:06:27,214 --> 00:06:32,047 DIFFERENT? HUH? HUH? 115 00:06:32,089 --> 00:06:34,297 A HINT. 116 00:06:34,339 --> 00:06:35,922 PATRICK! 117 00:06:35,963 --> 00:06:38,880 I AM NOT NOT PAYING YOU TO STAND AROUND AND PLAY 118 00:06:38,922 --> 00:06:40,130 "GUESS WHAT THE IDIOT'S THINKING" 119 00:06:40,172 --> 00:06:42,838 WITH SQUIDWARD. GET BACK TO WORK. 120 00:06:42,880 --> 00:06:46,713 - YEAH, PATRICK, GET BACK TO—WHAT WORK? 121 00:06:46,755 --> 00:06:49,297 OH, NO. NO, NO, NO. 122 00:06:49,339 --> 00:06:52,421 KRABS. MR. KRABS? 123 00:06:52,463 --> 00:06:56,339 - WHY ALL THE SHIVERING OF THE TIMBERS, MR. SQUIDWARD? 124 00:06:56,380 --> 00:06:59,214 - MR. KRABS, THIS WILL NOT STAND. 125 00:06:59,255 --> 00:07:01,421 YOU'LL STAND. 126 00:07:01,463 --> 00:07:04,838 OH, UNLESS YOU'D RATHER TALK WITH SPONGEBOB. 127 00:07:21,838 --> 00:07:22,880 WHAT? 128 00:07:22,922 --> 00:07:24,130 CAN I WATCH YOU WORK? 129 00:07:24,172 --> 00:07:25,588 - NO. - PLEASE? 130 00:07:25,630 --> 00:07:27,047 - NO. - PLEASE? 131 00:07:27,089 --> 00:07:28,713 - NO. - PLEASE? 132 00:07:28,755 --> 00:07:29,963 NO. 133 00:07:30,005 --> 00:07:31,047 - PLEASE? - NO. 134 00:07:31,089 --> 00:07:32,755 - PRETTY PLEASE? - NO! 135 00:07:32,797 --> 00:07:34,505 NO, NO, NO! 136 00:07:34,546 --> 00:07:37,463 GO AWAY, PATRICK. 137 00:07:37,505 --> 00:07:38,797 GO AWAY, PATRICK. 138 00:07:38,838 --> 00:07:39,880 PATRICK. 139 00:07:39,922 --> 00:07:43,297 PATRICK. PATRICK! 140 00:07:43,339 --> 00:07:44,713 PATRICK. 141 00:07:44,755 --> 00:07:46,963 PATRICK. 142 00:07:47,005 --> 00:07:49,922 PATRICK. 143 00:07:53,089 --> 00:07:54,130 PATRICK. 144 00:07:54,172 --> 00:07:58,588 PATRICK. 145 00:07:58,630 --> 00:08:00,089 - MR. SQUIDWARD? 146 00:08:00,130 --> 00:08:01,505 TIME FOR YOUR BREAK. 147 00:08:01,546 --> 00:08:03,838 DON'T MIND IF I DO. 148 00:08:06,089 --> 00:08:10,713 NO BETTER WAY TO SPEND A BREAK THAN WITH A LITTLE COOL JAZZ. 149 00:08:13,421 --> 00:08:17,255 HUH? 150 00:08:17,297 --> 00:08:19,713 - HI, SQUIDWARD. - HELLO... YOU. 151 00:08:19,755 --> 00:08:21,214 - I JUST FINISHED CLEANING THE RESTROOM. 152 00:08:21,255 --> 00:08:23,713 OOH, THAT'S GREAT. 153 00:08:23,755 --> 00:08:25,880 - I MOPPED THE FLOORS, I SHINED THE MIRRORS, 154 00:08:25,922 --> 00:08:28,130 - I SCRUBBED THE SINKS. - WONDERFUL. 155 00:08:28,172 --> 00:08:30,838 - OH, YEAH, BUT WE'RE GONNA NEED A NEW TOILET PLUNGER. 156 00:08:30,880 --> 00:08:32,005 THIS ONE'S BROKEN. 157 00:08:32,047 --> 00:08:35,255 - PATRICK! 158 00:08:35,297 --> 00:08:36,546 NICE WORK, PATRICK. 159 00:08:36,588 --> 00:08:41,339 BREAK TIME'S OVER, MR. SQUIDWARD. 160 00:08:41,380 --> 00:08:43,089 - WELCOME TO THE HOUSE OF MISERY. 161 00:08:43,130 --> 00:08:44,838 MAY I TAKE YOUR ORDER? 162 00:08:44,880 --> 00:08:47,880 - YES, I WOULD LIKE TWO DOUBLE FRIED KELP FRITTERS, 163 00:08:47,922 --> 00:08:50,130 THREE KRUSTY KRAB CREAM-FILLED CORALS, 164 00:08:50,172 --> 00:08:52,297 AND FOUR TRIPLE FATTY KRABBY PATTIES. 165 00:08:52,339 --> 00:08:53,797 IS THAT TOO MUCH? 166 00:08:53,838 --> 00:08:55,838 - THAT DEPENDS. - ON WHAT? 167 00:08:55,880 --> 00:08:57,339 - HOW LONG DO YOU WANNA LIVE? 168 00:08:57,380 --> 00:09:00,214 - OOF! - MM. 169 00:09:08,339 --> 00:09:10,546 SQUIDWARD'S FUNNY! 170 00:09:10,588 --> 00:09:12,463 HEY, A BUTTON. 171 00:09:12,505 --> 00:09:15,047 - OH, GRAMMY, I BROUGHT YOUR FAVORITE. 172 00:09:15,089 --> 00:09:16,797 SEABERRY PIE. 173 00:09:17,880 --> 00:09:21,880 YIKES! 174 00:09:24,172 --> 00:09:26,047 SEABERRIES. 175 00:09:26,089 --> 00:09:30,089 I'M ALLERGIC TO... SEABERRIES. 176 00:09:30,130 --> 00:09:34,421 THAT'S IT! I KNOW WHAT I MUST DO. 177 00:09:34,463 --> 00:09:37,255 SPONGEBOB! 178 00:09:37,297 --> 00:09:39,922 - YOU'RE THE PRETTIEST BUTTON I'VE EV— 179 00:09:39,963 --> 00:09:41,380 MONSTER! 180 00:09:41,421 --> 00:09:43,297 SPONGEBOB! 181 00:09:43,339 --> 00:09:46,047 IT'S AFTER SPONGEBOB! 182 00:09:46,089 --> 00:09:47,380 YOU'RE RIGHT, BUTTON. 183 00:09:47,421 --> 00:09:49,005 NO MONSTER'S GONNA EAT OUR FRIEND. 184 00:09:52,880 --> 00:09:55,214 - SPONGEBO— NO! 185 00:09:55,255 --> 00:09:57,339 NO, NO, NO. WAIT! 186 00:10:00,838 --> 00:10:02,005 OH, NO. 187 00:10:02,047 --> 00:10:03,255 MY TWO BEST FRIENDS ARE FIGHTING. 188 00:10:03,297 --> 00:10:04,630 BUT THIS RESTRAINING ORDER SAYS 189 00:10:04,671 --> 00:10:07,421 I CAN'T GET CLOSE ENOUGH TO BREAK IT OFF. 190 00:10:13,463 --> 00:10:15,297 HMM. 191 00:10:15,339 --> 00:10:18,005 I'M SORRY, RESTRAINING ORDER, BUT MY FRIENDS NEED ME. 192 00:10:21,630 --> 00:10:22,838 STOP! 193 00:10:24,713 --> 00:10:26,713 - GIVE ME THAT RESTRAINING ORDER! 194 00:10:28,005 --> 00:10:29,797 - ALL RIGHT, LET'S LOOK AT THIS. 195 00:10:29,838 --> 00:10:31,880 - SQUIDWARD, PLEASE DON'T SEND ME TO JAIL. 196 00:10:31,922 --> 00:10:33,713 SQUIDWARD? 197 00:10:33,755 --> 00:10:36,421 DID YOU KNOW THE MONSTER WAS SQUIDWARD? 198 00:10:36,463 --> 00:10:38,671 WELL, WHEN WERE YOU GONNA TELL ME? 199 00:10:38,713 --> 00:10:40,755 - I VIOLATED THE RESTRAINING ORDER. 200 00:10:40,797 --> 00:10:44,047 I'M SORRY. 201 00:10:44,089 --> 00:10:46,297 - QUIT BELLYACHING, AND HAND ME A PEN. 202 00:10:46,339 --> 00:10:50,339 HERE YOU GO. 203 00:10:50,380 --> 00:10:54,588 - STOP THE WATERWORKS! YOU ARE NOT GOING TO JAIL. 204 00:10:54,630 --> 00:10:55,838 I'M NOT? 205 00:10:55,880 --> 00:10:58,505 - NO, I'M RELEASING YOU FROM THIS ORDER. 206 00:10:58,546 --> 00:11:00,838 REALLY, SQUIDWARD? 207 00:11:00,880 --> 00:11:03,880 - AND ADDING SOMEONE WHO'S MUCH MORE DESERVING. 208 00:11:03,922 --> 00:11:06,922 SORRY, BUTTON. 209 00:11:06,963 --> 00:11:09,172 - NO, PATRICK. YOU! 210 00:11:13,546 --> 00:11:16,546 - OH! 211 00:11:33,630 --> 00:11:37,922 - UGH, SUCH A TIRED DAY AT THE OFFICE. 212 00:11:37,963 --> 00:11:40,047 BOY, AM I FAMISHED. 213 00:11:40,089 --> 00:11:45,130 I SURE WISH I KNEW THE BEST RESTAURANT IN BIKINI BOTTOM. 214 00:11:46,963 --> 00:11:50,297 FROM WHERE HAS THIS GLORIOUS SCENT COME? 215 00:11:50,339 --> 00:11:52,588 - HARK, THE ODOR YOU SEEK IS BEFORE YOU. 216 00:11:54,797 --> 00:11:56,130 AT THE KRUSTY KRAB, 217 00:11:56,172 --> 00:11:58,963 WHERE THE TASTIEST SANDWICH IN THE SEAS 218 00:11:59,005 --> 00:12:04,380 IS GRILLED TO PERFECTION BY OUR EXPERT FRY COOK 219 00:12:04,421 --> 00:12:07,505 AND SERVED WITH A SMILE BY OUR FRIENDLY WAITER. 220 00:12:11,588 --> 00:12:15,546 - PATRICK GOBBLES DOWN THE PATTIES... 221 00:12:15,588 --> 00:12:19,047 - WAIT A MINUTE! WHY AM I DRESSED IN A LEOTARD? 222 00:12:19,089 --> 00:12:20,546 - OH, 'CAUSE YOU'RE THE MASCOT. 223 00:12:20,588 --> 00:12:23,838 EH, I DON'T THINK SO. 224 00:12:26,713 --> 00:12:31,421 WE NEED A GIMMICK THAT'S NOTHING SHORT OF A MASTERPIECE. 225 00:12:31,463 --> 00:12:32,713 OH, I KNOW! 226 00:12:32,755 --> 00:12:35,089 "WIN A DATE WITH SQUIDWARD" TUESDAYS. 227 00:12:35,130 --> 00:12:37,505 HMM. 228 00:12:54,380 --> 00:12:56,755 - OH, FOR DOLPHIN'S SAKE. 229 00:12:56,797 --> 00:13:00,172 DO TELL WHAT'S TROUBLING YOU SO. 230 00:13:00,214 --> 00:13:02,713 - MR. KRABS DOESN'T THINK MY IDEAS ARE HELPING. 231 00:13:02,755 --> 00:13:04,130 SHOCKING. 232 00:13:04,172 --> 00:13:05,339 - I JUST WANT TO HELP HIM FIND 233 00:13:05,380 --> 00:13:07,172 THE PERFECT KRABBY PATTY GIMMICK. 234 00:13:07,214 --> 00:13:09,880 - SOUNDS LIKE YOU'D BETTER STOP BOTHERING ME 235 00:13:09,922 --> 00:13:11,838 AND PUT ON YOUR THINKING CAP. 236 00:13:11,880 --> 00:13:14,380 GREAT IDEA, SQUIDWARD! 237 00:13:14,421 --> 00:13:16,047 - THAT'LL KEEP HIM OUT OF MY HAIR. 238 00:13:22,214 --> 00:13:25,713 - OF COURSE, HE ACTUALLY HAS ONE. 239 00:13:41,130 --> 00:13:42,546 TO EACH HIS OWN. 240 00:13:42,588 --> 00:13:46,963 - MUSTARD! - YES, YOUR FREAKISHNESS. 241 00:13:48,588 --> 00:13:52,755 - LIKE OUR OWN FLEETING EXISTENCE, 242 00:13:52,797 --> 00:13:56,630 AN UNTIMELY END HAS COME UPON THIS KRABBY VALUE MEAL. 243 00:14:02,421 --> 00:14:04,505 GOOD RIDDANCE. 244 00:14:04,546 --> 00:14:06,089 WHAT'S THIS? 245 00:14:06,130 --> 00:14:08,671 SOMETHING'S FAMILIAR ABOUT THOSE KETCHUP SWIRLS. 246 00:14:08,713 --> 00:14:10,755 SWEET NEPTUNE! 247 00:14:10,797 --> 00:14:12,005 COULD THAT HAVE BEEN— 248 00:14:12,047 --> 00:14:14,130 - YEAH, YEAH, ENOUGH DILLY-DALLYING. 249 00:14:14,172 --> 00:14:16,421 NOW HELP ME WITH THE GARBAGE, MR. SQUIDWARD. 250 00:14:16,463 --> 00:14:19,797 - THAT'S NOT GARBAGE. IT'S A FIASCO. 251 00:14:19,838 --> 00:14:21,963 - OKAY, LET'S NOT OVERDO IT. 252 00:14:22,005 --> 00:14:23,255 - NO, NO, NO, YOU DON'T GET IT. 253 00:14:23,297 --> 00:14:26,380 IT'S THE WORK OF FIASCO, THE ARTIST. 254 00:14:26,421 --> 00:14:29,963 HE WAS FEATURED IN LAST MONTH'S ART WONK MAGAZINE. 255 00:14:30,005 --> 00:14:31,297 HEH, YOU CALL THIS ART? 256 00:14:31,339 --> 00:14:33,089 LOOKS LIKE A SWABBY'S FOOTLOCKER. 257 00:14:33,130 --> 00:14:35,172 OH, IT ALL MAKES SENSE NOW. 258 00:14:35,214 --> 00:14:37,546 THE DARK DENIM, THE DISMAL STATEMENTS, 259 00:14:37,588 --> 00:14:40,172 THE EXTENSIVE USE OF RED AND YELLOW! 260 00:14:40,214 --> 00:14:43,630 THIS IS DIRECTLY OUT OF HIS EARLY ABSTRACT EXPERIMENTS. 261 00:14:43,671 --> 00:14:47,588 - OOH, WHAT IS THIS? - THIS IS AN AUTHENTIC FIASCO. 262 00:14:47,630 --> 00:14:49,172 A FIASCO? 263 00:14:49,214 --> 00:14:52,172 OOH! 264 00:14:52,214 --> 00:14:53,922 - AN ORIGINAL FIASCO, YOU SAY? 265 00:14:53,963 --> 00:14:57,297 - HE'S ONE OF THE FAMOUS PICTURE DRAWING "ARTEESTS." 266 00:14:57,339 --> 00:15:00,588 - JUST LOOK AT HIS AUDACIOUS USE OF PICKLE IN THIS PIECE. 267 00:15:00,630 --> 00:15:02,588 WHAT'S YOUR ASKING PRICE? 268 00:15:02,630 --> 00:15:06,963 - OH, IT'S SIMPLY NOT FOR SALE, NOT EVEN FOR $1 MILLION. 269 00:15:07,005 --> 00:15:09,963 - HOLD IT! I'LL TAKE $1 MILLION FOR IT. 270 00:15:10,005 --> 00:15:12,255 - IT'S NOT YOURS TO SELL. I FOUND IT. 271 00:15:12,297 --> 00:15:15,630 - ME PLATE, ME BUNS, ME MUSTARD, ME FIASCO! 272 00:15:15,671 --> 00:15:17,880 - YOU TRIED TO THROW IT AWAY! IT'S MINE. 273 00:15:17,922 --> 00:15:19,838 LET'S NOT BE HASTY. 274 00:15:19,880 --> 00:15:23,339 IT BELONGS TO NEITHER OF YOU. 275 00:15:23,380 --> 00:15:28,130 FARFEL BAINBRIDGE, CURATOR OF THE BIKINI BOTTOM ART MUSEUM. 276 00:15:28,172 --> 00:15:31,797 WE CURATORS HAVE A WAY OF SNIFFING THESE THINGS OUT. 277 00:15:31,838 --> 00:15:35,546 HMM... 278 00:15:35,588 --> 00:15:38,755 IT'S AUTHENTIC, 279 00:15:38,797 --> 00:15:41,630 WHICH MAKES THIS A NATIONAL TREASURE! 280 00:15:44,172 --> 00:15:49,421 AND FOR PRESERVATION, IT MUST BE HERMETICALLY SEALED. 281 00:15:51,047 --> 00:15:54,797 AND GUARDED BY BIKINI BOTTOM'S FINEST. 282 00:15:54,838 --> 00:15:58,005 - READY FOR DUTY, SIR. - GREAT IDEA, FARKLE. 283 00:15:58,047 --> 00:15:59,505 GOTTA PROTECT ME VALUABLE PROPERTY. 284 00:15:59,546 --> 00:16:02,546 - WELL, TECHNICALLY, IT DOESN'T BELONG TO YOU. 285 00:16:02,588 --> 00:16:06,380 IT BELONGS TO THE PEOPLE OF BIKINI BOTTOM. 286 00:16:06,421 --> 00:16:10,421 UNFORTUNATELY, THEY'LL HAVE TO SET FOOT IN THIS GREASE TRAP 287 00:16:10,463 --> 00:16:13,130 TO GET A LOOK AT THIS GREAT PIECE OF ART. 288 00:16:13,172 --> 00:16:17,546 - OH, SO NOW YOU'RE A RESTAURANT CRITIC. 289 00:16:17,588 --> 00:16:19,505 STEP UP, STEP UP, 290 00:16:19,546 --> 00:16:21,963 FOR YOUR FREE GLIMPSE AT THE FIASCO MASTERPIECE. 291 00:16:22,005 --> 00:16:24,130 ALL RIGHT, YOU'VE HAD YOUR LOOK. 292 00:16:24,172 --> 00:16:25,588 NOW HOLD UP YOUR END OF THE BARGAIN. 293 00:16:25,630 --> 00:16:29,005 - TWO KRABBY PATTIES PLEASE. - EACH! 294 00:16:31,797 --> 00:16:37,297 - SO WHAT HAVE YOU GOT FOR ME TODAY, HUH? 295 00:16:37,339 --> 00:16:40,630 NO KRABBY PATTY IN SIGHT... 296 00:16:40,671 --> 00:16:41,838 WHA—WHAT'S THIS? 297 00:16:41,880 --> 00:16:44,880 LOOKS LIKE A CHEWED-UP KRABBY PATTY... 298 00:16:44,922 --> 00:16:47,838 A PERFECT SAMPLE FROM WHICH TO REVERSE ENGINEER 299 00:16:47,880 --> 00:16:49,838 A WHOLE KRABBY PATTY! 300 00:16:49,880 --> 00:16:51,797 THANKS, EUGENE. 301 00:16:51,838 --> 00:16:55,130 YOU JUST MADE MY JOB A WHOLE LOT EASIER. 302 00:17:00,630 --> 00:17:04,214 - I'D KNOW THAT SCREAM ANYWHERE! IT'S ME PROFITS DYING! 303 00:17:06,089 --> 00:17:08,130 STOP THAT THIEF! 304 00:17:08,172 --> 00:17:09,546 DON'T WORRY, KRABS, 305 00:17:09,588 --> 00:17:11,588 I'M JUST TAKING OUT THE TRASH FOR YOU. 306 00:17:11,630 --> 00:17:13,421 STOP! THIEF! 307 00:17:18,463 --> 00:17:20,922 THAT WAS ALMOST TOO EASY. 308 00:17:20,963 --> 00:17:23,214 PLANKTON, OLD BOY, YOU'RE HOME FREE. 309 00:17:27,755 --> 00:17:29,630 - STOP, THIEF! - AAH! 310 00:17:32,047 --> 00:17:35,671 WHAT'S WITH THE POLICE? IT'S JUST A BAG OF GARBAGE! 311 00:17:43,880 --> 00:17:46,047 WHAT'S GOING ON? 312 00:17:46,089 --> 00:17:48,339 - HOW LONG DO YOU THINK WE'LL BE HERE? 313 00:17:48,380 --> 00:17:53,089 - I DON'T KNOW, BUT... MY STOMACH FEELS ALL TINGLY. 314 00:17:53,130 --> 00:17:55,963 MINE DOES TOO. 315 00:17:56,005 --> 00:17:59,463 - HEY, YOU! YEAH, YOU IN THE CHAIR. 316 00:17:59,505 --> 00:18:01,255 DON'T MOVE! 317 00:18:22,505 --> 00:18:26,005 BLASTED POLLEN ALLERGIES! 318 00:18:35,797 --> 00:18:38,797 I SHOULD BE SAFE IN SPACE. 319 00:18:40,089 --> 00:18:42,755 STOP, THIEF! 320 00:18:42,797 --> 00:18:44,297 - YOU'VE GOT TO BE KIDDING ME! 321 00:18:54,755 --> 00:18:57,339 HELLO? 322 00:18:57,380 --> 00:18:59,671 OPEN UP, OPEN UP! 323 00:18:59,713 --> 00:19:01,463 DO YOU MIND? 324 00:19:01,505 --> 00:19:05,297 SOME OF US HAVE NOTHING TO DO TOMORROW MORNING. 325 00:19:05,339 --> 00:19:08,713 WAIT, WHAT? 326 00:19:08,755 --> 00:19:12,297 HEY, KEEP YOUR HANDS WHERE I CAN SEE THEM. 327 00:19:12,339 --> 00:19:15,005 OKAY, YOU TWO, AGAINST THE WALL. 328 00:19:16,963 --> 00:19:19,838 THAT'S IT, NICE AND SLOW. 329 00:19:23,089 --> 00:19:24,172 YOU'VE GOTTA HELP ME! 330 00:19:24,214 --> 00:19:25,797 EVER SINCE I LEFT THE KRUSTY KRAB, 331 00:19:25,838 --> 00:19:27,463 I'VE HAD ALL KINDS OF HEAT ON ME. 332 00:19:27,505 --> 00:19:29,630 IT'S SO BIZARRE! 333 00:19:29,671 --> 00:19:31,838 NORMALLY, WHEN I STEAL SOMETHING FROM THE KRUSTY KRAB, 334 00:19:31,880 --> 00:19:34,880 IT'S KRABS WHO CHASES ME, NOT A BUNCH OF COPS! 335 00:19:34,922 --> 00:19:37,130 SO IF YOU KNOW WHAT'S GOING ON, START TALKING, 336 00:19:37,172 --> 00:19:39,255 OR ELSE YOU'RE GONNA ANSWER TO THE SPOON, SEE? 337 00:19:39,297 --> 00:19:41,297 I CAN EXPLAIN. 338 00:19:41,339 --> 00:19:44,172 THAT PARTIALLY EATEN KRABBY PATTY ISN'T JUST GARBAGE. 339 00:19:44,214 --> 00:19:46,505 IT'S A WORK OF ART. IT'S WORTH A FORTUNE. 340 00:19:46,546 --> 00:19:48,339 REALLY? 341 00:19:48,380 --> 00:19:50,463 - SO YOU SEE WHY MR. KRABS IS TRYING TO GET IT BACK. 342 00:19:50,505 --> 00:19:53,214 INTERESTING. 343 00:19:53,255 --> 00:19:56,172 IT APPEARS I'VE WON MORE THAN I BARGAINED FOR. 344 00:19:56,214 --> 00:19:58,963 - PLANKTON, YOU'VE STOLEN A PRICELESS WORK OF ART. 345 00:19:59,005 --> 00:20:00,797 THERE'S ONLY ONE THING YOU CAN DO. 346 00:20:00,838 --> 00:20:04,588 - YOU MEAN HOLD ONTO IT UNTIL IT'S REALLY WORTH SOMETHING? 347 00:20:04,630 --> 00:20:06,089 - NO, YOU NEED TO TURN YOURSELF IN. 348 00:20:06,130 --> 00:20:09,713 - TURN MYSELF— WHAT? 349 00:20:09,755 --> 00:20:12,214 IF I GO DOWN, WE ALL GO DOWN. 350 00:20:12,255 --> 00:20:14,671 - YOU'RE HARBORING AN ART THIEF! - WHO'S THAT? 351 00:20:14,713 --> 00:20:16,797 - ME, YOU IMBECILE. - WHAT? 352 00:20:16,838 --> 00:20:18,214 NOT ONLY THAT, 353 00:20:18,255 --> 00:20:19,963 YOU'RE AN ACCOMPLICE TO THE CRIME, YEAH. 354 00:20:20,005 --> 00:20:21,588 REALLY? 355 00:20:21,630 --> 00:20:24,130 - AND NOT ONLY THAT, BUT GARY'S AN ACCOMPLICE TOO! 356 00:20:25,713 --> 00:20:27,421 NOW YOU'VE GONE TOO FAR! 357 00:20:27,463 --> 00:20:30,463 - NO, YOU HAVE, CRIMINAL ACCOMPLICE! 358 00:20:30,505 --> 00:20:32,463 - I CAN'T BELIEVE YOU'RE CALLING ME THAT. 359 00:20:32,505 --> 00:20:34,963 - BELIEVE IT, MAN-BOY. - HEY! 360 00:20:35,005 --> 00:20:38,005 WHAT DID I TELL YOU BEFORE? 361 00:20:38,047 --> 00:20:39,838 I'M TRYING TO GET SOME SHUT-EYE. 362 00:20:39,880 --> 00:20:43,172 - PATRICK... WHAT ARE YOU EATING? 363 00:20:43,214 --> 00:20:47,089 - THOSE HORS D'OEUVRES YOU LEFT ON THE TABLE. 364 00:20:51,339 --> 00:20:53,297 NOT BAD. 365 00:20:53,339 --> 00:20:56,505 - NOW, PATRICK IS HARBORING STOLEN MERCHANDISE IN HIS BELLY! 366 00:20:56,546 --> 00:20:58,380 OH, HE'S AN ACCOMPLICE TOO! 367 00:20:58,421 --> 00:21:01,380 - HERE THEY ARE, OFFICERS. 368 00:21:01,421 --> 00:21:03,797 THESE IDIOTS HAVE BEEN CAUSING A RUCKUS, 369 00:21:03,838 --> 00:21:06,005 INTERRUPTING MY BEAUTY SLEEP. 370 00:21:06,047 --> 00:21:07,463 WELL, WELL, WELL, 371 00:21:07,505 --> 00:21:12,130 IF IT ISN'T THE ART THIEF HIMSELF. DROP THE SPOON. 372 00:21:12,172 --> 00:21:14,172 - YOU'RE ALL UNDER ARREST UNTIL WE FIGURE THIS OUT. 373 00:21:14,214 --> 00:21:15,671 - WHAT—WHAT DO YOU MEAN, "ALL"? 374 00:21:15,713 --> 00:21:17,797 I'M NOT UNDER ARREST. I-I—THESE ARE IDIOTS! 375 00:21:17,838 --> 00:21:20,546 THEY'RE CAUSING A RUCKUS. I WANT SLEEP. 376 00:21:25,380 --> 00:21:27,838 - THANKS FOR CLEARING THIS WHOLE MESS UP, MR. KRABS. 377 00:21:27,880 --> 00:21:29,505 OF COURSE, OFFICER. 378 00:21:29,546 --> 00:21:32,130 HEH, CAN'T LET ME FRY COOK ROT IN THIS PLACE. 379 00:21:32,172 --> 00:21:34,130 IT'D RUIN ME BUSINESS! 380 00:21:34,172 --> 00:21:37,380 ESPECIALLY NOW THAT THE FIASCO'S FINITO'D. 381 00:21:41,797 --> 00:21:44,546 MR. KRABS, I THINK I HAVE THE SOLUTION. 382 00:21:46,963 --> 00:21:49,380 - THANKS VERY MUCH. ENJOY THE SHOW. 383 00:21:49,421 --> 00:21:51,505 YOU SURE SAVED THE DAY, BOYO. 384 00:21:51,546 --> 00:21:53,172 MY PLEASURE, SIR. 385 00:21:53,214 --> 00:21:56,588 AND I THINK PATRICK LIKES IT TOO. 386 00:21:58,047 --> 00:22:02,588 OOH! AHH. 387 00:22:05,297 --> 00:22:06,713 X-RAYS TICKLE. 388 00:22:06,755 --> 00:22:10,047 SUCH ARTISTIC GENIUS. 389 00:22:11,505 --> 00:22:13,671 I'LL NEVER PAINT AGAIN! 390 00:22:17,005 --> 00:22:18,630 - HEY, DON'T I GET A PHONE CALL?