1 00:00:26,367 --> 00:00:27,799 Oh, no! 2 00:00:27,801 --> 00:00:30,406 Whatever could that be? 3 00:00:35,328 --> 00:00:37,224 Ghost? 4 00:00:37,226 --> 00:00:38,498 Meet Winchester. 5 00:00:38,500 --> 00:00:40,362 Cut! 6 00:00:40,364 --> 00:00:42,372 Maggie, Siobhan... 7 00:00:45,244 --> 00:00:47,981 is this some kind of a joke to you? 8 00:00:49,352 --> 00:00:53,025 Siobhan, this scene takes place 9 00:00:53,027 --> 00:00:55,626 before the events of Carver Edlund's 10 00:00:55,628 --> 00:00:59,102 unpublished masterpiece “Dark Side of the Moon.” 11 00:00:59,938 --> 00:01:01,506 So? 12 00:01:01,508 --> 00:01:03,644 Meaning, where is the Samulet? 13 00:01:03,646 --> 00:01:06,319 Oh. I took it off. 14 00:01:06,321 --> 00:01:08,352 It kept hitting me in the lips, and... 15 00:01:08,354 --> 00:01:11,187 that amulet is a symbol of the Winchesters' brotherly love. 16 00:01:11,189 --> 00:01:13,028 You need to take one for the team. 17 00:01:13,030 --> 00:01:16,064 Look, I'm just here for the college credit. 18 00:01:17,836 --> 00:01:19,909 How dare you! 19 00:01:21,047 --> 00:01:22,510 People! 20 00:01:22,512 --> 00:01:23,846 People! 21 00:01:25,289 --> 00:01:27,783 Okay, I have had three weeks of this crap show, 22 00:01:27,785 --> 00:01:29,255 and I am done. 23 00:01:29,257 --> 00:01:31,688 There is too much drama in the drama department. 24 00:01:31,690 --> 00:01:33,760 I'm going to principal Salazar in the morning. 25 00:01:33,762 --> 00:01:35,160 No, no, no, no, no, no, Mrs. Chandler, please... 26 00:01:35,162 --> 00:01:37,264 It's over, Marie. 27 00:01:41,635 --> 00:01:44,137 All right, everybody back to one! 28 00:01:44,139 --> 00:01:47,810 Until we are all suspended, the show must go on. 29 00:01:47,812 --> 00:01:50,746 Why couldn't they just do “Godspell,” 30 00:01:50,748 --> 00:01:53,115 like good little skanks? 31 00:01:53,117 --> 00:01:58,524 Instead, it's this awful, unbelievable horror story. 32 00:01:58,526 --> 00:02:00,357 Mm! 33 00:02:00,359 --> 00:02:02,725 Like that stuff really happens. 34 00:02:03,896 --> 00:02:06,199 Theater is about life, you know? 35 00:02:06,201 --> 00:02:08,239 Truth... truth! 36 00:02:08,241 --> 00:02:11,208 Where is the truth in “Supernatural”? 37 00:02:24,822 --> 00:02:26,493 Aaaaaah! 38 00:02:26,495 --> 00:02:27,495 Aah! 39 00:02:27,496 --> 00:02:29,734 Oh, get it off! Get it off! 40 00:02:38,978 --> 00:02:41,480 I mean, it's close, but it just... 41 00:02:41,482 --> 00:02:43,785 it needs a little more, eh... 42 00:02:48,210 --> 00:02:54,710 == sync, corrected by elderman == @elder_man web dl sync snarry 43 00:03:33,056 --> 00:03:34,255 Hey. 44 00:03:34,257 --> 00:03:36,459 Hey. How long you been up? 45 00:03:36,461 --> 00:03:38,334 Long enough to find us a case. 46 00:03:38,336 --> 00:03:39,936 Long enough to... 47 00:03:39,938 --> 00:03:43,241 I take it that means you're feeling back to normal? 48 00:03:43,243 --> 00:03:45,577 Yeah, whatever normal is in our world. 49 00:03:45,579 --> 00:03:47,810 So, uh... 50 00:03:47,812 --> 00:03:50,218 Right here. 51 00:03:50,220 --> 00:03:52,019 A teacher at an all-girls school 52 00:03:52,021 --> 00:03:54,019 went missing in Flint, Michigan. 53 00:03:54,021 --> 00:03:57,428 She was, uh, headed to her car and then disappeared. 54 00:03:57,430 --> 00:03:58,892 Nobody's seen her since. 55 00:04:01,094 --> 00:04:02,396 Dean, there's nothing here 56 00:04:02,398 --> 00:04:04,268 to even remotely suggest there's a case. 57 00:04:04,270 --> 00:04:06,364 There is nothing there that even remotely suggests 58 00:04:06,366 --> 00:04:07,564 there isn't a case. 59 00:04:07,566 --> 00:04:08,572 Boom. 60 00:04:08,574 --> 00:04:09,700 Come on, man. 61 00:04:09,702 --> 00:04:12,708 Sam, out there hunting... 62 00:04:12,710 --> 00:04:14,675 that's the only normal I know. 63 00:04:17,581 --> 00:04:19,380 We got work to do. 64 00:04:30,296 --> 00:04:31,429 Oh, of course. 65 00:04:31,431 --> 00:04:33,662 Yes, I certainly appreciate it. 66 00:04:33,664 --> 00:04:35,134 You got it. Thanks, officer. 67 00:04:36,664 --> 00:04:40,239 So, the last place Mrs. Chandler was seen by anyone 68 00:04:40,241 --> 00:04:41,839 was in the auditorium. 69 00:04:41,841 --> 00:04:44,375 Turns out she's the drama teacher. 70 00:04:44,377 --> 00:04:46,743 Theater kids... great. 71 00:04:46,745 --> 00:04:48,048 I was a theater kid. 72 00:04:48,050 --> 00:04:49,248 Barely. 73 00:04:49,250 --> 00:04:50,816 You did “Our Town,” which was cool, 74 00:04:50,818 --> 00:04:52,416 but then you did that crappy musical. 75 00:04:52,418 --> 00:04:53,616 That... “Oklahoma!”? 76 00:04:53,618 --> 00:04:55,856 Hugh Jackman got cast off “Oklahoma”. 77 00:04:55,858 --> 00:04:58,424 You ran tech, Wolverine. 78 00:04:58,426 --> 00:04:59,960 Shut up. 79 00:05:09,105 --> 00:05:12,039 If you gentlemen need anything else, just let me know. 80 00:05:12,041 --> 00:05:14,039 Great. Thanks, Mrs. Salazar. 81 00:05:19,848 --> 00:05:22,246 Idjits. 82 00:05:24,048 --> 00:05:25,487 Ya idjits. 83 00:05:27,657 --> 00:05:30,024 You are idjits. 84 00:05:30,026 --> 00:05:31,360 Hey, assbutt! 85 00:05:31,362 --> 00:05:34,329 Hey, assbutt! 86 00:06:20,512 --> 00:06:23,150 All right, go talk to the lighting department real quick, 87 00:06:23,152 --> 00:06:24,750 and then we're gonna go talk to Siobhan. 88 00:06:24,752 --> 00:06:26,582 Okay. 89 00:06:26,584 --> 00:06:28,958 Okay, that was really, really good. 90 00:06:28,960 --> 00:06:30,623 What in the h-holy... 91 00:06:30,625 --> 00:06:33,464 If there is a case... 92 00:06:33,466 --> 00:06:35,529 probably has something to do with all this. 93 00:06:35,531 --> 00:06:36,865 Ya think? 94 00:06:37,771 --> 00:06:39,201 - Okay? Good. - Publisher? 95 00:06:39,203 --> 00:06:41,234 Yeah. 96 00:06:42,908 --> 00:06:44,738 Maggie, Marie just never stops. 97 00:06:44,740 --> 00:06:45,746 I know. 98 00:06:45,748 --> 00:06:47,242 You were great. 99 00:06:47,244 --> 00:06:49,547 Oh, my gosh, a-a-are you guys from the publisher? 100 00:06:49,549 --> 00:06:51,283 I'm... I'm Marie, the writer/director. 101 00:06:51,285 --> 00:06:53,683 This is Maeve, my stage manager, and that was just a Dr... 102 00:06:53,685 --> 00:06:55,252 mm. 103 00:06:59,894 --> 00:07:01,565 I'm, uh, Special Agent Smith. 104 00:07:01,567 --> 00:07:03,630 This is my partner, Special Agent... 105 00:07:03,632 --> 00:07:04,902 - Smith. - Smith. 106 00:07:04,904 --> 00:07:06,502 No relation. 107 00:07:06,504 --> 00:07:08,606 W-we're here to look into the disappearance... 108 00:07:08,608 --> 00:07:10,903 There is no singing in “Supernatural.” 109 00:07:12,744 --> 00:07:16,139 Well, this is Marie's interpretation. 110 00:07:17,541 --> 00:07:20,843 Well... I mean, if there was singing, you know... 111 00:07:20,845 --> 00:07:22,515 and that's a big “if”... 112 00:07:22,517 --> 00:07:26,018 if there was singing, it would be classic rock, 113 00:07:26,020 --> 00:07:29,586 not this... Andrew Floyd Webber crap! 114 00:07:29,588 --> 00:07:31,354 - Andrew Lloyd Webber. - S... what? 115 00:07:31,356 --> 00:07:33,920 Well, you know, we do sing a cover 116 00:07:33,922 --> 00:07:37,523 of “Carry on Wayward Son” in the second act. 117 00:07:37,525 --> 00:07:38,954 - Really? - Huh. 118 00:07:38,956 --> 00:07:41,257 - It's a classic. - It's a classic. 119 00:07:41,259 --> 00:07:42,489 Right. 120 00:07:42,491 --> 00:07:44,089 Anyways, w-we're here 121 00:07:44,091 --> 00:07:45,961 to talk about the disappearance of Mrs. Chandler. 122 00:07:45,963 --> 00:07:48,833 Any chance you two saw her before she vanished? 123 00:07:48,835 --> 00:07:50,033 Um, yeah. 124 00:07:50,035 --> 00:07:53,369 She left around like, what, 9:30? 125 00:07:53,371 --> 00:07:55,641 Any idea where she would be headed that time of night? 126 00:07:55,643 --> 00:07:57,009 A bar. 127 00:07:57,011 --> 00:07:59,042 Or a liquor store. 128 00:07:59,044 --> 00:08:00,274 Both. 129 00:08:00,276 --> 00:08:03,314 Wow. Really? 130 00:08:03,316 --> 00:08:05,283 She had a nasty divorce last year. 131 00:08:05,285 --> 00:08:06,619 Most of the time, 132 00:08:06,621 --> 00:08:08,955 she's sipping on her, uh... grown-up juice 133 00:08:08,957 --> 00:08:10,124 or passed out... 134 00:08:10,126 --> 00:08:12,092 usually in that order. 135 00:08:12,094 --> 00:08:14,092 Yeah, well, I don't blame her. 136 00:08:14,094 --> 00:08:16,894 I'm gonna need 50 jello shots and a hose-down to get this stink off me. 137 00:08:17,179 --> 00:08:18,060 Maeve, we need you to check the lights. 138 00:08:18,062 --> 00:08:20,300 Maeve, right? You're the stage manager? 139 00:08:20,302 --> 00:08:21,964 And I understudy Jody Mills. 140 00:08:21,966 --> 00:08:24,372 - What? - That's great. That's great. 141 00:08:24,374 --> 00:08:26,203 Jody Mills... that's great. 142 00:08:26,205 --> 00:08:29,243 So, how about you give me a, uh, behind-the-scenes tour 143 00:08:29,245 --> 00:08:32,747 while your director shows my partner Mrs. Chandler's office? 144 00:08:32,749 --> 00:08:33,979 Deal? 145 00:08:33,981 --> 00:08:35,883 Great. Give us a moment, please. 146 00:08:35,885 --> 00:08:37,283 Okay. 147 00:08:40,285 --> 00:08:41,683 I'm gonna throw up. 148 00:08:41,685 --> 00:08:43,618 I mean, I got to say, it's kind of charming... 149 00:08:43,620 --> 00:08:45,754 t-the production value and the... 150 00:08:45,756 --> 00:08:47,994 No? N... no. 151 00:08:47,996 --> 00:08:49,689 I'm gonna check for EMF. 152 00:08:49,691 --> 00:08:52,465 You... you look for, uh, cursed objects. 153 00:08:57,972 --> 00:09:00,674 Where the hell did you get all this stuff? 154 00:09:00,676 --> 00:09:03,442 Some parts homemade, some parts repurposed, 155 00:09:03,444 --> 00:09:05,411 all of it... awesome. 156 00:09:05,413 --> 00:09:07,315 D-don't... 157 00:09:09,613 --> 00:09:11,683 Please don't. 158 00:09:15,285 --> 00:09:16,851 What are they doing? 159 00:09:16,853 --> 00:09:20,259 Oh, uh, they are rehearsing the B.M. scene. 160 00:09:20,261 --> 00:09:22,259 The bowel-movement scene? 161 00:09:22,261 --> 00:09:23,859 No! 162 00:09:23,861 --> 00:09:25,898 No, the boy melodrama scene. 163 00:09:27,532 --> 00:09:29,498 You know, the scene where the boys get together 164 00:09:29,500 --> 00:09:32,705 and they're... they're driving or leaning against baby, 165 00:09:32,707 --> 00:09:36,673 drinking a beer, sharing their feelings. 166 00:09:37,978 --> 00:09:42,080 The two of them... alone but together. 167 00:09:42,082 --> 00:09:44,616 Bonded, united. 168 00:09:44,618 --> 00:09:46,016 The power of their pain is... 169 00:09:46,018 --> 00:09:48,120 Why are they standing so close together? 170 00:09:48,122 --> 00:09:50,120 Uh... 171 00:09:50,122 --> 00:09:51,424 Reasons. 172 00:09:52,794 --> 00:09:55,393 You know they're brothers, right? 173 00:09:55,395 --> 00:09:57,097 Well, duh. 174 00:09:57,099 --> 00:10:00,129 But... subtext. 175 00:10:02,499 --> 00:10:05,064 Why don't you take a substep back there, ladies? 176 00:10:14,643 --> 00:10:16,745 Now, have you noticed anything strange 177 00:10:16,747 --> 00:10:18,017 during the production? 178 00:10:18,019 --> 00:10:22,153 I mean... Any odd noises or... 179 00:10:22,155 --> 00:10:24,921 You mean something like this? 180 00:10:26,355 --> 00:10:28,689 Or perhaps this? 181 00:10:28,691 --> 00:10:30,528 - Right. Of course. - How about this? 182 00:10:30,530 --> 00:10:32,264 I-I-I got it. Thanks. 183 00:10:35,498 --> 00:10:38,801 You know, back when I did tech in school, 184 00:10:38,803 --> 00:10:40,505 we had two CD decks. 185 00:10:40,507 --> 00:10:42,073 Oh, sorry. 186 00:10:42,075 --> 00:10:44,505 I have to go sign for delivery. 187 00:10:46,347 --> 00:10:48,681 Please don't touch anything. 188 00:11:02,192 --> 00:11:03,694 Sorry. 189 00:11:12,271 --> 00:11:14,101 Yeah. 190 00:11:20,608 --> 00:11:22,110 This hers? 191 00:11:22,112 --> 00:11:23,112 No. 192 00:11:23,113 --> 00:11:24,414 That's a prop from act 2. 193 00:11:24,416 --> 00:11:26,246 I've been looking for that, actually. 194 00:11:26,248 --> 00:11:28,350 There's no space in “Supernatural" 195 00:11:28,352 --> 00:11:30,182 Well, not canonically, no, 196 00:11:30,184 --> 00:11:32,558 but this is transformative fiction. 197 00:11:34,057 --> 00:11:35,895 You mean Fan fiction. 198 00:11:35,897 --> 00:11:37,792 Call it whatever you like, okay? 199 00:11:37,794 --> 00:11:42,097 It's inspired by Carver Edlund's books... 200 00:11:42,099 --> 00:11:44,170 with a few embellishments. 201 00:11:45,436 --> 00:11:49,410 Well, as you know, Chuck stopped writing after “Swan Song.” 202 00:11:49,412 --> 00:11:52,074 I just I couldn't leave it the way that it was. 203 00:11:52,076 --> 00:11:55,979 I mean, Dean not hunting anymore, Living with Lisa, 204 00:11:55,981 --> 00:11:59,723 S-Sam somehow back from Hell but not with Dean? 205 00:11:59,725 --> 00:12:02,987 So, um, I wrote my own ending. 206 00:12:02,989 --> 00:12:05,563 You wrote your own ending... with... 207 00:12:05,565 --> 00:12:07,659 Spaceships? 208 00:12:07,661 --> 00:12:09,627 And robots and some ninjas. 209 00:12:09,629 --> 00:12:11,964 And then Dean becomes a woman. 210 00:12:13,005 --> 00:12:15,571 It... it's just for a few scenes. 211 00:12:17,037 --> 00:12:19,339 All right, Shakespeare, you know that I can actually tell you 212 00:12:19,341 --> 00:12:22,474 what really happened with, uh, Sam and Dean. 213 00:12:22,476 --> 00:12:24,746 A friend of mine hooked me up with the, uh... 214 00:12:24,748 --> 00:12:28,481 unpublished unpublished books. 215 00:12:28,483 --> 00:12:32,249 So, Sam came back from Hell, but without his soul. 216 00:12:32,251 --> 00:12:36,721 Then Cass brought in a bunch of Leviathans from Purgatory. 217 00:12:36,723 --> 00:12:38,825 Uh, they lost Bobby. 218 00:12:38,827 --> 00:12:40,961 And then Cass and Dean got stuck in Purgatory. 219 00:12:40,963 --> 00:12:42,130 Sam hit a dog. 220 00:12:42,132 --> 00:12:44,531 Uh, they met a Prophet named Kevin. 221 00:12:44,533 --> 00:12:46,267 They lost him, too. 222 00:12:46,269 --> 00:12:50,371 Then Sam underwent a series of trials... 223 00:12:50,373 --> 00:12:53,907 in an attempt to close the Gates of Hell... 224 00:12:53,909 --> 00:12:57,075 Which... Nearly cost him his life. 225 00:12:57,077 --> 00:12:59,883 And Dean... well, Dean became a demon. 226 00:12:59,885 --> 00:13:02,315 A knight of hell, actually. 227 00:13:02,317 --> 00:13:04,483 Wow. 228 00:13:04,485 --> 00:13:05,923 Yep. 229 00:13:05,925 --> 00:13:09,827 That is some of the worst fan fiction 230 00:13:09,829 --> 00:13:11,163 that I have ever heard! 231 00:13:11,165 --> 00:13:13,259 I mean, seriously, though, no, 232 00:13:13,261 --> 00:13:15,828 where'd your friend find this garbage? 233 00:13:15,830 --> 00:13:17,964 I-I'm not saying that ours is a masterpiece or anything, 234 00:13:17,966 --> 00:13:19,669 but geez. 235 00:13:21,103 --> 00:13:22,941 I'll have to send you some fic-links later. 236 00:13:22,943 --> 00:13:25,542 What are they doing? 237 00:13:25,544 --> 00:13:28,046 Um... 238 00:13:28,048 --> 00:13:30,887 Kids these days call it “hugging.” 239 00:13:30,889 --> 00:13:32,455 Is that in the show? 240 00:13:32,457 --> 00:13:33,887 Oh. No. 241 00:13:33,889 --> 00:13:36,455 Siobhan and Kristen are a couple in real life. 242 00:13:38,393 --> 00:13:41,631 Although, we do explore the nature of Destiel in act 2. 243 00:13:41,633 --> 00:13:43,527 Sorry... what? 244 00:13:43,529 --> 00:13:44,767 Oh, it's just subtext. 245 00:13:44,769 --> 00:13:46,864 But, then again, you know, 246 00:13:46,866 --> 00:13:49,904 you can't spell “subtex”, without... 247 00:13:49,906 --> 00:13:51,504 s-e-x. 248 00:13:54,945 --> 00:13:56,439 I don't understand. 249 00:13:56,441 --> 00:13:57,607 Me neither. 250 00:13:57,609 --> 00:14:00,584 I mean, shouldn't it be “Dea-stiel”? 251 00:14:00,586 --> 00:14:03,752 Really? That's your issue with this? 252 00:14:03,754 --> 00:14:05,520 No, of course it's not my issue. 253 00:14:05,522 --> 00:14:08,824 You know, how about... “Sastiel,"Samstiel”? 254 00:14:08,826 --> 00:14:10,256 Okay, all right, you know what? 255 00:14:10,258 --> 00:14:11,728 You're gonna do that thing 256 00:14:11,730 --> 00:14:14,792 where you just shut the hell up... forever. 257 00:14:15,803 --> 00:14:18,700 Look, man, no EMF, no hex bags. 258 00:14:18,702 --> 00:14:21,478 None of their props are even remotely hinky. 259 00:14:21,480 --> 00:14:25,312 Other than the Charlie Kaufman of it all, I got nothing. 260 00:14:25,314 --> 00:14:26,617 You? 261 00:14:26,619 --> 00:14:28,018 No, miss Chandler's office 262 00:14:28,020 --> 00:14:29,891 was just a pile of empty bottles and regret. 263 00:14:29,893 --> 00:14:32,556 She's probably facedown in a bar somewhere or a ditch. 264 00:14:33,830 --> 00:14:35,460 All right, so, what, this... this whole... 265 00:14:35,462 --> 00:14:38,468 This whole musical thing, everything, it's just... 266 00:14:38,470 --> 00:14:39,564 it's all a coincidence? 267 00:14:39,566 --> 00:14:41,036 There is no case? 268 00:14:41,038 --> 00:14:43,172 Unless you're seeing something I'm not, 269 00:14:43,174 --> 00:14:45,836 no, Dean, there's no case here. 270 00:14:47,038 --> 00:14:48,340 Okay. 271 00:14:51,982 --> 00:14:53,212 “Casdean”? 272 00:14:53,214 --> 00:14:56,052 Shut your face. Get in the car. 273 00:15:07,694 --> 00:15:09,796 Maggie! Come on! 274 00:15:11,998 --> 00:15:14,364 J... please don't do this. 275 00:15:14,366 --> 00:15:17,973 Everyone else is willing to follow your little dictatorship, 276 00:15:17,975 --> 00:15:19,341 but not me. 277 00:15:19,343 --> 00:15:21,445 I've been telling you all along, Marie... 278 00:15:21,447 --> 00:15:23,909 if it's not canon, then it shouldn't be in the show. 279 00:15:23,911 --> 00:15:25,981 You know, we should've just done “The Outsiders,” 280 00:15:25,983 --> 00:15:27,117 like I told you. 281 00:15:27,119 --> 00:15:28,486 Just... 282 00:15:28,488 --> 00:15:30,790 come back inside. We can make this work. 283 00:15:32,256 --> 00:15:34,493 I'm going to principal Salazar's in the morning. 284 00:15:34,495 --> 00:15:38,227 Gonna do what Mrs. Chandler was too drunk to finish. 285 00:15:43,464 --> 00:15:44,662 Great. 286 00:16:13,524 --> 00:16:16,123 Maggie? 287 00:16:16,125 --> 00:16:17,827 Maggie! 288 00:16:41,302 --> 00:16:43,365 I understand. All right, thank you for the help, officer. 289 00:16:43,366 --> 00:16:44,436 Appreciate it. 290 00:16:46,271 --> 00:16:47,669 So, checked with the principal. 291 00:16:47,670 --> 00:16:48,909 There's nothing on the surveillance tapes. 292 00:16:48,910 --> 00:16:51,108 What do the, uh, what do the cops think? 293 00:16:51,110 --> 00:16:53,980 You know, the only clue they found was by the dumpster. 294 00:16:53,982 --> 00:16:57,244 They found the same flower near Mrs. Chandler's cellphone. 295 00:16:57,246 --> 00:16:58,780 - You recognize it? - No. 296 00:16:58,782 --> 00:17:00,284 Yeah, me neither. 297 00:17:00,286 --> 00:17:02,453 I made you some tea. 298 00:17:04,527 --> 00:17:05,957 Hey. 299 00:17:06,895 --> 00:17:08,325 Let me guess. 300 00:17:08,327 --> 00:17:10,628 You guys came here to laugh at me, too, right? 301 00:17:11,966 --> 00:17:14,132 Why don't you tell us what happened to your friend? 302 00:17:16,566 --> 00:17:18,172 Maggie quit the show. 303 00:17:18,174 --> 00:17:22,076 She was trying to get us shut down, and so we were fighting. 304 00:17:22,078 --> 00:17:26,179 Then she... she left, and I heard her scream. 305 00:17:26,181 --> 00:17:28,612 So I ran outside to help. 306 00:17:28,614 --> 00:17:30,683 And... 307 00:17:32,149 --> 00:17:34,187 And I saw a scarecrow. 308 00:17:35,285 --> 00:17:39,627 It looked just like the one from our show, but... 309 00:17:39,629 --> 00:17:41,091 Alive. 310 00:17:41,093 --> 00:17:42,859 Then what? 311 00:17:44,134 --> 00:17:45,931 Uh... 312 00:17:45,933 --> 00:17:47,867 I-it wrapped her up in vines 313 00:17:47,869 --> 00:17:49,835 a-and took her behind a dumpster. 314 00:17:49,837 --> 00:17:52,771 And then they were both just... gone. 315 00:17:52,773 --> 00:17:56,339 So, I called the cops, and a bunch of adults 316 00:17:56,341 --> 00:17:59,475 just told me I had an overactive imagination. 317 00:18:00,949 --> 00:18:03,776 But it's all real. 318 00:18:03,778 --> 00:18:07,707 Ghosts, angels... Demons. 319 00:18:07,709 --> 00:18:09,377 I want to believe. 320 00:18:09,379 --> 00:18:10,608 You should believe. 321 00:18:10,610 --> 00:18:14,780 You both should 'cause it is all real. 322 00:18:14,782 --> 00:18:16,580 And so are we. 323 00:18:17,782 --> 00:18:19,115 I'm Sam Winchester. 324 00:18:19,117 --> 00:18:21,883 That's Dean. 325 00:18:29,292 --> 00:18:30,961 Okay. 326 00:18:30,963 --> 00:18:32,194 Now, look. 327 00:18:33,899 --> 00:18:38,161 I'm willing to accept that monsters are real, 328 00:18:38,163 --> 00:18:42,000 but those books... are works of fiction. 329 00:18:42,002 --> 00:18:45,440 And you guys are way too old to be Sam or Dean. 330 00:18:45,442 --> 00:18:46,736 Oh, yeah. 331 00:18:46,738 --> 00:18:49,975 More of a Rufus/Bobby combo... Maybe. 332 00:18:49,977 --> 00:18:53,712 Okay, all right, little miss sunshine. 333 00:18:53,714 --> 00:18:57,720 We are what the books call hunters. 334 00:18:57,722 --> 00:18:58,920 FBI hunters? 335 00:18:58,922 --> 00:19:00,720 Yeah. 336 00:19:02,954 --> 00:19:04,760 You guys are “X-Files.” 337 00:19:04,762 --> 00:19:07,328 Sure. Yeah. You could say that. 338 00:19:07,330 --> 00:19:10,529 So, the scarecrow in your musical... 339 00:19:10,531 --> 00:19:12,433 is it based on the one from the books? 340 00:19:12,435 --> 00:19:13,936 No. I changed it. 341 00:19:13,938 --> 00:19:16,432 I got scared of a local legend when I was a kid. 342 00:19:16,434 --> 00:19:19,208 There was this old, creepy scarecrow 343 00:19:19,210 --> 00:19:21,912 on an abandoned farm outside of town. 344 00:19:21,914 --> 00:19:26,248 Kids used to say if it caught you, it would take you away. 345 00:19:26,250 --> 00:19:28,448 Okay, if this scarecrow is based off of your version, 346 00:19:28,450 --> 00:19:30,584 then Miss Chandler and Maggie might still be alive. 347 00:19:30,586 --> 00:19:33,656 You think the scarecrow was created by the play? 348 00:19:36,427 --> 00:19:37,624 You think... 349 00:19:37,626 --> 00:19:39,824 it's a Tulpa. 350 00:19:39,826 --> 00:19:42,999 Tulpas are monsters that are created 351 00:19:43,001 --> 00:19:45,030 by intense, focused energy on an idea. 352 00:19:45,032 --> 00:19:46,293 Or a story. 353 00:19:46,295 --> 00:19:47,997 Great. How do you kill an idea? 354 00:19:47,999 --> 00:19:50,933 Well, in “Hell House,” Sam and Dean burned the house down 355 00:19:50,935 --> 00:19:53,133 to take out the one Tulpa they hunted. 356 00:19:53,135 --> 00:19:55,405 Yeah, yeah, you kill the symbol, you kill the Tulpa. 357 00:19:55,407 --> 00:19:58,142 It's, uh, actually a pretty good start. 358 00:19:58,144 --> 00:20:00,646 So, the scarecrow in your play, is it a person or a prop? 359 00:20:00,648 --> 00:20:02,150 Prop. 360 00:20:02,152 --> 00:20:03,814 And it's terrifying. 361 00:20:06,120 --> 00:20:08,021 We keep it in the boiler room. 362 00:20:08,023 --> 00:20:10,117 That's, uh... great. 363 00:20:10,119 --> 00:20:12,053 Um, okay, you guys read up. 364 00:20:12,055 --> 00:20:14,357 Just give us a sec. 365 00:20:16,495 --> 00:20:18,461 Yeah, so, this doesn't add up. 366 00:20:18,463 --> 00:20:21,030 Tulpas require a-a ton of psychic energy to juice up. 367 00:20:21,032 --> 00:20:22,598 Yeah. 368 00:20:22,600 --> 00:20:24,332 Well, it's not like the “Supernatural” books 369 00:20:24,334 --> 00:20:26,500 are tearing up the New York Times best-seller list, 370 00:20:26,502 --> 00:20:28,508 and I seriously doubt this play is even sold out. 371 00:20:28,510 --> 00:20:29,804 Hope not. 372 00:20:29,806 --> 00:20:31,844 Oh, but you know what? This flower... 373 00:20:31,846 --> 00:20:34,979 I know I've seen it in the lore somewhere. 374 00:20:34,981 --> 00:20:37,347 There's got to be a connection. 375 00:20:37,349 --> 00:20:39,010 All right, you get on that. I'm gonna take a shot at burning man. 376 00:20:39,012 --> 00:20:40,618 - Yeah. - Okay. 377 00:20:40,620 --> 00:20:43,017 Can you show me to the boiler room? 378 00:20:46,019 --> 00:20:47,153 Yeah. 379 00:20:48,226 --> 00:20:49,856 Sure. 380 00:20:56,603 --> 00:20:59,002 Gird your loins. 381 00:20:59,004 --> 00:21:01,170 It's horrifying. 382 00:21:15,588 --> 00:21:16,754 Really? 383 00:21:16,756 --> 00:21:19,754 I know. Scary, right? 384 00:21:29,331 --> 00:21:31,402 You want to piñata this asshat? 385 00:21:31,404 --> 00:21:33,266 “Asshat”? 386 00:21:33,268 --> 00:21:35,338 Nice. It's, uh, very Dean. 387 00:21:35,340 --> 00:21:38,810 No, he's all yours, Agent Smith. 388 00:21:48,788 --> 00:21:50,553 Thank you. 389 00:21:50,555 --> 00:21:53,121 We came, we saw, we kicked... 390 00:21:53,123 --> 00:21:54,593 It's not a Tulpa. 391 00:21:54,595 --> 00:21:55,625 What? 392 00:21:55,627 --> 00:21:57,560 It's not a Tulpa. 393 00:21:57,562 --> 00:22:00,364 Say it one more time, but just a little bit more Arnold, you know, like... 394 00:22:00,365 --> 00:22:02,131 It's not a Tulpa. 395 00:22:02,132 --> 00:22:03,034 Dude, come on. 396 00:22:03,036 --> 00:22:05,435 - It's Calliope. - Who? 397 00:22:05,437 --> 00:22:09,107 The goddess of epic poetry... the muse. 398 00:22:09,109 --> 00:22:11,443 She's associated with this... the borage or starflower. 399 00:22:11,445 --> 00:22:12,707 That's the picture. 400 00:22:12,709 --> 00:22:14,011 Okay, wait... if this is a god thing, 401 00:22:14,013 --> 00:22:15,747 then what's with the scarecrow? 402 00:22:15,749 --> 00:22:18,419 According to the lore, Calliope manifests creatures 403 00:22:18,421 --> 00:22:20,715 from the stories she's tuned into. 404 00:22:20,717 --> 00:22:24,459 So... The scarecrow is still alive 405 00:22:24,461 --> 00:22:26,587 and we burned my prop for nothing? 406 00:22:26,589 --> 00:22:28,363 Oh, that thing needed to burn. 407 00:22:28,365 --> 00:22:31,228 The only way to destroy the scarecrow is to kill Calliope. 408 00:22:31,230 --> 00:22:34,198 Right... she uses these manifestations, like the scarecrow, 409 00:22:34,200 --> 00:22:37,705 to inspire the author and protect them 410 00:22:37,707 --> 00:22:39,674 until their vision is realized. 411 00:22:39,676 --> 00:22:41,483 Then what? 412 00:22:43,055 --> 00:22:44,990 Then she eats the author. 413 00:22:46,224 --> 00:22:48,053 Okay, that's bad. 414 00:22:48,055 --> 00:22:49,557 Um... 415 00:22:49,559 --> 00:22:51,893 Well... You get your wish. 416 00:22:51,895 --> 00:22:53,525 Let's cancel the show. 417 00:22:53,527 --> 00:22:55,629 That's what your teacher and classmate did. 418 00:22:55,631 --> 00:22:59,069 They tried to shut you down, and the scarecrow took them... 419 00:22:59,071 --> 00:23:02,133 protected you and the show. 420 00:23:02,135 --> 00:23:04,172 Okay, so, the scarecrow is a boogeyman. 421 00:23:04,174 --> 00:23:05,404 We got to take our shot with this, uh... 422 00:23:05,406 --> 00:23:06,804 - Calliope. - ... Calliope. 423 00:23:06,806 --> 00:23:09,340 But she won't show herself until... 424 00:23:09,342 --> 00:23:11,779 Your vision is realized. 425 00:23:11,781 --> 00:23:14,547 So... 426 00:23:14,549 --> 00:23:16,178 What are you saying? 427 00:23:18,188 --> 00:23:20,418 The show must go on. 428 00:23:48,176 --> 00:23:49,646 Hey, uh, why don't I... 429 00:23:49,648 --> 00:23:51,182 Why don't you guys rally Marie? 430 00:23:51,184 --> 00:23:53,278 I'm gonna grab some wooden stakes from the trunk 431 00:23:53,280 --> 00:23:54,782 and do the blessing. 432 00:23:56,386 --> 00:23:58,218 Is Marie gonna get eaten? 433 00:23:59,050 --> 00:24:01,622 Not gonna happen. 434 00:24:01,624 --> 00:24:03,158 Soon as that curtain rises, 435 00:24:03,160 --> 00:24:05,391 we are gonna be there to take out this Calliope. 436 00:24:06,297 --> 00:24:07,695 Hey. 437 00:24:07,697 --> 00:24:09,135 Hey. 438 00:24:09,137 --> 00:24:11,462 How you doing, champ? 439 00:24:13,792 --> 00:24:15,661 This... 440 00:24:15,663 --> 00:24:16,957 This is all my fault. 441 00:24:16,959 --> 00:24:19,125 If I hadn't written this dumb play, 442 00:24:19,127 --> 00:24:21,165 none of this would've happened. 443 00:24:21,167 --> 00:24:23,501 Okay, well, first of all, uh, the play's not dumb. 444 00:24:23,503 --> 00:24:25,964 I thought you didn't believe in this interpretation. 445 00:24:25,966 --> 00:24:27,900 I don't. 446 00:24:28,942 --> 00:24:30,236 Like at all. 447 00:24:30,238 --> 00:24:32,675 B-but you do, okay? 448 00:24:32,677 --> 00:24:35,875 And I need you to believe in it with all you got 449 00:24:35,877 --> 00:24:40,883 so that we can kill Calliope and we can save your friends. 450 00:24:43,253 --> 00:24:45,083 Can you do that? 451 00:24:46,324 --> 00:24:47,754 Yeah. You're right. 452 00:24:47,756 --> 00:24:51,090 If Sam and Dean were real... 453 00:24:51,092 --> 00:24:53,090 they wouldn't back down from a fight. 454 00:24:54,028 --> 00:24:58,266 Especially my sweet... brave... selfless Sam. 455 00:24:58,268 --> 00:25:00,770 There's nothing he can't do. 456 00:25:00,772 --> 00:25:01,772 No. 457 00:25:09,644 --> 00:25:10,978 Okay. 458 00:25:10,980 --> 00:25:12,442 Let's do this. 459 00:25:13,516 --> 00:25:15,849 I understudy Sam, so... 460 00:25:15,851 --> 00:25:20,288 I used this for my one-woman “Orphan Black” show last year. 461 00:25:20,290 --> 00:25:22,521 But it's gonna have to work for Sam. 462 00:25:27,962 --> 00:25:30,160 Writer. 463 00:25:30,162 --> 00:25:32,695 Director. 464 00:25:32,697 --> 00:25:34,135 Actor. 465 00:25:36,401 --> 00:25:39,270 I'm gonna Barbra Streisand this bitch. 466 00:25:51,510 --> 00:25:52,876 Okay. 467 00:25:52,878 --> 00:25:54,044 Good. 468 00:25:54,046 --> 00:25:55,212 Good. 469 00:25:55,214 --> 00:25:56,211 Okay. 470 00:25:56,213 --> 00:25:57,179 Good. 471 00:25:57,181 --> 00:25:58,843 Oh. Wait. 472 00:25:58,845 --> 00:26:00,683 Perfect. 473 00:26:00,685 --> 00:26:02,547 Okay, Samulet? 474 00:26:03,685 --> 00:26:05,987 The... Samulet? 475 00:26:05,989 --> 00:26:10,458 That amulet is a symbol of the Winchesters' brotherly love. 476 00:26:11,492 --> 00:26:13,994 Okay, good. Good. 477 00:26:13,996 --> 00:26:15,762 Hey. 478 00:26:15,764 --> 00:26:17,866 Yeah. 479 00:26:19,764 --> 00:26:21,835 - Posture. Straighten up. - Okay. 480 00:26:23,541 --> 00:26:24,804 Pretty good. 481 00:26:24,806 --> 00:26:26,972 Wait a second. Where's Chuck? 482 00:26:26,974 --> 00:26:29,276 Oh, I-I-I love him. I do. 483 00:26:29,278 --> 00:26:30,812 But, honestly, the whole 484 00:26:30,814 --> 00:26:32,980 “author inserting themselves into the narrative” thing, 485 00:26:32,982 --> 00:26:35,179 it's just not my favorite. 486 00:26:35,181 --> 00:26:38,019 I kind of hate the meta stories. 487 00:26:38,021 --> 00:26:39,483 Me too. Me too. 488 00:26:40,725 --> 00:26:42,387 All right, listen up, girls, 489 00:26:42,389 --> 00:26:45,722 now, I know you're all here because you love “Supernatural”. 490 00:26:45,724 --> 00:26:47,890 Actually, I was hoping we'd do “Wicked.” 491 00:26:48,628 --> 00:26:50,329 Yeah, that'd have been easier. 492 00:26:50,331 --> 00:26:53,929 Uh, I know I have expressed some differences of opinion 493 00:26:53,931 --> 00:26:57,264 regarding this particular version of “Supernatural,” 494 00:26:57,266 --> 00:26:58,601 uh, but tonight... 495 00:26:58,603 --> 00:27:02,808 It is all about Marie's vision. 496 00:27:02,810 --> 00:27:05,880 This is Marie's “Supernatural.” 497 00:27:05,882 --> 00:27:08,279 So I want you to get out there, 498 00:27:08,281 --> 00:27:11,183 and I want you to stand as close as she wants you to, 499 00:27:11,185 --> 00:27:13,847 and I want you to put as much sub into that text 500 00:27:13,849 --> 00:27:16,118 as you possibly can. 501 00:27:16,120 --> 00:27:20,590 There is no other road, no other way, no day... 502 00:27:20,592 --> 00:27:21,854 but today. 503 00:27:21,856 --> 00:27:23,326 Did he just quote “Rent”? 504 00:27:23,328 --> 00:27:24,957 Not enough to get us in trouble. 505 00:27:24,959 --> 00:27:26,965 Now, you get out there and you kick it in the ass. 506 00:27:26,967 --> 00:27:29,733 All right, bring it in! 507 00:27:31,767 --> 00:27:32,576 Ghost... ghost... Ghost... ghost... 508 00:27:32,577 --> 00:27:34,237 Facers. Facers. Facers. Facers. 509 00:27:39,911 --> 00:27:41,373 Good evening, everybody. 510 00:27:41,375 --> 00:27:45,813 Uh, welcome to our production of “Supernatural.” 511 00:27:45,815 --> 00:27:49,981 not gonna lie... it might be a full-on Gallagher show 512 00:27:49,983 --> 00:27:51,021 up in this piece. 513 00:27:52,391 --> 00:27:54,852 Um, so those of you in the front rows 514 00:27:54,854 --> 00:27:58,028 may want to use the ponchos we've provided for you 515 00:27:58,030 --> 00:27:59,628 under your seats. 516 00:27:59,630 --> 00:28:02,860 You may, in fact, get wet on this ride. 517 00:28:03,702 --> 00:28:06,036 Um, I would... I would like to thank 518 00:28:06,038 --> 00:28:07,972 the, uh, cast and the crew for... 519 00:28:07,974 --> 00:28:10,069 Okay, she's stalling. Let's do this. 520 00:28:10,071 --> 00:28:11,342 Copy that. 521 00:28:11,344 --> 00:28:13,574 Curtain, kids. It's showtime. 522 00:28:13,576 --> 00:28:17,279 - Um, I'd like to thank the school board... - Curtain ready. Roll sound. Go. 523 00:28:18,985 --> 00:28:21,518 Okay, um, and... and... 524 00:28:21,520 --> 00:28:23,550 a-and that concludes our introduction for the night, 525 00:28:23,552 --> 00:28:28,695 so everybody just sit back, relax, and enjoy the show. 526 00:28:33,433 --> 00:28:34,903 Everyone in places. 527 00:30:13,573 --> 00:30:16,442 Ready in 5... 4... 3... 2... Go. 528 00:30:34,714 --> 00:30:36,080 Agent Smith? 529 00:30:36,082 --> 00:30:38,288 Where the hell are we? 530 00:30:38,290 --> 00:30:40,856 School's basement. The scarecrow brought us down here. 531 00:30:44,626 --> 00:30:47,064 Yeah, I tried that days ago. 532 00:30:47,066 --> 00:30:48,696 So, what? We're stuck in here? 533 00:30:48,698 --> 00:30:50,033 That's right. 534 00:30:57,877 --> 00:30:59,978 You're gonna miss the big show. 535 00:31:07,753 --> 00:31:10,487 Okay, so, you can pop in tomorrow morning. 536 00:31:10,489 --> 00:31:11,815 Yes. 537 00:31:11,817 --> 00:31:13,087 I'll just... 538 00:31:14,625 --> 00:31:16,022 wait here, then. 539 00:31:20,096 --> 00:31:21,261 So, what do we do now? 540 00:31:21,263 --> 00:31:22,797 Just stick to the plan, okay? 541 00:31:22,799 --> 00:31:25,093 Keep singing until the scarecrow comes for you. 542 00:32:08,648 --> 00:32:12,846 I've consumed many authors, many stories. 543 00:32:12,848 --> 00:32:14,679 But tonight... 544 00:32:14,681 --> 00:32:16,982 as soon as that curtain opened, 545 00:32:16,984 --> 00:32:20,487 I knew something special was brewing with this one. 546 00:32:20,489 --> 00:32:25,527 Maybe it's because the story's actual inspiration is here. 547 00:32:25,529 --> 00:32:27,230 Mm. I don't know. 548 00:32:27,232 --> 00:32:29,533 I guess I'm just gonna have to kill you and your brother 549 00:32:29,535 --> 00:32:30,893 to find out. 550 00:32:32,471 --> 00:32:35,268 Don't you have to wait until the vision has been realized? 551 00:32:35,270 --> 00:32:37,133 Oh, Gods. 552 00:32:37,135 --> 00:32:40,838 If I have to sit through that second act one more time... 553 00:32:40,840 --> 00:32:44,510 There's robots and tentacles in space. 554 00:32:44,512 --> 00:32:45,910 I can't even. 555 00:33:56,017 --> 00:33:58,111 Okay, we're through the looking glass here, people. 556 00:33:58,113 --> 00:34:00,479 Strike the Wendigo set. Let's prep the priest costumes. 557 00:34:00,481 --> 00:34:03,087 And, Sarah, get our understudies into hair and makeup. 558 00:34:04,385 --> 00:34:06,519 So, why this story, huh? 559 00:34:06,521 --> 00:34:08,990 Why, uh, “Supernatural”? 560 00:34:08,992 --> 00:34:13,094 “Supernatural” has everything. 561 00:34:13,096 --> 00:34:18,398 Life, death, resurrection, redemption. 562 00:34:18,400 --> 00:34:19,902 The stake. 563 00:34:19,904 --> 00:34:21,734 But above all... 564 00:34:21,736 --> 00:34:23,134 Give it to him. 565 00:34:23,136 --> 00:34:24,670 Family. 566 00:34:24,672 --> 00:34:26,742 All set to music you can really tap your toe to. 567 00:34:26,744 --> 00:34:31,341 It isn't some meandering piece of genre dreck. 568 00:34:31,343 --> 00:34:34,245 It's... Epic. 569 00:34:38,286 --> 00:34:39,716 Aaaaaaah! 570 00:34:44,020 --> 00:34:45,586 And that... 571 00:34:45,588 --> 00:34:48,689 Well, that is my bag of tea. 572 00:34:48,691 --> 00:34:49,929 Bag this! 573 00:35:09,817 --> 00:35:11,647 No chick-flick moments! 574 00:35:32,635 --> 00:35:34,073 Aaaaaah! 575 00:36:07,870 --> 00:36:09,804 Take a bow, Sammy. 576 00:36:27,745 --> 00:36:29,516 Usually, this is where Sam and Dean take off 577 00:36:29,518 --> 00:36:30,852 before anyone asks any questions. 578 00:36:30,854 --> 00:36:32,116 That's probably a good idea. 579 00:36:32,118 --> 00:36:33,556 Thanks for saving my friends. 580 00:36:33,558 --> 00:36:34,852 Sure. 581 00:36:34,854 --> 00:36:36,852 You know, if you cut your hair a little, 582 00:36:37,354 --> 00:36:38,556 you'd make a pretty good Dean. 583 00:36:41,395 --> 00:36:42,665 Thanks. 584 00:36:42,667 --> 00:36:44,697 Well, you did good out there, kid. 585 00:36:44,699 --> 00:36:47,033 You're not so bad yourself. 586 00:36:47,035 --> 00:36:50,672 You know, this has been... Educational... 587 00:36:50,674 --> 00:36:55,176 Seeing the... story from your perspective. 588 00:36:55,178 --> 00:36:57,744 You keep writing, Shakespeare. 589 00:36:57,746 --> 00:36:59,848 Even if it doesn't match how you see it? 590 00:36:59,850 --> 00:37:02,616 I have my version, and you have yours. 591 00:37:05,154 --> 00:37:06,248 One minute, folks, one minute. 592 00:37:06,250 --> 00:37:07,250 Okay. 593 00:37:08,922 --> 00:37:10,391 Dean? 594 00:37:13,129 --> 00:37:16,023 You never should've thrown this away. 595 00:37:22,105 --> 00:37:23,767 It never really worked. 596 00:37:23,769 --> 00:37:25,903 I don't need a symbol to remind me 597 00:37:25,905 --> 00:37:28,038 how I feel about my brother, so... 598 00:37:28,040 --> 00:37:29,637 Just take it... 599 00:37:29,639 --> 00:37:30,637 Jerk. 600 00:37:30,639 --> 00:37:31,639 Bitch. 601 00:37:36,313 --> 00:37:37,983 Right. Okay. 602 00:37:37,985 --> 00:37:39,583 Sound car start. 603 00:37:42,182 --> 00:37:43,755 Stand by. 604 00:37:45,482 --> 00:37:47,813 Curtain, go. 605 00:37:51,547 --> 00:37:54,121 I guess we can go back to staring at motel-room walls. 606 00:37:54,123 --> 00:37:57,385 You know what, Dean? 607 00:37:57,387 --> 00:37:58,953 You were right. 608 00:37:58,955 --> 00:38:02,529 Staying cooped up isn't helping us. 609 00:38:02,531 --> 00:38:04,994 - We need... - We need to be back on the road, Dean, 610 00:38:04,996 --> 00:38:07,834 doing what we do best. 611 00:38:07,836 --> 00:38:08,970 What is that? 612 00:38:08,972 --> 00:38:10,866 I just... I don't know anymore. 613 00:38:10,868 --> 00:38:13,338 It's the, uh, the B.M. scene. 614 00:38:13,340 --> 00:38:15,610 - The... - Saving people, hunting things. 615 00:38:15,612 --> 00:38:16,906 Bowel-movement scene? 616 00:38:16,908 --> 00:38:19,610 - You know, the family business. - Shh. No. 617 00:38:19,612 --> 00:38:20,610 Just... Shh. 618 00:38:20,612 --> 00:38:22,250 You're right, Sammy. 619 00:38:23,253 --> 00:38:24,986 Out on the road... 620 00:38:24,988 --> 00:38:26,818 just the two of us. 621 00:38:26,820 --> 00:38:30,353 The two of us against the world. 622 00:38:31,826 --> 00:38:34,625 What she said. 623 00:39:16,462 --> 00:39:18,067 Who's that? 624 00:39:18,069 --> 00:39:20,731 Oh, that's Adam, John Winchester's other kid. 625 00:39:21,756 --> 00:39:24,846 He's still trapped in a cage in Hell with Lucifer. 626 00:40:54,691 --> 00:40:56,089 - Bye. - Oh. Bye. 627 00:40:56,091 --> 00:40:58,225 Sorry. Thank you. Thank you. 628 00:40:58,227 --> 00:41:02,128 The ticket you left for the publisher... someone claimed it. 629 00:41:02,130 --> 00:41:03,560 Oh, my gosh. 630 00:41:03,562 --> 00:41:06,033 But wait. 631 00:41:06,035 --> 00:41:09,169 Does that mean that Calliope came for me or for... 632 00:41:09,171 --> 00:41:11,106 Who cares? Go, fangirl! 633 00:41:13,508 --> 00:41:16,946 Um... Hi. 634 00:41:16,948 --> 00:41:20,010 Thank you... So much for coming. 635 00:41:20,012 --> 00:41:23,050 Uh, I know the second act is a little bit wonky 636 00:41:23,052 --> 00:41:25,218 and the first act has some issues, 637 00:41:25,220 --> 00:41:28,322 but... What did you think? 638 00:41:34,091 --> 00:41:35,497 Not bad. 639 00:41:39,379 --> 00:41:45,879 == sync, corrected by elderman == @elder_man web dl sync snarry