1 00:00:42,084 --> 00:00:45,128 Come on. Die for me. That's it. 2 00:00:45,212 --> 00:00:48,298 Die for me, baby! 3 00:01:16,827 --> 00:01:19,204 So, it's you, huh? 4 00:01:19,997 --> 00:01:23,417 You think you got what it takes to be the boss. 5 00:01:25,544 --> 00:01:29,381 Shit. Crown's so fucking heavy it'd break your neck. 6 00:01:29,464 --> 00:01:33,719 I'm the only one keeping us from being a thing of the past. 7 00:01:39,308 --> 00:01:40,642 You're gonna do good, kid. 8 00:01:42,102 --> 00:01:48,192 You know how I know why? You had the best teacher there is. 9 00:01:49,234 --> 00:01:51,069 And bang. 10 00:01:52,446 --> 00:01:54,323 - Cut. - Tail slate. 11 00:01:54,406 --> 00:01:58,744 Yes. Yep. Excellent work. 12 00:01:58,827 --> 00:02:01,079 - Excellent work, man. Good job, Paul. - I don't know, man. 13 00:02:01,163 --> 00:02:02,831 Am I spitting too much? Is it too spit-y? 14 00:02:02,915 --> 00:02:05,375 No. Hell no. It's just, like, excellent spit. I'm… 15 00:02:05,459 --> 00:02:07,252 Okay. And what about that… final look of regret. 16 00:02:07,336 --> 00:02:09,378 I did a little something different with my eyebrows. Is that reading? 17 00:02:09,463 --> 00:02:13,550 Yeah. I completely saw it. I mean, hells yes. I saw it. It's excellent. 18 00:02:13,634 --> 00:02:15,219 - Thank you. Okay. - We're gonna go again. 19 00:02:15,302 --> 00:02:17,346 Maybe try just a little bit of resignation. 20 00:02:17,429 --> 00:02:18,931 - I like that. - We're going again. 21 00:02:19,014 --> 00:02:21,725 - So, regret to resignation. - All right. Stand by to go again, guys. 22 00:02:21,808 --> 00:02:23,852 - Lock it up. - Yeah. You got it? 23 00:02:23,936 --> 00:02:25,395 - Nice. All right. Let's do it. - You good? 24 00:02:25,479 --> 00:02:27,231 Hey, guys, I may need a few extra minutes. 25 00:02:27,314 --> 00:02:30,234 The fake blood is fully in my underpants now. So… 26 00:02:31,735 --> 00:02:34,363 Bloody underpants? Don't let HR hear about that one. 27 00:02:34,446 --> 00:02:35,614 Tommy, how you doing, man? 28 00:02:35,697 --> 00:02:37,574 - Matt. Hey. Great to see you. Yeah. - Matt. 29 00:02:37,658 --> 00:02:39,493 This is Matt. He's our studio guy. 30 00:02:39,576 --> 00:02:40,953 Yeah. I'm the exec on the film, Matt Remick. 31 00:02:41,036 --> 00:02:42,913 - All right. Thanks. - Such a big fan of yours, Paul. 32 00:02:42,996 --> 00:02:46,458 I love your directing, actually. You should do that more, you know. 33 00:02:46,542 --> 00:02:48,710 - You saw my film? - I saw it. I love Wildlife. 34 00:02:48,794 --> 00:02:51,338 It was incredible. The way you shot it is… It's beautiful. 35 00:02:51,421 --> 00:02:55,968 Hey… Sorry. One sec. What if I went from regret to resignation to acceptance? 36 00:02:56,051 --> 00:02:57,928 Acceptance. I love it. Show me. 37 00:02:59,680 --> 00:03:02,891 Yes. Yeah. Okay. You good? 38 00:03:02,975 --> 00:03:04,560 - Let's go. - All right. Let's go again. I love it. 39 00:03:04,643 --> 00:03:06,562 - All right, buddy. Thanks for coming by. - Yeah, no problem. 40 00:03:06,645 --> 00:03:08,981 I had an idea, actually, that I was gonna run by you for the scene. 41 00:03:09,064 --> 00:03:10,190 Buddy, we're good on ideas. 42 00:03:10,274 --> 00:03:12,985 Thanks though, but I'll see you at Charlize's party, right? 43 00:03:13,068 --> 00:03:16,154 Yeah. Of course. I'll see you there. Why wouldn't I be there? 44 00:03:16,238 --> 00:03:18,490 Great to see you, Paul. Keep it up. 45 00:03:19,157 --> 00:03:21,118 Yep. All right. 46 00:03:22,244 --> 00:03:25,497 Hey, Quinn, was I invited to some Charlize Theron party this weekend? 47 00:03:25,581 --> 00:03:28,834 What? No. Why would Charlize Theron invite you to her party? 48 00:03:28,917 --> 00:03:31,587 You're always asking if you're invited to some celebrity's party 49 00:03:31,670 --> 00:03:34,506 - and the answer's always no. - Great. Thank you. What do I have now? 50 00:03:34,590 --> 00:03:36,884 - A meeting with the Jenga people. - Fuck. That's right. 51 00:03:36,967 --> 00:03:39,261 Yesterday was Rubik's Cube but now Jenga? 52 00:03:39,344 --> 00:03:40,554 Patty's the head of the studio. 53 00:03:40,637 --> 00:03:43,557 Her corporate overlords want us to make more movies based on known brands, 54 00:03:43,640 --> 00:03:45,184 so I gotta take these fucking meetings. 55 00:03:45,267 --> 00:03:47,686 So, now what do you do? You make a Jenga movie? 56 00:03:47,769 --> 00:03:50,647 No. You take the meeting and then you don't make the fucking movie, 57 00:03:50,731 --> 00:03:52,316 and you focus on making an actual good movie. 58 00:03:52,399 --> 00:03:54,401 Oh, my God. This is so depressing. 59 00:03:54,484 --> 00:03:56,695 I'm, like, 30 years too late to this fucking industry. 60 00:03:56,778 --> 00:03:58,447 I know. Trust me. If it was up to me, 61 00:03:58,530 --> 00:04:01,867 we'd be focusing on making the next Rosemary's Baby or Annie Hall or, 62 00:04:01,950 --> 00:04:05,078 you know, some great film that wasn't directed by a fucking pervert. 63 00:04:05,162 --> 00:04:07,331 - Turns out perverts make great movies. - They really do. 64 00:04:07,414 --> 00:04:11,001 …building designed by Frank Lloyd Wright in 1927 65 00:04:11,084 --> 00:04:13,837 in his signature Mayan revival style. 66 00:04:13,921 --> 00:04:17,966 It was built to literally be a temple of cinema. 67 00:04:18,050 --> 00:04:19,259 Temple of cinema. 68 00:04:19,343 --> 00:04:21,970 And they want me to make movies out of fucking wooden blocks. 69 00:04:22,053 --> 00:04:23,055 - Yo. - Hey, what up? 70 00:04:23,138 --> 00:04:24,806 Hey, do I smell? I didn't go home last night. 71 00:04:24,890 --> 00:04:27,976 Yes. You really smell like vodka. 72 00:04:28,060 --> 00:04:31,104 Just vodka? That's fine. Got shit-faced with Pedro Pascal. 73 00:04:31,188 --> 00:04:32,940 I got him to sign off on the reshoots for Mom's Party 74 00:04:33,023 --> 00:04:37,444 but gotta focus. Because Griffin Mill is here and Patty's MIA. 75 00:04:37,528 --> 00:04:40,864 A CEO showing up unannounced. Shit is going down, Matt. 76 00:04:40,948 --> 00:04:42,199 It's going down. 77 00:04:42,783 --> 00:04:46,578 Wait. Griffin Mill is here and no one knows where Patty is? 78 00:04:46,662 --> 00:04:50,749 Yes. I mean, I think it's happening. Patty's gonzo, she's gotta be. 79 00:04:50,832 --> 00:04:54,044 Ten straight bombs. She gave all of her dumb-ass friends overalls. 80 00:04:54,127 --> 00:04:56,463 She spent $30 million restoring this building. 81 00:04:56,547 --> 00:04:58,006 She's done, 82 00:04:58,090 --> 00:05:00,843 and I kind of feel like I'm gonna replace her. 83 00:05:02,469 --> 00:05:06,139 I mean, I kind of also feel as though I could replace her. 84 00:05:07,349 --> 00:05:09,893 Yeah, no. Yeah, of course. You never know. 85 00:05:09,977 --> 00:05:11,895 No matter what, our friendship cannot be affected. 86 00:05:11,979 --> 00:05:14,314 - Of course. Yeah. - When it happens, I got you, dawg. 87 00:05:14,398 --> 00:05:15,399 I love you. 88 00:05:15,482 --> 00:05:16,984 Esther Chang, right now. Thank you. 89 00:05:20,529 --> 00:05:23,448 Quinn. You will never believe what Sal just said. 90 00:05:23,532 --> 00:05:25,951 Patty's fired. I just talked to her assistant. She's out. 91 00:05:26,034 --> 00:05:28,662 - Oh, my God. - The story's about to break on Deadline. 92 00:05:28,745 --> 00:05:31,498 Apparently she came to the office a mess and then just sped off the lot. 93 00:05:31,582 --> 00:05:34,751 Yes! I knew this was gonna happen. 94 00:05:34,835 --> 00:05:39,047 I mean, it's very sad and I love Patty, but this could be my time. 95 00:05:40,048 --> 00:05:41,592 Does Griffin Mill like you? 96 00:05:41,675 --> 00:05:42,676 Honestly, I don't know. 97 00:05:42,759 --> 00:05:44,761 I've only met him, like, a couple times since he's been in charge. 98 00:05:44,845 --> 00:05:46,471 And he's very hard to read. 99 00:05:47,806 --> 00:05:52,102 Matt Remick's office. Yes. Of course. 100 00:05:53,395 --> 00:05:56,148 Griffin Mill wants to see you right now. He's set up in scenic painting. 101 00:05:59,818 --> 00:06:01,737 I'm about to get promoted or fired, 102 00:06:01,820 --> 00:06:05,324 but if I get this job, I'm bumping you up to creative executive. 103 00:06:05,407 --> 00:06:08,827 Holy shit. I thought you only ever said that so I wouldn't quit. 104 00:06:08,911 --> 00:06:11,205 I did, but I also meant it. 105 00:06:20,964 --> 00:06:22,799 Would you like a green juice or anything? 106 00:06:22,883 --> 00:06:24,218 I'm okay. Thank you. 107 00:06:28,096 --> 00:06:29,306 You can go right in. 108 00:06:41,652 --> 00:06:42,653 Welcome. 109 00:06:43,153 --> 00:06:44,446 Thank you. 110 00:06:44,530 --> 00:06:48,200 Sorry about the strange surroundings. 111 00:06:48,283 --> 00:06:51,286 I just had some business I needed to take care of, 112 00:06:51,370 --> 00:06:54,373 and I thought a discreet environment might be thoughtful. 113 00:06:54,456 --> 00:06:57,084 - Of course. Yeah. Discretion is key. - Yeah. Because… Yes. Exactly. 114 00:06:57,167 --> 00:06:59,837 Because nobody wants to hear somebody else crying 115 00:06:59,920 --> 00:07:03,006 and losing their shit while being fired, you know? Here, have a seat. 116 00:07:05,634 --> 00:07:08,929 Matthew, out of respect, I'm gonna get right down to business. 117 00:07:14,434 --> 00:07:19,648 Patty's time has come and gone, and I'm seriously considering you to replace her. 118 00:07:20,190 --> 00:07:23,902 Oh, my God. Yes. I'm the guy. I'm the guy for the job. 119 00:07:23,986 --> 00:07:26,363 Why are… Tell me that. Why are you the guy? 120 00:07:26,446 --> 00:07:29,867 Well, I've worked at Continental for 22 years. 121 00:07:29,950 --> 00:07:32,411 I bought the original spec script for MK Ultra which, 122 00:07:32,494 --> 00:07:35,372 as I'm sure you know, spawned a franchise that's made us over $3 billion for… 123 00:07:35,455 --> 00:07:38,584 Hey, Renae. Where the fuck's my green juice? 124 00:07:38,667 --> 00:07:41,211 - You want a green juice? - Yeah. I'd love one. 125 00:07:41,295 --> 00:07:43,797 Two green juices. Now. 126 00:07:43,881 --> 00:07:46,425 - Yes, sir. - Sorry. Continue. 127 00:07:47,551 --> 00:07:52,931 Film is my life. Ever since I came to this studio as a kid and went on the tour, 128 00:07:53,015 --> 00:07:56,518 being the head of Continental is the only job I've ever wanted. 129 00:07:56,602 --> 00:07:58,520 That is adorable. 130 00:07:58,604 --> 00:08:03,150 All right. Well, listen. I honestly just have one strong reservation about you. 131 00:08:04,318 --> 00:08:09,239 I've heard you are really into artsy-fartsy filmmaking bullshit, 132 00:08:10,324 --> 00:08:14,328 that you're obsessed with actors and directors liking you 133 00:08:14,411 --> 00:08:19,541 rather than being obsessed with making this studio as much money as possible. 134 00:08:20,542 --> 00:08:21,877 - Me? - Yeah. 135 00:08:21,960 --> 00:08:23,629 That could not be further from the truth. 136 00:08:23,712 --> 00:08:26,673 I am as bottom-line oriented as anyone in this town. 137 00:08:29,218 --> 00:08:30,761 - I believe you. - Great. 138 00:08:30,844 --> 00:08:31,845 - Good. - Good. 139 00:08:32,763 --> 00:08:35,140 Because at Continental, we don't make films. 140 00:08:35,724 --> 00:08:37,267 We make movies. 141 00:08:37,351 --> 00:08:41,688 Movies that people wanna pay to see. 142 00:08:41,772 --> 00:08:42,773 Yes. 143 00:08:43,273 --> 00:08:45,651 Come here. I got a little secret for you. 144 00:08:45,734 --> 00:08:47,903 Not for anyone else to hear this, 145 00:08:47,986 --> 00:08:54,284 but I am very close to closing on the deal to get the rights to Kool-Aid. 146 00:08:54,368 --> 00:08:59,081 And I'm talking a huge, four-quadrant version of it. 147 00:08:59,164 --> 00:09:00,374 - Kool-Aid? - Kool-Aid. 148 00:09:00,457 --> 00:09:01,708 - The red drink? - Yeah. 149 00:09:01,792 --> 00:09:04,002 The guy who breaks through walls and says, "Oh, yeah"? 150 00:09:04,086 --> 00:09:05,295 Yes. 151 00:09:05,379 --> 00:09:09,716 - That is fucking perfect. - Okay. 152 00:09:09,800 --> 00:09:12,386 That's exactly what we should be doing, Mr. Mill. 153 00:09:12,469 --> 00:09:14,596 - Finally, someone who gets it. - Yes. I get it. 154 00:09:14,680 --> 00:09:17,224 - Oh, my God. That's great. Yes. - Yes. 155 00:09:17,307 --> 00:09:18,600 I mean, because, look, 156 00:09:18,684 --> 00:09:21,770 if Warner Brothers can make a billion fucking dollars 157 00:09:21,854 --> 00:09:24,481 off the plastic tits of a pussiless doll, 158 00:09:25,566 --> 00:09:30,529 we should be able to make $2 billion off the legacy brand of Kool-Aid. 159 00:09:32,155 --> 00:09:33,490 Can you make that happen? 160 00:09:35,284 --> 00:09:36,910 Oh, yeah. 161 00:09:38,161 --> 00:09:40,706 - I get it, and you get it. - Yeah. You get it. Yeah. 162 00:09:40,789 --> 00:09:42,791 Now let's go get it. 163 00:09:43,333 --> 00:09:45,752 Let's get it. All right. 164 00:09:45,836 --> 00:09:46,837 All right. 165 00:09:47,713 --> 00:09:48,714 Did I get the job? 166 00:09:49,840 --> 00:09:50,924 Oh, yeah! 167 00:10:09,735 --> 00:10:12,362 Matt. Everyone's gathering in the conference room. 168 00:10:12,446 --> 00:10:13,697 Great. Thank you, Petra. 169 00:10:15,032 --> 00:10:17,826 Question. Has Patty returned any of my phone calls? 170 00:10:17,910 --> 00:10:20,579 - Patty? - Patty Leigh. 171 00:10:20,662 --> 00:10:22,831 - The lady whose job I just took. - Sorry. 172 00:10:22,915 --> 00:10:24,666 - Patty, former head of the studio. Patty. - Patty, yes. 173 00:10:24,750 --> 00:10:25,876 - Yes? - I mean… No. 174 00:10:25,959 --> 00:10:27,127 - She hasn't called back. - Okay. 175 00:10:27,211 --> 00:10:28,420 Sorry. So many new names. It's really hard. 176 00:10:28,504 --> 00:10:29,505 It's a lot to process. I get it. 177 00:10:29,588 --> 00:10:30,672 - Quinn. - Hey. 178 00:10:30,756 --> 00:10:32,591 You ready? Your first big meeting as creative executive. 179 00:10:32,674 --> 00:10:34,134 - Yes. I'm so fucking ready. - You seem to be. 180 00:10:34,218 --> 00:10:35,761 - Got your little notebook and everything. - Yes, I do. 181 00:10:35,844 --> 00:10:37,054 Big dawg. 182 00:10:37,763 --> 00:10:38,847 - Sup? - Congrats, man. 183 00:10:38,931 --> 00:10:40,390 Thank you. Yo, like we talked about, 184 00:10:40,474 --> 00:10:41,892 this cannot get in the way of our friendship, right? 185 00:10:41,975 --> 00:10:43,519 - Of course, man. - Now that I'm the big dog, 186 00:10:43,602 --> 00:10:45,562 - I got yo back, man. - I like the sound of that. 187 00:10:45,646 --> 00:10:47,022 - Yeah. - Oh, fuck. John Cena. 188 00:10:47,105 --> 00:10:48,565 - Get that. Yeah. - I'm gonna take it. 189 00:10:48,649 --> 00:10:50,067 - He's great. - He'll beat me up. 190 00:10:51,902 --> 00:10:54,655 Come on, man. Fuck this shit. 191 00:11:01,995 --> 00:11:04,081 - He says hi. - Cool. 192 00:11:04,164 --> 00:11:05,874 - There he is. - Oh, hey. 193 00:11:05,958 --> 00:11:07,751 - Hey. Maya. Tyler. - The man of the hour. 194 00:11:07,835 --> 00:11:09,795 Next time that Variety wants to interview, 195 00:11:09,878 --> 00:11:11,505 why don't you check in with marketing first 196 00:11:11,588 --> 00:11:12,589 so we can get a decent picture 197 00:11:12,673 --> 00:11:14,800 - of you this time, right? - I actually like the photo they used. 198 00:11:14,883 --> 00:11:16,218 - Oh, really? The lighting too? - Thank you. 199 00:11:16,301 --> 00:11:18,428 - Yeah. Look. - Okay. 200 00:11:18,512 --> 00:11:20,556 Thank you, everyone, for assembling. 201 00:11:20,639 --> 00:11:22,808 You know, I just kind of wanted to get the core team together 202 00:11:22,891 --> 00:11:26,645 for what I guess is the first official meeting of the Remick years. 203 00:11:29,314 --> 00:11:31,859 Now, I know Patty was like a mentor to all of us, 204 00:11:31,942 --> 00:11:33,986 but that doesn't mean I'm not gonna do things, 205 00:11:34,069 --> 00:11:36,029 you know, a little bit differently for… 206 00:11:36,113 --> 00:11:39,533 as I very eloquently said in my interview with Variety, 207 00:11:39,616 --> 00:11:42,578 you know, prestige films and box office hits. 208 00:11:42,661 --> 00:11:46,415 Those are not mutually exclusive. We can do both, and we will do both. 209 00:11:46,915 --> 00:11:49,334 And that is why I am excited to announce 210 00:11:49,418 --> 00:11:52,880 that we are fast-tracking a Kool-Aid movie. 211 00:11:55,632 --> 00:11:58,135 - Wait, what? - Let's fucking go. 212 00:11:58,218 --> 00:11:59,678 - Yes. - Wait, actually? 213 00:11:59,761 --> 00:12:02,139 I was hammering Patty to make moves like this for, like, months. 214 00:12:02,222 --> 00:12:05,684 My God. We can get MrBeast to put a bunch of people in a giant pitcher of Kool-Aid, 215 00:12:05,767 --> 00:12:07,644 see how long they can hold their breath for money. 216 00:12:07,728 --> 00:12:09,438 Actually, that would crush. 217 00:12:09,521 --> 00:12:11,940 - Right? - I could sell the fuck out of this. 218 00:12:12,024 --> 00:12:14,234 That is amazing, Maya, and I'm glad you like it. 219 00:12:14,318 --> 00:12:16,361 And you're gonna like it even more when you hear my take. 220 00:12:16,445 --> 00:12:19,740 So, what made Barbie stand out so much in the marketplace? 221 00:12:19,823 --> 00:12:21,116 Famous white people. 222 00:12:21,200 --> 00:12:25,537 Kinda. It was actually one quasi-famous white lady. 223 00:12:25,621 --> 00:12:27,998 Greta Gerwig. That's the reason Barbie worked. 224 00:12:28,081 --> 00:12:31,668 It had a writer-director behind it. It was a filmmaker's vision. 225 00:12:31,752 --> 00:12:33,462 So that's what we're gonna do with Kool-Aid. 226 00:12:33,545 --> 00:12:38,050 We are gonna make the auteur-driven, Oscar-winning Kool-Aid film. 227 00:12:38,133 --> 00:12:41,803 Oh, fuck me. You wanna make a fucking fancy Kool-Aid movie? 228 00:12:41,887 --> 00:12:45,474 Why? Nobody even fucking watches the Oscars anymore. 229 00:12:45,557 --> 00:12:47,601 Did Mario Brothers win an Oscar? 230 00:12:47,684 --> 00:12:49,394 - No. It did not. - No. It didn't, 231 00:12:49,478 --> 00:12:51,063 but you know what it did win? 232 00:12:53,023 --> 00:12:56,693 $1.3 billion. So this could be our that. 233 00:12:56,777 --> 00:13:01,740 Yeah. I'm gonna make $1.3 billion, but I'm also gonna make a great film, all right? 234 00:13:01,823 --> 00:13:03,158 - Oh, God. - Hey, Petra! 235 00:13:04,076 --> 00:13:07,913 Set some meetings. Only the finest of auteurs for Kool-Aid. 236 00:13:08,664 --> 00:13:09,665 Oh, yeah. 237 00:13:21,426 --> 00:13:22,970 - Thank you. - So, I'm confused. 238 00:13:23,053 --> 00:13:26,390 Why are we making the Kool-Aid movie? You hate this stupid IP shit, 239 00:13:26,473 --> 00:13:28,100 you just gave this jerk-off interview 240 00:13:28,183 --> 00:13:30,102 about how you wanna make cinematic works of art. 241 00:13:30,185 --> 00:13:31,186 I know. Look, 242 00:13:31,270 --> 00:13:34,356 Griffin Mill would only give me this job if I agreed to make the Kool-Aid movie. 243 00:13:34,439 --> 00:13:35,649 - Yeah. - Okay. 244 00:13:35,732 --> 00:13:38,485 That makes a lot more sense 'cause when this shit's announced you're gonna look… 245 00:13:38,569 --> 00:13:39,736 Like a fucking hypocrite? 246 00:13:39,820 --> 00:13:41,321 I was gonna say fucking idiot, but yeah. 247 00:13:41,405 --> 00:13:43,198 Yeah. Unless we make the fancy version of Kool-Aid. 248 00:13:43,282 --> 00:13:44,950 Then I actually look like a fucking genius, you know? 249 00:13:45,033 --> 00:13:47,452 - See what the agent's got for us. - Hey. Mitch Weitz. 250 00:13:47,536 --> 00:13:50,789 Hey. And they say there's no more Jews working in Hollywood, huh? 251 00:13:50,873 --> 00:13:53,041 - Look at us. We're almost to a minyan. - Yeah. Hilarious. 252 00:13:53,125 --> 00:13:55,127 You guys need some Manischewitz, huh? Shake a fucking lulab. 253 00:13:55,210 --> 00:13:56,670 - Yeah. We're all Jewish. - We get it, we get it. 254 00:13:56,753 --> 00:13:58,547 - It's very, very funny. Look… - I know what a lulab is. 255 00:13:58,630 --> 00:14:00,382 …we're fast-tracking the Kool-Aid movie, 256 00:14:00,465 --> 00:14:02,092 and we're really interested in meeting with some of your clients. 257 00:14:02,176 --> 00:14:03,302 Yeah. Sal gave me the heads-up. 258 00:14:03,385 --> 00:14:05,971 I spoke to Nick Stoller, and he… 259 00:14:06,680 --> 00:14:09,391 It took him a second to wrap his head around it but yeah, he's got a pitch. 260 00:14:09,474 --> 00:14:13,437 I really like Nick Stoller for this. Storks, Captain Underpants, The Muppets. 261 00:14:13,520 --> 00:14:15,606 That's not the direction we wanna go with this, okay? 262 00:14:15,689 --> 00:14:17,232 Don't you represent Wes Anderson? 263 00:14:17,316 --> 00:14:21,278 You want Wes Anderson to direct a fucking Kool-Aid movie? 264 00:14:21,361 --> 00:14:23,405 He's gonna think I'm fucking crazy, man. 265 00:14:23,488 --> 00:14:27,326 He's gonna fire me over Zoom from Liechtenstein or wherever the fuck he is. 266 00:14:27,409 --> 00:14:29,536 Okay. What about Guillermo del Toro? 267 00:14:29,620 --> 00:14:33,332 - Go fuck your mother. Have you lost your… - That's… 268 00:14:33,415 --> 00:14:35,125 He's an academy award-winner. 269 00:14:35,209 --> 00:14:37,419 He's not gonna stoop to the fucking Kool-Aid movie. 270 00:14:37,503 --> 00:14:40,005 Why not? It's like the Barbie movie, you know what I mean? 271 00:14:40,088 --> 00:14:41,089 Barbie? 272 00:14:41,173 --> 00:14:46,386 Barbie is ten thousand million times better IP 273 00:14:46,470 --> 00:14:48,096 than fucking Kool-Aid. Okay, why? 274 00:14:48,180 --> 00:14:51,767 Because people love Barbie. Barbie's hot. People wanna fuck Barbie. 275 00:14:51,850 --> 00:14:53,519 I wanna fuck… 276 00:14:53,602 --> 00:14:57,105 Ain't nobody trying to fuck the Kool-Aid Man, dude. Okay? 277 00:14:57,189 --> 00:14:58,482 He's doesn't even have an asshole. 278 00:14:58,565 --> 00:15:01,902 Pretty sure there's no way to fuck the Kool-Aid Man. Am I wrong? 279 00:15:01,985 --> 00:15:03,278 How would you fuck him? 280 00:15:03,362 --> 00:15:06,365 I don't fuck… What are we talking about? This has nothing to do with anything. 281 00:15:06,448 --> 00:15:10,536 This is an actual opportunity for a director to get a huge budget 282 00:15:10,619 --> 00:15:12,204 and make, like, a real film, you know? 283 00:15:12,955 --> 00:15:15,958 Matt. Okay, listen to me, I get it. 284 00:15:16,041 --> 00:15:17,918 You're a new studio head. 285 00:15:18,001 --> 00:15:20,504 You want to make great art and make a billion dollars doing it. 286 00:15:20,587 --> 00:15:23,382 Well, guess what? That never fucking happens. 287 00:15:23,465 --> 00:15:26,051 And you're gonna fuck everything up trying to make it happen. You understand? 288 00:15:26,134 --> 00:15:27,594 Hey, Matt, he's right. 289 00:15:28,887 --> 00:15:30,722 Make one for them, make one for you. 290 00:15:30,806 --> 00:15:33,141 Martin Scorsese is pitching you a movie this week. 291 00:15:33,225 --> 00:15:35,394 Make that shit. Take the easy W here, man. 292 00:15:35,477 --> 00:15:36,895 See? Listen to your Jew. 293 00:15:36,979 --> 00:15:38,438 - Your exec. - Great. Thank you. 294 00:15:38,522 --> 00:15:40,732 No, seriously, you've got Stoller. Stoller's fucking great, 295 00:15:40,816 --> 00:15:42,693 - you fucking schmuck. - He's really good. 296 00:15:42,776 --> 00:15:43,777 Oh, shit. 297 00:15:43,861 --> 00:15:48,031 - Can you say "Jew" more? - When a Jew walks up. Look. Hey, listen… 298 00:15:48,115 --> 00:15:49,116 Hello, Mr. Mill. 299 00:15:49,199 --> 00:15:51,785 Matthew. Just checking in on Kool-Aid. 300 00:15:51,869 --> 00:15:53,787 Listen, I have a board meeting this Friday, 301 00:15:53,871 --> 00:15:57,624 so I'm gonna need you to pull the trigger on a director by then. 302 00:15:57,708 --> 00:15:58,709 You can do that, right? 303 00:15:59,877 --> 00:16:04,631 Yeah, totally. Shouldn't be a problem. Yep. I can do that. 304 00:16:04,715 --> 00:16:05,883 All right. 305 00:16:10,012 --> 00:16:12,639 Yeah. Set the meeting with Nick Stoller. 306 00:16:13,473 --> 00:16:15,309 Mazel tov. 307 00:16:17,352 --> 00:16:20,606 Kool-Aid Man is a logo in a world of logos. 308 00:16:21,231 --> 00:16:23,275 He's friends with Jell-O and Chef Boyardee. 309 00:16:23,358 --> 00:16:25,986 They go to the bar to, like, hang with Velveeta. 310 00:16:26,069 --> 00:16:28,780 And the Kool-Aid Man, you know, he was famous in the '80s, 311 00:16:28,864 --> 00:16:31,033 but it's time for him to retire because he's, you know, 312 00:16:31,116 --> 00:16:33,702 he's too old to break through walls and do his job anymore. 313 00:16:33,785 --> 00:16:37,623 He wants his son to replace him. There's a whole family of Kool-Aid people. 314 00:16:37,706 --> 00:16:40,876 So we get to incorporate the other flavors. You know, yellow, green… 315 00:16:40,959 --> 00:16:44,546 But his daughter, she really wants to break through walls. 316 00:16:44,630 --> 00:16:48,509 But Kool-Aid, he doesn't think she's strong enough. 317 00:16:48,592 --> 00:16:51,261 But when the whole Kool-Aid family goes missing, 318 00:16:51,345 --> 00:16:54,681 Kool-Aid girl becomes their only hope. 319 00:16:56,558 --> 00:16:58,519 I hope this doesn't sound crass, 320 00:16:59,478 --> 00:17:02,689 but I feel like I just got double-stuffed by Walt Disney and Aaron Sorkin. 321 00:17:02,773 --> 00:17:03,982 All right? 322 00:17:04,066 --> 00:17:08,362 Walt's up in my mouth, the Sork is absolutely destroying my ass. 323 00:17:09,530 --> 00:17:11,656 - Well, thanks. Thank you. - Yeah. 324 00:17:11,740 --> 00:17:13,575 - Thanks. - No. Thank you. So good. 325 00:17:13,659 --> 00:17:16,912 And that family shit, as the father of daughters, it really resonates with me. 326 00:17:16,994 --> 00:17:19,373 Yeah, I'm sure it does. It was a great pitch, Nick. 327 00:17:19,455 --> 00:17:21,791 Thank you so much for coming in, especially on such short notice. 328 00:17:21,875 --> 00:17:24,752 We really appreciate it. Let us just, you know, rally on our end. 329 00:17:24,837 --> 00:17:26,755 And yeah, we'll let you know ASAP. So thanks, man. Yeah. 330 00:17:26,839 --> 00:17:29,967 Cool. Thanks. Thank you. And have you talked to Patty recently? 331 00:17:30,050 --> 00:17:33,804 I mean, I… She gave me my first break as a writer, and I, you know, love her. 332 00:17:33,887 --> 00:17:36,473 - Yeah, she's the best. - And, is she doing okay? 333 00:17:36,557 --> 00:17:37,933 - Yeah, she's doing great, yeah. - Okay. 334 00:17:38,016 --> 00:17:39,935 I was ac… I was just talking to her this morning actually. 335 00:17:40,018 --> 00:17:41,019 - Okay. - Yeah, and she's, 336 00:17:41,103 --> 00:17:42,437 you know, transitioning very well. 337 00:17:42,521 --> 00:17:44,815 She's overall very optimistic about the future. 338 00:17:44,898 --> 00:17:46,859 So, yeah, I'll let her know you said hi. 339 00:17:46,942 --> 00:17:48,485 - That would be awesome. - Yes. Great job. 340 00:17:48,569 --> 00:17:50,445 - And I love Kool-Aid. I really do. - Yeah, cool. Great, thanks, man. Yeah. 341 00:17:50,529 --> 00:17:51,530 - I love it. - It loves you. 342 00:17:51,613 --> 00:17:52,614 I'm thirsty for Kool-Aid. 343 00:17:52,698 --> 00:17:53,907 Yeah. 344 00:17:53,991 --> 00:17:55,033 Did you really talk to Patty? 345 00:17:55,117 --> 00:17:58,537 No. I've called her a thousand times. She will not call me back at all, man. 346 00:17:58,620 --> 00:18:00,873 Yeah, me too. Hey, that pitch was really good. 347 00:18:00,956 --> 00:18:03,208 This movie can work, man. He's the doctor. 348 00:18:03,292 --> 00:18:04,501 Yeah. You know, I gotta say, 349 00:18:04,585 --> 00:18:07,254 it's for sure the best version of the very, very, 350 00:18:07,337 --> 00:18:09,339 very, very middle-of-the-road version of this 351 00:18:09,423 --> 00:18:11,758 and it's not what I wanna be, 352 00:18:11,842 --> 00:18:13,302 you know, coming out of the gate with, 353 00:18:13,385 --> 00:18:14,761 but Griffin Mill will love it. 354 00:18:14,845 --> 00:18:17,556 And more importantly, he will have it by the end of the week. So, thank you, Sal. 355 00:18:17,639 --> 00:18:19,141 - I got your back. - Okay. 356 00:18:19,224 --> 00:18:21,268 It's Wednesday, March 27. 357 00:18:21,351 --> 00:18:23,103 I'm Matt Belloni and this is The Town, 358 00:18:23,187 --> 00:18:25,814 the podcast that takes you inside Hollywood. 359 00:18:25,898 --> 00:18:28,150 The big news in town today, heard from multiple sources, 360 00:18:28,233 --> 00:18:30,527 that Matt Remick, head of Continental Studios, 361 00:18:30,611 --> 00:18:34,114 he's been taking meetings trying to find a director for a Kool-Aid movie. 362 00:18:34,198 --> 00:18:35,699 - Oh, shit. - Days after telling Variety 363 00:18:35,782 --> 00:18:38,285 he wants to revive cinema and make bold choices, 364 00:18:38,368 --> 00:18:41,413 Remick has instantly become a punch line on social media, 365 00:18:41,496 --> 00:18:44,708 now that he's making what sounds like a dumb movie based on a bad drink. 366 00:18:44,791 --> 00:18:45,792 Fuck. 367 00:18:46,543 --> 00:18:47,920 I can't believe Patty's out. 368 00:18:48,795 --> 00:18:51,048 You know, she was the head of Continental for as long as I can remember. 369 00:18:51,131 --> 00:18:52,382 It was like, since before the flood. 370 00:18:52,466 --> 00:18:54,092 Yeah. 371 00:18:54,176 --> 00:18:55,719 - And now you're here. - Yes. 372 00:18:55,802 --> 00:18:58,639 - Congratulations. - Thank you. It's very exciting. 373 00:18:58,722 --> 00:19:00,057 - All the best. - Yes. 374 00:19:00,140 --> 00:19:02,392 If I seem stressed out, honestly, I've had a… 375 00:19:02,476 --> 00:19:03,769 I've had quite the day. 376 00:19:03,852 --> 00:19:05,270 Oh, yeah. Was it bad? 377 00:19:05,354 --> 00:19:07,773 Bad? No, not really. Just got a lot going on. 378 00:19:07,856 --> 00:19:09,816 So I… What do you got? I can't wait to hear it. 379 00:19:09,900 --> 00:19:12,653 Well, I know you're busy, so I'm just gonna jump right into it, okay? 380 00:19:12,736 --> 00:19:15,948 This is a project that I've been really wanting to make 381 00:19:16,031 --> 00:19:17,491 for a very, very long time. 382 00:19:17,574 --> 00:19:20,244 Only thing is, the budget's a little bit up there. 383 00:19:20,327 --> 00:19:22,871 Some may say extreme. The scope is huge. 384 00:19:22,955 --> 00:19:23,956 Cool. 385 00:19:24,039 --> 00:19:26,542 The themes are heavy. But I want the film to be entertaining. 386 00:19:26,625 --> 00:19:29,461 - Cool, yeah. - Entertainment, okay? 387 00:19:29,545 --> 00:19:32,464 Now, it's a story we all know about, 388 00:19:32,548 --> 00:19:38,053 but not one that we really know about, you know? 389 00:19:39,638 --> 00:19:41,932 Oh, I know. What is it? 390 00:19:43,600 --> 00:19:44,601 Jonestown. 391 00:19:45,602 --> 00:19:46,603 Huh? 392 00:19:47,688 --> 00:19:49,064 Jonestown. 393 00:19:49,857 --> 00:19:51,692 Like the cult massacre? 394 00:19:51,775 --> 00:19:55,988 Yes, exactly! The Jonestown cult massacre. 395 00:19:56,071 --> 00:19:58,949 It's about Jim Jones, United States Senate, America. 396 00:19:59,032 --> 00:20:01,910 It's sprawling, it's big, it's fun. It's fucked up. 397 00:20:02,619 --> 00:20:03,996 Granted, it's fucked up, 398 00:20:04,079 --> 00:20:08,792 but I see it as a meditation on cults, hero worship, mass murder, suicide. 399 00:20:08,876 --> 00:20:10,002 Everything. It's life. 400 00:20:11,879 --> 00:20:12,880 Jonestown? 401 00:20:14,256 --> 00:20:15,591 Jonestown. 402 00:20:16,550 --> 00:20:19,553 Now, correct me if I'm wrong… 403 00:20:21,430 --> 00:20:25,726 Is that the massacre where everybody committed suicide by… 404 00:20:27,895 --> 00:20:28,896 drinking Kool-Aid? 405 00:20:28,979 --> 00:20:30,606 Exactly! That's the phrase. 406 00:20:30,689 --> 00:20:33,609 They drank the Kool-Aid. Drink the Kool-Aid, whatever it is. 407 00:20:33,692 --> 00:20:35,861 That's the phrase. That's the climax of the picture. 408 00:20:35,944 --> 00:20:37,529 - It's a big, big sequence. - That's great. 409 00:20:37,613 --> 00:20:38,822 - So, naturally, it builds to that. - That's so… 410 00:20:38,906 --> 00:20:45,287 In a sense, I guess you could say that your film is about Kool-Aid. 411 00:20:47,122 --> 00:20:49,291 Well, I mean, yeah, in a sense, I guess. 412 00:20:49,374 --> 00:20:50,834 - In a sense. Yeah, great. - In a sense you could. 413 00:20:50,918 --> 00:20:52,002 - Great. - Yeah. 414 00:20:52,085 --> 00:20:54,171 So, what are you thinking in terms of budget? 415 00:20:54,254 --> 00:20:59,927 Well, I mean… Yeah, budget… You know, 200. 416 00:21:02,513 --> 00:21:04,973 I'm gonna tell you what, Mr. Scorsese. 417 00:21:05,057 --> 00:21:09,728 I will green-light your film right now with a budget of $250 million, 418 00:21:09,811 --> 00:21:12,397 and I'm gonna buy your screenplay for ten million. 419 00:21:13,941 --> 00:21:17,819 Matt. Jesus, you move fast. 420 00:21:17,903 --> 00:21:19,696 I love that. I love it. 421 00:21:19,780 --> 00:21:21,156 - Decisive, huh? - Yep. 422 00:21:21,240 --> 00:21:22,908 Decisive and good taste. 423 00:21:22,991 --> 00:21:24,660 I don't mean that in a bad way. 424 00:21:24,743 --> 00:21:26,411 - No, of course. - Yeah. 425 00:21:26,495 --> 00:21:29,498 Now there's one little tiny catch. 426 00:21:30,374 --> 00:21:31,583 - All right. - I know. 427 00:21:31,667 --> 00:21:32,668 Yeah, I've been around. 428 00:21:32,751 --> 00:21:34,336 - Always a catch. - Hit me with the catch. What is it? 429 00:21:34,419 --> 00:21:38,382 Trust me here. This, in no way affects you making the exact film 430 00:21:38,465 --> 00:21:39,800 that you wanna make, okay? 431 00:21:39,883 --> 00:21:42,052 Yeah, because the whole thing is about freedom to make the film 432 00:21:42,135 --> 00:21:43,080 you wanna make, yeah. 433 00:21:43,095 --> 00:21:45,097 You will have all that. However, it sort of affects what… 434 00:21:45,180 --> 00:21:46,640 what we'd call the film. 435 00:21:48,392 --> 00:21:51,228 Okay, so what do you wanna call the movie? 436 00:21:54,398 --> 00:21:55,399 Kool-Aid. 437 00:22:01,071 --> 00:22:02,155 Kool-Aid. 438 00:22:02,239 --> 00:22:03,949 I did it! 439 00:22:04,032 --> 00:22:07,536 I got Martin Scorsese to write and direct the Kool-Aid movie! 440 00:22:07,619 --> 00:22:09,663 Scorsese? Kool-Aid? Are you shitting me? 441 00:22:09,746 --> 00:22:11,498 I'm not. I did it! 442 00:22:11,582 --> 00:22:13,876 Oh, what about Stoller? I'm making a deal with him. 443 00:22:13,959 --> 00:22:15,794 Yeah! Tell him to get fucked! 444 00:22:15,878 --> 00:22:17,212 I got a real filmmaker. 445 00:22:17,296 --> 00:22:18,755 Consider him fucked. 446 00:22:18,839 --> 00:22:21,133 Scorsese? Are you kidding me? 447 00:22:21,216 --> 00:22:26,013 No. I did it. When this breaks on Deadline, I'm gonna look like a genius. 448 00:22:26,096 --> 00:22:30,225 All those people who wrote posts and articles about what a dumb schmuck I am, 449 00:22:30,309 --> 00:22:34,313 they're gonna have to write new posts and new articles about what a genius I am. 450 00:22:34,396 --> 00:22:36,690 - That's the dream! - Matt, look. 451 00:22:37,191 --> 00:22:39,067 - Oh, my God. - Matt? What? 452 00:22:39,151 --> 00:22:42,196 - Charlize Theron invited me to her party. - No fucking way. Can I come with? 453 00:22:42,279 --> 00:22:43,280 No! 454 00:22:43,363 --> 00:22:45,282 This is the best day of my life. 455 00:22:45,365 --> 00:22:46,617 This is it! 456 00:22:50,871 --> 00:22:55,250 Marty Scorses? On God? No fucking way! 457 00:22:55,334 --> 00:22:56,752 - Yeah. - What's the idea? 458 00:22:56,835 --> 00:22:59,463 - Is there a document? Let's go. - There's a whole script. 459 00:23:00,214 --> 00:23:01,423 Wait a minute… 460 00:23:01,507 --> 00:23:04,635 Martin Scorsese just happened to be writing a script about Kool-Aid? 461 00:23:04,718 --> 00:23:07,262 Even better. Martin Scorsese just happened to be writing 462 00:23:07,346 --> 00:23:10,933 a script that he is enthusiastic about turning into our Kool-Aid film. 463 00:23:11,725 --> 00:23:13,185 Great! What the fuck is it? 464 00:23:14,394 --> 00:23:15,604 - Just know… - Okay. 465 00:23:15,687 --> 00:23:18,065 …it's one of those ideas that when you first hear it… 466 00:23:18,148 --> 00:23:19,733 - Yeah. - …you're gonna be like, "Huh?" 467 00:23:19,816 --> 00:23:22,236 But then once you really process it, wrap your head around it, 468 00:23:22,319 --> 00:23:24,905 - you're gonna be like, "Wow!" - What the fuck is it? 469 00:23:25,822 --> 00:23:29,910 It is an exploration of Kool-Aid 470 00:23:29,993 --> 00:23:35,082 through the events that centered around the place 471 00:23:35,165 --> 00:23:39,461 that is most commonly known as… 472 00:23:40,337 --> 00:23:41,755 Jonestown. 473 00:23:43,507 --> 00:23:44,508 Jonestown? 474 00:23:48,053 --> 00:23:49,054 Jesus! Fuck! Yo! 475 00:23:49,137 --> 00:23:51,473 - What the fuck is wrong with you? - Calm down. It's fucking nothing. 476 00:23:51,557 --> 00:23:53,392 You wanna bring down this fucking studio? Oh, my God! 477 00:23:53,475 --> 00:23:55,727 Just fucking relax. Chill the fuck out. 478 00:23:55,811 --> 00:23:58,188 If you're gonna tear it down, I need a fucking Xanax right now. I'm so hot. 479 00:23:58,272 --> 00:23:59,398 Everyone's watching! We're all good! 480 00:23:59,481 --> 00:24:02,234 Okay, look. Okay, it's not a line drive down-the-middle take. 481 00:24:02,317 --> 00:24:03,527 - No. - This is even better. 482 00:24:03,610 --> 00:24:06,238 This version can actually be cool. 483 00:24:06,321 --> 00:24:08,949 "Cool"? Who are you, the fucking Fonz? 484 00:24:09,032 --> 00:24:11,243 Look! Okay. Once Upon a Time in Hollywood, right? 485 00:24:11,326 --> 00:24:14,288 - Quentin Tarantino, a fun, cool movie… - Right. 486 00:24:14,371 --> 00:24:19,960 …about a real cult massacre that wins Oscars and makes $377 million, 487 00:24:20,043 --> 00:24:22,212 or can Sony market a movie better than you? 488 00:24:22,796 --> 00:24:24,298 You know what Sony had? 489 00:24:24,381 --> 00:24:28,635 The holy trinity. Leo, Brad, and Margot. 490 00:24:29,469 --> 00:24:30,679 Who do you have? 491 00:24:32,181 --> 00:24:33,390 It's funny you should ask. 492 00:24:34,099 --> 00:24:36,435 I was just talking to Marty, 493 00:24:36,518 --> 00:24:42,232 and he actually has really strong feelings that the lead role of, 494 00:24:42,316 --> 00:24:43,692 you know, Jim Jones 495 00:24:43,775 --> 00:24:46,111 should be portrayed by none other than… 496 00:24:48,113 --> 00:24:49,323 Steve Buscemi. 497 00:24:52,784 --> 00:24:58,081 Okay, Steven Buscemi is absolutely the worst case scenario. 498 00:24:58,165 --> 00:25:01,502 Either people know his name but they can't recognize his face, 499 00:25:01,585 --> 00:25:03,587 or they know his face but they have no idea what his name is. 500 00:25:03,670 --> 00:25:04,796 He is not good for business. 501 00:25:04,880 --> 00:25:08,175 He's quite literally one of the greatest actors who's currently alive. 502 00:25:08,258 --> 00:25:09,968 Hey! If he walked in this room, 503 00:25:10,052 --> 00:25:13,680 I would splay him on this table and fuck him to death. 504 00:25:13,764 --> 00:25:16,850 He does not have the clout to carry a franchise like Kool-Aid. 505 00:25:16,934 --> 00:25:18,644 Wait, hold on. Is it "Buscemi" or "Buscimi"? 506 00:25:18,727 --> 00:25:20,896 - It's Steve Buscemi. - Buscemi? 507 00:25:20,979 --> 00:25:22,481 No, it's Buscemi like bruschetta. 508 00:25:22,564 --> 00:25:24,024 We've been talking about this guy for an hour, 509 00:25:24,107 --> 00:25:25,859 and no one here can pronounce his name correctly. 510 00:25:25,943 --> 00:25:28,654 - What does that tell you, Matt? - Okay, so here's the deal. 511 00:25:28,737 --> 00:25:32,533 Griffin is gonna ask me what marketing thinks of your take, 512 00:25:32,616 --> 00:25:34,576 and I'm gonna have to be honest with him and tell him 513 00:25:34,660 --> 00:25:36,161 that your take is gonna bomb. 514 00:25:36,245 --> 00:25:38,455 That movie is going to bomb. Okay? 515 00:25:38,539 --> 00:25:40,457 But I also know you need to 516 00:25:40,541 --> 00:25:41,542 show him something. 517 00:25:41,625 --> 00:25:45,128 So, I had marketing whip a little something up to bail your ass out. 518 00:25:54,096 --> 00:25:55,305 What the fuck is this? 519 00:25:55,389 --> 00:25:57,766 - It's a teaser, asshole. - A teaser for what, asshole? 520 00:25:57,850 --> 00:25:59,852 Fuck do I know? That's your fucking job! 521 00:25:59,935 --> 00:26:02,938 Can we please just do the Stoller idea, okay? It was not that bad. 522 00:26:03,021 --> 00:26:06,066 We can't. Guess why. This fucking dumb-ass killed the deal yesterday. 523 00:26:06,149 --> 00:26:08,193 - Oh, my God. - Hey! I know you love Martin Scorsese. 524 00:26:08,277 --> 00:26:10,612 His vision for this movie is going to bankrupt us. 525 00:26:10,696 --> 00:26:12,781 You need to show Griffin this teaser right now. 526 00:26:12,865 --> 00:26:14,491 I can't show Griffin this. This is noth… 527 00:26:14,575 --> 00:26:16,618 This has no fucking story. It's nothing. 528 00:26:16,702 --> 00:26:18,328 Who gives a shit if it has a story? 529 00:26:18,412 --> 00:26:21,498 He's gonna be delighted by the Kool-Aid Man doing the zay-zay shuffle. 530 00:26:21,582 --> 00:26:22,833 What the fuck is the zay-zay shuffle? 531 00:26:22,916 --> 00:26:24,501 It is the number one dance trend on TikTok. 532 00:26:24,585 --> 00:26:26,044 Matt, as our boss, you should know more. 533 00:26:26,128 --> 00:26:27,254 Look, guys, 534 00:26:28,130 --> 00:26:32,551 we got Martin Scorsese to agree to write and direct 535 00:26:32,634 --> 00:26:34,928 a fucking Kool-Aid movie for us. 536 00:26:35,012 --> 00:26:38,765 So it's not the most commercial cast, and it's not the most marketable take, 537 00:26:38,849 --> 00:26:41,435 it's one of the greatest directors of all time, 538 00:26:41,518 --> 00:26:43,312 wanting to make a film for us. 539 00:26:43,395 --> 00:26:46,648 If this isn't the type of thing we're fucking saying yes to, 540 00:26:46,732 --> 00:26:48,859 what are we doing with our lives? 541 00:26:48,942 --> 00:26:53,280 We're going with Scorsese's version of Kool-Aid. End of story. 542 00:26:54,990 --> 00:26:56,366 Griffin Mill's ready for you all. 543 00:26:59,328 --> 00:27:00,329 Oh, my God. 544 00:27:01,371 --> 00:27:04,583 It says here it was actually Flavor Aid that they drank in Jonestown. 545 00:27:04,666 --> 00:27:06,126 Shh! Not helping. 546 00:27:06,210 --> 00:27:08,462 Just let me do the talking, we'll be fine. 547 00:27:09,254 --> 00:27:10,589 Hello! 548 00:27:11,340 --> 00:27:12,966 - Lookee here. - Yeah. 549 00:27:13,050 --> 00:27:15,511 All marching in like good school children. 550 00:27:16,386 --> 00:27:17,930 Good to see you, sir. 551 00:27:18,013 --> 00:27:20,098 - Yeah. - All right. So, Kool-Aid me. 552 00:27:24,061 --> 00:27:25,062 What's happening? 553 00:27:26,897 --> 00:27:28,148 I'll tell you what's happening. 554 00:27:50,212 --> 00:27:51,213 Wow. 555 00:27:53,298 --> 00:27:54,299 Seriously? 556 00:27:56,885 --> 00:28:00,597 That is fucking fantastic. 557 00:28:00,681 --> 00:28:01,849 Yes, it is! 558 00:28:01,932 --> 00:28:05,644 - I mean, that's huge! It's fun, right? - Huge. Huge movie. So fun. 559 00:28:05,727 --> 00:28:07,312 - It's so amazing. - Yeah. It's so great. 560 00:28:07,396 --> 00:28:09,481 - And he's doing the zay-zay, right? - He's dropping the zay-zay. 561 00:28:09,565 --> 00:28:11,859 I love that stuff. Oh, yeah. My daughter does that. 562 00:28:11,942 --> 00:28:13,527 Yeah, the zay-zay. Yeah, it's the best. 563 00:28:13,610 --> 00:28:15,153 So, Matt, what's the story? 564 00:28:16,738 --> 00:28:17,948 The story? 565 00:28:18,031 --> 00:28:20,492 Yeah. What's the story? What's it about? 566 00:28:23,745 --> 00:28:25,247 The story is actually the best part. 567 00:28:25,330 --> 00:28:26,331 Good. 568 00:28:26,415 --> 00:28:27,875 So, yeah. 569 00:28:28,834 --> 00:28:33,922 Well, Kool-Aid Man exists in a world of corporate logos. 570 00:28:34,006 --> 00:28:35,591 He's friends with Velveeta. 571 00:28:35,674 --> 00:28:38,385 He goes and hangs out at the bar with Chef Boyardee. 572 00:28:38,468 --> 00:28:40,679 And he's got a whole family of Kool-Aid people, 573 00:28:40,762 --> 00:28:45,017 so you get the other flavors in there, you got yellow, green, red, you know? 574 00:28:45,100 --> 00:28:46,560 - I love all this. - Thank you. 575 00:28:46,643 --> 00:28:48,520 - Very, very impressive. - Thank you. 576 00:28:48,604 --> 00:28:50,522 - Very diverse, right? - Yes. 577 00:28:50,606 --> 00:28:52,149 You've got red, yellow, green. 578 00:28:52,232 --> 00:28:54,860 - It ain't white, am I right? - No. 579 00:28:55,569 --> 00:28:57,237 Right? Very diverse. 580 00:28:57,321 --> 00:28:58,780 We got you, brother. 581 00:29:00,032 --> 00:29:01,491 You too, sister. 582 00:29:02,951 --> 00:29:04,745 So who's gonna be directing? 583 00:29:04,828 --> 00:29:06,496 - Nick Stoller. Guy's a real pro. - Oh, yeah. 584 00:29:06,580 --> 00:29:08,832 - We got him locked down, yeah. - Love him. Very funny. 585 00:29:08,916 --> 00:29:11,585 - All right. Lock it up. - Yes. I will, thank you so much. 586 00:29:11,668 --> 00:29:12,961 - Good work. - Pleasure. 587 00:29:13,045 --> 00:29:14,922 Good to see you, Griffin. 588 00:29:18,175 --> 00:29:19,718 One more question. 589 00:29:19,801 --> 00:29:24,973 This Martin Scorsese Jonestown movie… What's all that about? 590 00:29:27,142 --> 00:29:32,064 You spent ten million dollars on a Martin Scorsese Jonestown script, 591 00:29:33,774 --> 00:29:38,820 but we can't be making a movie about Kool-Aid and its lovable mascot 592 00:29:38,904 --> 00:29:43,742 and also be making a movie about how Kool-Aid 593 00:29:44,785 --> 00:29:49,414 is associated with one of the most infamous mass murders 594 00:29:50,290 --> 00:29:51,625 of all fucking time. 595 00:29:53,252 --> 00:29:55,254 - Of course not. - Thank God. 596 00:29:55,337 --> 00:29:56,463 Yeah. 597 00:29:56,547 --> 00:29:58,674 - I knew you'd have a good reason. - Yeah. 598 00:29:58,757 --> 00:30:02,511 So, tell me, why did you spend the ten million dollars on it? 599 00:30:05,180 --> 00:30:07,307 Well, you know… 600 00:30:08,642 --> 00:30:11,687 I got wind that Scorsese was making this Jonestown movie… 601 00:30:11,770 --> 00:30:13,564 - Okay. - …and I had the exact same concern 602 00:30:13,647 --> 00:30:16,650 as you, you know. We can't let this art house bullshit 603 00:30:16,733 --> 00:30:18,902 get in the way of our billion-dollar franchise, 604 00:30:18,986 --> 00:30:22,823 and so I bought the Jonestown script, 605 00:30:22,906 --> 00:30:25,784 specifically to kill it. 606 00:30:28,912 --> 00:30:32,332 So, we'll own the project. 607 00:30:33,625 --> 00:30:35,752 But nobody will ever get to make it? 608 00:30:38,964 --> 00:30:42,176 Oh, Matt, that is so fucked up. 609 00:30:42,885 --> 00:30:44,178 - Yeah. - I love it. 610 00:30:44,261 --> 00:30:45,971 - Great. - Boop. 611 00:30:46,054 --> 00:30:47,055 Thank you. 612 00:30:47,139 --> 00:30:48,140 Good work. 613 00:30:48,724 --> 00:30:51,643 Yes, obviously I know that we are the ones who blew up the deal, 614 00:30:51,727 --> 00:30:54,229 but we've had second thoughts and we would love to have Nick Stoller 615 00:30:54,313 --> 00:30:56,356 on Kool-Aid. I'll double his quote. 616 00:30:56,440 --> 00:30:58,358 You're gonna be dumping shekels on Stoller, 617 00:30:58,442 --> 00:31:01,278 but the problem now is that he came up under Patty, and he talked to her… 618 00:31:01,361 --> 00:31:03,322 - He did? - Yeah, she's pissed off at Jew, 619 00:31:03,405 --> 00:31:06,200 the studio, and she convinced Nick not to work with you on this. 620 00:31:06,283 --> 00:31:07,284 I need that idea! 621 00:31:07,367 --> 00:31:09,369 I don't know what to tell you! You fucked yourself. 622 00:31:09,453 --> 00:31:10,996 Patty's the only issue? 623 00:31:11,079 --> 00:31:12,206 Yep. 624 00:31:12,289 --> 00:31:13,999 Well, then you will be absolutely thrilled to hear 625 00:31:14,082 --> 00:31:16,793 that we're actually bringing Patty on board Kool-Aid as a producer. 626 00:31:16,877 --> 00:31:19,254 - No. - The first smart thing you've done. 627 00:31:19,338 --> 00:31:22,633 Great. Keep it under wraps for now, but we are gonna get this deal done. 628 00:31:22,716 --> 00:31:24,676 - Good Pesach. - Why do you keep lying? 629 00:31:24,760 --> 00:31:26,970 - I don't know! - You can't even get her on the phone. 630 00:31:27,054 --> 00:31:28,514 I know that! 631 00:31:29,264 --> 00:31:32,226 I'm just gonna go to her house and confront her in person. 632 00:31:32,309 --> 00:31:34,144 Yo, you're coming with me to Charlize's tonight. 633 00:31:34,228 --> 00:31:36,271 If we pull this off, we are going to celebrate. 634 00:31:36,355 --> 00:31:38,065 Oh, yeah! 635 00:32:13,225 --> 00:32:17,521 How dare you show your face at my door? You of all people. 636 00:32:17,604 --> 00:32:18,814 Hi, Patty. 637 00:32:20,774 --> 00:32:23,986 Oh, God, it's so humiliating. 638 00:32:25,070 --> 00:32:28,991 Well, don't just stand there like a fucking DoorDasher, come in. 639 00:32:29,074 --> 00:32:31,368 - Fuck! You know I quit swearing… - I know. I'm sorry. 640 00:32:31,451 --> 00:32:34,204 …and you're making me do it, motherfucker. Fuck! 641 00:32:34,288 --> 00:32:36,039 I'm sorry. Shit. Look. 642 00:32:36,123 --> 00:32:38,750 I just wanted to come by, you know, see how you're doing, 643 00:32:38,834 --> 00:32:40,419 and make sure everything was okay. 644 00:32:40,502 --> 00:32:42,921 How I'm doing? I… 645 00:32:43,005 --> 00:32:45,674 You know, I gave 40 years of my life to this studio… 646 00:32:45,757 --> 00:32:48,010 - Yeah. - …and then this Griffin Mill, 647 00:32:48,093 --> 00:32:51,847 some dime-store Bob Evans comes in and wants to put his stamp on the place 648 00:32:52,848 --> 00:32:55,267 like he's urinating on a hydrant. 649 00:32:55,350 --> 00:32:57,227 I know, he's so brutal. 650 00:32:57,311 --> 00:32:58,353 Yeah, he is. 651 00:32:58,979 --> 00:33:02,941 - But guess what? You're even worse. - Me? 652 00:33:03,025 --> 00:33:05,819 - You broke my heart, Matty. - What did I do? 653 00:33:05,903 --> 00:33:07,988 You stole my job! 654 00:33:08,071 --> 00:33:10,824 I did not steal your job, okay? 655 00:33:10,908 --> 00:33:13,577 I had absolutely nothing to do with that. 656 00:33:13,660 --> 00:33:16,455 I barely even got hired, you know? 657 00:33:16,538 --> 00:33:18,498 I raised you like a son, 658 00:33:18,582 --> 00:33:22,252 and the moment my back is turned, you stab it. 659 00:33:22,336 --> 00:33:24,171 I did not stab you in the back. 660 00:33:24,254 --> 00:33:25,631 - Yes, you did. - If anything, I'm here 661 00:33:25,714 --> 00:33:27,591 trying to carry your torch, Patty. 662 00:33:28,217 --> 00:33:29,968 Well, you may not have thrust the knife, 663 00:33:30,052 --> 00:33:33,889 but you sure seem happy working with people who did. 664 00:33:33,972 --> 00:33:36,350 - I am not happy about any of this. - You are. 665 00:33:36,433 --> 00:33:37,559 You believe me on that one. 666 00:33:37,643 --> 00:33:39,937 And I love our working relationship and that… 667 00:33:40,020 --> 00:33:41,605 - that's why I'm here. - Yeah. 668 00:33:41,688 --> 00:33:43,232 - I wanna keep it going. - Yeah. 669 00:33:43,315 --> 00:33:48,737 I'm offering you a producorial role on our biggest and best new franchise. 670 00:33:50,531 --> 00:33:51,698 Kool-Aid? 671 00:33:51,782 --> 00:33:53,200 - Yeah! - Is that your offer? 672 00:33:53,283 --> 00:33:54,493 It is. 673 00:33:55,285 --> 00:33:58,622 You're like a cat bringing in a mutilated pigeon. 674 00:33:58,705 --> 00:34:00,624 Oh, I know. 675 00:34:00,707 --> 00:34:01,917 I talked to Stoller. 676 00:34:02,000 --> 00:34:04,837 You just want me to pull your ass out of the fire to get him to sign on. 677 00:34:04,920 --> 00:34:07,381 Well, you need me to pull your ass out of the fire too. 678 00:34:07,464 --> 00:34:09,967 You know, you're on your own, Patty. You need a gig, okay? 679 00:34:10,050 --> 00:34:12,427 Matthew! So you offer me Kool-Aid? 680 00:34:12,511 --> 00:34:15,764 Like I want my name on that monstrosity? Ew! 681 00:34:15,848 --> 00:34:17,516 That thing should've been smothered in the crib. 682 00:34:17,599 --> 00:34:20,768 No, if I wanted to make that trash, I'd still have my job. 683 00:34:25,357 --> 00:34:27,192 - Okay, here's my counter. - Okay. 684 00:34:27,900 --> 00:34:30,320 I will call Stoller and get him on board on your movie. 685 00:34:30,404 --> 00:34:31,905 - Great. - But I will need… 686 00:34:31,989 --> 00:34:35,449 a three-year overall, ten million overhead, 687 00:34:35,534 --> 00:34:39,454 two put pictures a year, first look nonexclusive. 688 00:34:40,414 --> 00:34:41,498 No. 689 00:34:41,581 --> 00:34:42,916 Matty! 690 00:34:43,417 --> 00:34:44,918 No, look. Patty, look… 691 00:34:45,002 --> 00:34:47,629 I'm sorry, I just can't do it. That's too good… 692 00:34:47,713 --> 00:34:50,465 Nobody in all of Hollywood has a deal that lucrative. 693 00:34:50,549 --> 00:34:52,717 I don't care! You owe me everything! 694 00:34:52,801 --> 00:34:54,344 I don't owe you e… Look, I owe you a lot, 695 00:34:54,428 --> 00:34:57,681 I will give you that. I don't think I owe you everything. I just can't do it. 696 00:34:57,764 --> 00:35:02,519 Matty, that job was my life, just like it is yours, right? 697 00:35:03,395 --> 00:35:04,646 And without it… 698 00:35:06,857 --> 00:35:09,943 Without it, I'm afraid. I don't… 699 00:35:10,027 --> 00:35:15,407 I don't know if I can… I'm afraid. 700 00:35:15,490 --> 00:35:20,412 I'll give you $7 million a year, no put pictures, fully exclusive. 701 00:35:20,495 --> 00:35:24,499 Eight million, one put picture, and the budget's under five million. 702 00:35:26,543 --> 00:35:28,295 Fine, but you gotta be exclusive. 703 00:35:28,378 --> 00:35:30,005 No exclusivity! 704 00:35:30,088 --> 00:35:34,635 Those people railed me raw! They railed me raw, Matty. 705 00:35:35,511 --> 00:35:36,512 Please. 706 00:35:37,054 --> 00:35:38,055 Okay, I'll do it. 707 00:35:39,515 --> 00:35:40,516 Deal. 708 00:35:42,351 --> 00:35:44,603 Matty, thank you. 709 00:35:45,437 --> 00:35:47,523 - Thank you. - Thank you. 710 00:35:47,606 --> 00:35:49,274 Oh, thank you. 711 00:35:49,358 --> 00:35:52,027 Okay. Let's call Nick Stoller. 712 00:35:54,071 --> 00:35:57,824 Oh, you poor thing. You have to kill Martin Scorsese's movie. 713 00:35:59,034 --> 00:36:03,330 I killed one of Warren's movies in '88 and he never slept with me again. 714 00:36:03,413 --> 00:36:05,123 I have the same fear with Marty. 715 00:36:06,166 --> 00:36:08,752 So, how do you feel in all this? 716 00:36:09,962 --> 00:36:12,798 You know, I've worked, obviously a long time to get here. 717 00:36:12,881 --> 00:36:15,717 My… You know, my parents are very thrilled, very proud. 718 00:36:16,343 --> 00:36:20,764 I think Griffin is, you know, optimistic with the plan. 719 00:36:21,557 --> 00:36:24,268 Matty, not one of those words is about how you feel. 720 00:36:25,894 --> 00:36:29,231 Yeah, I feel miserable, honestly. 721 00:36:29,314 --> 00:36:33,151 I'm anxious, I'm stressed out, panicking pretty much all the time. 722 00:36:33,235 --> 00:36:34,778 I was so much happier two weeks ago 723 00:36:34,862 --> 00:36:37,114 when I was just angry and resentful that I didn't have this job. 724 00:36:37,197 --> 00:36:39,867 I would give anything to be angry and resentful 725 00:36:39,950 --> 00:36:41,577 compared to how I feel right now. 726 00:36:42,327 --> 00:36:45,497 You know, I walk past the tour guide every morning 727 00:36:45,581 --> 00:36:48,250 and they say that the office was built as a temple to cinema, 728 00:36:48,333 --> 00:36:50,919 but it feels much more like a tomb. 729 00:36:51,753 --> 00:36:53,088 Heavy is the head, Matty. 730 00:36:53,881 --> 00:36:55,841 Yeah. I'm honored, obviously, 731 00:36:55,924 --> 00:36:57,885 to be one of the people that gets to choose, you know, 732 00:36:57,968 --> 00:36:59,720 which movies get made and which ones don't. 733 00:36:59,803 --> 00:37:01,180 That's huge. 734 00:37:02,014 --> 00:37:05,767 And I got into all this, 'cause, you know, I love movies, 735 00:37:05,851 --> 00:37:12,274 but now I have this fear that my job is to ruin them. 736 00:37:13,817 --> 00:37:15,569 The job is a meat grinder. 737 00:37:16,069 --> 00:37:19,615 It makes you stressed and panicked and miserable. 738 00:37:20,282 --> 00:37:23,118 One week you're looking your idol in the eye and breaking his heart, 739 00:37:23,619 --> 00:37:26,788 and the next week you're writing a blank check for some entitled nepo baby 740 00:37:26,872 --> 00:37:27,873 in a beanie. 741 00:37:30,000 --> 00:37:31,585 But when it all comes together, 742 00:37:32,711 --> 00:37:34,546 and you make a good movie… 743 00:37:37,132 --> 00:37:38,300 it's good forever. 744 00:37:41,386 --> 00:37:42,930 You'll make a great studio head. 745 00:37:43,013 --> 00:37:44,014 You know why? 746 00:37:45,307 --> 00:37:46,850 'Cause you had the best teacher. 747 00:37:52,189 --> 00:37:53,190 I still do. 748 00:38:03,617 --> 00:38:06,703 I'm so glad I'm not the guy who has to tell Marty his movie's dead. 749 00:38:06,787 --> 00:38:07,955 What are you gonna say to him? 750 00:38:08,038 --> 00:38:09,456 I'm not gonna say shit to Marty. 751 00:38:09,540 --> 00:38:12,376 I talk to his agent on Monday and then I avoid him for the rest of my life. 752 00:38:12,876 --> 00:38:14,670 Hopefully I just never see him again. 753 00:38:14,753 --> 00:38:16,630 - Hey, Matt! Hey! - Oh, fuck me. 754 00:38:16,713 --> 00:38:21,760 - Marty! Hey, great to see you. - Hey, Matt. Hey. Oh, God, hi. 755 00:38:21,844 --> 00:38:22,845 - This is Sal. - Hey. 756 00:38:22,928 --> 00:38:23,831 - Hi. Hello. - Hi. 757 00:38:23,846 --> 00:38:25,138 - Hi, Matt. - Yes. 758 00:38:25,222 --> 00:38:27,808 Matt, I have been thinking nonstop about Kool-Aid. 759 00:38:27,891 --> 00:38:29,017 Oh, great. That's great. 760 00:38:29,101 --> 00:38:30,269 I mean Kool-Aid. I have some… 761 00:38:30,352 --> 00:38:33,230 And by the way, I got some great ideas for actors to put around Buscemi, okay? 762 00:38:33,313 --> 00:38:34,398 Perfect. Great, yeah. 763 00:38:34,481 --> 00:38:37,109 And honestly, I couldn't have come to the title Kool-Aid on my own. 764 00:38:37,192 --> 00:38:39,236 I mean, I can't believe that title. It's fantastic. 765 00:38:39,319 --> 00:38:41,905 - I'm gonna take credit for it, okay? - It's all yours. 766 00:38:41,989 --> 00:38:43,866 I love how your brain doesn't stop working, Marty. 767 00:38:43,949 --> 00:38:45,993 But you know, we don't have to talk shop at a party. 768 00:38:46,076 --> 00:38:49,496 Let's talk about something else. You into sports, cars? 769 00:38:52,207 --> 00:38:53,208 What's going on? 770 00:38:53,959 --> 00:38:55,836 - Nothing. - I mean, you're acting weird. 771 00:38:55,919 --> 00:38:58,046 There's something funny going on here. 772 00:38:58,130 --> 00:39:00,048 I'm pretty sure this is how I always act. 773 00:39:00,132 --> 00:39:01,925 I know this guy like the back of my own dick. 774 00:39:02,009 --> 00:39:04,595 - This is classic Matt Remick right here. - Yeah. Totally, yeah. 775 00:39:04,678 --> 00:39:07,806 No. This performance, it's inauthentic. 776 00:39:07,890 --> 00:39:09,600 I promise. It's nothing, yeah. 777 00:39:09,683 --> 00:39:10,976 - I saw that look. - What look? 778 00:39:11,059 --> 00:39:12,394 - I saw that look. - Nope. 779 00:39:12,477 --> 00:39:13,979 It's a furtive look. It was furtive. 780 00:39:14,062 --> 00:39:16,481 - We were not being furtive. - Never been furtive in my life. 781 00:39:16,565 --> 00:39:17,858 - No. - Oh, no, that's furtive. 782 00:39:17,941 --> 00:39:20,861 I know furtive. If there's one thing I know, it's furtive, okay? 783 00:39:22,362 --> 00:39:26,074 Look, Marty, there's something you should know, 784 00:39:26,158 --> 00:39:31,079 and Sal is actually gonna take the lead on this and tell you. 785 00:39:31,163 --> 00:39:32,289 - Sal? - Yeah. 786 00:39:32,372 --> 00:39:34,374 - Now I talk? - Now you talk. 787 00:39:36,668 --> 00:39:39,129 Marty, first of all, can I say, 788 00:39:39,880 --> 00:39:41,715 you're the reason I'm in this business. 789 00:39:42,341 --> 00:39:45,427 Who the fuck are you, and what are you trying to say? 790 00:39:45,928 --> 00:39:47,304 We're going in a different direction 791 00:39:47,387 --> 00:39:49,640 and we're not doing a Jonestown version of Kool-Aid. 792 00:39:55,604 --> 00:39:58,440 You know what? I'm fine. 793 00:39:59,399 --> 00:40:00,400 Fine. 794 00:40:01,318 --> 00:40:03,028 All right, I mean, it's fucked up, 795 00:40:03,111 --> 00:40:07,449 but I got to tell you, Matt, honestly, it's not surprising, 796 00:40:07,533 --> 00:40:10,619 because you're just another run-of-the-mill, faceless, 797 00:40:10,702 --> 00:40:14,998 talentless, spineless suit. 798 00:40:16,667 --> 00:40:17,835 I have a face. 799 00:40:17,918 --> 00:40:20,212 Just give me back my movie and let me go sell it to fucking Apple, 800 00:40:20,295 --> 00:40:22,047 the way I should have done it in the first place. 801 00:40:23,674 --> 00:40:24,675 I can't do that. 802 00:40:26,552 --> 00:40:27,594 Let me get this straight. 803 00:40:28,971 --> 00:40:33,392 You bought my movie, just to kill it? 804 00:40:35,435 --> 00:40:36,520 - I did. - He did. 805 00:40:45,112 --> 00:40:47,155 - We'll leave you alone, Mr. Scorsese. - I loved The Departed. 806 00:40:47,239 --> 00:40:48,240 Shut up. 807 00:40:48,323 --> 00:40:49,324 - Oh, God, that was… - Oh, no. 808 00:40:49,408 --> 00:40:51,159 …that was so much worse than I thought it was gonna be. 809 00:40:51,243 --> 00:40:52,145 It sucked. 810 00:40:52,160 --> 00:40:53,370 God, he's crying. 811 00:40:53,453 --> 00:40:55,414 - He's sobbing. You made him sob. - Martin. Why are you crying? 812 00:40:55,497 --> 00:40:56,582 - You made him sob. - You told… 813 00:40:56,665 --> 00:40:58,584 - Are you okay? - Fuck. Charlize is talking to him. 814 00:40:58,667 --> 00:40:59,611 - Shit. - Jesus Christ. 815 00:40:59,626 --> 00:41:01,170 Damn it. He's telling her what happened. 816 00:41:01,253 --> 00:41:02,629 Little rat. Keep your fucking mouth shut. 817 00:41:02,713 --> 00:41:04,840 What a dick. Fuck, she's looking at us. 818 00:41:04,923 --> 00:41:07,759 - It's okay, just… Fine, just be cool. - She's gonna kick us out of the party. 819 00:41:07,843 --> 00:41:10,262 You're the head of a studio, she's not kicking you out. Fucking chill. 820 00:41:10,345 --> 00:41:11,722 - Hey, Charlize. Hi. - Hi, Charlize. 821 00:41:11,805 --> 00:41:12,973 Get the fuck out of here. 822 00:41:13,056 --> 00:41:14,725 - Okay, sorry. Thank you for having us. - Yeah. 823 00:41:14,808 --> 00:41:15,809 Sorry, Marty. 824 00:41:15,893 --> 00:41:17,436 Fucking Jesus Christ. 825 00:41:18,770 --> 00:41:21,190 Hey, Matt Remick, right? 826 00:41:21,273 --> 00:41:23,066 Steve Buscemi. Hey. 827 00:41:23,150 --> 00:41:24,818 - Buscemi, but yeah. - Oh, sorry, yeah. 828 00:41:24,902 --> 00:41:27,029 That's okay. I hear we're making a film together. 829 00:41:27,112 --> 00:41:30,324 - Yeah, we are. Yeah, can't wait. - Yeah. 830 00:41:30,407 --> 00:41:32,284 - How about Marty's script? - Yeah. 831 00:41:32,367 --> 00:41:35,204 - Did it just, like, blow your mind? - Yeah. It was amazing. 832 00:41:35,287 --> 00:41:38,332 - They should just give him the Oscar now. - I know. It was really great stuff, yeah. 833 00:41:38,415 --> 00:41:41,668 And to think, we're gonna be making Martin Scorsese's last movie. 834 00:41:43,045 --> 00:41:44,046 His what? 835 00:41:44,129 --> 00:41:45,297 He didn't tell you? 836 00:41:45,380 --> 00:41:46,381 - No. - Oh, yeah. 837 00:41:46,465 --> 00:41:49,801 No. This is his swan song. He's done after this. 838 00:41:50,427 --> 00:41:54,014 - Wow. - I mean, what a true honor. 839 00:41:54,097 --> 00:41:55,682 - Yeah, it's… - How lucky are we? 840 00:41:55,766 --> 00:41:57,684 So lucky. Amazing, right? Yeah. 841 00:41:57,768 --> 00:41:59,311 Hey, man, thank you for making it happen. 842 00:41:59,394 --> 00:42:01,396 - Thank you. - Seriously. I'll see you on set. 843 00:42:01,480 --> 00:42:02,480 - Can't wait. - All right. 844 00:42:02,523 --> 00:42:03,523 - Yeah, bye. - Take care. 845 00:42:04,483 --> 00:42:05,651 Hey, Marty. 846 00:42:06,860 --> 00:42:08,946 Are you crying? What happened? 847 00:42:39,810 --> 00:42:41,895 Two martinis coming up. 848 00:42:41,979 --> 00:42:45,399 - Here you go, dude. - Thank you, sir. Cheers. 849 00:42:57,870 --> 00:42:59,371 Even after what happened tonight, 850 00:43:00,163 --> 00:43:01,415 I still love watching this film. 851 00:43:01,498 --> 00:43:04,209 Oh, my God, yes. Marty's the GOAT. 852 00:43:05,711 --> 00:43:07,212 Don't think we can call him Marty anymore. 853 00:43:07,296 --> 00:43:10,591 - Oh, no. It's Mr. Scorsese. - Yes. Very much so. 854 00:43:13,510 --> 00:43:17,055 - Lorraine Bracco's so fucking hot. - Dude, Ray Liotta's so fucking hot. 855 00:43:17,139 --> 00:43:18,307 Yes! 856 00:43:18,390 --> 00:43:20,851 I heard Patty was fucking him while they made this movie. 857 00:43:20,934 --> 00:43:24,229 - Shut the fuck up. - Yeah. And I heard he has a huge dick. 858 00:43:24,313 --> 00:43:25,314 I believe that. 859 00:43:26,315 --> 00:43:27,357 Rest in peace, king. 860 00:43:28,192 --> 00:43:29,985 Rest in penis, king.